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igor · intima.org

@intima.bsky.social

http://intima.info/stromajer „le Pavarotti du HTML“ · homo ex machina · low-tech post-electric non-artist · artworks in the Centre Pompidou & Museo Reina Sofía collections · a=tF² · https://intima.org · intimate tactical guerrilla + low-tech net strategies

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DE-ALGO ID #01000110 [test exhibition] – De-Algorithmized Identity No. 01000110

intima.info/2026/02/02/0...

🌳 forest, 8-28 February 2026

The exhibition is situated deep within a forest, positioned at one of the rotating axis of Europe, where human presence is rare to non-existent.

07.02.2026 23:00 — 👍 3    🔁 1    💬 0    📌 0
A close-up of a pair of hands holding open a bright yellow book over a table stacked with pale pink and beige books. The open pages are neon yellow with bold black graphic elements, arrows, and blocks. Visible printed text includes “CANADA,” “PAR AVION,” and “ar avion,” along with stamped and hand-drawn marks. On the right-hand page, there is handwritten black text reading “BLOOD IN THE PANIC HERE” (handwritten, uneven lettering). The person is wearing a blue sweater and a grey scarf, only their torso and hands are visible. The background shows neatly stacked books with minimal black typography on their covers.

A close-up of a pair of hands holding open a bright yellow book over a table stacked with pale pink and beige books. The open pages are neon yellow with bold black graphic elements, arrows, and blocks. Visible printed text includes “CANADA,” “PAR AVION,” and “ar avion,” along with stamped and hand-drawn marks. On the right-hand page, there is handwritten black text reading “BLOOD IN THE PANIC HERE” (handwritten, uneven lettering). The person is wearing a blue sweater and a grey scarf, only their torso and hands are visible. The background shows neatly stacked books with minimal black typography on their covers.

Correspondences – de Appel 1975–2025, Martha Jager, Hannah Cheney, eds., De Appel, Amsterdam, 2025

intima.info/2026/02/03/c...

— in her text "Subject -oµ4× [AD]: An Email Correspondence", Annet Dekker @aaaannet.bsky.social provides an analysis and contextual reading of my works -oµ4× & Expunction

03.02.2026 12:52 — 👍 1    🔁 0    💬 0    📌 0
A dark, atmospheric digital graphic set in a dense forest at night. Tall tree trunks and branches form a tunnel-like scene, mostly black and dark gray, with a cold teal-blue mist and light glowing in the center background. In the middle of the image is a large, stylized white head wearing a black-and-white gas mask, with two round eye lenses and filter canisters on both sides. The head and mask have a distressed, rough, paint-like texture with uneven edges. Below the head, centered near the bottom, is white, blocky, futuristic text that reads: DE-ALGO ID #01000110. The overall mood is ominous, cyberpunk, and dystopian, with strong contrast between the white figure and text and the dark forest background.

A dark, atmospheric digital graphic set in a dense forest at night. Tall tree trunks and branches form a tunnel-like scene, mostly black and dark gray, with a cold teal-blue mist and light glowing in the center background. In the middle of the image is a large, stylized white head wearing a black-and-white gas mask, with two round eye lenses and filter canisters on both sides. The head and mask have a distressed, rough, paint-like texture with uneven edges. Below the head, centered near the bottom, is white, blocky, futuristic text that reads: DE-ALGO ID #01000110. The overall mood is ominous, cyberpunk, and dystopian, with strong contrast between the white figure and text and the dark forest background.

DE-ALGO ID #01000110 [test exhibition] – De-Algorithmized Identity No. 01000110
intima.info/2026/02/02/0...
📍 forest, 8-28 February 2026

The exhibition is structured to exist primarily for the environment, without the requirement of being seen.

There are no markers, signs, or directions provided.

02.02.2026 17:36 — 👍 1    🔁 0    💬 0    📌 0
A close-up of a metallic award sculpture, consisting of a rectangular metal block with a protruding polished sphere. The sphere has dark, roughened, burned-looking areas on its surface. Engraved text on the base reads “Premio a la mejor obra de net-art.” The object is photographed from different angles against a plain background.

