no crying in the club (monaco)

Fashion designer Giorgio Armani, seated in his office on Via Borgonuovo in Milan, photographed via Zoom. Photographed by Annie Leibovitz for Vogue, May 2021. He sits in front of a bookcase fit to bursting, filling most of the office space behind him, bracketed by two staircases. He sits at the end of a long desk and faces the camera with a contemplative expression.

A screenshot of an article from the coverage of Armani's Fall 2025 Couture Collection. In full: "In truth, he’s been an eccentric of the rarest kind all along: the kind whose discipline is so unwavering, it reads as obsessive tunnel vision. That, perhaps, is the secret to why his über-consistent style resonates so strongly today, particularly in a moment in which fashion seems to be rediscovering the pleasures of dressing with polish and intention, finding the cool in timelessness, crediting wearability as an agent for stylish finesse and not only a synonym for anemic commercialism. Giorgio Armani got there long before most, wrote the blueprint, and never played catch-up. It’s fashion that’s finally caught up to him."

This was the first show in decades that Armani was not physically present for, due to health concerns. He was a meticulous, obsessive designer who understood that power and elegance could go hand in hand in fashion. A visionary in his field, or, as writer Tiziana Cardini once put it:

The model wears a lush, black velvet catsuit with cuff sleeves and a statement bow around their neck. The bow is structural and large, stiff with embellishments. It's a charcoal grey that matches the cuffs and small purse the model is carrying. The cuffs are also embellished with beads. The model wears a beaded cap and statement black earrings.

The model wears a black velvet, strapless dress featuring a sweetheart neckline dramatic, deep v plunge down the front of the dress. The gown is ringed in fine bead work, with a bow on the front at the bottom of the plunge and a beaded line following the silhouette down to the floor. The gown is floor-length. The model wears a grey boa made of ruffled, green-black fabric and an embellished cap.

The model wears a sleek, lean, black, fitted tuxedo in a rich velvet. They have a sequined bowtie and wear a white dress shirt and a black beret. They carry a classic cigarette holder. The trousers of the "tux" are fitted and tight to the legs and the jacket has a single button at the front, forming an hourglass silhouette. The jacket and pants are outlined in small beads.

The model wears a black, corseted suit jacket gown embellished with glittering beads. The gown is floor-length and hangs off the shoulders, with a structured bodice and long sleeves. The sleeves end in black velvet cuffs, and the bodice of the gown mimics the lapels of a suit in the same black velvet. The model wears a black bow tie and statement earrings, along with a beret. They carry a sheer, unfurled fan covered in sequins.

ARMANI PRIVÉ FALL 2025 COUTURE COLLECTION.

The model wears a cotton-wool hybrid ribbon skirt featuring heritage patterns and a fringe-trimmed hem. They wear a cropped trench coat with four buttons and cuffed sleeves, tied at the waist. They have bold gold jewelry.

The model wears a deep blue dress with red, white, and cream floral accents (complete with green leaves) and lies on their back, reaching for the camera. The cotton dress features a fitted bodice with a narrow neckline and long sleeves, with their classic, flowing skirt: bänderrock.

The model wears a flannel-inspired cotton dress with a corset-style bodice. The bodice has a criss-cross ribbon front and is fitted. It flares ouit into Hoschek's signature bänderrock skir. The dress is grey and black, falling to midi length with side pockets. The model wears knee-high brown boots, and a light brown long-sleeve turtleneck underneath the dress.

The model wears a white cotton blouse with mother-of-pearl buttons and elbow length sleeves. The blouse features a mid-rib button placket, with a statement bow at the collarbone. The blouse is paired with ankle-length trousers in dark navy, belted at the waist, and brown flats.

LENA HOSCHEK F/W 2025-2026 COLLECTION.

The model wears a white halterneck A-line dress with a stiff, floor-length skirt and mid-waist cutouts on either side. The model wears elbow-length white gloves, and a fine mesh veil.

The model wears a black sleeveless ball gown in cascading layers. The dress starts as black and gradually is covered in gold leaf appliqué until the floor-length hem, like striations in stone. The model wears a ruffled black veil that fully obscures their features.

The model wears a tulle peplum bustier dress in pale pink. The dress is structured with a bell-shaped cage that starts at the waist and extends to the hips. Beaded fringe falls from the cage in long strands, surrounding a sheer tulle under skirt.

