no crying in the club (monaco)

The model wears a white, chiffon tunic dress with long sleeves. The dress has multiple ruffles along it, breaking up the silhouette of the model into wave-like patterns. They wear silver heels and their hair is coiffed in multiple blond "shirley temple" curls. The front of the dress features a silver casting of Christ on the cross, centered in the middle of the chest.

The model wears a sharp, ivory tuxedo with wide, satin lapels and matching, pressed pants. They wear a white tie. The shoulders of the jacket are exaggerated. The same model, with the blonde curls, is used in all of the images. The jacket features a boutonniere on the left side of the chest: a pink rose with green leaves.

The model wears a transparent, white dress with long sleeves and a high neck. The dress is floor-length, puddling around the model's legs and feet in a soft, sweeping train. The gown is covered in three-dimensional sequin and crystal flowers along the neckline of the dress, the forearms, and the train of the dress. More crystals are attached to the dress in wide arcs along the chest and hips.

The model wears high-waisted, white, satin pants with a distinct crease along the front. The pants are floor-length and hide the shoes, the waistline ending just above the belly button. The pants feature subtle lace details along the hips and bottoms, crawling down and up the leg respectively. The model wears no shirt and holds their hands over their own breasts, rendering them modest. They wear a white fur stole over one shoulder, covering the right side of their chest. The stole features a silver bangle around the bottom of it. The model stands at 3/4s to the camera, with one leg crooked out.

FRANCESCO SCOGNAMIGLIO SPRING 2026 COUTURE COLLECTION.

The model wears a draped jacket in transparent white jersey, paired with matching, oversized pegged pants. The fabric is sheer enough to reveal the model's frame below. The jacket has a gathered, double-breasted front held in place on the left with a gold bijou button. The model wears illuminated salt stone earrings and a matching gold-plated brass necklace. The salt stone on the necklace glows and is about the size of a fist. The model wears canvas trompe l'oeil derby boots in white leather with corset lacing.

The model is shown from the side. They wear a trench coat made of transparent black jersey embellished with black lambskin leather insert. The inserts are around the collar, shoulders, and belt. The trench coat is floor-length. It is worn over oversized pants in black satin. They carry a large black satchel. They wear large, gold-plated brass earrings. The eyeholes and buckle of their belt are gold.

The model wears a form-fitting, trompe l'oeil dress in a black, viscose jacquard knit. The dress features a chalk drawing of a woman's body, roughly outlining the model's own form. The dress has long sleeves and a turtleneck and ends just under the knees. They wear black patent leather pumps, decorated with hand-painted drawings of the Maison's codes. They carry a black leather handbag in their right hand.

The model wears a double-breasted jacket in a transparent, warm brown jersey. The front of the jacket, a gathered, draped volume, is held in place on the left of the model's body by a gold bijou button. The jacket is worn with oversized pleated pants in the same transparent, brown jersey fabric. The model wears a massive necklace, stretching from their neck to their waist, made up of a succession of illuminated salt stones of various sizes. You can see some of the stones shining through the transparent material of the jacket. The stones hang off a thick, organic-looking, brass necklace with "dripping" lines.

SCHIAPARELLI S/S 2026 RTW COLLECTION [2/2].

The model wears a red, long, one-shoulder satin gown. The gown features a dramatic flower detailing on the shoulder and is embellished with tulle inserts that create cut-outs on either side of the hips. The dress is form fitting, with a slight mermaid flare.

The model wears a satin, silver, halter neck maxi dress with cut-outs below the breasts and along the thighs. The cut-outs are tulle inserts. The dress features a cowl neck, with gold jeweled straps. The model wears a bracelet with a illuminated salt stone pendant on their right wrist.

The model wears a black satin maxi dress with skin-revealing tulle insert cutouts on the sides, outlining their ribs, hips, and thighs in a delicate curve. The dress features a cowl neck with gold jeweled straps. The model wears a headpiece of gilded brass, forming branches with hanging rhinestones. They wear matching earrings and a matching necklace. They carry a black rattan-effect trope l'oeil leather bucket bag. The bag is decorated with gilded brass anatomical jewelry forming a "melted" face using two eyes, a nose, and lips.

The model wears a bias-cut black satin halter dress with a diamond-shaped tulle insert in the middle of their torso, revealing most of their sternum and belly. the dress features ruffles along the armpits and back, and drapes to the ground.

