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flos โ€งหš๐“†—๐“†หšโ€ง

@ularkanojo.bsky.social

๐Ÿ‡ฎ๐Ÿ‡ฉ โ€ข 21โ†‘ | yume + other stuff | Onmyoji โ€ข OrochiAll; ๐Ÿ”๐Ÿšซ Yumeship list: ๐Ÿ๐Ÿ’ฎ โ€ข #Serpentine_Blossom ๐Ÿฆ‡๐Ÿชจ โ€ข #Eternal_Waltz ๐ŸŒฑ๐Ÿฅ€ โ€ข #Wilting_Lament OCs: ๐Ÿ’ฎ โ€ข #Sakuyahime ๐Ÿชจ โ€ข #Iwanagahime ๐Ÿฅ€ โ€ข #EvanescentSakuyahime

172 Followers  |  279 Following  |  1,624 Posts  |  Joined: 08.06.2024
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Posts by flos โ€งหš๐“†—๐“†หšโ€ง (@ularkanojo.bsky.social)

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Sanguine Bloom ๐ŸŒธ๐Ÿฉธ
Where Thorn meets Bud, and Blood forgets Blood

Hardcover illustration for the Owlcrate edition of Shen Tao's "The Poet Empress"
#ArtSky #BookIllustration

08.03.2026 05:40 โ€” ๐Ÿ‘ 114    ๐Ÿ” 58    ๐Ÿ’ฌ 6    ๐Ÿ“Œ 0

I cant wait for it!! ๐Ÿ‘€๐Ÿ‘€

09.03.2026 15:06 โ€” ๐Ÿ‘ 0    ๐Ÿ” 0    ๐Ÿ’ฌ 0    ๐Ÿ“Œ 0
Woman and owl sitting side by side on a crescent moon, appearing to have a conversation.

Woman and owl sitting side by side on a crescent moon, appearing to have a conversation.

'The Witchโ€™s Daughter'
by Frederick Stuart Church
Engraving by J. P. Davys (1881)

#OwlishMonday

09.03.2026 13:52 โ€” ๐Ÿ‘ 26    ๐Ÿ” 13    ๐Ÿ’ฌ 0    ๐Ÿ“Œ 0
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Over on GBF official socials:

One day left until the 12th anniversary festivities start!

As others celebrate, Tsukuyomi and Amaterasu are holding their own little dance party in the moonlight!

09.03.2026 03:01 โ€” ๐Ÿ‘ 85    ๐Ÿ” 53    ๐Ÿ’ฌ 0    ๐Ÿ“Œ 1
Captured by the renowned photographer Issei Suda, this evocative black-and-white image documents a group of dancers performing on a rugged, sandy beach. True to Suda's legacy of chronicling fading Japanese customs, the photograph focuses on the fluid, rhythmic movements of the dancers against the vast, open backdrop of the sea. The figures are dressed in traditional summer yukata with dark obi sashes, their heads covered by distinctive, deep-brimmed straw hats that obscure their faces, adding a sense of anonymity and timelessness to the performance.

The composition captures the dancers mid-motion, their arms extended in graceful, angular gestures that contrast with the rolling white waves in the distance. The foreground consists of dark, scrubby vegetation clinging to the dunes, rendered with sharp detail that emphasizes the raw, natural setting. Suda's use of high-contrast monochrome highlights the textures of the woven hats and the patterns on the fabric, transforming a fleeting cultural moment into a powerful, enduring study of movement and tradition.

Captured by the renowned photographer Issei Suda, this evocative black-and-white image documents a group of dancers performing on a rugged, sandy beach. True to Suda's legacy of chronicling fading Japanese customs, the photograph focuses on the fluid, rhythmic movements of the dancers against the vast, open backdrop of the sea. The figures are dressed in traditional summer yukata with dark obi sashes, their heads covered by distinctive, deep-brimmed straw hats that obscure their faces, adding a sense of anonymity and timelessness to the performance. The composition captures the dancers mid-motion, their arms extended in graceful, angular gestures that contrast with the rolling white waves in the distance. The foreground consists of dark, scrubby vegetation clinging to the dunes, rendered with sharp detail that emphasizes the raw, natural setting. Suda's use of high-contrast monochrome highlights the textures of the woven hats and the patterns on the fabric, transforming a fleeting cultural moment into a powerful, enduring study of movement and tradition.

This black-and-white photograph was captured by the renowned Japanese photographer Issei Suda (1940โ€“2019).
The image depicts dancers on a beach, likely performing a traditional Japanese folk dance. Suda was well-known for documenting "fading Japanese customs and traditions" through his photography.

