Chrohatu

unfinished artwork of frankenstein and elizabeth

And now for something completely different…

Alfred Broge, (Danish,1870-1955)

Vinterdag i en by (Winter Day in a City) dated 1931.

The painting depicts a woman, standing in the snow outside a small wooden shed with a sign that says "DAGBLAD," which is Danish for "daily newspaper."

And now for something completely different…

Anders Leonard Zorn (18 February 1860 – 22 August 1920) Swedish artist who attained international success as a painter, sculptor, and etching artist

"Vallkulla" (1908)
oil on canvas (307.3 x 232.4 cm)
Collection: Zorn Museum, Mora, Sweden.

Oldie but a goodie

Tëwènama | Family

unfinished 3D model of a woman behind a beveled glass door at sunset. her eye's reflections are repeated across the glass's facets. there's some small rainbow light beams shining on her face and body.

fixed it!

And now for something completely different…

Frits Thaulow (20 October 1847 – 5 November 1906) was a Norwegian Impressionist painter, best known for his naturalistic depictions of landscape

Man on country road 1900
Oil on canvas

The lake in the foreground takes up almost the lower half of the painting; in focus, near the shore, is a long rowing boat with two men, two cows and goats, another boat in the background; on the opposite side of the lake is a forest and behind it an impressive view of the Alps under a sky that takes up about the upper half of the painting and is partly cloudy, partly light blue.

Anton Hansch, 'Lake Chiemsee in autumn'

Are we there yet? #art #oilpainting

a small green two-storey house between larger buildings; a small garden and a girl sitting on a steep ladder-like staircase leading from the garden to the upper floor of the house

Oleg Loshakov, 'Green house' (1966)

Keep reposting your art.
Keep reposting your art.
Keep reposting your art.
Keep reposting your art.
Keep reposting your art.
Keep reposting your art.
Keep reposting your art.

„Puzzling“
Day 26
#inktober #inktober2025

🤩

The Adlon on the right-hand side and several cars on the road. Other parts of Unter den Linden can also be seen, with a few pedestrians and trees.

Lesser Ury, 'Berlin street scene in autumn (Hotel Adlon, Berlin)' (1920)

Inktober illustration of eye and claws through…a plant? Text says time for your bath

Illustration of a two woman looking at each other, one is facing away from the camera. The other is looking directly at it

Inktobers day 24, 25

Salome dancing for King Herod. The king is seated on the right with several others at a table on which stands a peacock pie. Decorative vessels are placed against the wall and on the right in the foreground.

Hans Horions, 'Salome dancing for Herod' (mid-1600s)

Love her move and lack of interest in the king! ;)

Neither of them is looking into the convex mirror (in which two human skulls can be seen), but rather directly at the viewer, for whom the warning of impending death is equally valid and which is expressed in the inscription ‘Erken dich selbs’ (Know thyself) on the mirror. The inscription at the top right: ‘Solche Gestalt vnser baider was, im Spiegel aber nix dan das’ (Such was the form of us both, but in the mirror nothing but that) suggests that the two are calmly facing death. Hans Burgkmair (1473-1531) was one of the leading Renaissance painters in Augsburg; Furtenagel may have been his apprentice. It is possible that the Viennese double portrait, long attributed to Burgkmair himself, is based on a lost original by this artist. An etching from 1766 at least proves the existence of a second version in the possession of Georg Christoph Kilian of Augsburg, while the Vienna painting can be traced back to Prague as early as 1685.

Lukas Furtenagel, 'The painter Hans Burgkmair and his wife Annanée, née Allerlay' (1529)

Mixed media painting of a female figure with back to the viewer, head turned towards the horizon. A sloping ridge line beyond, with grey-blue sky above. Limited palette of blues, red, raw umber and yellows.

New work in progress detail: mixed media on unstretched hessian.

inktober drawing of melinoë from Hades 2 and cerberus

[inktober day 19] Pet Cerberus?

The artwork titled “Nightfall on the Thames,” painted by John Atkinson Grimshaw in 1880, is an exquisite contribution to the Romanticism art movement. This piece, executed in oil on board, measures 40.2 x 63.1 cm and is part of the collection at the Leeds Art Gallery in Leeds, United Kingdom. Classified under the marina genre, the painting captures a serene and contemplative maritime evening scene along the River Thames. The artwork portrays a tranquil, nocturnal view of the Thames, suffused in an almost ethereal moonlit glow. The scene is characterized by the dimly illuminated silhouettes of ships and their towering masts. The ghostly presence of St. Paul’s Cathedral can be discerned in the background, veiled in a hazy luminescence. The reflection of the moonlight on the gently rippling water adds to the painting’s tranquil atmosphere. The distinct lack of strong color contrasts and the pervasive shades of green and yellow contribute to the mood of quietude and reflection. The meticulous attention to detail, especially evident in the depiction of the ships and their intricate rigging, underscores Grimshaw’s mastery in capturing the subtle interplay between light and shadow in this evocative nocturnal setting. https://www.artchive.com/artwork/nightfall-on-the-thames-john-atkinson-grimshaw-1880-united-kingdom/

John Atkinson Grimshaw, 'Nightfall down the Thames' (1880)

Three Trees, L'Estaque, André Derain 1906

Three Trees, L'Estaque, André Derain 1906

Kitty Lange Kielland, Norwegian (1843-1914), Landscape of Cernay-la-Ville, c. 1885, oil on canvas, 46 x 55 cm, National Museum of Art, Architecture and Design, Oslo, Norway

The Banks of The Seine in Autumn - 1876
https://botfrens.com/collections/41/contents/8675

Wassily Kandinsky, Russian 1866-1944), Murnau, Burggrabenstrasse 1, 1908, oil on cardboard, 50.48 x 63.5 cm, Dallas Museum of Art, Dallas, Texas, USA

Leo Gestel, Dutch (1881-1941), Autumn, 1909, oil on canvas, 53.5 x 61 cm, Museum Kranenburgh, Bergen, Netherlands

Eric Ravilious, British (1903-1942), Furlongs, 1934, watercolor

William Sanderson :
Green Twilight, 1971

Oil on canvas

Fountain 2

Kodolina and her friend Baštun

Evening Seascape, Frederick Judd Waugh

Evening Seascape, Frederick Judd Waugh

Hasui Kawase, Japanese (1883-1957), Iris Garden at Meiji Shrine, 1951, woodblock print, 15 1/4 x 10 1/8 in