SCHIAPARELLI S/S 2026 RTW COLLECTION [1/2].

The model wears a black bustier dress made of double face organza silk featuring a pointed décolleté. The spiral-cut bulle skirt is made of 3 hand-smoked trope l'oeil tails stitched together. The model wears rhinestone knot earrings and black satin sandals with a tall heel.

The model wears a crested bustier gown with a low back and a high front. The bustier is covered in copper lace pattern bullion embroidery featuring a smoked crystal grid and white shells. The gown features a sfumato effect gradient from a rich gold to a deep black at the bottom. The skirt also features four, tiered ruffles, embellished with rhinestones. The model wears chandelier earrings and elbow-length gloves. The globes are sheer, overlaid with black veiling and black veiling ruffles at the cuff, forming a dramatic puff around their elbows.

The model wears a "midnight chocolate" (she's so pretentious, it's dark brown) bustier gown with a dramatic, metal-bonded neckline featuring a pointed décolleté. The back of the gown is low and is embellished with a fan of black and red feathers, starting at the small of the model's back. Like the tail of a chicken. :) The model wears bird head earrings that hold a red drop in their beaks.

The model wears a molded bustier gown in black grin, embroidered with a radial effect of 65,000 blue and black raw silk feathers. The feathers are attached with satin stitch embroidery and feature 27 different shades of blue, ranging from light blue to kingfisher blue to a deep royal blue. The skirt of the dress flares out at mid-thigh. The skirt is double-deckered and flared, bolstered by transparent layers of black tulle and crin. The top flare is embroidered with black feathers. The bottom flare is embroidered in more blue feathers, fading to black as they move up the skirt. Additional fun fact: This gown took about 8,000hrs of work to finish. The model wears no jewelry, and their feet are hidden below the voluminous skirts.

SCHIAPARELLI SPRING 2026 COUTURE COLLECTION [2/2].

The model wears a sharp-shouldered Elsa jacket, which references archival Schiaparelli work, with a dramatic collar that turns into a bird's wing embroidered with thousands of hand-painted sfumato effect feathers and silver embroidery. The wings frame both sides of the model's face, stretching higher on the left. The jacket is feathered in green, brown, yellow, mauve, and cream and has hand-sculpted 3d bird beaks stretching out from the breasts. The model wears no shirt, revealing the middle of their torso, and black velvet trousers. They wear a silver headpiece decorated with black rhinestones, featuring a central crystal and small spikes. They wear black satin sandals with a curved heel.

The model wears a bustier gown with a dramatic décolleté ("The upper part of a woman's torso, comprising her neck, shoulders, back and chest, that is exposed by the neckline of her clothing." "The split between a woman's breasts") embroidered with hundreds of iridescent crystal-dipped peacock feathers in various shades of green. Underneath the skirt (jupon) are stacked layers of black tulle and the model wears nude satin sandals with a curved heel and a strassed keyhole. Their hair is cut in a severe bob and they wear bird's head earrings.

The model wears a butterfly spiral, sleeveless top comprised of handmade lace that swirls around their upper body and shoulders, obscuring parts of the face. The lace took 4,000hrs of embroidery to complete. The look is paired with a sfumato effect tulle skirt that faces from nude at the top to black at the bottom. The model wears nude satin sandals, once again with the curved heel and keyhole. They wear sfumato effect gloves that match the gradient of the skirt, but reversed: black at the top, nude at the fingers. NOTE: sfumato is: "a painting technique for softening the transition between colours, mimicking an area beyond what the human eye is focusing on, or the out-of-focus plane. It is one of the canonical painting modes of the Renaissance."

The model wears a sheer, transparent bustier with ruffled edges that turns into a thick scorpion's tail that curls over the model's head. The tail is embroidered in transparent bas-relief lace with 3D motifs held in place by needles. The bustier has ruffles along the neckline and wider ones along the bottom. The model wears a pencil skirt in black caviar wool, paired with nude satin mule shoes. They wear large pearl earrings. Personally, I think the tail looks more like a gecko's than a scorpion's, for ease of visualization, but who am I to argue with Schiaparelli's official description.

SCHIAPARELLI SPRING 2026 COUTURE COLLECTION [1/2].

