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laikaworld:library

@laikaworld.bsky.social

personal archive by @laikalaika.com high quality scans, lyrics, and more: laikaworld.neocities.org

506 Followers  |  1 Following  |  13 Posts  |  Joined: 17.10.2024  |  2.4147

Latest posts by laikaworld.bsky.social on Bluesky

image ethics and best practices. every jpeg you come across was created by someone. if you want to share something on an account that is visible to the public, you are faced with a moral dilemma. you can either be a steward of information, or you can be a thief. if you truly respect the work that you are reposting, you will acknowledge where it comes from. as ignorance runs rampant and images are degraded through an endless chain of screenshotting, moodboarding, and reposting, i invite you to care about information. what is it? who made it? who played what role? when did they make it? where did they share it? archives cannot exist without information. do not repost anything that you cannot provide credits to, and stop supporting pages that repost without credit. you are not entitled to the work of others. "credit to the owner" is not real credit. "dm for credit/removal" is not real credit. these are copouts. do not repost anything from a creator who does not want their work reposted. make sure you translate things on their page to see if it's written in another language. if you would still like to share their work, post a link to their page so that people can engage with their work directly. if you are given special permission to repost from someone who ordinarily does not allow reposting, make sure people know what's up so that everyone knows you have asked for and received permission, but reposting and usage is generally not allowed.

image ethics and best practices. every jpeg you come across was created by someone. if you want to share something on an account that is visible to the public, you are faced with a moral dilemma. you can either be a steward of information, or you can be a thief. if you truly respect the work that you are reposting, you will acknowledge where it comes from. as ignorance runs rampant and images are degraded through an endless chain of screenshotting, moodboarding, and reposting, i invite you to care about information. what is it? who made it? who played what role? when did they make it? where did they share it? archives cannot exist without information. do not repost anything that you cannot provide credits to, and stop supporting pages that repost without credit. you are not entitled to the work of others. "credit to the owner" is not real credit. "dm for credit/removal" is not real credit. these are copouts. do not repost anything from a creator who does not want their work reposted. make sure you translate things on their page to see if it's written in another language. if you would still like to share their work, post a link to their page so that people can engage with their work directly. if you are given special permission to repost from someone who ordinarily does not allow reposting, make sure people know what's up so that everyone knows you have asked for and received permission, but reposting and usage is generally not allowed.

repost with credits in the caption, not the comments. make the credits the first thing people see before you talk about anything else. tag them if they are on the same platform. do not use peoples work as your profile picture or other representative image without permission. not everyone is okay with their images being used to represent a person they do not know. always add credit in your bio. exceptions may be if the artist is famous and easily recognized, or if the image is from an old advertisement or well-known piece of media. for instance, you wouldn't need to add credit in your bio if using a van gogh painting, official pokemon art, or the blythe walkman ad. it's still good to do so, but most people can recognize what it is and where it came from. but gina garan's non-commercial work, work by an independent active painter, pokemon fanart, and custom doll work should be credited. never use another person's self-portrait or original character without permission. you may feel like you are just one person, and that you alone cannot be hurting anyone by reposting images you like. but if everyone does it, and nobody knows where these photos come from, the impact adds up, and a culture of consumption is allowed to persist.

repost with credits in the caption, not the comments. make the credits the first thing people see before you talk about anything else. tag them if they are on the same platform. do not use peoples work as your profile picture or other representative image without permission. not everyone is okay with their images being used to represent a person they do not know. always add credit in your bio. exceptions may be if the artist is famous and easily recognized, or if the image is from an old advertisement or well-known piece of media. for instance, you wouldn't need to add credit in your bio if using a van gogh painting, official pokemon art, or the blythe walkman ad. it's still good to do so, but most people can recognize what it is and where it came from. but gina garan's non-commercial work, work by an independent active painter, pokemon fanart, and custom doll work should be credited. never use another person's self-portrait or original character without permission. you may feel like you are just one person, and that you alone cannot be hurting anyone by reposting images you like. but if everyone does it, and nobody knows where these photos come from, the impact adds up, and a culture of consumption is allowed to persist.

image ethics and best practices ＊

18.10.2024 21:41 — 👍 298    🔁 99    💬 0    📌 0
The cover art for SURF-TRIP! by Browny Circus. It features a young girl in a pink swimsuit swimming in clear, blue water, shot from below.

The cover art for SURF-TRIP! by Browny Circus. It features a young girl in a pink swimsuit swimming in clear, blue water, shot from below.

The disc for SURF-TRIP! by Browny Circus. It is blue and features a stylized illustration of a girl with a ponytail and a flower behind her ear holding a surfboard.

The disc for SURF-TRIP! by Browny Circus. It is blue and features a stylized illustration of a girl with a ponytail and a flower behind her ear holding a surfboard.