A close-up of a metallic award sculpture, consisting of a rectangular metal block with a protruding polished sphere. The sphere has dark, roughened, burned-looking areas on its surface. Engraved text on the base reads “Premio a la mejor obra de net-art.” The object is photographed from different angles against a plain background.

A computer screen showing multiple overlapping Mozilla Firefox windows. In the foreground, a small window displays a simple pixel-style animation of a woman and a man pulling each other by the arm. In the background, grayscale images of distressed faces and interface elements are visible, suggesting an interactive or browser-based net art work.

A computer screen showing multiple overlapping Mozilla Firefox windows. In the foreground, a small window displays a simple pixel-style animation of a woman and a man pulling each other by the arm. In the background, grayscale images of distressed faces and interface elements are visible, suggesting an interactive or browser-based net art work.

An exhibition stand at an art fair with white walls and signage reading “elmundo.es” and “net-art.” Several people stand and talk inside the booth. A wooden podium with a globe logo is visible in the foreground, along with informational panels and a computer terminal. The space is brightly lit and busy with visitors.

An exhibition stand at an art fair with white walls and signage reading “elmundo.es” and “net-art.” Several people stand and talk inside the booth. A wooden podium with a globe logo is visible in the foreground, along with informational panels and a computer terminal. The space is brightly lit and busy with visitors.

25 years: 4.2 kg of net art — A quarter of a century ago, in February 2001, I won the ARCO El Mundo Net Art Award at the ARCO International Contemporary Art Fair in Madrid for the best net art work. The statuette, which accompanied the cash prize, weighs 4.2 kg.
intima.org/expunction/c...

01.02.2026 08:24 — 👍 2    🔁 0    💬 0    📌 0

"My friends are always going to like my work. The great thing about the internet art community is that it's full of people who aren't my friends."

— Curt Cloninger, 2015, www.lab404.com

31.01.2026 11:41 — 👍 2    🔁 0    💬 0    📌 0

The most intimate, political, and radical artistic act today is the one you do without a cause. Or the one you don't do at all.

30.01.2026 11:44 — 👍 0    🔁 0    💬 0    📌 0

— "Hey, long time no see! Still an artist?"

— ¯\_ (⦾ఠ) _/¯

28.01.2026 22:01 — 👍 1    🔁 0    💬 0    📌 0
Illustrated comic-style scene on a light gray and white background. At the top left, a black rounded rectangle label reads in white capital letters: AT THE OPENING. Below it, two speech bubbles appear. The left speech bubble, coming from a curator, says: YOU'RE AN ARTIST?. The right speech bubble, coming from a masked figure, an artist, says: YEAH, BUT I KEEP A LOW PROFILE. On the left stands a woman with short, spiky turquoise-green hair. She wears large, angular gray glasses, purple lipstick, and a confident expression. Her outfit is a fitted black suit with neon green and purple geometric accents, a high collar, and matching black pants. She stands with hands on her hips and wears black high-heeled ankle boots. On the right stands a human-like figure leaning casually with arms crossed. The figure wears a white protective suit with black straps, black gloves, and black lace-up boots. The head is covered by a black helmet and gas mask with two glowing turquoise circular lenses for eyes and small antenna-like protrusions on top. A breathing filter is visible on the mask. Behind the masked figure is a beige, old-fashioned CRT computer monitor sitting on a matching computer case. The screen displays colorful digital noise or glitch patterns in bright pink, green, blue, and yellow. The overall style is clean, graphic, and slightly futuristic, with a humorous, conversational tone.

