Cristina Victor

clay is awesome but I'm missing working with textiles. This a piece that reached toward merging the mediums of clay and fabric. clay resist dyed indigo.

always so fluid with this medium 😁

New Ceramic Artists: 8 Artists Pushing the Bounds of an Ancient Medium These 8 artists working in ceramics are pushing the bounds of an ancient medium, which has seen a remarkable surge since the mid-20th century.

news.artnet.com/art-world/ce...

Big Babies to be glazed before the heat hits.

Freestyle Platos now live with a fellow ceramicist. 🖤

Miami recap 🖤

Out of studio

Sabia Pots will be available at this event!

Hyperallergic was on a roll yesterday. Headlines felt absurdly possible.

Trump Withdraws US From Venice Biennale, “Too Diverse” The president called for “a return to showcasing the great art of this country in a context-free void” and “definitely not in a liberal European swamp.”

“Once widely respected as a propaganda machine for such luminaries as Hitler and Mussolini, the Venice Biennale has in recent years become a dumping ground for woke ideology,” Trump’s latest executive order says.

Had my first hand-building private group lesson in my garage. Thank you Hannah, Beth & Kate!

Letting these Sabia OG Tazas and Party Platter babies have a final toast in the sun before firing. Trying something new and setting up a Custom pre-order display with form and glaze samples to custom order at @feministmagicmarketchs this Saturday May 29th in North Charleston

what are these? They've been popping up in my garden bed, my guess is from compost

Exis lamp base looking 🤌🏽

New & seasoned textile work heading to Massachusetts for the group show "If They Told You, Would You Listen" exhibition curated by Destiny Palmer. Love that my artist residency connections are going strong despite these weird times. Show is up March 24- April 18th.

Thanks to Nidum Studios for having me and Charleston City Paper for checking out my show!

Arm Day. #clayrecycle

DONDE ESTA ANA

#dondeestaana

Grateful to everyone that showed up for my opening reception of Memoria Y Diseño at Nidum Gallery. Felt real love & support last night from my Charleston community 🖤

Last session's student made some beautiful things! #terraceclaystudio

Getting pumped for this little experiment of a show opening this Friday. 🖤

where can they be purchased? ✋🏽

I'll be showing work at Nidum Gallery on Feb. 28th in North Charleston. Join us for a little cocktail hang 6-9pm.

Stephanie H. Shih’s Time Capsules of the Heart She rescues objects from the garbage bin of mass-produced memory and reimagines them as art.

Ceramic artist Stephanie H. Shih plucks mass-market American products from the shelves of a ’90s collective consciousness and reimagines them as sculptures.

Glaze Experiments

Studio reset

South Beach watercolor study.

Legere, has sold 😁 Ceramic stoneware, 2024

Tracing the Peacock Chair’s History From Manila to Nashville A complex web of stories encourages us to reimagine the political weight of an unassuming remnant of craft tradition, born of incarcerated labor in the Philippines.

The story of the peacock chair is one of colonial carceral labor, American Victorian leisure, and the Black Power movement.