The model wears a tulle empire waist dress in pale pink, with darker pink inner linings. The dress has embellishments along the bust, middle, and ribs. The skirt is pinned in the middle of the bodice and falls to the floor, revealing darker shades of tulle underneath.

PHAN HUY PRE-FALL 2025 COLLECTION [2/2].

The model wears a sleeveless tulle wedding dress in white with a sweetheart bodice. The bodice of the dress is covered in water-drop beadwork that extended onto the multi-layered tulle skirt.

The model wears a sleeveless column dress in metallic gold, featuring featuring fish-scale textures. Each scale is embellished with bulge beads. and the dress is floor-length.

The model wears a white off-shoulder wedding dress with a sheer corset and beadwork over the bodice and tulle layers of the skirt. The sleeves of the gown featuring long tulle trains that reach the floor. The skirt has many layers of tulle.

The model wears a off-shoulder trumpet wedding dress in off-white, covered in sequins and floral wires. The dress puddles to the ground, with long sleeves that almost fully cover the hands. The embellishments group mostly around the bodice, hem of the sleeves, and the hips of the dress. The model wears a white mesh mask.

PHAN HUY PRE-FALL 2025 COLLECTION [1/2].

The model wears a duchess satin dressed with a wide boat neck that turns into a cowl worn as a draped hood. The model wears a metallic full-faced mask of crumpled metal, covering their head and shoulders entirely. The gown has detached sleeves that end in the middle of the model's upper arms, with pointed ends.

The model wears a full-form gown of metallic gold, crushed velvet that completely obscures them. The gown has a full-faced mask that attaches to a skin-tight, long-sleeve top. The skirt of the gown is voluminous, with large panniers and a heavy skirt that forms an upside down clover (as in: classic playing cards) shape.

The model wears a gown inspired by wallpaper patterns, in faded dusky greens and pinks. The gown has a corset waist, with a straight, floor-length skirt with floral patterns. The top of the gown is cut into crescent moon, pleated ruffles like the top of a classic stage curtain. They hang at uneven lengths along the arms and bodice. The model wears a metallic full-faced mask.

The model wears an oversized, distressed, leather motorcycle jacket in a warm, saddle brown. The jacket has pitch black, embossed smears along it, and is worn over the model's shoulders. Underneath they wear a long gown of duchess satin, in pearl. They have a full-faced metallic brown mask. They grip the side of the jacket through an opening in the front, revealing fingers dipped in pink paint.

MAISON MARGIELA FALL 2025 COUTURE COLLECTION [3/3].

The model wears a form-fitting dress with numerous ruffles, giving them a jagged, organic silhouette. The dress is a riot of color: reds, yellows, greens, blues, pinks, and whites and is made of recycled material. The ruffles on the dress look like flower petals, bunching in thick clumps around the model's neck, shoulders, knees, and toes (haha). They wear one of Margiela's signature full-face masks in the same fabric as the dress, fully obscuring their features. Their arms are bare.

The model wears a tightly-corseted floor-length, sleek dress in mother of pearl ivory. The dress has long sleeves, opaque up to the elbow and sheer after that. The bodice, shoulders, chest, and upper arms of the dress are a combination of sheer lace and ruffled lace, like paint is peeling off the model. The same ruffles obscure their face.

The model wears a pitch black two-piece set, comprised of a cropped sleeves top and a long, floor-length skirt. The set has a sheer, black covering over both portions, turning it into a single dress. The model wears a black rose styled mask and has the same floral ruffles along the bodice of their top. They wear elbow-length black gloves.

The model wears a gown inspired by peeling wallpaper in browns, creams, and pastel blue, pinks, and yellows. The top of the gown is skin-tight, with long sleeves and a high neck, fully covering the torso. The skirt of the gown is ruffled and made of fine tulle, appearing to come apart in numerous ruffles. The gown has organic "splotches" on it in the various colors mentioned above, and the model wears a mask of ruffled yellow lace. How many times can I say ruffled?

MAISON MARGIELA FALL 2025 COUTURE COLLECTION [2/3].

The model wears a white jersey-draped, floor-length gown with a sheer torso revealing the ball-jointed doll corsetry underneath. The model's face is covered by a sheer, oppressive veil that's held around the neck by a heavily embellished collar necklace.

