Anne Hackaway

I love Roger Corman so much

I’ve ascended to a new plane
(bodied “Fat Lip” by Sum41 at karaoke)

😎😎😎

UM ACTUALLY I THINK ONLY VERY COOL AND SEXY PEOPLE EAT DINNER THEN

WE’LL BE AWAKE WE’LL BE ALERT WE’LL BE POSITIVE THO IT HURTS!

I cried the expected amount but my favorite part was sobbing to Better Son/Daughter and locking eyes with the woman next to me who was also sobbing and just nodding vigorously while we cried and screamed all the words

rip to a true king

Ready 2 cry at the Greek with all my fellow millennials for Rilo Kiley 2night
🫡

We hate Barry

Cinema 😎

I am also watching it for the first time!

Elizabeth Banks shot a cop and I was starting to say “yeah!” But a then a worm crawled out of the hole in his head and it surprised me so much I screamed EWW!!!!

good movie :) disgusting :)

Watching SLITHER and lol it’s gross

This is where I grew up. Like one of the burbs right next to me. I want to throw up.

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Priests that fuck, malevolent spirits, terrifying mud monster, god this rocked.

FINALLY saw Eyes of Fire and OK HELLO INSTANT CLASSIC NEW OBSESSION! What a gorgeous colonial witchy delight. This thing is SO special.

It’s about dang time!

Moobie time

It does still feel weird to mourn a social media site? But Twitter brought me to LA in a roundabout way. This version of my life wouldn’t exist without it.

Long story short, an actual Nazi doxxing ring. Enough people reported them that they went away for like 12 hours and then Elon personally brought them back. The site is dead. If you’re still on there, go lock your account right now

I think I’m finally ready to move over here permanently. Twitter was good to me but with what it’s become what’s the point?

Are We Good? is a meditation on loss, grief, and life itself “You’re gonna destroy me with this stupid movie that I let you do, that I’m resisting because you’re annoying,” says Marc Maron in the opening minutes of Are We Good? Even if you don’t know Maron’s…

ARE WE GOOD? looks beyond Marc Maron's showbiz highs and lows to deliver an incredible film about life, grief, and how to balance the two, enthuses @sgorr.bsky.social.

If I Had Legs I’d Kick You is a tale of motherhood with serious teeth In 2025, an unlikeable mother still feels a little risky. Certain types of female selfishness and honesty can be hard for audiences to stomach. Just take a look at the deeply polarized reactions to…

@sgorr.bsky.social has ebullient praise IF I HAD LEGS I'D KICK YOU, a film bold enough to make a movie about motherhood about a hard-to-like mother, not her relationships, and still convinces the audience to understand her.

The History of Sound artfully celebrates the romance and heart of American music The History of Music’s package more than its premise sells itself without much difficulty. Gay historical romance with Paul Mescal and Josh O’Connor? The two celebs whose heads fans most want to…

@sgorr.bsky.social hopes audiences find Paul Mescal and Josh O'Connor enough of a draw to check out the celebration of American folk music that is THE HISTORY OF SOUND because it is frequently rich and heartwrenching.

28 YEARS LATER and The Parable of Teenage Awakening | Film Crit Hulk Get more from Film Crit Hulk on Patreon

*spoilers inside if you haven’t seen!* but dang this really is my favorite read on #28YearsLater I had my thumb on some of this but it brings together why I felt so drawn to it: www.patreon.com/posts/131953... @filmcrithulk.bsky.social

the number of times I’ve seen 2002’s THE HOURS is between me and god

Mission: Impossible – The Final Reckoning can’t stick the landing Mission: Impossible – The Final Reckoning is the swan song for Chris McQuarrie and Tom Cruise, the IMF’s match made in heaven. The duo teamed up with the fifth installment, Rogue Nation, and have…

Despite MISSION: IMPOSSIBLE – THE FINAL RECKONING offering plenty of thrills, @sgorr.bsky.social can feel the franchise's exhaustion as it stumbles to the finishing line.

New review! Reliving my 2000s body-image trauma and a brand new show for Stacy & Clinton:

^ piece on why we need studio movies right now and why people are being weird about Coogler's deal and also why I want to murder tech CEOs :D