Illustrated comic-style scene on a light gray and white background. At the top left, a black rounded rectangle label reads in white capital letters: AT THE OPENING. Below it, two speech bubbles appear. The left speech bubble, coming from a curator, says: YOU'RE AN ARTIST?. The right speech bubble, coming from a masked figure, an artist, says: YEAH, BUT I KEEP A LOW PROFILE. On the left stands a woman with short, spiky turquoise-green hair. She wears large, angular gray glasses, purple lipstick, and a confident expression. Her outfit is a fitted black suit with neon green and purple geometric accents, a high collar, and matching black pants. She stands with hands on her hips and wears black high-heeled ankle boots. On the right stands a human-like figure leaning casually with arms crossed. The figure wears a white protective suit with black straps, black gloves, and black lace-up boots. The head is covered by a black helmet and gas mask with two glowing turquoise circular lenses for eyes and small antenna-like protrusions on top. A breathing filter is visible on the mask. Behind the masked figure is a beige, old-fashioned CRT computer monitor sitting on a matching computer case. The screen displays colorful digital noise or glitch patterns in bright pink, green, blue, and yellow. The overall style is clean, graphic, and slightly futuristic, with a humorous, conversational tone.

Every now and then, on special occasions, a curator approaches me. Definitions follow.

25.01.2026 20:18 — 👍 1    🔁 1    💬 0    📌 0
A beige, old CRT computer monitor sits on a white desk. A white keyboard is forcefully lodged diagonally through the monitor's glass screen, which is shattered with visible cracks radiating from the impact point. The monitor casing is off-white, with round control buttons and a circular power knob below the screen, and a small black-and-white skull logo sticker on the upper right corner of the monitor frame. White and gray cables run across the desk. To the left, part of another gray electronic device is visible. Papers are scattered on the desk in the foreground. At the bottom of the image, a black rectangular label with white text reads: 127.0.0.1 / 0:0:0:0:0:0:0:1. The overall color palette is muted, dominated by beige, white, gray, and black, evoking retro computer technology and a scene of deliberate destruction.

A beige, old CRT computer monitor sits on a white desk. A white keyboard is forcefully lodged diagonally through the monitor's glass screen, which is shattered with visible cracks radiating from the impact point. The monitor casing is off-white, with round control buttons and a circular power knob below the screen, and a small black-and-white skull logo sticker on the upper right corner of the monitor frame. White and gray cables run across the desk. To the left, part of another gray electronic device is visible. Papers are scattered on the desk in the foreground. At the bottom of the image, a black rectangular label with white text reads: 127.0.0.1 / 0:0:0:0:0:0:0:1. The overall color palette is muted, dominated by beige, white, gray, and black, evoking retro computer technology and a scene of deliberate destruction.

de-digitalization ✚ de-algorithmization

24.01.2026 17:22 — 👍 0    🔁 0    💬 0    📌 0

I don't really see much point in making art for humans. Art made for humans is overrated. There's far too little being produced for machines, not to mention other non-humans. That imbalance isn't accidental, it's structural, because it lies at the very core of what we, humans, understand as art.

23.01.2026 09:44 — 👍 0    🔁 0    💬 2    📌 1

Ask not what you can do for your country. Ask what your country can do for you!

21.01.2026 08:40 — 👍 0    🔁 0    💬 0    📌 0
Black-and-white photo of a performer standing indoors against a plain wall. The person wears a shiny metallic silver suit, heavy black boots, and a futuristic helmet with attached devices and antennas that fully covers the face. An electric guitar hangs from their shoulder, with cables running from the guitar and suit to the floor. One hand is raised as if gesturing to an audience. Behind them are a keyboard on a stand, a laptop, a microphone stand, and several cables scattered across the floor, suggesting a live experimental music performance setup.

Black-and-white photo of a performer standing indoors against a plain wall. The person wears a shiny metallic silver suit, heavy black boots, and a futuristic helmet with attached devices and antennas that fully covers the face. An electric guitar hangs from their shoulder, with cables running from the guitar and suit to the floor. One hand is raised as if gesturing to an audience. Behind them are a keyboard on a stand, a laptop, a microphone stand, and several cables scattered across the floor, suggesting a live experimental music performance setup.

Pseudo-punk before a concert at @pankegallery.bsky.social Berlin.
intima.org/+
[Photo: Galya Feierman, January 2026]

20.01.2026 19:03 — 👍 3    🔁 0    💬 0    📌 0
A middle-aged man stands facing the camera with his arms slightly spread. He wears a shiny silver, industrial-style jumpsuit covered in black straps, cables, clips, and connectors, along with black boots. On his head is a white helmet or cap with mounted electronics, and he wears round, reflective blue-tinted goggles. His expression is neutral and focused. Behind him is a dark, heavily graffitied wall or door covered with stickers, tags, and scrawled text, suggesting an underground club or industrial venue. The lighting is dramatic and moody, emphasizing the metallic outfit and gritty surroundings.