The model wears a metallic gold long-sleeved shirt with mannequin like patterns underneath the chest and sternum. They wear a wrapped skirt of stiff fabric, with designs by the artworks of Flemish masters. The skirt has a white ribbon belt with dangling ends. The model wears a full-face, golden mask that looks like crumpled metal.

The model wears a nude/cream jersey-draped gown cut in a sharp horizontal line across the bodice. The gown is partly sheer, exposing the breasts and a portion of the ball-jointed doll corsetry underneath, creating a jagged hourglass silhouette. The gown's sleeves are long and draping, hiding the hands and dragging to the floor. The sleeves appear to be connected to the dress' skirt. The model wears a tight veil of the same fabric of the dress, obscuring their features, and a heavy cuff necklace.

The model wears a jersey-draped gown in dove grey, covering them from head to toe. The veil that obscures their face has a hood like a mourning look, with a long cape that attaches to the train of the dress. The corsetry under the dress creates another extreme hourglass shape.

MAISON MARGIELA FALL 2025 COUTURE COLLECTION [1/3].

The model wears a sheer, floor-length jacket with embroidered sleeves and lapels over black silk wide-legged trousers. The lapels and cuffs of the jacket are opaque, with a fur-lined collar.

The model wears a corseted satin dress in red, constructed with a fake torso and breasts in the back, providing the illusion that the model has been twisted backwards. The dress features a red rhinestone heart necklace hanging below the model's nape, and a wrapped skirt.

The model wears an embellished and bedazzled matador suit in black, with tassels hanging from the bottom of the trousers and dramatic epaulettes. They have exposed white cuffs, a white dress shirt, and a black tie, and wear black gloves. They also wear a dramatic fascinator cap.

The model wears black velvet opera gloves and a matching skirt with black nylons and heels. The corset of the dress is modelled after a classic English-style riding saddle, with the cantle of the saddle forming the bodice of the dress and the seat, twist, and pommel forming the front of the corset. The skirt and flap of the saddle curl around the model, pinning in the back. That's right, I was a horse girl.

SCHIAPARELLI FALL 2025 COUTURE COLLECTION [3/3].

The model wears an evening gown in a silvery-grey, with molded edges along the bodice and high on the left hip. The skirt of the dress is draped, pinned high on the hip, and is paired with silver opera gloves.

The model wears a metallic silver dress with cutouts along the chest and hips, framed by fang-like details. The dress is floor-length, with long sleeves.

The model wears a long evening gown with a high neck and scalloped designs in grey from the high neck to the knees. The skirt of the dress is a metallic black, with embellished edges.

The model wears a modified matador suit in metallic silver with epaulettes on each shoulder that look like classic English riding saddles. The model wears a black tie and a white dress shirt, with grey gloves.

SCHIAPARELLI FALL 2025 COUTURE COLLECTION [2/3].

The model wears a sleeveless black dress with a strapless bodice in silky fabric that puddles down to the floor. The dress has mesh cutouts along each side, revealing the model's hips, and they wear black velvet opera gloves. They have a dramatic necklace of gold and metal, like the rays of the sun.

The model wears a high-neck, sleeveless dress in bright red with shibari-inspired ties that crisscross the bodice, torso, hips, and thighs. The dress is floor length, with a slight train. The model wears red ribbons in a matching color around their upper arms. The dress is compromised of two different fabrics: opaque around the chest and mid-thigh down, and nearly-sheer otherwise.

The model wears a dramatic dress with a straight-across bodice and extended "wings" underneath each arm that turn into a long, tulle cape in grey. The dress ends at the ankle, and is decorated with dozens of open to half-open eyes, like a classic seraphim aesthetic. Yes, yes, I know a classic seraphim aesthetic varies, don't come for me, classical theologists, we all know what people associate with do not be afraid "true-form" angels.

The model wears a silky black dress with thin straps and a plunging sweetheart bodice that extends all the way to the floor. The silhouette of the dress is slightly mermaid, with lacy cutouts just under the breasts and across the hips.

SCHIAPARELLI FALL 2025 COUTURE COLLECTION [1/3].

The model wears a floor-length, sleeveless dress constructed of white, fractal shapes. The hem of the dress is made up of multiple fin like panels that call to mind a mermaid tail, and features dramatic lasercut designs along the hips and shoulders, almost like vertebrae.