You're most welcome! ❤️

A close-up of the model wearing the "suit of armor" in the first post of this thread. They study the camera from behind the star-shaped metal sword that obscures their face. The metal breastplate reflects the backstage scenes around them, and one of the molded hands of the breastplate curls up in front of them. They have pointed, gold earrings and white, dramatic eyelashes.

A shot of the back of one of the model's heads, showing the underside of one of the sculptural hats used in the collection. The hat has a wide, teardrop shaped rip with sculpted ribbons caught in an unseen wind. The photo is framed by the model's dramatic suit shoulders and wide collar. Their hair is orange and swept back into a crest. They wear white earrings. You cannot see their face.

A close-up shot of the completely gold look from earlier in the thread. It shows a portion of the left shoulder and chest of the look, revealing a slit in the material that further reveals black material in the "wound." The slit is caused by a golden sword, plunged deep into the chest with a star-shaped cross guard. The model's hand cradles the hilt of the sword, revealing gold nails on their gloves.

The model wears a white jacket over the red, metallic bell skirt with a full-faced, red sequined mask and the trompe-l’oeil collar. They wear white gloves with red-dipped fingers with long nails, and there's a red slit in the left side of the jacket's chest, like an open wound above the heart. The model is standing backstage, with assistants and other employees crowded around them. Two of them hold up the train of the jacket. There are more backstage crew behind the model, as well as another model waiting to walk.

Forgot to mention: technically those pointed, high collars are trompe-l’oeil silhouettes. And some of the backstage photos from this collection are killer.

The model wears a molded bodice made to resemble a jewelry display stand, with a large loop necklace. The bodice is red, and the skirt of the dress is also red, form-fitting and draped until a sheer red mermaid tail at the bottom. The model wears a red hat and carries a jewelry stand. They have red gloves up to their forearm.

The model wears a sculpted, white bodice over black dress pants with reptilian-like details over the front of the legs in black leather. They wear a long, black coat that hangs off their shoulders, paired with a black statement necklace over the white bodice. They wear a black crown and a full-face white mask, with short, black gloves.

The model wears a white, sleeveless dress with a voluminous crinoline over a hoop skirt. The fabric of the dress is sheer enough to be able to see the boning of the hoop skirt. The dress has French buttons up the front of it and the model wears a dramatic hat that shadows their face. The entire look is covered in delicate, fabric butterflies that "land" at various parts of of the outfit. The model wears white, sheer opera gloves.

The model wears a dramatic metallic black trench coat with a flared bottom and rounded, bolero shoulders over a black dress shirt. The coat has dramatic, oversized lapels and collar, and the model wears a dramatic hat. The entire look is covered in black fabric butterflies at random.

ROBERT WUN SPRING 2026 COUTURE COLLECTION [3/3].

The model wears a black dress with a precise form-fitting contour and statement shoulders. The skirt is long and flared in a mermaid style, more metallic than the fabric of the jacket. The jacket features sheer bell sleeves and the model wears sheer black gloves tipped with long black nails. The jacket has a dramatic, petal shape collar. The model wears a full-faced white mask and carries a paper flower.

The model wears a red bell skirt in a smooth, metallic red. Over that, they wear a white jacket with an asymmetrical bottom that forms a train over the back of the skirt. They wear white sheer gloves, tipped with red, long nails. The front of the jacket has a red slash on the left side, filled with red sequins, imitating an open wound just above the heart. The jacket has a statement collar and the model wears a full-head mask of red sequins.

The model wears a red, sculpted bodice with pointed breasts and ruffles along the bottom, over a floor-length, straight, red, sequined skirt. They wear a draped coat with wide, flowing bell sleeves and a long, ruffled train. The front of the bodice has a panel of sheer, red fabric that encircles the model's throat. They wear a dramatic, flat hat that shadows their face, with a red arrow sticking out of the middle of it.

The model wears a white dress with a sculpted, precise contour and rounded bolero shoulders. The dress has bell sleeves that drape down, revealing black fabric inside. The model wears black gloves tipped with black nails. They wear a dramatic, swooping white hat.

ROBERT WUN SPRING 2026 COUTURE COLLECTION [2/3].

The model wears a metal breastplate, molded to look like two hands clutching a star-shaped sword by the blade. The hilt and crossguard of the sword partly obscures the model's face. The dress has a layered, draped skirt with a train off to one side and completely covers the model's hands and arms. The dress is metallic silver.