KAORi⭐︎ / vocal, guitar and chorus nobuhide fujiki / vocal, guitar and chorus izumi / bass and chorus Uomi / drums and chorus guest chorus is Yutaka Koga (ROCKET K) M 3 and M 5 all songs written by KAORi⭐︎ except for M 8 words by 松山猛， song by 加藤 和彦 all songs arranged by brownycircus produced by Yutaka Koga, Tsutomu Oikawa and brownycircus recorded and mixed by Tsutomu Oikawa at studio CURVA NORD from May 1 to May 5, 2004 except for M 8 recorded by Jin Terada and Tomoyuki Niitsu at IRc 2 STUDIOS on February 14, 2004 mastering by Yoei Hashimoto at AUBRITE MASTERING STUDIO sleeve design by Kayoko Kotera and brownycircus illustration by Masahiro Ogawa photograph by Rie Fujii and brownycircus special thanks ayumu(DRUNK FUX) brownycircus HP http://www.geocities.co.jp/Broadway-Guitar/9507/

KAORi⭐︎ / vocal, guitar and chorus nobuhide fujiki / vocal, guitar and chorus izumi / bass and chorus Uomi / drums and chorus guest chorus is Yutaka Koga (ROCKET K) M 3 and M 5 all songs written by KAORi⭐︎ except for M 8 words by 松山猛， song by 加藤 和彦 all songs arranged by brownycircus produced by Yutaka Koga, Tsutomu Oikawa and brownycircus recorded and mixed by Tsutomu Oikawa at studio CURVA NORD from May 1 to May 5, 2004 except for M 8 recorded by Jin Terada and Tomoyuki Niitsu at IRc 2 STUDIOS on February 14, 2004 mastering by Yoei Hashimoto at AUBRITE MASTERING STUDIO sleeve design by Kayoko Kotera and brownycircus illustration by Masahiro Ogawa photograph by Rie Fujii and brownycircus special thanks ayumu(DRUNK FUX) brownycircus HP http://www.geocities.co.jp/Broadway-Guitar/9507/

The back cover of SURF-TRIP! by Browny Circus. It features a black and white photo of the four members and the tracklist. 1. BOY meets SURF 2. walking with a smile 3. RIDE ON 4. your song 5. my girl 6. SURF AROUND 7. wendy 8. タイムマシンにおねがい

The back cover of SURF-TRIP! by Browny Circus. It features a black and white photo of the four members and the tracklist. 1. BOY meets SURF 2. walking with a smile 3. RIDE ON 4. your song 5. my girl 6. SURF AROUND 7. wendy 8. タイムマシンにおねがい

Browny Circus - SURF-TRIP!
album, ２００４年

sleeve design by Kayoko Kotera and Browny Circus
illustration by Masahiro Ogawa
photos by Rie Fujii and Browny Circus

31.01.2025 16:57 — 👍 29    🔁 4    💬 0    📌 0
The cover of Your Aquarium by Honey Skoolmates, depicting various sea shells and pebbles and decorated with red, orange, and yellow stars.

The cover of Your Aquarium by Honey Skoolmates, depicting various sea shells and pebbles and decorated with red, orange, and yellow stars.

The disc for Your Aquarium by Honey Skoolmates. Breaking away from the classic disc shape, it is red and shaped like a star.

The disc for Your Aquarium by Honey Skoolmates. Breaking away from the classic disc shape, it is red and shaped like a star.

初めてハニスクを聴いたのは「ミニ・スカート」の頃。仕事がら時々デモテープをもらったりするんだけど、そのデモテはとにかく曲が一杯入っているなって印象でした。でも聴いてみてびっくり。どれも良い曲ばかりだったのです。っていうか、若いのに曲作りのツボを良くわかってるなって感じかな。それでボーカルの竹元さんと仲良くなったので、その後も新曲ができるたび、デモを送ってもらっていました。だからハニスクに関してはかなり詳しい（？）ですよ。ライブは1回しか観てないけどね。それにここ2年間の竹元さんの心の紆余曲折も少しは知っている。悩みだったり、野望だったり連れのグラスゴーでライブができたハッピーだったり。故にこのCDはホント感無量です。内容もめちゃくちゃ良いです。ハニスク、よくここまで成長したなぁって感じ。だってデモを沢山聴いたせいか竹元さんのソロ・ブロジェクトってイメージが僕には強くあった。でもこれを聴くとバンドとしてのまとまりもすごくいいし、何より男の子ポーカルとの絡みが最高！！やっぱりヴァセリンズとかプリミティブズとかグルービー・リトル・ナンバーズとか読いてきた僕にとっては男女のツイン・ポーカルはめちゃめちゃシビれてしまうんです。それにしても竹元さん、歌すごく良くなったね。英語でも日本語でもどっちでもイケてるよ。それにハニスクまだまだいけるね。これは通過点だ。でっかくなってね。きっとなれるから。 Semi-charmed Life カシヒデキ HONEY SKOOLMATES Yuko Takemoto (Vo & Keyboard) Keita Takatori (G & Cho) Atsushi Nakai (Dr & Cho) Shozo Hashimoto (B) Support member Brendan Dillon (G & Cho) Engineer Kazuyoshi Nagai at Laugh Studio Atsushi Mori at Laugh Studio Mixing Producer SHOW-TA (for nakayoshi production) Art Direction & Photographer Kohei Yamashita (E.T.Design) Label Producer Tony Otani Co-Produced Shinya Keyamura (SD Music Network) Chiho Nakamura (SD Music Network) Special thanks PLECTRUM Hideki Kaji Taeko Matsuda Leif Ramrow the Erb's Studio F Gen-chan Friends from Glasgow Friends from Michigan Friends and Family