A middle-aged man stands facing the camera with his arms slightly spread. He wears a shiny silver, industrial-style jumpsuit covered in black straps, cables, clips, and connectors, along with black boots. On his head is a white helmet or cap with mounted electronics, and he wears round, reflective blue-tinted goggles. His expression is neutral and focused. Behind him is a dark, heavily graffitied wall or door covered with stickers, tags, and scrawled text, suggesting an underground club or industrial venue. The lighting is dramatic and moody, emphasizing the metallic outfit and gritty surroundings.

Pseudo-punk after a concert at @pankegallery.bsky.social, Berlin.
intima.org/+
[Photo: Galya Feierman, January 2026]

20.01.2026 08:09 — 👍 2    🔁 0    💬 0    📌 0
TikTok - Make Your Day

✚ 𝗽𝗹𝘂𝘀 💥 live post pseudo meta proto punk concert · Vorspiel / transmediale & CTM 2026 Opening Night 📍 @pankegallery.bsky.social, 16 January 2026

tiktok.com/@iintima/vid...
✚
tiktok.com/@iintima/vid...

19.01.2026 17:07 — 👍 2    🔁 1    💬 0    📌 0
Preview
“EastUnBloc” Reclaims Media Art from Socialist Europe “EastUnBloc” Reclaims Media Art from Socialist Europe

"EastUnBloc" Reclaims Media Art from Socialist Europe
www.holo.mg/stream/ngbk-...

"nGbK Berlin's EastUnBloc examines the permeability of the 'Iron Curtain' through the lens of experimental media art [...] From Slovak homebrew computer games, to Igor Štromajer's hardware hacks"

— holo, 2025/11/29

19.01.2026 08:48 — 👍 2    🔁 0    💬 0    📌 0
Close-up of the performer playing a compact keyboard with both hands. The silver suit reflects strong light, emphasizing its crinkled texture. The performer’s masked face and dark round goggles are visible above the keyboard, with wires and sensors attached to the helmet and clothing, suggesting a cybernetic or experimental music setup.

Close-up of the performer playing a compact keyboard with both hands. The silver suit reflects strong light, emphasizing its crinkled texture. The performer’s masked face and dark round goggles are visible above the keyboard, with wires and sensors attached to the helmet and clothing, suggesting a cybernetic or experimental music setup.

A performer stands behind a keyboard and electronic setup, wearing a shiny silver protective suit, black boots, and a black electric guitar strapped across the body. The face is covered with a futuristic mask and round dark goggles, with small antenna-like devices attached to a helmet. Multiple cables hang from the instruments, and laptops and microphones surround the performer against a plain white wall.

A performer stands behind a keyboard and electronic setup, wearing a shiny silver protective suit, black boots, and a black electric guitar strapped across the body. The face is covered with a futuristic mask and round dark goggles, with small antenna-like devices attached to a helmet. Multiple cables hang from the instruments, and laptops and microphones surround the performer against a plain white wall.

Post image Close-up of the performer playing a black electric guitar. The left hand grips the fretboard while the right hand plucks the strings. The performer wears the same reflective silver suit, mask, and helmet with attached devices. A laptop with visible cables sits nearby, reinforcing the blend of live guitar and electronic performance.

Close-up of the performer playing a black electric guitar. The left hand grips the fretboard while the right hand plucks the strings. The performer wears the same reflective silver suit, mask, and helmet with attached devices. A laptop with visible cables sits nearby, reinforcing the blend of live guitar and electronic performance.