The model wears a voluminous ballgown that covers them from head to toe. The gown is black, studded with thousands of gemstones in yellow and golden shades like a nebula. It matches the thunderstorm backdrop of the runway. The model wears a long, sheer veil that fully covers their face, also embroidered with yellow gemstones.

The model wears a full-body frayed dress with cascading pleats in white. The pleats outline the model's body in an imitation of an anatomical model of a muscular system. The dress has long sleeves and a frothy, sheer train. The model wears a white domino mask.

The model wears a metallic gold coat over a gold mermaid gown with a flared bottom and train. The coat is sculpted tightly to the model's body, with flared tulip sleeves and a high collar that forms a petal shape behind the model's head. The model wears a full-face golden mask and golden gloves.

ROBERT WUN SPRING 2026 COUTURE COLLECTION [1/3].

The text WHAT ELEGANT STARS on a background of swirling void and glittering stars, amidst two neon-lit inlaid columns. Spaceships with fiery tails behind them in the distance. (An excerpt from the cover illustrated by Lyss Menold). Plus the Neon Hemlock logo.

We'll be reading stories for ✨ What Elegant Stars: Queer Tales of Impossible Style ✨ from January 15th to April 15th.

Give us stories of satellites and sewists, terminals and tailors, dandies and dying stars.

<6k words. 8¢/word. simsub ☑️. multiple submissions 🚫.

www.neonhemlock.com/submissions

Navkirat Sodhi walks the runway in a white look emblazoned with silver detailing. The look is half-dress, half suit-jacket, with a tailored collar and lapel melting into a shoulder-baring dress with long sleeves. The dress features a wrap skirt, revealing Sodhi's burn scars from her and Gupta's 2024 fire accident that left them both with life-changing injuries. Her hair is silver and sculpted, with a single dramatic earring in her left ear and silver makeup. She wears silver nail caps and silver shoes.

Poet and performer Navkirat Sodhi, Gupta's life partner, also walked the runway again this year. She wrote the poem that opens the show. Sodhi was part of Gupta's inspiration for the collection: hearing her labelled as only "his wife" made him question people's reliance on rigid binary structures.

The model wears a red gown with a huge, voluminous skirt with multiple layers that completely covers their feet. The dress features a sculpted corset around the waist, with red thread-like details forming a architectural bustle. The top of the dress is long-sleeved, with a turtleneck, made up of thousands of red threads that evoke veins.

The model wears a red, form-fitting dress with a slightly-sweetheart bodice and architectural hips. They wear a red cape jacket made up of thousands of ruffled, red feather-like detailing, dragging on the floor behind them.

The model wears a swooping, architectural gown with statement, flowing details sculpted around the top of their bodice and their hips. The stylized peplum sweeps around the model's waist, bringing to mind a planet's rings. The skirt of the dress is form-fitting, with a high leg slit, and a flowing train also composed of the same swooping details. Say swoop again.

The model wears a column dress with a dramatic, high-neck that obscures all but the top half of their head. The gown is composed of thousands of resin elements, painted in shifting "changeant" tones, to evoke the idea of interstellar photography. The model's face and hair are painted to match the dress and their arms and legs are covered in obsidian black.

GAURAV GUPTA SPRING 2026 COUTURE COLLECTION [3/3].

The model wears a form fitting white dress in white. The dress features long, sheer sleeves and a sheer high neck, with an equally sheer corset bodice with exposed white ribbing. The skirt of the dress is light and frothy, pinned high on the right hip with a silver accent that matches the jewelry on the model's ears, making them elf-like.

The model wears a sleeveless gown of black velvet with tall black boots and thin straps. The bodice of the dress features a wavelike pattern ringed in silver. The dress has numerous silver accents on it: both small dots to imitate stars in the night sky, and flecks of silver to imitate comet trails. The model wears a dramatic, sculpted bolero jacket (kinda...let me have the bolero, I'm fighting for my life with sculptural looks sometimes). The jacket is reflective white and round, clasped around the model's upper arms, imitating the moon.

The model wears a white, column dress featuring blooming flowers that drip down the model's torso from left shoulder to right hip. The dress has a sweetheart bodice, with exposed ribbing along the sternum. The skirt bunches up around the hips in delicate waves, falling into a short train that drags across the floor. Based on the designer's description of the collection, the construction of the dress appears to be a mix between Western bridal dress and Indian sarees, including the draped fabric over the shoulder and one arm, reminiscent of a pallu.