初めてハニスクを聴いたのは「ミニ・スカート」の頃。仕事がら時々デモテープをもらったりするんだけど、そのデモテはとにかく曲が一杯入っているなって印象でした。でも聴いてみてびっくり。どれも良い曲ばかりだったのです。っていうか、若いのに曲作りのツボを良くわかってるなって感じかな。それでボーカルの竹元さんと仲良くなったので、その後も新曲ができるたび、デモを送ってもらっていました。だからハニスクに関してはかなり詳しい（？）ですよ。ライブは1回しか観てないけどね。それにここ2年間の竹元さんの心の紆余曲折も少しは知っている。悩みだったり、野望だったり連れのグラスゴーでライブができたハッピーだったり。故にこのCDはホント感無量です。内容もめちゃくちゃ良いです。ハニスク、よくここまで成長したなぁって感じ。だってデモを沢山聴いたせいか竹元さんのソロ・ブロジェクトってイメージが僕には強くあった。でもこれを聴くとバンドとしてのまとまりもすごくいいし、何より男の子ポーカルとの絡みが最高！！やっぱりヴァセリンズとかプリミティブズとかグルービー・リトル・ナンバーズとか読いてきた僕にとっては男女のツイン・ポーカルはめちゃめちゃシビれてしまうんです。それにしても竹元さん、歌すごく良くなったね。英語でも日本語でもどっちでもイケてるよ。それにハニスクまだまだいけるね。これは通過点だ。でっかくなってね。きっとなれるから。 Semi-charmed Life カシヒデキ HONEY SKOOLMATES Yuko Takemoto (Vo & Keyboard) Keita Takatori (G & Cho) Atsushi Nakai (Dr & Cho) Shozo Hashimoto (B) Support member Brendan Dillon (G & Cho) Engineer Kazuyoshi Nagai at Laugh Studio Atsushi Mori at Laugh Studio Mixing Producer SHOW-TA (for nakayoshi production) Art Direction & Photographer Kohei Yamashita (E.T.Design) Label Producer Tony Otani Co-Produced Shinya Keyamura (SD Music Network) Chiho Nakamura (SD Music Network) Special thanks PLECTRUM Hideki Kaji Taeko Matsuda Leif Ramrow the Erb's Studio F Gen-chan Friends from Glasgow Friends from Michigan Friends and Family

Tracklist and back of CD for Your Aquarium by Honey Skoolmates. 01: SUMMER 02: 16 candles 03: ねこのうた 04: GLASGOW 05: Morning Dew

Tracklist and back of CD for Your Aquarium by Honey Skoolmates. 01: SUMMER 02: 16 candles 03: ねこのうた 04: GLASGOW 05: Morning Dew

Honey Skoolmates - Your Aquarium
mini-album, １９９９年

Yuko Takemoto: Vo & Keyboard
Keita Takatori: G & Cho
Atsushi Nakai: Dr & Cho
Shozo Hashimoto: B

Art Direction, Photographer: Kohei Yamashita

16.01.2025 04:56 — 👍 51    🔁 17    💬 0    📌 0
A spread from Minimix n.13 featuring Yoshitomo Nara's I Don't Mind, If You Forget Me. The left page shows a close-up of his installation piece from 2001 that encases various toys and figures of his characters in plexiglass lettering, and displays them on the wall. The right page features a close-up of Fountain of Life (生命之泉).

A spread from Minimix n.13 featuring Yoshitomo Nara's I Don't Mind, If You Forget Me. The left page shows a close-up of his installation piece from 2001 that encases various toys and figures of his characters in plexiglass lettering, and displays them on the wall. The right page features a close-up of Fountain of Life (生命之泉).

A spread from Minimix n.13 featuring a series of illustrations, mostly black and white, compiled to make a card for the Kistuné Respect Party in 2001. They are mostly stylized portraits.

A spread from Minimix n.13 featuring a series of illustrations, mostly black and white, compiled to make a card for the Kistuné Respect Party in 2001. They are mostly stylized portraits.

A spread featuring Masami Akita's Love Position, published in the year 2000. The images feature embracing couples in intimate scenes, with the title of the book in a futuristic dot font.

A spread featuring Masami Akita's Love Position, published in the year 2000. The images feature embracing couples in intimate scenes, with the title of the book in a futuristic dot font.

minimix N.13, 2001 ✽✽
奈良美智 | Yoshitomo Nara: I don't mind if you forget me
Kitsuné: Kistuné Respect Party 2001
秋田昌美 | Masami Akita: LOVE POSITION

02.12.2024 22:36 — 👍 20    🔁 7    💬 0    📌 0
The front cover of Minimix n.13, a zine series showcasing artwork from France and Japan. This cover features a small black panther at the bottom of the page against a white background with delicate green, yellow, and pink stems that blossom into oblong blobs. The title is in red.

The front cover of Minimix n.13, a zine series showcasing artwork from France and Japan. This cover features a small black panther at the bottom of the page against a white background with delicate green, yellow, and pink stems that blossom into oblong blobs. The title is in red.

The back cover of Minimix n.13 featuring simple red and black contour drawings of many buses moving in a circle against a white background. The title is in navy blue.

The back cover of Minimix n.13 featuring simple red and black contour drawings of many buses moving in a circle against a white background. The title is in navy blue.

minimix N.13, 2001
covers by ICH&KAR

02.12.2024 22:22 — 👍 50    🔁 13    💬 1    📌 0
Post image Post image Post image Post image

some fun & stylish retro y2k sticker sheets! vintage from mind wave ~

28.11.2024 15:53 — 👍 60    🔁 24    💬 1    📌 0
Blythe letter set featuring a blonde Blythe doll with a bob cut. She wears a blue sweater, red scarf, and a red hair clip. In the upper corner, a few balloons float away and carry the words, How are you doing?