Berlin! ✚ 𝗽𝗹𝘂𝘀 💥 live post pseudo meta proto punk concert · · Vorspiel / transmediale & CTM 2026 Opening Night 📍 @pankegallery.bsky.social, 16 JAN 2026

Photo: Galya Feierman; more pics: instagram.com/p/DTn6AO3DAQR
✚
vorspiel.berlin/events/plusp...
✚
panke.gallery/event/pluspunk
✚
intima.org/plus
✚

17.01.2026 20:17 — 👍 2    🔁 1    💬 0    📌 0
At night on a wet, snowy street in central Berlin, a street musician stands centered beneath the illuminated TV Tower at Alexanderplatz. The performer wears a shiny silver jumpsuit, a helmet-like mask with two glowing turquoise round goggles and small antennae, and red sneakers. They play an electric guitar and a small keyboard mounted on a stand, with effect pedals and cables spread on the ground. Trams and cars pass on both sides, leaving bright light trails, while modern buildings and streetlights frame the scene under a dark, cloudy sky.

At night on a wet, snowy street in central Berlin, a street musician stands centered beneath the illuminated TV Tower at Alexanderplatz. The performer wears a shiny silver jumpsuit, a helmet-like mask with two glowing turquoise round goggles and small antennae, and red sneakers. They play an electric guitar and a small keyboard mounted on a stand, with effect pedals and cables spread on the ground. Trams and cars pass on both sides, leaving bright light trails, while modern buildings and streetlights frame the scene under a dark, cloudy sky.

Berlin! ✚ plus 💥 live post pseudo meta proto punk concert · Igor @intima.bsky.social · part of #Vorspiel transmediale & CTM 2026
vorspiel.berlin/events/plusp...

📍 @pankegallery.bsky.social, FRI, 16 JAN 2026 at 20:30
panke.gallery/event/pluspunk

🪫 Are you ready for a revolution? 🔋
intima.org/plus

14.01.2026 13:22 — 👍 5    🔁 2    💬 0    📌 0
A performer in a silver, reflective suit plays electronic music at a table with a laptop and synthesizer. Their face is covered by a futuristic mask with glowing blue lenses, antennas, and visible wires. A small audience stands close behind, watching the live performance in a gallery space.

A performer in a silver, reflective suit plays electronic music at a table with a laptop and synthesizer. Their face is covered by a futuristic mask with glowing blue lenses, antennas, and visible wires. A small audience stands close behind, watching the live performance in a gallery space.

Close-up of the performer wearing a cyberpunk-style mask with illuminated blue eyes and a metal mesh mouth. They are playing an electric guitar, fingers pressing the strings, with cables and small red LED lights attached to their suit and instrument.

Close-up of the performer wearing a cyberpunk-style mask with illuminated blue eyes and a metal mesh mouth. They are playing an electric guitar, fingers pressing the strings, with cables and small red LED lights attached to their suit and instrument.

The performer stands over a compact keyboard synthesizer while holding an electric guitar. Both hands are active, one adjusting knobs, the other playing keys. The silver suit, exposed cables, and glowing elements emphasize a hybrid of music, technology, and performance art, with painted figures visible on the gallery wall behind.

The performer stands over a compact keyboard synthesizer while holding an electric guitar. Both hands are active, one adjusting knobs, the other playing keys. The silver suit, exposed cables, and glowing elements emphasize a hybrid of music, technology, and performance art, with painted figures visible on the gallery wall behind.

Stylized graphic illustration of a punk guitarist wearing a black gas mask with large round goggles glowing turquoise. Bright cables and connectors float around the figure. The person plays a futuristic electric guitar, and the word “+punk” appears prominently in bold turquoise text against a neon blue background.

Stylized graphic illustration of a punk guitarist wearing a black gas mask with large round goggles glowing turquoise. Bright cables and connectors float around the figure. The person plays a futuristic electric guitar, and the word “+punk” appears prominently in bold turquoise text against a neon blue background.

This Friday in Berlin: ✚ plus 💥 live post pseudo meta proto punk concert · @intima.bsky.social · part of #Vorspiel [transmediale & CTM] 2026
vorspiel.berlin/events/plusp...

📍 @pankegallery.bsky.social, FRI, 16 JAN, 20:30

panke.gallery/event/pluspunk
Are you ready for a revolution?
intima.org/plus

12.01.2026 09:30 — 👍 5    🔁 1    💬 0    📌 0

Art repeats itself, first as tragedy, second as Post-Internet.