08.03.2026 22:23 โ€” ๐Ÿ‘ 36    ๐Ÿ” 7    ๐Ÿ’ฌ 0    ๐Ÿ“Œ 0
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Celebrate my own birthday ๐ŸŽ‚

09.03.2026 12:41 โ€” ๐Ÿ‘ 5    ๐Ÿ” 2    ๐Ÿ’ฌ 1    ๐Ÿ“Œ 0

I was wishing the skin was for Tsuku instead ๐Ÿ˜ญ๐Ÿ˜ญ๐Ÿ˜ญ

09.03.2026 13:47 โ€” ๐Ÿ‘ 0    ๐Ÿ” 0    ๐Ÿ’ฌ 0    ๐Ÿ“Œ 0
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:)? And ofc you have to get a skin that is part of a skin series ๐Ÿ˜ญ

09.03.2026 13:46 โ€” ๐Ÿ‘ 0    ๐Ÿ” 0    ๐Ÿ’ฌ 1    ๐Ÿ“Œ 0
A Tumblr post by redvexillum which reads: "to all my fic writers: be that one rarepair writer. even if literally no one else is there. be the single glowing lightbulb in the void. write the rarepair so good some poor reader stumbles on it at 3am, loses their mind, and then realizesโ€ฆ oh. thereโ€™s only one fic. yours. congrats youโ€™re both the blessing and the curse."

A Tumblr post by redvexillum which reads: "to all my fic writers: be that one rarepair writer. even if literally no one else is there. be the single glowing lightbulb in the void. write the rarepair so good some poor reader stumbles on it at 3am, loses their mind, and then realizesโ€ฆ oh. thereโ€™s only one fic. yours. congrats youโ€™re both the blessing and the curse."

already done, chief ๐Ÿ˜‡ let this be everyone's continued encouragement to follow your heart and write the rarepair. be the blessing and the curse!

09.03.2026 10:42 โ€” ๐Ÿ‘ 9    ๐Ÿ” 5    ๐Ÿ’ฌ 1    ๐Ÿ“Œ 0

Ough i envy you...

09.03.2026 10:22 โ€” ๐Ÿ‘ 0    ๐Ÿ” 0    ๐Ÿ’ฌ 1    ๐Ÿ“Œ 0
Inkstone Box with Bamboo and Lantern
This 17th-century Japanese inkstone box (suzuribako) is a refined example of lacquerware, featuring an asymmetrical composition on its square lid. The design is executed in gold and silver lacquer on wood, utilizing the maki-e technique to create a rich, shimmering surface against a dark, textured background.

The primary motif depicts a lush bamboo tree with delicate, pointed leaves that sway toward the right. Tucked beneath the bamboo's arching branches is a traditional Japanese lantern, rendered with fine silver detailing that suggests a translucent screen. The lower portion of the lid shows a stylized landscape with rolling hills, rocky outcrops, and scattered bamboo leaves. The sophisticated use of varying gold tones and metallic inlays creates a sense of depth and luminosity, reflecting the elegant aesthetic of the Edo period.

Inkstone Box with Bamboo and Lantern This 17th-century Japanese inkstone box (suzuribako) is a refined example of lacquerware, featuring an asymmetrical composition on its square lid. The design is executed in gold and silver lacquer on wood, utilizing the maki-e technique to create a rich, shimmering surface against a dark, textured background. The primary motif depicts a lush bamboo tree with delicate, pointed leaves that sway toward the right. Tucked beneath the bamboo's arching branches is a traditional Japanese lantern, rendered with fine silver detailing that suggests a translucent screen. The lower portion of the lid shows a stylized landscape with rolling hills, rocky outcrops, and scattered bamboo leaves. The sophisticated use of varying gold tones and metallic inlays creates a sense of depth and luminosity, reflecting the elegant aesthetic of the Edo period.

Inkstone box (suzuribako)
17th century, Japan
Lacquer on wood with gold and silver
H: 1.7 W: 6.0 D: 23.2 cm
Japan

09.03.2026 10:14 โ€” ๐Ÿ‘ 18    ๐Ÿ” 6    ๐Ÿ’ฌ 0    ๐Ÿ“Œ 0
Post image 08.03.2026 09:10 โ€” ๐Ÿ‘ 1076    ๐Ÿ” 200    ๐Ÿ’ฌ 3    ๐Ÿ“Œ 0
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เนเธšเนŠเธง

03.03.2026 13:00 โ€” ๐Ÿ‘ 5    ๐Ÿ” 5    ๐Ÿ’ฌ 1    ๐Ÿ“Œ 0
like, if the colour was still the same, it would've been the very perfect ่›‡ๆœˆ couple costume n also the yearner-like Orochi ๐Ÿ˜”๐Ÿฅ€

like, if the colour was still the same, it would've been the very perfect ่›‡ๆœˆ couple costume n also the yearner-like Orochi ๐Ÿ˜”๐Ÿฅ€

tbh, i kinda wish they hadn't changed the butterfly colour....