Blythe letter set featuring a blonde Blythe doll with a bob cut. She wears a blue sweater, red scarf, and a red hair clip. In the upper corner, a few balloons float away and carry the words, How are you doing?

Blythe letter set featuring a Blythe doll with blonde hair. The blue envelope has a window that fits perfectly over her face. There is a text bubble that has space for writing the recipient's name and address.

Blythe letter set featuring a Blythe doll with blonde hair. The blue envelope has a window that fits perfectly over her face. There is a text bubble that has space for writing the recipient's name and address.

The backside of the envelope. It has space for a return address and Blythe's copyright information.

The backside of the envelope. It has space for a return address and Blythe's copyright information.

Blythe official letter set
２００３年

Photo by Gina Garan
#ネオブライス

22.11.2024 17:02 — 👍 69    🔁 12    💬 1    📌 0
Perfume - Monochrome Effect single disc. It is silver with the Perfume logo in white across the lower half and Monochrome Effect written in Japanese in a square dot font.

Perfume - Monochrome Effect single disc. It is silver with the Perfume logo in white across the lower half and Monochrome Effect written in Japanese in a square dot font.

Ayaka Nishiwaki (A-chan), Yuka Kashino (Kashiyuka) and Ayano Omoto (Nocchi) of Perfume

Ayaka Nishiwaki (A-chan), Yuka Kashino (Kashiyuka) and Ayano Omoto (Nocchi) of Perfume

A-chan (Ayaka Nishiwaki) and Kashiyuka (Yuka Kashino) of Perfume. Ayaka Nishiwaki profile: birthday: February 15, 1989 blood type: A favorite city in Japan: Hiroshima favorite colors: pink, red, white charm point: smile Yuka Kashino profile: birthday: December 23, 1988 blood type: A favorite animals: hamsters, dogs, cats favorite brands: Milk, Candy, Hysteric Glamour special talent: meowing like a cat

A-chan (Ayaka Nishiwaki) and Kashiyuka (Yuka Kashino) of Perfume. Ayaka Nishiwaki profile: birthday: February 15, 1989 blood type: A favorite city in Japan: Hiroshima favorite colors: pink, red, white charm point: smile Yuka Kashino profile: birthday: December 23, 1988 blood type: A favorite animals: hamsters, dogs, cats favorite brands: Milk, Candy, Hysteric Glamour special talent: meowing like a cat

Nocchi (Ayano Omoto) of Perfume and credits. Ayano Omoto profile: birthday: September 20, 1988 blood type: A favorite food: curry rice hobby: singing favorite book: star girl Produced by YASUTAKA NAKATA Vocal & Chorus: Perfume Mixed by YASUTAKA NAKATA Recorded by YASUTAKA NAKATA, SATOSHI TAKUSHIMA (Epicurus Studio) Recorded at muse studio / contemode studio Mixed at contemode studio Mastered by YASUJI MAEDA (Bernie Grundman MASTERING) YASUTAKA NAKATA by the courtesy of YAMAHA MUSIC COMMUNICATIONS CO., LTD. Art Direction: KAZUAKI SEKI (OOO=triple-O) Design: YOSHINORI TAKAHASHI (OOO=triple-O) Photograph: EMIKO MORIZAKI (FEMME) Fashion Director: HIROYUKI "USHIKO" ISHII Costume Designer: KAYOKO SHIBAMOTO, HIROMI MITSUNAGA (vivity) Hair & Make up: HITOSHI NOBUSAWA (VA.S.P) Assistant Hair & Make up: ASUKA MATSUMORI

Nocchi (Ayano Omoto) of Perfume and credits. Ayano Omoto profile: birthday: September 20, 1988 blood type: A favorite food: curry rice hobby: singing favorite book: star girl Produced by YASUTAKA NAKATA Vocal & Chorus: Perfume Mixed by YASUTAKA NAKATA Recorded by YASUTAKA NAKATA, SATOSHI TAKUSHIMA (Epicurus Studio) Recorded at muse studio / contemode studio Mixed at contemode studio Mastered by YASUJI MAEDA (Bernie Grundman MASTERING) YASUTAKA NAKATA by the courtesy of YAMAHA MUSIC COMMUNICATIONS CO., LTD. Art Direction: KAZUAKI SEKI (OOO=triple-O) Design: YOSHINORI TAKAHASHI (OOO=triple-O) Photograph: EMIKO MORIZAKI (FEMME) Fashion Director: HIROYUKI "USHIKO" ISHII Costume Designer: KAYOKO SHIBAMOTO, HIROMI MITSUNAGA (vivity) Hair & Make up: HITOSHI NOBUSAWA (VA.S.P) Assistant Hair & Make up: ASUKA MATSUMORI

Perfume - Monochrome Effect
single, ２００４年

Art Direction: Kazuaki Seki
Design: Yoshinori Takahashi
Photograph: Emiko Morizaki
Fashion Director: Hiroyuki "Ushiko" Ishii
Costume Designer: Kayoko Shibamoto, Hiromi Mitsunaga
Hair & Make up: Hitoshi Nobusawa
Assistant Hair & Make up: Asuka Matsumori

20.11.2024 23:08 — 👍 117    🔁 42    💬 1    📌 1
the disc art of Asobi Seksu's 2006 album Citrus. Looks like a pink record.

the disc art of Asobi Seksu's 2006 album Citrus. Looks like a pink record.