11.01.2026 09:45 — 👍 2    🔁 0    💬 0    📌 0

I know it looks like I am, but I'm not.

10.01.2026 10:19 — 👍 0    🔁 0    💬 0    📌 0
A screenshot of a social media post interface in dark mode. At the top is a user profile name reading “igor · intima.org,” with a small robot-style avatar icon. A notice states that one label has been placed on the content. Below, a location pin icon appears next to the text “Palermo, Sicily.” An information banner reads “Adult Content” with a “Show” button. Beneath it is a line stating “Labeled by @moderation.bsky.app,” followed by a “Learn more” link. At the bottom of the screen are standard social media icons for commenting, reposting, liking, bookmarking, sharing, and a menu.

A screenshot of a social media post interface in dark mode. At the top is a user profile name reading “igor · intima.org,” with a small robot-style avatar icon. A notice states that one label has been placed on the content. Below, a location pin icon appears next to the text “Palermo, Sicily.” An information banner reads “Adult Content” with a “Show” button. Beneath it is a line stating “Labeled by @moderation.bsky.app,” followed by a “Learn more” link. At the bottom of the screen are standard social media icons for commenting, reposting, liking, bookmarking, sharing, and a menu.

08.01.2026 15:24 — 👍 0    🔁 0    💬 0    📌 0
A close-up of a damaged Renaissance-style painting of the Virgin Mary holding the infant Jesus. Mary wears a deep red cloak and bends her head gently toward the sleeping child, who rests against her bare chest with eyes closed and relaxed hands. Large sections of paint are missing from Mary’s face and hair, revealing rough brown wooden panel beneath, with cracks and peeling clearly visible. The child’s skin appears smooth and intact, sharply contrasting with the deterioration of Mary’s face. At the bottom, on a wooden surface, lie a small apple and a red berry, symbols of Christian theology. The background is dark, emphasizing both the figures and the visible damage to the painting.

A close-up of a damaged Renaissance-style painting of the Virgin Mary holding the infant Jesus. Mary wears a deep red cloak and bends her head gently toward the sleeping child, who rests against her bare chest with eyes closed and relaxed hands. Large sections of paint are missing from Mary’s face and hair, revealing rough brown wooden panel beneath, with cracks and peeling clearly visible. The child’s skin appears smooth and intact, sharply contrasting with the deterioration of Mary’s face. At the bottom, on a wooden surface, lie a small apple and a red berry, symbols of Christian theology. The background is dark, emphasizing both the figures and the visible damage to the painting.

A close-up of a heavily worn Renaissance-style painting depicting the Virgin Mary and the infant Jesus. Mary is shown seated, wearing a red dress with a dark belt, her head gently tilted downward as she looks toward the child. The infant Jesus sits nude beside her, turning his head upward to meet her gaze. The painted surface is extensively damaged, with flaking paint, cracks, abrasions, and exposed underlayers visible across the entire image. The background is a muted green, mottled by age and loss, giving the scene a rough, fragmented texture that contrasts with the soft expressions of Mary and the child.

A close-up of a heavily worn Renaissance-style painting depicting the Virgin Mary and the infant Jesus. Mary is shown seated, wearing a red dress with a dark belt, her head gently tilted downward as she looks toward the child. The infant Jesus sits nude beside her, turning his head upward to meet her gaze. The painted surface is extensively damaged, with flaking paint, cracks, abrasions, and exposed underlayers visible across the entire image. The background is a muted green, mottled by age and loss, giving the scene a rough, fragmented texture that contrasts with the soft expressions of Mary and the child.

A close-up of a worn medieval or early Renaissance painting showing the Virgin Mary breastfeeding the infant Jesus. Both figures have golden halos. Mary tilts her head gently toward the child, her face calm and pale, framed by a light veil with traces of gold. The infant Jesus looks up at her while nursing and holds a small bird in one hand. Mary’s arms support the child across her lap, and both figures wear garments in muted red, blue, and gold tones. The painted surface is heavily aged, with dense crackling, flaking paint, and areas of loss throughout, revealing the rough texture of the underlying panel. The background is plain and weathered, emphasizing the intimacy of the scene and the painting’s fragile condition.

