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This 10-edition photograph is still waiting for its first collector. Who will claim the shadow within the silence?
No collectors out there?

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last 1 day left my oe #objkt4objkt

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New mint available on @objkt.com 10 copies - 2 XTZ

''Canis Solus''
Loneliness is a silent predator
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Intertexta Silentia
Turn your face to the silence; even the wind has wisdom to share."

2 copies left - 2 xtz
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Fréwaka (2024) Care worker Shoo, who is haunted by a personal tragedy, is sent to a remote village to care for an agoraphobic woman, who fears both her neighbours and the Na Sídhe – sinister folkloric entities she b...

If you liked Midsommar, Saint Maud, and Hereditary, you'll probably like this too. It's folk horror with a touch of psychological trauma. The sound design and visual aesthetics were well done. I really liked the tension it made me feel. #cinema #movie

letterboxd.com/film/frewaka/

A woman who doesn't exist.

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GM?

I foresee another shitty day at work so… see you later…

"under the cuiaba sun"
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#objkt
#tezos

Yönetmen İlker Canikligil tahliye edildi
t24.com.tr/haber/yonetm...

eğer başlıkta girilen tek entry varsa ve açan kişi hesabını kapattıysa gözükmeyebilir. hesabınızı dondururken size seçenek sunuyorlar. tüm entylerim gözükmesin diyebilirsiniz. bunu seçerseniz ve dondurursanız gözükmez. iyi araştırma yapmadan lütfen argüman sunmayın. böyle de olmayabilir ama ihtimal

a light in the woods
Solaris Ferrania 100
#35mm #filmphotography

bu da ilk sayfada çıkıyor. kafamıza göre işimize geleni mi seçiyoruz?

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Hi everybody and happy #TEZOSTUESDAY

Please check my photography work on objkt. Consider sharing or collecting if you can. I'm so glad with any little help! Thank you all!

🔗bio

vimeo.com/39377087 (0:59)
BARBARA HAMMER LENDS A HAND
{2012, Leighton Pierce; USA}

gündemde birinci ve dördüncü sırada. olm facebook kullanan dedeler gibi niye takılıyorsunuz. şu sözlüğü kullanmayı öğrenin. böyle sansür mü olur. başlığın çıkmaması da veritabanı ile alakalı. ilk defa bugün entry girilmiş çünkü ismine başlık açılmış. çocuk musunuz siz ya @serkanaltunigne.bsky.social

Thank you very much for your support. It really means a lot to me. It makes me happy to see support on this path.😍

A beautiful piece I couldn't help collecting🔥❤️

Art on #Tezos is UNDERRATED!

Grief (after Laura Makabresku) by @dhikaprimawan (x handle)
Intertexta Silentia by @gorkemkeser.bsky.social
𝔇𝔢𝔞𝔱𝔥 𝔚𝔦𝔰𝔥 by @ddoxyz.bsky.social
Mahdis by @hamidr_sh (x handle)

[From my collection on @objkt.com]

Hello and have a good Monday (🤨)

Ghost of Fashion - [Sample 005]
13/31 left at 5.50 XTZ on @objkt.com

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good morning… a day of ghosts today!!!

urbandances #11

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"weaving_light_001"
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#objkt
#tezos

The Way of the Cross—traditional 14 stations represented in 14 sculptural objects. The image captures fragments of the sculptural composition of the Fourteenth Station (XIV: The Burial of Jesus Christ): "The body of Jesus is laid in the tomb." Matthew 27:59-61: Joseph took the body, wrapped it in a clean linen shroud, and laid it in his own new tomb, which he had hewn in the rock. He rolled a great stone to the door of the tomb and departed. Mary Magdalene and the other Mary were there, sitting opposite the tomb. See also: Mark 15:46-47; Luke 23:53-56; John 19:39-42.