The model wears a fisthtail style dress cut high on the left hip, baring most of their left leg. It covers the right one entirely, ending in a dramatic train that drags behind them. The dress is made of a man-made bioprotein developed by Spiber, called Spiber Brewed Protein, which is created from fermented sugarcane. A number of other dresses in the collection are made of the same material. The dress is covered in a series of gill-like swirls that curl around the model's body. The protein is fully recyclable and can be broken down and reused as feedstock for new protein.

The model wears a white corset-style bodysuit with exposed boning and cups. The fabric between the boning is nearly sheer. The model wears the same sonar-inspired shoes as the rest of the models walking for this collection. The bodysuit is covered in dramatic, billowing panels of sheer, organza fabric stretched over thin boning.

The model wears a long-sleeve floor-length dress made of billowing organza in green, blue, and brown. The dress has two large "wings" of the same organza panels, stretched over carbon fibre boning.

IRIS VAN HERPEN FALL 2025 COUTURE COLLECTION [3/3].

The model wears a blue dress with a dramatic cape. The cape starts at light blue at the shoulders and darkens to a deep ocean blue at the end. The dress is made of numerous organic cutouts and ends at mid-thigh, with thigh-high boots that are a living extension of the dress. The dress itself is made in collarboration with biodesigner Chris Bellamy, and contains 125 million bioluminescent algae which will emit light in response to movement. The light show is not pictured here. The Pyrocystis Lunula algae were grown for the show, and molded into a protective membrane that forms the dress. The algae thrive within the custom-molded nutrient matrix and were grown in a lab that mimicked their natural marine conditions.

The model (and dancer) wears a organza dress stretched over carbon fibre bonings. The dress obscures the model's body in deep-sea like silhouettes, cut through with lines of lights. The full dance involves the model shrouding themself in the fabric and using bamboo wands to mimic the waves of the sea.

The model wears a copper patina sleeveless dress with a corset style bodice that reveals the inside of their chest and sternum. The dress has dramatic panniers with scale like fabric, forming dramatic false hips on either side of the model. They wear the same sonar-ring shoes as the other models.

The model wears a sleeveless floor-length loose dress inspired by the Dohrnii jellyfish. The dress is made of Japanese airfabric in a gradient of soft peach to a deep plum from neck and hem. The dress has a dramatic "cape" of crescent moon curved shapes made of bonings laser-cut from translucent carbon fibre. More gradient dyed fabric hangs from the boning, forming jellyfish-like wings.

IRIS VAN HERPEN FALL 2025 COUTURE COLLECTION [2/3].

The model wears a floor-length white gown with numerous ruffles and pleats in fin-like patterns that form a short train that drags behind them. The gown has lasercut organic designs that crawl over the bodice and torso of the dress, forming delicate looped sleeves. The model wears a fractal lace mask with a long white veil. Iris Van Herpen is really going to stretch my limits of "splendiferous" descriptions with her gowns, strap in.

The model wears a gown crafted in wave-like patterns around their body, ending at mid-thigh with an asymmetrical hem. The dress is made from ivory silk draped upside down wave-shaped casts, coated in a fine layer of resin to keep its cresting wave shape. The model wears handcrafted shoes, created by Rombaut, made of metal halos meant to echo the structure of sonar waves. “

The model wears a high-neck, sleeveless "mermaid" gown in light pinks, creams, and plums. The torso of the dress is made of numerous lasercut, organic designs while the skirt is made up of dozens of fin-like panels that end at ankle length.

The model wears a floor-length gown with a small train with pink, cream, and brown patterns. The dress has a structured bodice made of lasercut, organic forms in metallic pinks, with a skirt that "smears" into numerous ruffles. The model wears a dramatic bolero style jacket, with fin-like sleeves. The dress has a high fin on the back that frames the model's head. The model has delicate bangles and rings.

IRIS VAN HERPEN FALL 2025 COUTURE COLLECTION [1/3].

The model wears a ivory dress shirt in an A-line silhouette, with a dramatic V-neckline and relaxed sleeves. The shirt is tucked into a cream button-up midi skirt, with ivory buttons, high on the model's waist. The model wears pastel yellow heels with thin straps.

The model wears a khaki cotton layered jacket that brings to mind a deconstructed classic trench coat. The jacket is cinched at the waist with a rope belt, and has wide, draping sleeves that hang down around the model's body in stiff pleats. The models wears a cream colored dress with a pleated midi skirt underneath and black platform sandals.