The model wears a white, column dress featuring pseudo-reptilian scales that adorn their face, throat, and the edges of their dress. The column dress has wide straps, hanging low on the shoulders, and a form-fitting silhouette. The "scales" crawl up from the bottom of the dress, outlining the model's thighs, hips, and chest.

GAURAV GUPTA SPRING 2026 COUTURE COLLECTION [2/3].

The model wears a black, sculptural dress that sweeps upwards from a narrow pencil skirt, opening in smoke-like billows. The architectural volume is arranged around the model's upper body, which would be bare if not for the glowing silhouette they wear.

Two models walk side-by-side, wearing twin, form-hugging sleeveless dresses made of intertwined ribbons and filaments. The model on the right is wearing a red dress, the model on the left is wearing a light pink dress. They hold hands. The dresses are tied to each other by strings, meant to invoke the idea of the "twin flames": "karmic partnerships revealed through contrast and convergence."

The model wears a sculptural gown in light pink, characterized by dramatic swooping shoulders that form a dramatic collar and sweep down to cover the hands. The gown is form-fitting with a straight skirt and a straight-across corset top.

The model wears a dramatic golden, sleeveless gown that gives the viewer the impression of falling stars, fitting the celestial theme of the collection. The model wears a statement jacket, hanging off one shoulder, in a lighter gold, hanging off one shoulder. They wear a golden maang tikka on their forehead, centered over the "Ajna Chakra" (brow or third eye chakra) In Hindu mythology and ayurvedic traditions.

GAURAV GUPTA SPRING 2026 COUTURE COLLECTION [1/3].

It's a bit phoned in, huh

Oh, they did this for ME, as a personal favor, for sure, for sure, for sure, for sure.

Actress Nicole Kidman wears a black satin bustier Chanel gown, inspired by Rita Hayworth in Gilda, 1946. The dress features black satin camellia details on the right side of the bodice and theleftight hip, with asymmetric ruching and a long side-slit on the left side of the dress. The look is paired with black heels and a black suit jacket that Kidman carries over one shoulder. She also wears a Chanel Fine Jewelry Diamant Evanescent necklace.

Model Adut Akech wears Daisy Buchanan’s original Prada costume, designed by Catherine Martin, from Baz Luhrmann's 2013 Great Gatsby film. She wears diamond bracelets from Tiffany & Co. jewelry. The golden, crystal-laden party gown is often dubbed the "chandelier" dress and features a crystal overlay and a light-blue fur stole with crystal accents. Akech also wears a Tiffany & Co headpiece, features diamond and freshwater cultured pearls and a detachable brooch.

Actress and Chanel ambassador Ayo Edebiri, an actor and Chanel ambassador, wears a golden S/S 2026 Chanel two-piece, from Matthieu Blazy’s debut collection. The top and skirt feature swishy, fringed hems and sleeves and textured details. The skirt falls to mid-shin, and the tunic top features short sleeves. The look is paired with white heels.

Model Mika Schneider wears a F/W 2025 Valentino gown and a triangular, diamond De Beers necklace. The dress features a plunging neckline in olive green fabric, with a high belt and a black bow along the front. The skirt of the dress is a light purple, silky material, and Schneider wears sheer black gloves and gold heels.

VOGUE WORLD SPRING RTW 2026 - Act 1: "Hollywood Glamour."

The model wears an elaborate beaded top with alternating stripes of cream, brown, and a dark umber over a metallic mini skirt in rose, with light gold accents. The model also wears a two-tone box-pleated scarf with tassels around their waist, hanging down on either side of their hips.

the model wears a dark brown dress with spaghetti straps and a loose fit. The dress is covered in diamond patterns made up of beads: the lines of the diamonds are composed of numerous dark and gold beads, with an amber teadrop bead hanging from the top of each diamond. The bottom of the dress is floor-length and is made up of olive-green tassels that catch the light.

The model wears a floor-length, sleeveless yellow dress with a straight-across bodice. The skirt of the dress is layered with panels of sheer mesh featuring three raffia trims. The hemline is asymmetric. The bodice features subtle stripes in a lighter shade of yellow.

The model wears a beaded white dress with a halter top and a long fringe skirt. The dress is off-white, with beaded diamond patterns below the bust and across the hips. The look is enhanced by numerous beading details, using traditional crafting techniques by the Southern Nigerian brand.

