Jack Shares Graps

Relic (2020)

Night 30 was an affecting Australian family horror depicting three generations of women from the same family becoming increasingly trapped in an infested house. The depiction of the impacts of dementia is as moving as it is frightening and the three central performances are superb, Relic (2020).

Labour should stand aside to avoid splitting the anti-Reform vote.

Carrie (1975)

Night 29 was the first screen adaptation of a Stephen King novel and one of the most recognisable films in cinema. The horrors of religious dogma, adolescence and high school bullying give way to the carnage caused by an ostracised girl's telekinesis, Carrie (1976).

YouTube video by PuroArchive West Japan Pro Wrestling (Nishi Nippon) - 1996/01/18 - NNP Launch 1st Anniversary Match

I have never clicked on a wrestling video solely for a thumbnail until now www.youtube.com/watch?v=igHE...

The existence of the Labour right in their position of power is the biggest obstacle in the way of defeating Reform. They and the Tories are jointly responsible for the rise of Reform.

Alligator (1989)

Night 28 was a gruesome and hugely entertaining Jaws knock-off with a well realised creature. A childhood pet is flushed down the toilet and mutates into a 36ft monster with an insatiable appetite, breaking out of the Chicago sewers, Alligator (1980).

The @greenparty.org.uk are getting their highest poll ratings to date.

And if the Labour Party was led by anybody else, it would be on at least 20 points in the polls.

@mrjamesob.bsky.social, 2019:

The Cremator (1969)

Night 27 was a surreal and visually unique film depicting the descent of an eccentric crematorium worker into a totalitarian murderer, in parallel to the decline of the First Czechoslovak Republic, the rise of Nazism in 1930s Europe and the implementation of the Holocaust, The Cremator (1969).

Join.greenparty.org.uk

🚨 BREAKING | Greens surge to **17%**

➡️ REF – 28% (+1)
🔴 LAB – 18% (-4)
🔵 CON – 18% (-1)
🟢 GRN – 17% (+4)
🟠 LD – 11% (+1)

Via @LordAPolls, 16-20 Oct (+/- vs 11-15 Sep)

Personal Shopper (2016)

Night 26 was a strong performance by Kristen Stewart in Olivier Assayas' mysterious and suspenseful tale of a woman trying to balance the duel existence of an aide to a wealthy celebrity and a medium grieving her dead brother while being stalked by an otherworldly presence, Personal Shopper (2016).

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Welcome 💚

Whenever speculation of a Labour leadership contest increases, Wes Streeting starts paying a bit more lip service to progressivism than usual. Of course, he has no intention of following this up with any material action if he does become leader. He will always be a right wing licksplittle cunt.

Funny Games (1997)

Night 25 was Michael Haneke's postmodern home invasion satire that probes our desire to seek out horror and screen violence and challenges its limits. A smug, nihilistic and difficult watch, Funny Games (1997).

Les Diaboliques (1955)

Night 24 and a magnificently crafted French thriller adapted from a Pierre Boileau and Thomas Narcejac novel, filled with gripping Hitchcockian style suspense, plot twists and a finale that takes a turn decisively towards horror, Les Diaboliques (1955).

Meme depicting the good people of Caerphilly saying to both Labour and Reform: "You're both just awful"

The #Shocktober #HorrorMovieMarathon reaches its penultimate week.

#LastFourWatched #LetterboxdFriday #FilmSky

🎃👻🧟‍♂️🎬

Da iawn Caerphilly!

Cronos (1992)

Night 23 and Guillermo del Toro makes his excellent directorial debut with an original reworking of vampire mythology. Far removed from the usual gothic glamour, this gives us horrific transformation and the folly of the desire to totally control life, Cronos (1992).

youtu.be/7cHJpnenJDU?...

Worth noting that most asylum are also legal migrants as entering the country via irregular means in order to claim asylum is legally permitted under the terms of the Refugee Convention.

You don't have to be Jeremy Corbyn to recognise that Keir Starmer is a morally corrupt serial liar. You just have to have read and listened to the things he has said.

Society (1989)

Night 22 was Brian Yuzna's directorial masterpiece. A striking blend of class based social satire, conspiracy thriller and grotesque body horror. Suspicions of murder and bizarre ritualistic orgies among wealthy Beverley Hills elites lead to one of the most extreme climaxes in film, Society (1989).

YouGov poll yesterday put the Greens on 15% nationally with an estimated 31 seats. This is part of pattern of steadily rising figures.
bsky.app/profile/elec...

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The Mummy (1959)

Night 21 and the first colour version of one of horror's classic staples is a pretty run of the mill Hammer production with Peter Cushing and Christopher Lee. Entertaining enough but nothing special and with unfortunately predictable doses of brownface and Orientalism, The Mummy (1959).

Bride of Frankenstein (1935)

Night 20 was arguably the greatest horror sequel ever made. James Whale's direction brings camp joy and a heightened gothic atmosphere, with Boris Karloff bringing fear and pathos to his monster in equal measure such a star turn that he is billed by surname only, Bride of Frankenstein (1935).

The Quatermass Xperiment (1955)

Night 19 was Hammer Film Productions' successful first foray into horror. A remake of Nigel Kneale's highly influential and largely lost BBC science fiction alien mutation horror serial from two years prior, The Quatermass Xperiment (1955).

Decades and decades of "you can't call these people racist, they just have legitimate concerns," and now here we are, at the place we always said this would lead: senior journalists and MPs on the TV every day blaring out their honking racism without even the gossamer veil of liberal respectability.