The back cover and spine of the sleeve of Asobi Seksu's 2006 album Citrus. Mint green with a golden yellow image of lead singer Yuki Chikudate and dynamic, flourishing typography by Sean McCabe.

The back cover and spine of the sleeve of Asobi Seksu's 2006 album Citrus. Mint green with a golden yellow image of lead singer Yuki Chikudate and dynamic, flourishing typography by Sean McCabe.

A photo of Yuki Chikudate in white and red, taken by Sean McCabe and styled by Annie Chiu.

A photo of Yuki Chikudate in white and red, taken by Sean McCabe and styled by Annie Chiu.

The back insert of Asobi Seksu's 2006 album Citrus, featuring a colorful track list in a bold serif font. 1. Everything Is On 2. Strawberries 3. New Years 4. Thursday 5. Strings 6. Pink Cloud Tracing Paper 7. Red Sea 8. Goodbye 9. Lions and Tigers 10. Nefi + Girly 11. Exotic Animal Paradise 12. Mizu Asobi

The back insert of Asobi Seksu's 2006 album Citrus, featuring a colorful track list in a bold serif font. 1. Everything Is On 2. Strawberries 3. New Years 4. Thursday 5. Strings 6. Pink Cloud Tracing Paper 7. Red Sea 8. Goodbye 9. Lions and Tigers 10. Nefi + Girly 11. Exotic Animal Paradise 12. Mizu Asobi

Asobi Seksu - Citrus
album, ２００６年

art direction, photography, design: Sean McCabe
styling, assistance: Annie Chiu

10.11.2024 15:23 — 👍 78    🔁 25    💬 0    📌 0
Swinging Popsicle - transit (disc) ALL RIGHTS OF THE MANUFACTURER AND OF THE OWNER OF THE RECORDED WORK RESERVED. LINAUTHORISED DUPLICATION PROHIBITEDI MANUFACTURED BY FLAVOUR OF SOUND LTD. ®2004 MADE IN JAPAN. STEREO PUCA-1027|

Swinging Popsicle - transit (disc) ALL RIGHTS OF THE MANUFACTURER AND OF THE OWNER OF THE RECORDED WORK RESERVED. LINAUTHORISED DUPLICATION PROHIBITEDI MANUFACTURED BY FLAVOUR OF SOUND LTD. ®2004 MADE IN JAPAN. STEREO PUCA-1027|

A scan of the inside of the digipak. Swinging Popsicle - transit Produced & Recorded by Swinging Popsicle Swinging Popsicle are 藤島美音子 (Mineko Fujishima) 嶋田修 (Osamu Shimada) 平田博信 (Hironobu Hirata) Mixed by 杉山オサム（スタジオインパクト下井草） Mastered by 間部敬克（CRS） Art Direction：藤島美音子（Swinging Popsicle） Photograph: <Jacket&Inlay> y.nakane (ebisu photo factory) ‹Antenna> n.nishiki (FC Pucci) Design： 永井研（Flavour of Sound） Superviser：中根康旨（NIPPON CROWN） Artist Management：上田治男（吉本興業） A&R：永井研・錦澤典子（Flavour of Sound） Promotion：八木美紀江・高山文孝（Flavour of Sound） Exective Producer ： 大塚有尋 （Flavour of Sound） Sales Promotion: 関賢二 & All 3D System Staff Special Thanks to アップダウン / advantage Lucy / another bebe / apila / イズミカワソラ / 一百合 / 伊藤修（YAMAHA） / 大河原麻子 /Auroranote / 岸田加奈子（ファンダンゴ）/ 工藤大介（VASALLO CRAB 75）/ 国沢雅弘 / GOMES THE HITMAN / 齋見泰正（ViEWSIC）/ 佐藤盟生 / 佐藤文 / サトウヨシヤ / 嶋秀樹 / 菅原眞 / snowball / ZEPPET STORE /Cellophane / 曽根美保子 / 高橋結子（GOMES THE HITMAN）/ 多田和弘 / dicot / トキタナオミ / 仁井聡子 / 二宮真貴子 / 畠山亮（LOFT PROJECT）/ hurdy gurdy /BANK$ / BL.Waltz / bitter cherry jam / face to ace / 富加津宣明 / 福田孝明（DEUCE）/ 福村貴行（VASALLO CRAB 75）/ 藤村かおり / the brilliant green / Plectrum / 松村かずよ（研音）/ 松元浩一（吉本興業）/ 森あやこ / 吉田尚記（ニッポン放送）/ 吉田美由紀 / Lost in Found / RON RON CLOU / and many many friends!!!