KILENTAR SPRING 2026 COLLECTION.

a photo of a wild, and gorgeous, pink purse bedecked with pink and red tentacles, from a Louis Vuitton - Takashi Murakami collaboration

would throw out every scruple about not wearing logos that I have, for a chance to touch the murakami vuitton tentacle purse

The model wears a hybrid tee maxi dress in black with an orange moon print that stretches across the right side of the model's chest. The dress has short sleeves and a high neck. It is floor-length. The maxi dress is made from printed cotton interlock jersey with duchess satin.

The model wears an all-black outfit. The top is a sleeveless cut-out blazer with a keyhole cutout directly in the middle of the chest. It has two buttons on the front, pinning the blazer to the side. The main body of the blazer is black crepe fabric, with black satin highlights along the arms, cutout, and hem. The model wears matching structured pants with a cummerbund style waistband.

The model wears a white midi coat, made from crepe, with frill details on the neck and sleeves. The coat has a series of small buttons down the front of it. The model wears bright red nylon tights and carries a bright orange quilted handbag.

The model wears an all-white outfit with a 3D printed orange moon appliqué on the front. The model wears a linen single-sided crop blazer with structured lapels, closed at the front with the moon appliqué. Worn inside the blazer is a long-sleeve dress shirt in white, with 70s styled shoulders and a diagonal lapel. The model wears matching slim to flare pants with functional buttons along the lower side of the flares.

ORANGE CULTURE SPRING 2025 COLLECTION.

The model wears a piece inspired by the work of Loïe Fuller, a dancer and pioneer of modern dance & theatrical lighting techniques, and Rebecca Horn, a visual artist. Another interesting note about this collection is there are no closures on the clothes: everything can be slipped on/off as needed. The model wears a soft, baggy tunic in a dark cream over a gathered skirt in a matching fabric and color. The skirt has a bottom hem that curls up, like an inverse paper bag skirt. The model wears light lavender tulle over the whole outfit, draped around their neck and down their body. They wear white heels.

The model wears a red dress with a long, draped skirt that hangs loosely around their body. They are bent over, letting the dress dangling freely. The dress features a wide, open hem of a thick, red ribbon that hangs down the model's back and exposes half of their back and their entire left arm. They wear white heels.

ERNESTO NARANJO SPRING 2026 COLLECTION.

The model wears a frilled trapeze mini dress in a blush pink. The dress' frills are beaded, with numerous sparkling sequins. The dress has long sleeves and a high neck, nearly obscuring the hands, and ends at mid-thigh.

The model wears a white crinkle silk chiffon draped gown with dégradé tassels. The tassels are diagonal, stretching from the model's left hip to their right knee, hanging down to the floor. They are a gradient from white to a light blue. The dress also has tassels along the back, starting at the back of the right dress strap, falling like a cape. The dress features threadwork floral embroidery in light pink, blue, green, and white. The dress has a lattice cutout along the bottom, just above the tassels.

The model wears a tulle, corseted bodysuit in light cream underneath a chantilly lace gown in light blue. The gown puddles to the floor with a wide, circular train, fringed with long blue tassels. The gown features cutwork organza detailing of floral patterns up the model's sides.

The model wears an olive green corseted tassel gown with lattice detailing and floral embellishments on the bodice. The skirt of the gown is made up of hundreds of tassels, slit up the side to the model's right hip.

PAOLO SEBASTIAN A/W 2025-2026 COLLECTION.

The model wears a floor-length, form fitting dress with long sleeves. The dress has a spray paint texture of greys, blacks, and reds all over it. The dress features a black leather shrug with corset lacing, ending high on the model's neck. The model wears brown boots.

The model wears a red dress with a scarlet rose print, slashed up each hip and fastened with corset lacing. The ties of the corsets are left to dangle low, reaching the model's ankles. The dress has a corset bodice and spaghetti straps, and the model wears white heels. They carry a black bag.

the model wears a white dress inspired by 19th-century uniforms, with military frogging along the front of the sleeveless tunic bodice of the dress. The officer jacket angles to the model's left, stretching around their hip, off-center to the rest of their body. The skirt of the dress is form-fitting with numerous, frothy ruffles from hip to ankle. Parts of the white fabric are sheer. The model wears white boots and carries a white purse with a chain strap.

MCQUEEN SPRING 2026 RTW COLLECTION [2/2].