08.03.2026 13:58 โ€” ๐Ÿ‘ 6    ๐Ÿ” 3    ๐Ÿ’ฌ 0    ๐Ÿ“Œ 0
A drawing of a curly-haired woman sitting on a bed looking sleepy
็œ ใใ†ใซใƒ™ใƒƒใƒ‰ใฎไธŠใซๅบงใฃใฆใ„ใ‚‹ๅทปใๆฏ›ใฎๅฅณๆ€งใฎ็ตต

A drawing of a curly-haired woman sitting on a bed looking sleepy ็œ ใใ†ใซใƒ™ใƒƒใƒ‰ใฎไธŠใซๅบงใฃใฆใ„ใ‚‹ๅทปใๆฏ›ใฎๅฅณๆ€งใฎ็ตต

Good morning Saarn

08.03.2026 10:11 โ€” ๐Ÿ‘ 28    ๐Ÿ” 11    ๐Ÿ’ฌ 1    ๐Ÿ“Œ 1
Illustration for Marie, Queen of Romania's story, Dreamer of Dreams. The night sky is strewn with stars, a magical woman in sparkling white clothes stands barefoot in the snow. Either side of her stands a white bear. Her outstretched hand has blood on it. The text tells us she is holding three tiny broken hearts - 'and drops of blood stained the white fingers of the snow-maiden.'

Illustration for Marie, Queen of Romania's story, Dreamer of Dreams. The night sky is strewn with stars, a magical woman in sparkling white clothes stands barefoot in the snow. Either side of her stands a white bear. Her outstretched hand has blood on it. The text tells us she is holding three tiny broken hearts - 'and drops of blood stained the white fingers of the snow-maiden.'

"I am the queen of these vast regions of snow
- my home is yonder, where none dare dwell -
and on nights when the moon shines bright I come out of my
castle of ice and wander over this desert of white..."

The Ice Maiden and her bears for #BookWormSat

๐Ÿ–‹๏ธ Marie of Romania
๐ŸŽจ Edmund Dulac

07.03.2026 17:30 โ€” ๐Ÿ‘ 67    ๐Ÿ” 18    ๐Ÿ’ฌ 0    ๐Ÿ“Œ 0
Wedding Kurotomesode with Peacocks and Peonies
This formal wedding kurotomesode from the early to mid-20th century presents a magnificent scene of natural beauty against a deep black silk ground. The lower third of the garment is dominated by an opulent display of peacocks and blooming peonies. On the left, a vibrant green and teal peacock is perched gracefully, its feathers intricately detailed with golden highlights. Its long, lavender-hued tail feathers sweep across the center and right side of the hem, punctuated by delicate "eyes" in shades of blue and magenta. Large, lush peonies in white and pink are interspersed among the plumage, accompanied by slender stalks of bamboo grass.

The garment demonstrates a masterful integration of the yuzen-dyeing technique for the soft, painterly colors of the flora and fauna, enhanced by surihaku (applied gold foil) for a subtle, luxurious shimmer on the peacockโ€™s body and wing. Five small white family crests (mon) are positioned across the shoulders and upper back, signifying its status as the highest level of formal wear for a married woman. The composition balances the somber elegance of the black silk with the lively, auspicious symbolism of the peacockโ€”representing longevity and dignityโ€”and the peony, the "king of flowers."

Wedding Kurotomesode with Peacocks and Peonies This formal wedding kurotomesode from the early to mid-20th century presents a magnificent scene of natural beauty against a deep black silk ground. The lower third of the garment is dominated by an opulent display of peacocks and blooming peonies. On the left, a vibrant green and teal peacock is perched gracefully, its feathers intricately detailed with golden highlights. Its long, lavender-hued tail feathers sweep across the center and right side of the hem, punctuated by delicate "eyes" in shades of blue and magenta. Large, lush peonies in white and pink are interspersed among the plumage, accompanied by slender stalks of bamboo grass. The garment demonstrates a masterful integration of the yuzen-dyeing technique for the soft, painterly colors of the flora and fauna, enhanced by surihaku (applied gold foil) for a subtle, luxurious shimmer on the peacockโ€™s body and wing. Five small white family crests (mon) are positioned across the shoulders and upper back, signifying its status as the highest level of formal wear for a married woman. The composition balances the somber elegance of the black silk with the lively, auspicious symbolism of the peacockโ€”representing longevity and dignityโ€”and the peony, the "king of flowers."

