grey ‧₊ ᵎᵎ 🍒 ⋅ ˚✮

swingers popsicle #swingers #popsicle #swingerspopsicle

"In pursuit of nationalist origin stories, the physical infrastructures of the Ottoman and Mughal Empires have been gradually cleared away like so much dirt clinging to a precious artifact." from "Dig Beneath a Mosque" Cathy Gere's essay on archaeology & ethno-nationalisms @jhideas.bsky.social 🗃️

Benny Goodman and His Orchestra at Carnegie Hall This historic image showcases Benny Goodman, the “King of Swing,” performing at Carnegie Hall on January 16, 1938. Goodman stands front and center with his clarinet, delivering one of the most influential jazz performances of the 20th century. This concert was groundbreaking, marking the first time swing music—a genre born out of Black American culture—was performed in a venue traditionally reserved for classical music. The orchestra behind Goodman played a meticulously arranged setlist that highlighted the technical artistry of swing. This image reflects the cultural shift underway in America, where jazz began to be seen not just as dance music but as a sophisticated art form. Goodman’s Carnegie Hall concert symbolized a turning point in the recognition of jazz, breaking barriers for the genre and elevating it to new heights.

Benny Goodman’s Integrated Band at Carnegie Hall This powerful image captures the racially integrated lineup of Benny Goodman’s band performing at Carnegie Hall, a bold statement in 1938 America. Featured musicians include Lionel Hampton on vibraphone and Teddy Wilson on piano, both trailblazing Black artists who helped redefine swing music. Goodman’s decision to collaborate with Black musicians in a segregated era was revolutionary, challenging societal norms and paving the way for greater racial integration in music. Their performance at Carnegie Hall was a milestone, blending musical excellence with social progress. The image highlights the intersection of artistry and activism, showing how Goodman and his band used music to bridge divides, proving that talent transcends race in the pursuit of art and innovation.

Benny Goodman Quartet Performing at Carnegie Hall This image captures Benny Goodman’s famous quartet during their Carnegie Hall performance, featuring Lionel Hampton on vibraphone, Gene Krupa on drums, and Goodman himself on clarinet. The quartet’s chemistry and improvisational skills were on full display, with their electrifying performance receiving widespread acclaim. Their inclusion in this historic concert emphasized Goodman’s commitment to musical innovation and racial integration, making the quartet a symbol of jazz’s transformative power. The intimate setup and visible joy of the musicians reflect the collaborative spirit of swing music. This performance wasn’t just a concert; it was a cultural statement that redefined what was possible in American music, inspiring future generations of artists to push boundaries.

Carnegie Hall’s Poster for Benny Goodman’s Swing Concert This sepia-toned photograph of Carnegie Hall’s marquee advertises Benny Goodman’s January 16, 1938, swing concert, heralded as “the first swing concert in the history of Carnegie Hall.” The poster itself represents a watershed moment, as jazz, traditionally performed in dance halls, gained recognition as a concert-worthy genre. This sign was a beacon for fans and skeptics alike, signaling a new era for swing and jazz. Crowds gathered outside the prestigious venue, reflecting the event’s unprecedented popularity. The poster’s prominence at Carnegie Hall underscored the legitimization of swing music, marking jazz’s transformation into a respected and celebrated art form. This moment captured the spirit of innovation and cultural progress that defined Goodman’s landmark performance.

January 16, 1938, jazz legend Benny Goodman performed at Carnegie Hall in New York City, marking one of the first times people sat in a concert hall to hear swing music rather than dance. It was a jazz concert that changed both Black and Jewish history.

#StayCurious #Skystorians #DiveIntoDiscovery

Imperfect people don’t even regularly assault people everyday of the year.

NOT sexually assaulting people IS NOT DIFFICULT.

ugly little kitten inside of a pink and brown beanie

ugly pt. 2

well…

FBI Uncovers Al-Qaeda Plot To Just Sit Back And Enjoy Collapse Of United States WASHINGTON—Putting the nation on alert against what it has described as a “highly credible terrorist threat,” the FBI announced today that it has uncovered a plot by members of al-Qaeda to sit back an...

China's taking a page from Al-Qaeda

theonion.com/fbi-uncovers...

yes I was learning Mandarin before the TikTok ban yes I am a Chinese spy

americans are aready to learn chinese

i don’t think i’ll ever get past americans being black pilled by the government into downloading a chinese app called red note referencing the little red book. that’s so fucking awesome. chinese propaganda is so powerful they don’t even have to do anything

When you don't study for the exam

a person is laying on their stomach on a bed with their legs up . Alt: a person is laying on their stomach on a bed with their legs up .

nowhere is safe from Elon’s Botox Boys but I will say their skin seems very taught and I would like to smack it

oh! well! then…other things ensued 😏😏

oh yes…she has a taco…😏😏

EEEEEE cosmic collective, Ted Taforo · EEEEEE · Song · 2024

open.spotify.com/track/4cwZcc...

This is spiritual to me

only ur moms:/

This diva was truly the blueprint. I love Custard and strawberry shortcake and being gay and mean

Yeah no I totally get that, I feel like there’s so many albums like that too. It’s like Doechii right now—the industry is shifting towards a more woman-dominant sphere and SOS was the real first “big” shift in

Ugly 5 week old kitten ugly

Ugly

It did in fact get much critical acclaim and was Pitchfork’s album of the year, so at least the industry people understand lmao

SOS is a generation-defining record. I think people are taking its excellence for granted.

I can feel them breathing on my neck. I know ur not tryna take a sniff of my diaper sir

Both idc

I wrote this when I was high and it’s like not funny but I’m lying cuz I’m still posting: Don’t ask me for my Snapchat in 2025. Bitch we too grown give me your LinkedIn!

We can’t have shit

I saw @nisipisa.bsky.social say there’s no funny gay people on here and I’d like to rebuke that.

tramp

ily2 wtf !!!