A close-up of a worn medieval or early Renaissance painting showing the Virgin Mary breastfeeding the infant Jesus. Both figures have golden halos. Mary tilts her head gently toward the child, her face calm and pale, framed by a light veil with traces of gold. The infant Jesus looks up at her while nursing and holds a small bird in one hand. Mary’s arms support the child across her lap, and both figures wear garments in muted red, blue, and gold tones. The painted surface is heavily aged, with dense crackling, flaking paint, and areas of loss throughout, revealing the rough texture of the underlying panel. The background is plain and weathered, emphasizing the intimacy of the scene and the painting’s fragile condition.

A square street-art poster pasted on a rough beige wall with blue graffiti marks. It shows a stylized woman from the chest up, raising her right fist in a gesture of resistance or protest. Her face and arm are rendered in bold, graphic blocks of blue, green, and beige, with dark outlines. She wears a red garment, and behind her head is a red circular halo surrounded by black rays with yellow accents, resembling a revolutionary or icon-like sunburst. The overall style mixes political poster art and religious iconography, with weathering and water stains visible on the surface.

A square street-art poster pasted on a rough beige wall with blue graffiti marks. It shows a stylized woman from the chest up, raising her right fist in a gesture of resistance or protest. Her face and arm are rendered in bold, graphic blocks of blue, green, and beige, with dark outlines. She wears a red garment, and behind her head is a red circular halo surrounded by black rays with yellow accents, resembling a revolutionary or icon-like sunburst. The overall style mixes political poster art and religious iconography, with weathering and water stains visible on the surface.

📍 Palermo, Sicily

08.01.2026 15:18 — 👍 2    🔁 0    💬 1    📌 0

I make love, not art. Results may vary.

07.01.2026 20:21 — 👍 0    🔁 0    💬 0    📌 0
A stylized, neon-lit illustration of a person playing an electric guitar, wearing a black gas mask with glowing turquoise lenses and chrome details. The figure has bright turquoise hair, a shiny black jacket, and holds a futuristic guitar with a pink control panel. Various audio and power cables float around them against a blue, tech-inspired background. The word “+punk” appears in bold turquoise text.

A stylized, neon-lit illustration of a person playing an electric guitar, wearing a black gas mask with glowing turquoise lenses and chrome details. The figure has bright turquoise hair, a shiny black jacket, and holds a futuristic guitar with a pink control panel. Various audio and power cables float around them against a blue, tech-inspired background. The word “+punk” appears in bold turquoise text.

✚ plus electro post pseudo meta proto punk by !gor #352; @intima.bsky.social, part of Vorspiel 2026
vorspiel.berlin/events/plusp...

📍 panke.gallery, FRI, 16 JAN 2026, 20:30, Gerichtstr. 23, Hof 5, 13347 Berlin
panke.gallery/event/pluspunk

Are you ready for a revolution?
intima.info/2026/01/01/v...

04.01.2026 19:42 — 👍 3    🔁 2    💬 0    📌 0

[2/2]

read about my work in, or even give an interview to, mentioned me at all.

– I can't recall the third major failure at the moment, but it definitely exists.

So 2025 was yet another successfully failed year, exactly as one would expect of a non-artist.

Cheers! 🥛🍼🍶

01.01.2026 18:21 — 👍 4    🔁 0    💬 1    📌 0

Instead of listing my successes in 2025, such as exhibitions, presentations, talks, books, and other events, I proudly present my three greatest failures from last year:

– I didn't receive a single award or grant.