This wedding kurotomesode features an opulent composition of peacocks nestled among luxurious peonies and bamboo grass against the traditional black silk ground. The design showcases a masterful integration of yuzen-painting technique with surihaku gold-foil detailing. (1912-1940), Japan

07.03.2026 16:59 โ€” ๐Ÿ‘ 35    ๐Ÿ” 14    ๐Ÿ’ฌ 0    ๐Ÿ“Œ 0
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๐Ÿฅบ๐Ÿฅบ

07.03.2026 17:17 โ€” ๐Ÿ‘ 3    ๐Ÿ” 0    ๐Ÿ’ฌ 0    ๐Ÿ“Œ 0
chipmunks climbing over gingko branches
encased in a glass chime

chipmunks climbing over gingko branches encased in a glass chime

Gingko chime

#art

07.03.2026 14:52 โ€” ๐Ÿ‘ 1547    ๐Ÿ” 335    ๐Ÿ’ฌ 13    ๐Ÿ“Œ 0
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TsukuGudaโ™€๏ธ (Edo/Showa era AU)
Being lovely dovey husband-wife couple with their starborn kiddos ^////^))

Commission art by @/Yukimura Yui (FB)/Fellence (IG)

#ๆœˆใใ 

07.03.2026 15:08 โ€” ๐Ÿ‘ 5    ๐Ÿ” 3    ๐Ÿ’ฌ 2    ๐Ÿ“Œ 0

Ayo ๐Ÿ˜ญ๐Ÿ˜ญ lucky

07.03.2026 13:04 โ€” ๐Ÿ‘ 0    ๐Ÿ” 0    ๐Ÿ’ฌ 0    ๐Ÿ“Œ 0
Illustration of a woman walking beside a lion. Two more lions walk behind them.

Illustration of a woman walking beside a lion. Two more lions walk behind them.

'There was great joy when she arrived, for they all believed that she had been torn to pieces by the lion, and was no longer alive. But she told them what a handsome husband she had, and how well off she was.'
-The Singing, Springing Lark, Brothers Grimm.

๐ŸŽจArthur Rackham
#BookWormSat

07.03.2026 08:45 โ€” ๐Ÿ‘ 139    ๐Ÿ” 24    ๐Ÿ’ฌ 4    ๐Ÿ“Œ 1
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Selena Corey the Singing Zombie from Re9 Requiem

04.03.2026 16:48 โ€” ๐Ÿ‘ 1810    ๐Ÿ” 510    ๐Ÿ’ฌ 15    ๐Ÿ“Œ 3
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SP Kyuuketsu Hime CG cinematic - "False Night of Hundred Plays" (่ฏกๅคœ็™พๆˆ)
Official post: weibo.com/5896401674/Q...
#Onmyoji #้™ฐ้™ฝๅธซๆœฌๆ ผๅนปๆƒณRPG

06.03.2026 14:11 โ€” ๐Ÿ‘ 4    ๐Ÿ” 2    ๐Ÿ’ฌ 1    ๐Ÿ“Œ 0
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#OroTsuku #่›‡ๆœˆ #Onmyoji #้˜ด้˜ณๅธˆ

06.03.2026 15:11 โ€” ๐Ÿ‘ 8    ๐Ÿ” 6    ๐Ÿ’ฌ 1    ๐Ÿ“Œ 0

I just realized we never knew Vampira's real name until now... It is Sachiko

06.03.2026 11:26 โ€” ๐Ÿ‘ 2    ๐Ÿ” 0    ๐Ÿ’ฌ 0    ๐Ÿ“Œ 0
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Draw some Messmer today
#ELDENRING #Art

05.03.2026 20:00 โ€” ๐Ÿ‘ 191    ๐Ÿ” 80    ๐Ÿ’ฌ 4    ๐Ÿ“Œ 1

Based taste ๐Ÿฅฐ๐Ÿฅฐ

05.03.2026 18:33 โ€” ๐Ÿ‘ 0    ๐Ÿ” 0    ๐Ÿ’ฌ 1    ๐Ÿ“Œ 0
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Too embarrassed to post this on twitter but big grotesque monster being soft to their lover.... I like.....

05.03.2026 17:14 โ€” ๐Ÿ‘ 9    ๐Ÿ” 3    ๐Ÿ’ฌ 1    ๐Ÿ“Œ 0
Helen Stratton, Deirdrรช, A Book of Myths; public domain

Helen Stratton, Deirdrรช, A Book of Myths; public domain

#BookologyThursday #Celtic: `At the head of fair Loch Etive the sons of Usna had built for themselves three spacious hunting-seats among the pine-trees at the foot of the cliffs that ran landward to deep Glen Etive.
1/5

05.03.2026 14:38 โ€” ๐Ÿ‘ 6    ๐Ÿ” 4    ๐Ÿ’ฌ 1    ๐Ÿ“Œ 0