The model wears a relaxed trench coat styled dress with oversized sleeves with wide cuffs. The dress hangs to the ankles in stiff fabric, with large pockets on either side. It is cinched at the waist with a trench coat belt, and has a collar. The model wears light grey heels.

PALMER HARDING RESORT 2026 COLLECTION [2/2].

The model wears a cotton dress shirt in an A-line silhouette, with a V-neckline that hangs open to the middle of the chest. The shirt has wide, flared sleeves with overlarge cuffs and a tailored lapel in white. The shirt has a light navy pattern. The model wears a dark denim button-up midi skirt with platform black open-toe sandals. The skirt has brown buttons up the front.

The model wears a cream, cotton dress shirt in an A-line silhouette, with a V-neckline that hangs open to the middle of the chest underneath a light blue, loose-body blazer cinched at the waist with a thin cloth wrap-around belt. The model wears loose trousers in a matching color.

The model wears a structured blue denim blazer, cinched at the waist, over a white dress shirt with a wide, flared collar. The sleeves of the shirt show underneath the sleeves of the blazer, with the former extending to the wrist and the latter ending just a few inches before it. The blazer is cinched at the waist with two brown buttons. The model wears relaxed trousers in alternating white and blue denim.

PALMER HARDING RESORT 2026 COLLECTION [1/2].

The model wears a dark blue sleeveless column top, with a scarf in the same fabric loosely wrapped around their throat. The shirt is decorated with a scattering of small brass-milled suns, inspired by the sun from the Kurdish flag dangling from the fabric. The name of the current collection is “counting sunsets at midnight,” which is the Kurdish version of counting sheep to fall asleep, inspiring another reference to the suns. The model wears dark grey, knee-length bermuda shorts with a thin black belt and black leather slip-on dress shoes without laces.

The model wears a sheer white sleeveless column top, with a short ascot in the same fabric wrapped around their throat. They wear white ruched pants in nearly-sheer white fabric, gathered at the front of their legs. The gathers are asymmetrical, with the left one ending at the knee and the right one ending on the shin. They wear black leather dress shoes.

The model wears a mesh dress in a very light pastel pink. The dress has contrasting straps: the right one is thin, with a diagonal cut across the back, and the left one is wide and extra-long, wrapped around the model's neck like a scarf. The skirt of the dress has gathered ruffles, with the string of the gather dangling down. The model wears wide-legged trousers in dark grey, and black leather heeled dress shoes.

The model wears a short-cropped dark grey vest without a shirt underneath, revealing their chest, arms, and a part of their stomach. The vest has hand-embroidered suns on it in red thread, inspired by the sun from the Kurdish flag and the name of the current collection. The model wears dark grey knee-length bermuda shorts with two thin black belts and black leather dress shoes with buckled straps. PER THE DESIGNER: “The red is a reference to my Kurdish heritage,” explained Kivrim. “It symbolizes suffering in the flag. That should not be forgotten amid all the lightness that our fashion is supposed to have.”

SEZGIN SPRING 2025 COLLECTION.

The model wears a blue gingham dress with a corset-like bodice with a straight neckline. The dress is made of a light seersucker fabric, and the skirt is knee length. The model is wearing light pink heels. They are on their hip on the ground next to a pink flower push, cheekily tugging up the skirt of their dress to bare their legs. The styling is 50s inspired.

The model wears a red-striped summer dress in a wrap-style. The dress is made of seersucker fabric, with a V-neckline and standing collar. The dress is tied at the waist with a fabric belt with a white raffia buckle. The dress features hidden side seam pockets. The model leans on their hip beside a pool, head throwing back as they laugh. They have bright red lipstick, a 50s inspired look, and are pulling off a pair of dramatic pink sunglasses. They wear white heels.

LENA HOSCHEK S/S 2025 "The New Romantic" COLLECTION.

Thank you very much! ❤️

The model wears a black poplin dress with a fitted column silhouette and a gathered boat neck, with ruched waist tailoring and a thigh-high slit along the side of the right leg. The dress ends at ankle length, with subtle, short sleeves. The model wears white, enclosed toe heels. The dress has black strings hanging from the neck and right hip, ending in two pairs of white, ruffled floral accents.

