Happiness in early modern drama is an interesting topic because it seems to be on the fringes of both tragedy and comedy. The former shows it fleetingly before obliterating it; the latter gestures towards it, sometimes unconvincingly.
08.11.2025 17:42 β π 5 π 0 π¬ 1 π 0
I don't understand the semiotics of the game ending mechanism in The Traitors. Red means banish and green means don't banish but red also means continue the game and green means stop the game.
07.11.2025 05:49 β π 1 π 0 π¬ 1 π 0
Yes that would be good too
06.11.2025 21:34 β π 1 π 0 π¬ 1 π 0
Have written about how Henslowe diary shows pretty clearly that Admiral's Men put on 2nd part plays less often so prob there were a bunch of people who just saw Tamburlaine & not part 2 (which tbf I quite like, but isn't as good and I think shouldn't be conflated)
06.11.2025 21:28 β π 0 π 0 π¬ 0 π 0
No Antonio's Revenge would be a bit of a shame though
06.11.2025 21:25 β π 0 π 0 π¬ 0 π 0
Taught part one alone this week - it's extraordinary
06.11.2025 21:04 β π 2 π 0 π¬ 2 π 0
Would love to see a production of Tamburlaine that was just part one. No sequel.
06.11.2025 19:52 β π 1 π 0 π¬ 2 π 0
Any chance anyone has a copy of the Malone Society An Alarum for London? And if so could I have a reference checked?
04.11.2025 19:45 β π 0 π 0 π¬ 0 π 0
Yes to all!
04.11.2025 19:44 β π 0 π 0 π¬ 0 π 0
Yes - Pestle, Faithful Shepherdess & White Devil all get to redeem themselves decades after supposed failure with different companies and/or in different playhouses.
04.11.2025 17:00 β π 1 π 0 π¬ 0 π 0
Bad eh?
04.11.2025 16:58 β π 0 π 0 π¬ 1 π 0
We are going to be going on strike again...
04.11.2025 16:55 β π 2 π 0 π¬ 1 π 0
Not at all. I am v fascinated also by success of Rule a Wife and Have a wife in 18th and 19th century - another one that doesn't map.
04.11.2025 16:54 β π 0 π 0 π¬ 1 π 0
Great - had forgotten or not realized about Bussy - that's a very interesting one. Shakespeare & Fletcher (and collaborators) always well represented.
04.11.2025 16:46 β π 1 π 0 π¬ 2 π 0
Yes, Heywood a good one!
04.11.2025 10:41 β π 1 π 0 π¬ 0 π 0
I don't know. Also not sure how popular something like A New Way to Pay Old Debts was at the time (evidently rather popular a century or so later).
04.11.2025 09:20 β π 2 π 0 π¬ 0 π 0
What's Jonson's most popular? Volpone? Or Middleton's?
04.11.2025 09:16 β π 1 π 0 π¬ 1 π 0
Yes def Pericles. Titus decent shout also.
04.11.2025 09:12 β π 1 π 0 π¬ 1 π 0
What were the most popular plays in 16/17 century? In no order, a non-exhaustive list: Cambyses, Tamburlaines, Spanish Tragedy, Jew of Malta, Faustus, Mucedorus, 1 Henry IV, Hamlet, Othello, A Game at Chess, a bunch of B&F: Philaster, Maid's Tragedy, Scornful Lady, Cupid's Revenge. Others?
04.11.2025 09:05 β π 7 π 1 π¬ 4 π 0
OK, come on, the Cheeky Girls, that's it, back on tour. Yeah, love your work.
22.10.2025 18:42 β π 0 π 0 π¬ 0 π 0
Put tiny kettle on lad, I'm gasping - one of the many great underrated The Thick of It quotes. Add your own below.
22.10.2025 18:40 β π 0 π 0 π¬ 1 π 0
For a long time I thought the expression 'why do only fools and horses work?' meant why is it that only fools and horses do/are made to do work? But now I see it means why should one do work, which is after all made only for fools and horses; why should one do the work of horses and fools?
17.10.2025 10:36 β π 0 π 0 π¬ 0 π 0
Batter my cod three personed God
16.10.2025 17:03 β π 2 π 0 π¬ 1 π 0
Ezra Horbury, 'Early Modern Transgender Faries', TSQ, 8 (2021), 75-95.
16.10.2025 11:47 β π 1 π 0 π¬ 1 π 0
Gaveston's opening speech is good, eh?
13.10.2025 16:45 β π 0 π 0 π¬ 0 π 0
Today I taught Edward II, the sequel to Edward I.
13.10.2025 16:44 β π 3 π 0 π¬ 2 π 0
Good to know! I think it is dreadful and despair at its acclaim
12.10.2025 10:33 β π 1 π 0 π¬ 0 π 0
I can't be the only one who found Hamnet almost offensively mawkish and trite?
12.10.2025 10:30 β π 1 π 0 π¬ 1 π 0
I miss chatting about silly plays
09.10.2025 15:04 β π 0 π 0 π¬ 0 π 0
I'm interested in the shape and form of a playwrighting career also. He and Middleton maybe the best known of that itinerant kind of playwright who does something for everyone? I guess Jonson does too but he just feels like a very different case. Hmmm.
08.10.2025 12:14 β π 2 π 0 π¬ 1 π 0
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Senior Lecturer in Theatre @ University of Southern Queensland | Shakespeare and early modern drama | conjuring, caregiving, and contagion (not always at the same time) | bonus points: Liverpool FC, record and video game collecting, tabletop board games
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A transdisciplinary, community co-produced, research-practice partnered research project based at the University of Edinburgh, dedicated to exploring poetry, creative engagement, & the links to promoting lifelong wellbeing.
This account charts the activities of the Skenè Research Centre including Skenè. Journal of Theatre and Drama Studies (an open-access, peer-reviewed journal, https://skenejournal.skeneproject.it/index.php/JTDS) and its supplements
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Leverhulme ECF, Edinburgh Uni, writing The Living Judas in Medieval Text and Image for Cornell UP.
Love and anti-Judaism in medieval English romance (Manchester UP, 2025); Co-ed, Towards An Accessible Academy (MIP, 2025).
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Shakespeare and Donne scholar, Humanities advocate, library and museum acolyte, erstwhile ballerina: "To be or not to be, that is the question . . . "
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Out now: Elizabethan Occult Poetics: Exploring Practice and Knowledge in English Poetry https://www.liverpooluniversitypress.co.uk/doi/book/10.3828/9781836244783
English prof and theater historian of Renaissance drama / puppet researcher / clown scholar / hellmouth aficionado / dragon enthusiastπ
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AHRC Midlands4Cities PhD student at The University of Birmingham, studying Shakespeareβs non-English mothers. Auntie and dog mom.