A scan of the inside of the digipak. Swinging Popsicle - transit Produced & Recorded by Swinging Popsicle Swinging Popsicle are 藤島美音子 (Mineko Fujishima) 嶋田修 (Osamu Shimada) 平田博信 (Hironobu Hirata) Mixed by 杉山オサム（スタジオインパクト下井草） Mastered by 間部敬克（CRS） Art Direction：藤島美音子（Swinging Popsicle） Photograph: <Jacket&Inlay> y.nakane (ebisu photo factory) ‹Antenna> n.nishiki (FC Pucci) Design： 永井研（Flavour of Sound） Superviser：中根康旨（NIPPON CROWN） Artist Management：上田治男（吉本興業） A&R：永井研・錦澤典子（Flavour of Sound） Promotion：八木美紀江・高山文孝（Flavour of Sound） Exective Producer ： 大塚有尋 （Flavour of Sound） Sales Promotion: 関賢二 & All 3D System Staff Special Thanks to アップダウン / advantage Lucy / another bebe / apila / イズミカワソラ / 一百合 / 伊藤修（YAMAHA） / 大河原麻子 /Auroranote / 岸田加奈子（ファンダンゴ）/ 工藤大介（VASALLO CRAB 75）/ 国沢雅弘 / GOMES THE HITMAN / 齋見泰正（ViEWSIC）/ 佐藤盟生 / 佐藤文 / サトウヨシヤ / 嶋秀樹 / 菅原眞 / snowball / ZEPPET STORE /Cellophane / 曽根美保子 / 高橋結子（GOMES THE HITMAN）/ 多田和弘 / dicot / トキタナオミ / 仁井聡子 / 二宮真貴子 / 畠山亮（LOFT PROJECT）/ hurdy gurdy /BANK$ / BL.Waltz / bitter cherry jam / face to ace / 富加津宣明 / 福田孝明（DEUCE）/ 福村貴行（VASALLO CRAB 75）/ 藤村かおり / the brilliant green / Plectrum / 松村かずよ（研音）/ 松元浩一（吉本興業）/ 森あやこ / 吉田尚記（ニッポン放送）/ 吉田美由紀 / Lost in Found / RON RON CLOU / and many many friends!!!

outer jacket of transit by Swinging Popsicle PUCA-1027 1. I just wanna kiss you 2. スノーイズム 3. ニーチェ 4. 短い考察 5. Girl meets Boy 6. ブラインドタッチ 7. コースアウト 8. シネマニ 9. Q 10. 蛇行する 11. ベランダ猫 （BONUS TRACK） 12. ドントレットミーダウン

outer jacket of transit by Swinging Popsicle PUCA-1027 1. I just wanna kiss you 2. スノーイズム 3. ニーチェ 4. 短い考察 5. Girl meets Boy 6. ブラインドタッチ 7. コースアウト 8. シネマニ 9. Q 10. 蛇行する 11. ベランダ猫 （BONUS TRACK） 12. ドントレットミーダウン

Swinging Popsicle - transit
album, ２００４年

Art Direction: Mineko Fujishima
Jacket & Inlay Photo: y.nakane (ebisu photo factory)
Antenna Photo: n.nishiki (FC Pucci)
Design: Ken Nagai (Flavour of Sound)

08.11.2024 18:57 — 👍 56    🔁 10    💬 0    📌 1
shiina ringo's mint-green duesenberg starplayer ii. "before my debut, i took out a loan to buy it, and it's still my favorite of all my guitars. the sound is very nice, and it is sure to be a lifelong friend. i have many sponsors and put their logo stickers on the back of the guitar."

shiina ringo's mint-green duesenberg starplayer ii. "before my debut, i took out a loan to buy it, and it's still my favorite of all my guitars. the sound is very nice, and it is sure to be a lifelong friend. i have many sponsors and put their logo stickers on the back of the guitar."

shiina ringo's black rickenbacker 620 and blue nagare. "the rickenbacker was mentioned in the lyrics of marunouchi sadistic; i purchased the guitar after writing the song. however, i did not buy it in ochanomizu, but instead made the purchase in ōkubo. the stickers were purchased at a duty-free shop and adhered with stick glue. the nagare was recommended by the staff at shimamura instruments, and was formerly known as the jazz master, but is no longer so, which is inevitable (lol) it comes with a lot of unnecessary bits, which i like. it makes noise when you turn the key and has a strobe light. when the light goes off, it makes a sound like radiohead. they said if i have any ideas, they will try to make them happen. the guitarmaker mr. nishikawa wants to make one that can hold tropical fish (lol) that uses the fish's movements to apply distortion and rewards them with food if the performance is good..."

shiina ringo's black rickenbacker 620 and blue nagare. "the rickenbacker was mentioned in the lyrics of marunouchi sadistic; i purchased the guitar after writing the song. however, i did not buy it in ochanomizu, but instead made the purchase in ōkubo. the stickers were purchased at a duty-free shop and adhered with stick glue. the nagare was recommended by the staff at shimamura instruments, and was formerly known as the jazz master, but is no longer so, which is inevitable (lol) it comes with a lot of unnecessary bits, which i like. it makes noise when you turn the key and has a strobe light. when the light goes off, it makes a sound like radiohead. they said if i have any ideas, they will try to make them happen. the guitarmaker mr. nishikawa wants to make one that can hold tropical fish (lol) that uses the fish's movements to apply distortion and rewards them with food if the performance is good..."

the guitars of shiina ringo... 🍎
via 椎名林檎 無罪モラトリアム photo and score book

08.11.2024 08:10 — 👍 180    🔁 71    💬 1    📌 0
a comic by saho tōno titled ping pong. two people play ping pong. one grows disheartened and frustrated not being able to hit the ball back, but finally manages to do it. the two get ice cream after, and the character says, "i like ping pong."

a comic by saho tōno titled ping pong. two people play ping pong. one grows disheartened and frustrated not being able to hit the ball back, but finally manages to do it. the two get ice cream after, and the character says, "i like ping pong."

