Chloe Niclas

Spot illustration from 2022 for the NYT Book Review. The topic was about mental health in young people and how easy it can be to fall off deep end.
AD Matt Dorfman

This was a series of 3 spot illustrations for the NYT Book Review in 2023, for an essay by Ayana Mathis on hate, evil and suffering. AD by Matt Dorfman.

One of my unused sketches made into a final drawing (personal work). The concept was originally for the NYT Book Review back in 2022, which chose a different sketch to publish at the time.
I had fun making this red monochrome palette.

Spread for Inc. Magazine for the workplaces still committed to supporting their employees and creating thriving work environments in spite of others rolling back their promises. Thanks for having me AD Erin❤️✨

Omg😍😍😍

A drawing I made in b&w back in 2019, which I colorized in 2023. A peculiar type of UFO.

This is a graphite drawing with digital colorizing.

Love that!!! Also such a cool cover design of the book. Equally magical story🖤

Oooh yes🖤🖤🖤

So beautiful and enjoyable!!
@lindseybryanart.bsky.social

This was a full page for Johns Hopkins magazine in 2021, about streamlining the seafood distribution process to consumers during the pandemic. This is graphite with digital color. AD Pam Li💕

#seafood #illustration #drawing

Originally just one color variant (I made a 2nd one and animated them for my own experiment). For @nyt Paired with a review of Tao Leigh Goffe’s book “Dark Laboratory.”We went with an unusual color scheme to take the environment out of the lense through which it was traditionally seen/portrayed.

One of my NYT book review covers! About cells as the building blocks of all life forms, from 2022. The review was for Siddhartha Mukherjee’s book The Song of the Cell. Many thanks to AD Matt Dorfman for the collaboration and trust💚🩵
#nyt #illustration

An older woman's face sprouting trees, the words "Not Alone Pat Murphy" framing the treeline in neon green.

Mel relishes running the “Enchanted Jungle,” a roadside attraction in the Everglades filled with live parrots, concrete dinosaurs, and other unexpected wonders.

Tomorrow. "Not Alone" by Pat Murphy!
Edited by @datlow.bsky.social | Art by @chloeniclas.bsky.social

These were 2 of 4 coaster oil paintings that sold in 2022 for Nucleus Portland’s coaster show - really loved how they came out and how they look together. It was nice to explore painting again after 10 years of a hiatus. I’m mostly a drawer but it was quite fun to experiment🌈🦆

Petri Studies, 8x8 d, acrylic on tondo panel.

Thank you!🖤

Thank you so much!🖤🌚

From 2023, a full page for The Atlantic magazine for a book review of Zadie Smith’s “The Fraud.” This historical fiction was a lot of fun to bring to life, I would looove to do more historical projects. Many thanks to AD Gaby Pesquiera🖤🙏 The most traditional Victorian color palette was published.

Same for cats🖤 It’s necessary several times per day for best emotional results💗

Hegel and Alexandre Kojève from last year, two philosophers with a shared theory on what drives human history and what prevents us from having an egalitarian society. (Ego). I recommend reading about them!

For Tablet magazine, AD Esther Werdiger✨🙏
#philosophy #illustration

Sharing this older one from a couple years ago, I had heard a lot of stories about orbs and other paranormal encounters and the idea intrigues me. Not all of them are scary👽
Made with pan pastel & color pencils.
#illustration

Jumping on to share this 2/3 spread from 2023, for Johns Hopkins magazine about broccoli sprouts and their superpowers against diseases and cancers. Broccoli does this too, but not to the same degree as the sprouts.

I drew this with charcoal on white paper and colorized it in photoshop.

Postcard drawing for the Nucleus House P.S. 9 show, up now! This is pan pastel and color pencil.

As for what this thing is, let’s respect the unknown👽

In this new space, I’ll share a mixture of old and new work, for now completely at random.

This one is from 2020, made with pan pastel & color pencils. Strange growths in egg yolks.

It’s a smaller and simpler drawing, but for some reason I’m enthralled by it and want to make more like it🖤
Always draw what you wish existed in real life.

Drawn with black and white pencils on toned paper, colorized digitally.

Hello, going to start this with a piece that took around 5 months for me to complete (with breaks). It’s made with pan pastels and color pencils.
This new platform will take me some getting used to, never been much for social media and never had X.