The model wears an olive green outfit made up of a corset top and low-rise bumster pants that flare around the knee with multiple hanging straps. They wear a sleeveless shrug in the same olive green, leaving the top of their chest bare. The model carries McQueen's archival De Manta bag, finished with corset lacing, in black. They wear brown foldover cuff boots.

The model wears a deconstructed suit jacket in navy blue, with straps accentuating the lapels and shoulders, over low-rise bumster shorts with flared legs. They also wear brown fold-over cuffed boots. Numerous unlaced straps hang down from the model's pants and jacket and they wear a high-necked corset-tie shrug below the jacket. Other than the boots, the entire outfit is the same shade of navy blue.

The model wears a white parachute dress with huge, voluminous skirts that trail behind them. They wear matching white boots. The top of the dress has a high-neck with corset ties, sleeveless, with a cutout for the top of the chest.

MCQUEEN SPRING 2026 RTW COLLECTION [1/2].

The model wears a bulky white t-shirt dress with a turtleneck and elbow-length sleeves. The dress has sheer black triangular cutouts on the hem between the shoulder and sleeve and the model wears a statement necklace. They wear black shoes and a black georgette train that attaches to their dress. The t-shirt dress ends at mid-thigh

The model wears a black gown made up of sheer material and the deconstructed utility garments: a cargo vest and the pockets from a long trench coat that melds with the dress. The model wears black flip-flops and has one leg bare. They wear pants that completely cover their right leg and end as mini-shorts on their left leg. The gown has a halter top.

The model wears a cargo dress made up of deconstructed parts of a trench. The skirt ends at mid-thigh: it is a wide and flared out peplum skirt in khaki with prominent black buttons. The top of the dress is a canvas grey, imitating the inside of a coat. The model wears black fringed shoes and a black neck warmer.

The model (Naomi Campbell), wears a floor-length gown spliced with utility garments and a half-finished suit in black. The inner quilting of the suit jacket has been turned into decorative stitching, and the armholes of the suit are purposefully unfinished. The Model wears wide-legged, slouchy pants and the double-breasted suit has four large buttons on the front of it. The suit has contrasting fabric swatches in various shades of black, with a long black train, as if it was in the process of being fully finished.

SACAI SPRING 2026 RTW COLLECTION.

No really good high-res photos yet 😭 so I wait

The first look of the collection, symbolizing "Birth", the model lays in a pile of white feathers and stares directly at the camera. They have dramatic eyeliner and red hair, with a dramatic lip and bleached eyebrows. The feather pile they lay in is actually the feather-fringed cape that makes up 1/2 of the look. The model wears a white, high-necked dress with long sleeves and a form-fitting silhouette. The dress is made of white lace, embroidered with hollow-cut embryo-like motifs. The dress is partly sheer, revealing parts of the model's skin.

The last look of the collection, symbolizing "Death", the same model from the first photo wears a huge, blue-black, feathered cape inspired by a raven's wings. The dress below is full-body, from neck to wrists to ankles, made of sheer, perforated black lace with floral emboridery. The majority of the dress is covered by the cape, which reveals only the neck and shoulders of the lace, the model holding the cape to their body.

The second look of the collection, named "Dance", the model wears a ivory suit with a knee-length pencil skirt and long sleeves. The suit has sculpted, structural shoulder pads and the model wears sheer white gloves. The outfit draws inspiration from a bird of paradise and features a large plume of frothy of-white tulle that covers the model's torso. The plume also features long feathers, brown with black stripes, shaped by metal wires and inspired by the plumes of Peking Opera performers. The model wears a feathery fascinator on their head that obscures the top part of their face.

The fourth look of the collection, named "Defence", the model wears a light cream dress. The dress is covered in a rhinestone-embellished mesh, stretched over a bodice that accentuates the hips of the model into two sharp diamond points. The dress bares the shoulders, with mesh, elbow-length globes and a sheer skirt over a satin bodysuit. The dress features a 3D sculpture of boned lace, extending from the chest to over top the head in seven petal-like forms. The petals have translucent embroidery inside, with delicate patterns meant to resemble the underside of a cockatoo's feathers.

CHENEY CHAN F/W 2025/2025 COUTURE COLLECTION.

Oohh, no real high-res photos of new Guo Pei yet.

Your art is beautiful!! I would love to see what sort of inspiration you take from these collections! Thank you!!