冬野さほ
twinkle

ping pong
１９９６年

22.10.2024 02:00 — 👍 52    🔁 14    💬 0    📌 0
The disc for L.D.K. Lounge Designers Killer by capsule. It is a warm dandelion yellow with minimal text wrapped to follow the inner curvature.

The disc for L.D.K. Lounge Designers Killer by capsule. It is a warm dandelion yellow with minimal text wrapped to follow the inner curvature.

The cover art for Lounge Designers Killer by capsule. It is a close-up shot of a fluffy green rug with minimal text. There is a hole cut out in the upper corner.

The cover art for Lounge Designers Killer by capsule. It is a close-up shot of a fluffy green rug with minimal text. There is a hole cut out in the upper corner.

A photo of the members of capsule. Yasutaka Nakata wears a green robe, a white long sleeve, black trousers, and sunglasses. His hair is blond and cut short. Toshiko Koshijima wears a green asymmetrical dress of the same material over a white high neck top, cream knee-length balloon pants, and white ballet flats. Her brown hair is cut into a neat, round bob. They stand in a green room with a yellow door, surrounded by green, yellow, and white balloons.

A photo of the members of capsule. Yasutaka Nakata wears a green robe, a white long sleeve, black trousers, and sunglasses. His hair is blond and cut short. Toshiko Koshijima wears a green asymmetrical dress of the same material over a white high neck top, cream knee-length balloon pants, and white ballet flats. Her brown hair is cut into a neat, round bob. They stand in a green room with a yellow door, surrounded by green, yellow, and white balloons.

A photo of the members of capsule. Yasutaka Nakata wears a white long sleeve top, black trousers, and sunglasses. Toshiko Koshijima wears a white high-neck top, cream knee-length balloon pants, and a fuzzy green vest. They stand in front of a yellow door and a white backdrop, surrounded by confetti.

A photo of the members of capsule. Yasutaka Nakata wears a white long sleeve top, black trousers, and sunglasses. Toshiko Koshijima wears a white high-neck top, cream knee-length balloon pants, and a fuzzy green vest. They stand in front of a yellow door and a white backdrop, surrounded by confetti.

CAPSULE - L.D.K. Lounge Designers Killer
album, ２００５年

Yasutaka Nakata + Toshiko Koshijima

Art direction: Yasutaka Nakata (contemode)
Design: Yasutaka Nakata, Masanori Ishizuka (half moon)
Photo: wantarou (contemode)
Hair/make: Tomoko Miyagawa (contemode)
Styling: Yasutaka Nakata

19.10.2024 22:03 — 👍 108    🔁 34    💬 0    📌 3
The disc art for Björk's single Army of Me. White with a blue futuristic font. code 162TP7CD

The disc art for Björk's single Army of Me. White with a blue futuristic font. code 162TP7CD

Track 1 Produced by Nellee Hooper, Graham Massey and Björk. Original Engineering: Al Fisch. Performed by Björk, Graham Massey, Nellee Hooper and Marius De Vries. Mixed by Mark "Spike" Stent. Keyboards: Graham Massey, Marius De Vries and Björk. Programming: Marius De Vries and Graham Massey. Graham Massey appears courtesy of 808 State/ZTT Records Ltd. Track 2 Produced by Björk and Nellee Hooper. Programming by Marius De Vries. Keyboards by Björk. Engineered by Howie Bernstein. Assistant Engineer: Oswald "Wiz" Bowe. Track 3 Produced by Björk. Mixed by Marcus Dravs. String Arrangements by Björk and Eumir Deodato. Recording Engineer: Steve Price. Assistant Engineer: Adrian Scarff. Conductor: Eumir Deodato. Orchestral Contractor: Isobel Griffiths. Orchestral Leader: Gavin Wright. Principal Viola: Bob Smissen. Principal Cello. Tony Pleeth. Track 4 Produced by Black Dog and Björk. Programming and Keyboards: Black Dog. Cover Design by Me Company meco@meco.demon.co.uk Astro Boy modelled by Martin Gardiner. Astro Bear modelled by Lost In Space. Thanks to Ultra Violet; BOY, London; Shin & Co. Inc. Tokyo, Japan; Norman Watson.

Track 1 Produced by Nellee Hooper, Graham Massey and Björk. Original Engineering: Al Fisch. Performed by Björk, Graham Massey, Nellee Hooper and Marius De Vries. Mixed by Mark "Spike" Stent. Keyboards: Graham Massey, Marius De Vries and Björk. Programming: Marius De Vries and Graham Massey. Graham Massey appears courtesy of 808 State/ZTT Records Ltd. Track 2 Produced by Björk and Nellee Hooper. Programming by Marius De Vries. Keyboards by Björk. Engineered by Howie Bernstein. Assistant Engineer: Oswald "Wiz" Bowe. Track 3 Produced by Björk. Mixed by Marcus Dravs. String Arrangements by Björk and Eumir Deodato. Recording Engineer: Steve Price. Assistant Engineer: Adrian Scarff. Conductor: Eumir Deodato. Orchestral Contractor: Isobel Griffiths. Orchestral Leader: Gavin Wright. Principal Viola: Bob Smissen. Principal Cello. Tony Pleeth. Track 4 Produced by Black Dog and Björk. Programming and Keyboards: Black Dog. Cover Design by Me Company meco@meco.demon.co.uk Astro Boy modelled by Martin Gardiner. Astro Bear modelled by Lost In Space. Thanks to Ultra Violet; BOY, London; Shin & Co. Inc. Tokyo, Japan; Norman Watson.