– None of the newspapers, magazines, or online platforms I'd actually want to

[1/2]

01.01.2026 18:21 — 👍 2    🔁 1    💬 1    📌 0

Δ S ≥ 0

31.12.2025 23:28 — 👍 1    🔁 0    💬 0    📌 0
An adult person stands facing the camera against a plain white wall. They are shirtless, wearing light-colored shorts, black gloves, and black lace-up combat boots. Their hands are clasped in front of their lower abdomen. The person wears a black helmet with two short antenna-like rods on top, reflective turquoise goggles, and a black gas mask covering the entire lower face. The posture is upright and symmetrical, with legs slightly apart, creating a stark, stylized, and somewhat dystopian appearance.

An adult person stands facing the camera against a plain white wall. They are shirtless, wearing light-colored shorts, black gloves, and black lace-up combat boots. Their hands are clasped in front of their lower abdomen. The person wears a black helmet with two short antenna-like rods on top, reflective turquoise goggles, and a black gas mask covering the entire lower face. The posture is upright and symmetrical, with legs slightly apart, creating a stark, stylized, and somewhat dystopian appearance.

An adult person stands facing the camera against a plain white wall. They wear a reflective silver protective suit with black straps and zippers, black gloves, and black lace-up combat boots. Their hands are clasped in front of their lower body. The head is covered by a black helmet with two short antenna-like rods on top, reflective turquoise goggles, and a black gas mask covering the face. A square device with a stylized gas-mask icon and turquoise circular details is strapped to the chest. The posture is upright and symmetrical, giving a controlled, industrial, and dystopian impression.

An adult person stands facing the camera against a plain white wall. They wear a reflective silver protective suit with black straps and zippers, black gloves, and black lace-up combat boots. Their hands are clasped in front of their lower body. The head is covered by a black helmet with two short antenna-like rods on top, reflective turquoise goggles, and a black gas mask covering the face. A square device with a stylized gas-mask icon and turquoise circular details is strapped to the chest. The posture is upright and symmetrical, giving a controlled, industrial, and dystopian impression.

I only get naked when I'm serious.
A softer, more peaceful 2026!

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30.12.2025 17:24 — 👍 1    🔁 0    💬 0    📌 0
A beige, old-style CRT computer monitor shown at a slight angle against a solid black background. The bulky casing and curved glass screen emphasize its vintage design. On the screen, bright orange text reads: It's now safe to turn off your computer. Several physical control buttons are visible below the screen, reinforcing the retro technology aesthetic.

A beige, old-style CRT computer monitor shown at a slight angle against a solid black background. The bulky casing and curved glass screen emphasize its vintage design. On the screen, bright orange text reads: It's now safe to turn off your computer. Several physical control buttons are visible below the screen, reinforcing the retro technology aesthetic.

Not quite there yet, but I'll let you know when I get really close.

[the title of my next show] #dedigitalization

27.12.2025 08:28 — 👍 5    🔁 1    💬 0    📌 0
A winter mountain landscape seen through low-hanging evergreen branches heavy with fresh snow. The foreground is a smooth, white snowfield with a few thin twigs poking through. Frosted conifer branches frame the top and sides like a natural arch. In the distance, beyond the trees, a wide valley stretches out with rolling hills, forests, and pale patches of fields under a cloudy winter sky.

A winter mountain landscape seen through low-hanging evergreen branches heavy with fresh snow. The foreground is a smooth, white snowfield with a few thin twigs poking through. Frosted conifer branches frame the top and sides like a natural arch. In the distance, beyond the trees, a wide valley stretches out with rolling hills, forests, and pale patches of fields under a cloudy winter sky.

A dense network of tree branches completely coated in thick white frost and snow fills most of the frame. The branches hang downward in long, lace-like shapes. In the background, partially obscured by the frozen branches, are ski-lift structures, including tall dark poles and a red chairlift cabin suspended on a cable. The ground below is covered in deep, untouched snow, creating a quiet, cold alpine scene.

A dense network of tree branches completely coated in thick white frost and snow fills most of the frame. The branches hang downward in long, lace-like shapes. In the background, partially obscured by the frozen branches, are ski-lift structures, including tall dark poles and a red chairlift cabin suspended on a cable. The ground below is covered in deep, untouched snow, creating a quiet, cold alpine scene.

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26.12.2025 15:33 — 👍 1    🔁 0    💬 0    📌 0

@intima is following 20 prominent accounts