The model wears a light cream poplin dress in a classic column silhouette and a bateau neck. The dress features drop flutter sleeves with oversize white tassels that ring the entire hem of the sleeve. The dress is ankle length, with a rope belt. The ties of the belt end in a pair of large white tassels, with a black bead above the knot. The bottom of the dress has the same tassels as the sleeves and the model wears enclosed toe black heels.

LELA ROSE RESORT 2025 COLLECTION.

The model wears high-waisted shorts in light brass, embellished with multiple crystals. The shorts are pulled over sheer stockings, with crystals along the hips and thighs. The model wears a matching high-neck cropped top that traces the shape of the ribs and is tied around the torso with two strings. The model wears a sheer, long coat with draped sleeves, embellished with light purple floral embroidery.

A closeup of the previous look, showing it from the side and revealing more of the floor-length coat's sleeves and floral design. The sleeves are puffed, gathered at the wrist.

The final closeup of the look, showing more of the crystal beading on the top and matching shorts.

HIAN TJEN "The Seed" 2023/2024 COUTURE COLLECTION [3/3].

The model wears a gown in light green, with white, purple, and green floral designs on the front of the detached strapless bodice. The skirt of the dress falls from below the scalloped bottom of the bodice. The skirt is light green tulle.

The model wears a saree-inspired dress in off-white, made from a light, airy fabric that's gathered high on the right hip. It cuts diagonally across the model's chest, embellished with floral forms cast in gold along the top of the bodice. The fabric has faint floral patterns on it, with the boning of a corset-style bodice seen below the fabric.

The model wears an off-shoulder, blue velvet dress with a sweetheard neckline and a corset-style bodice. The dress is gathered in pleats high on the right thigh, revealing most of the model's legs. The model wears a dramatic diamond necklace.

The model wears a turtleneck fishnet bodysuit embellished with seed beads and crystals, with attached gloves. The model wears blue, high-waisted, silk shorts with a matching blazer over top. The blazer is cinched tight at the waist with a black cord, and features a black and white floral pattern on the front.

HIAN TJEN "The Seed" 2023/2024 COUTURE COLLECTION [2/3].

The model wears a one piece bodysuit embellished in crystals in a light peach with a floor-length overcoat made of peach and dusty pink tulle flowers.

The model wears a flapper-style dress with a cross-piece bodice and fringe. The dress is covered in beads and fringe in arabesque patterns.

The model wears a dress with a white halter top bodice and a long, green velvet skirt. There's a large gold flower accessory attached to the front of the dress, from the middle of the bodice down to the mid-thigh

The model wears a sheer bodysuit with a turtleneck, embroidered flowers covering the entire suit. The flowers are white and dusty pink, with green leaves. Over that, the model wears a floor-length coat of green feathers, with embellished shoulders.

HIAN TJEN "The Seed" 2023/2024 COUTURE COLLECTION [1/3].

Look 13 of 16 of Rodarte's Fall 2025 RTW Collection, designed by the Mulleavy sisters, model Shelby Hayes wears a black sheath gown with a ruffle-lined bodice. Hayes wears elbow-length black velvet gloves and carries a trio of long-stemmed lilies in front of her body.

Look 14 of 16 of Rodarte's Fall 2025 RTW Collection, designed by the Mulleavy sisters, model Lily Stewart wears a black gown with a white-lace collared panel top over a straight-across bodice. The gown has a full skirt and hangs to her ankles. She wears sheer lace gloves up to her wrists and carries a white flower. Stewart has a black lace veil attached to her hair with a black bow on the top of her head.

Look 15 of 16 of Rodarte's Fall 2025 RTW Collection, designed by the Mulleavy sisters, model Sky Daru wears a black Victorian walking dress with a long-sleeved bodice with bolero shoulders. She has a panel of floral, white lace at her chest, with a high collar, and white lace ruffles at the end of her sleeves. The skirt of the dress is made from a lighter fabric than the heavier fabric of the bodice. Daru wears a black veil, held with a black bow.

RODARTE FALL 2025 READY-TO-WEAR COLLECTION [4/4].

Look 9 of 16 of Rodarte's Fall 2025 RTW Collection, designed by the Mulleavy sisters, model Shelby Hayes wears a white bridal gown that leaves her shoulders bare. She carries a bouquet of flowers. The gown has a white floral cape that drapes from her shoulders, and also has white floral patterns on both the dress and the cape. She wears a white bridal veil.

