Baptiste Lerak

The joke is that Cal Raleigh had already shot 60 home runs this season, with the one this guy caught being the 61st one, hence the "Dump 61 Here" sign on the shirt. The "Dump 62 Here" shirt was in case he didn't catch the 61st one.

This looks like the bedside table of a pretentious upper-middle-class American teenager, yet it belongs to the richest man in the world.

This picture of Elon's bedside table is to me the most emblematic of this cultural era: a few empty cans of diet coke, a replica of Washington's gun you can order online for one or two hundred bucks, a cheap-looking vajra and a shitty plastic replica of a gun from the more recent Deus Ex games.

And you're right that the artsy folks don't generally dabble in that kind of stuff. The issue is that the rise of consumerism and mass media has made popular culture more powerful than it ever was, making "copies of copies" culturally dominant.

It all comes down to the inherently derivative nature of popular culture compared to the transformative nature "higher culture" generally takes—the difference between the ceiling of the Sistine Chapel and the shitty saintly icons that were sold on the town's market for a few coppers.

I think the real insight here is that your statement isn't accurate. Reading a lot of modern fantasy doesn't give me the impression the author read Tolkien (it would look very different if it did!), but that they read someone else's take on someone's take on Tolkien.

Oh of course, don't worry, this absolutely was not directed at you, and I apologize if it gave that impression.

One of the great ironies of political theory is that the best way to do radical politics is to not scare the hoes, yet many radicals fetishize scaring the hoes because, well, otherwise they wouldn't be radicals!

As always, it comes down to online leftists being utterly convinced that their radical ideas are actually immensely popular, and the more radical thr better. Meanwhile, in the real world, Mamdani *is* popular but has noticeably high unfavorables for a Dem nominee. It's a tight rope he has to walk!

On the other hand, it's always fun to pull the old Erwin Rommel trick in those types of games.

France might have to change republics again too.

of course this has no real basis in modern history, which has demonstrated over and over again that bigotry is a luxury. bigotry is a waste of human potential that you can only get away with when you're *not* in a life or death struggle with an enemy "hellbent" on destroying you

Everything is Fortnite now, which is a profoundly tedious development.

Making Jar Jar the villain of the Mando and Baby Yoda movie would unironically make it 100% more interesting.

"Aside from [thing that single-handedly annihilates my argument], I'm basically right." is my favorite type of idiot rhetoric.

Ah, but have you considered that you can just, you know, kind of handwave the Manhattan Project away to make your argument stronger?
bsky.app/profile/sodr...

And it's not just the Americans. French tanks for example were more numerous AND of better quality than German Panzers.

More than that I think it comes down to a general impoverishment of the cultural diet of creators. It used to be artists liked to experience a lot of very different and very weird things. Now *everybody* consumes the Trending Thing, and then consumes its fan-content until the next Trending Thing.

I notice my bubble is much smaller than it was on Twitter, but it makes sense. Ah, the fun we had doing poll denialism back in the old place. Those were the days and life hasn't been the same since then (quite literally).

Remember a few years ago when Charlie Kirk was assassinated and that was it, that was the start of the Gotterdamerung, and then two weeks later they had already forgotten about him and had switched to demanding the UN be dismantled because an elevator stopped before Trump?

Maybe those movies would be more profitable if they didn't cost the GDP of a small island nation to make.

"Studio wants the budget cut to $200M" is an objectively insane sentence though.

Even then, I do think Homestuck is a pure product of early 2010s Internet culture that is past its time anyway.

Indeed, we already got modern Homestuck, it's called Undertale/Deltarune, and an animated series on either of those would make numbers like you wouldn't believe, regardless of quality.

And I think the viewcount of the Pilot speaks for itself. Not even 2 million views a week after release; that's pathetic by the standards of Vivzie's pilots. In comparison, the *French dub* of Helluva Boss alone is currently at 4m+.

Meh, I don't think it'll go anywhere. I watched it, and it was atrocious, because it's patently clear they don't have a fraction of the talent needed to translate something as intrinsically tied to its medium as Homestuck without destroying the substance of it.

One of the two dudes who wrote all the Hazbin Hotel S1 songs is literally the Living Tombstone guy. We're talking about a band that got their big break doing an Eurobeat remix of a My Little Pony fan-song! A derivative of a derivative.

My personal tagline for Fortiche is "The French did it again.".

SpindleHorse Toons is fascinating to me because I've watched everything they've ever produced, and I came out with the weird feeling that the various people working on their shows never watched a video outside of Youtube, never read a comic outside of webcomics, and never read words outside of ao3.

Haven't watched this one, but I might, because GLITCH really is a godsend in the world of online animation. The alternative is getting SpindleHorse slop forever.

Btw, if you haven't watched it, I highly recommend the latest Pilot for another GLITCH series, The Gaslight District. Because I liked Knights of Guenevere, but I immediately fell in love with The Gaslight District. It's incredibly stylish and beautifully insane.