lyrics: stand up / you've got to manage / i won't sympathize anymore / and if you complain once more you'll meet an army of me / you're alright / there's nothing wrong self sufficience please! / and get to work / and if you complain once more you'll meet an army of me / you're on your own now / we won't save you / your rescue squad is too exhausted / and if you complain once more / you'll meet an army of me

lyrics: stand up / you've got to manage / i won't sympathize anymore / and if you complain once more you'll meet an army of me / you're alright / there's nothing wrong self sufficience please! / and get to work / and if you complain once more you'll meet an army of me / you're on your own now / we won't save you / your rescue squad is too exhausted / and if you complain once more / you'll meet an army of me

back cover with track listing. 1. Army Of Me 2. Cover Me 3. You've Been Flirting Again 4. Sweet Intuition

back cover with track listing. 1. Army Of Me 2. Cover Me 3. You've Been Flirting Again 4. Sweet Intuition

Björk - Army of Me
single, ２００１年

what can i do
to be like you
and become
a real Astro Björk

Cover Design: Me Company
Astro Boy model: Martin Gardiner
Astro Bear model: Lost in Space

18.10.2024 23:19 — 👍 115    🔁 30    💬 0    📌 0
image ethics and best practices. every jpeg you come across was created by someone. if you want to share something on an account that is visible to the public, you are faced with a moral dilemma. you can either be a steward of information, or you can be a thief. if you truly respect the work that you are reposting, you will acknowledge where it comes from. as ignorance runs rampant and images are degraded through an endless chain of screenshotting, moodboarding, and reposting, i invite you to care about information. what is it? who made it? who played what role? when did they make it? where did they share it? archives cannot exist without information. do not repost anything that you cannot provide credits to, and stop supporting pages that repost without credit. you are not entitled to the work of others. "credit to the owner" is not real credit. "dm for credit/removal" is not real credit. these are copouts. do not repost anything from a creator who does not want their work reposted. make sure you translate things on their page to see if it's written in another language. if you would still like to share their work, post a link to their page so that people can engage with their work directly. if you are given special permission to repost from someone who ordinarily does not allow reposting, make sure people know what's up so that everyone knows you have asked for and received permission, but reposting and usage is generally not allowed.

image ethics and best practices. every jpeg you come across was created by someone. if you want to share something on an account that is visible to the public, you are faced with a moral dilemma. you can either be a steward of information, or you can be a thief. if you truly respect the work that you are reposting, you will acknowledge where it comes from. as ignorance runs rampant and images are degraded through an endless chain of screenshotting, moodboarding, and reposting, i invite you to care about information. what is it? who made it? who played what role? when did they make it? where did they share it? archives cannot exist without information. do not repost anything that you cannot provide credits to, and stop supporting pages that repost without credit. you are not entitled to the work of others. "credit to the owner" is not real credit. "dm for credit/removal" is not real credit. these are copouts. do not repost anything from a creator who does not want their work reposted. make sure you translate things on their page to see if it's written in another language. if you would still like to share their work, post a link to their page so that people can engage with their work directly. if you are given special permission to repost from someone who ordinarily does not allow reposting, make sure people know what's up so that everyone knows you have asked for and received permission, but reposting and usage is generally not allowed.

repost with credits in the caption, not the comments. make the credits the first thing people see before you talk about anything else. tag them if they are on the same platform. do not use peoples work as your profile picture or other representative image without permission. not everyone is okay with their images being used to represent a person they do not know. always add credit in your bio. exceptions may be if the artist is famous and easily recognized, or if the image is from an old advertisement or well-known piece of media. for instance, you wouldn't need to add credit in your bio if using a van gogh painting, official pokemon art, or the blythe walkman ad. it's still good to do so, but most people can recognize what it is and where it came from. but gina garan's non-commercial work, work by an independent active painter, pokemon fanart, and custom doll work should be credited. never use another person's self-portrait or original character without permission. you may feel like you are just one person, and that you alone cannot be hurting anyone by reposting images you like. but if everyone does it, and nobody knows where these photos come from, the impact adds up, and a culture of consumption is allowed to persist.

repost with credits in the caption, not the comments. make the credits the first thing people see before you talk about anything else. tag them if they are on the same platform. do not use peoples work as your profile picture or other representative image without permission. not everyone is okay with their images being used to represent a person they do not know. always add credit in your bio. exceptions may be if the artist is famous and easily recognized, or if the image is from an old advertisement or well-known piece of media. for instance, you wouldn't need to add credit in your bio if using a van gogh painting, official pokemon art, or the blythe walkman ad. it's still good to do so, but most people can recognize what it is and where it came from. but gina garan's non-commercial work, work by an independent active painter, pokemon fanart, and custom doll work should be credited. never use another person's self-portrait or original character without permission. you may feel like you are just one person, and that you alone cannot be hurting anyone by reposting images you like. but if everyone does it, and nobody knows where these photos come from, the impact adds up, and a culture of consumption is allowed to persist.

image ethics and best practices ＊

18.10.2024 21:41 — 👍 298    🔁 99    💬 0    📌 0

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