Look 10 of 16 of Rodarte's Fall 2025 RTW Collection, designed by the Mulleavy sisters, model Sondora Rue wears a lavender dress with a long flowing skirt. The dress has a wide ruffled, triangular bodice and there's a matching lavender ribbon around the model's neck.

Look 11 of 16 of Rodarte's Fall 2025 RTW Collection, designed by the Mulleavy sisters, model Skye Daru wears a white form-fitting strap gown in an empire silhouette. The dress has subtle floral patterns along the fabric, and thin spaghetti straps.

Look 12 of 16 of Rodarte's Fall 2025 RTW Collection, designed by the Mulleavy sisters, model Zola Zappa wears a dove gray draped dress that falls to the floor. The dress has sheer sleeves that drape down off the elbows and calls to mind a victorian nightgown slightly. Zappa wears a grey lace fascinator around her throat as a necklace.

RODARTE FALL 2025 READY-TO-WEAR COLLECTION [3/4].

Look 5 of 16 of Rodarte's Fall 2025 RTW Collection, designed by the Mulleavy sisters, model Sondora Rue wears sheer, elbow-length black gloves and a white dress. The dress is nearly-sheer, showing the outline of her body through the fabric. The fabric has white, floral patterns on it and the skirt of the dress flares out. The dress has oversize diamond shirt collars that cover Rue's shoulders. She wears a black choker.

Look 6 of 16 of Rodarte's Fall 2025 RTW Collection, designed by the Mulleavy sisters, model Zola Zappa wears a grey, sequined column gown with an empire silhouette and princess sleeves. The dress is a mix of sequined, floral patterns and sheer panels.

Look 7 of 16 of Rodarte's Fall 2025 RTW Collection, designed by the Mulleavy sisters, model Shelby Hayes wears a blood-red, form-fitting gown that puddles to the floor. The gown has a lace pattern on it, and a heart-shaped bodice. She wears shoulder-length gloves of red velvet.

Look 8 of 16 of Rodarte's Fall 2025 RTW Collection, designed by the Mulleavy sisters, model Lily Stewart wears a strapless gown in burgundy silk. She holds a long-stemmed lily in her hands and has a white bridal veil pulled back from her face. The bodice of the dress is straight-across, with white lace ruffles along the top and mirrored, white floral appliques on the front.

RODARTE FALL 2025 READY-TO-WEAR COLLECTION [2/4].

Look 1 of 16 of Rodarte's Fall 2025 RTW Collection, designed by the Mulleavy sisters, Model Skye Daru stands in the middle of a dark, gothic-inspired set, wearing a white and black gown with white lace appliqued to the front of its Victorian bodice. The gown has princess sleeves that end at the the mid-arm, with a black collar. The skirt of the gown is sheer white with floral patterns, over a black floral inlay.

Look 2 of 16 of Rodarte's Fall 2025 RTW Collection, designed by the Mulleavy sisters, Singer-songwriter and musician Laufey, stands beside her creative director, Junia Lin in the middle of the same dark set as the first photo. They both hold long-stemmed lilies in front of their bodies and are dressed in identical black sequined gowns. The décolletage dresses have halter bodices, with a keyhole cutout in the middle of the chest.

Look 3 of 16 of Rodarte's Fall 2025 RTW Collection, designed by the Mulleavy sisters, Model Skye Daru wears a red velvet Victorian bodice over a long skirt of white silk. The dress has white lace appliques on the front of the bodice, as well as white ruffles lining the straps and collar of the dress. The bodice is cut straight-across, leaving the collarbones bare.

Look 4 of 16 of Rodarte's Fall 2025 RTW Collection, designed by the Mulleavy sisters, Model Zola Zappa wears a long black dress with a floor-length skirt. The dress has a sweetheart bodice of criss-crossing black ribbons, edged along the sternum by a black lace ribbon. The lace also forms the sleeves of the dress, as well as dangling down over the hips. Zappa wears a large, white floral fascinator around her neck.

RODARTE FALL 2025 READY-TO-WEAR COLLECTION [1/4].

These are so cute omg. Thank you!! ❤️❤️❤️

Ah, Mingyu, a very good choice. And nice!! I saw them last year and managed to get tickets again this year * u * Have the best time!!

She's very welcome!!