This sculptural composition follows the European tradition of Calvaria (Latin: Golgotha), a term used for various historical and architectural monumental religious sites, primarily found in European countries. Uniquely, this composition is also dedicated to the 1130th anniversary of the death of Prince Askold and was installed on the 20th anniversary of the restoration of prayer at Askold’s Grave by Father Ihor Onyshkevych. (Ukrainian inscription: Installed in memory of Mykola-Askold, king and martyr for the Christian faith, on the 1130th anniversary of his passing and the 20th anniversary of the restoration of prayer at Askold’s Grave by Father Ihor Onyshkevych.)

According to unverified sources, the entire 14-station complex was originally planned for a different location: "There was no space near the Church of St. Basil the Great to place the Way of the Cross. And on the Left Bank, near the Patriarchal Cathedral of the Resurrection of Christ, it seemed less appropriate than in Askold’s Grave Park." (I searched extensively for confirmation of this statement but found no reliable sources.) Date of unveiling: 2012 Materials: Granite, bronze, wood Sculptor: V.I. Dyakonov

Askold’s Grave (Askoldova Mohyla) is a historic site and park in Kyiv, Ukraine, located on the steep right bank of the Dnipro River. According to legend, it marks the burial place of Prince Askold, who, along with Dir, ruled Kyiv in the 9th century before being overthrown by Prince Oleg in 882. The site has long been associated with medieval Kyiv’s history and religious traditions. In the 10th century, Princess Olga, the first Christian ruler of Kyivan Rus, built a wooden Church of St. Nicholas over Askold’s burial site. Over the centuries, the area became a monastic center, with Orthodox monks settling there. By the 17th century, a new monastic complex was established nearby, leading to the relocation of the monastery while the cemetery remained. During the Soviet era, the cemetery was dismantled, and the site was transformed into a park. Many historical graves were lost, and the St. Nicholas Church was repurposed as a restaurant. However, following Ukraine’s independence, the church was restored and returned to the Ukrainian Greek Catholic Church. In 2017, a bell tower with 51 bells was added to the site. Today, Askold’s Grave remains a cultural and religious landmark, featuring memorials, chapels, and historical markers. It is a place of reflection, offering panoramic views of Kyiv and preserving the memory of its medieval past.

«Sepultura Domini Iesu Christi» / The Fourteenth Station
Date of unveiling: 2012 Materials: Granite, bronze, wood Sculptor: V.I. Dyakonov

#blackandwhite #sculpture #kiev #ukraine #gravestatue #documentary #grave #cemeterysculpture #kitcam #dark #bnw_drama #KitCamApp #blackandwhitephoto #noir #bw

(photo: Jul, 22, 2013) Calvary (Way of the Cross) at Askold's Grave Unique aspect of the Kyiv monument: Unlike traditional Catholic Calvaries, this complex combines Christian symbolism with commemoration of Prince Askold, whom some historians and church figures consider to be the first Christian ruler of Kyivan Rus (his baptism following the campaign against Constantinople in 860-861 AD is mentioned in Byzantine chronicles). Concept: this is a classic Calvary (from Latin Calvaria - Golgotha) - an architectural and sculptural composition depicting the 14 Stations of the Cross. Such complexes are common in Catholic and Greek-Catholic traditions (for example, the famous Calvaries in Poland, Lithuania, and Slovakia).

Unverified sources claim the entire 14-station complex was initially planned for other sites: "There was no space near St. Basil the Great Church, and the Left Bank location near the Patriarchal Cathedral of Christ’s Resurrection was deemed less fitting than Askold’s Grave Park." (Note: I’ve scoured the internet for corroboration but found nothing definitive.)

A European "Calvaria" – A Monument of Faith and History This is what Europe traditionally calls a Calvaria (from Latin Calvary, meaning "Golgotha")—a term for historic religious monuments, often architectural, found across the continent. Dual Dedication: Christ’s Passion and Prince Askold’s Legacy Intriguingly, this sculpture also commemorates two anniversaries: The 1,130th year since the death of Prince Askold (a semi-legendary Kyivan ruler, referred to in the Ukrainian inscription as "Mykola-Askold, King and Martyr for the Christian Faith"). The 20th anniversary of the revival of prayers at Askold’s Grave, led by Father Ihor Onyshkevych in 1992.

The photo shows fragments of the sculptural composition depicting the Fourteenth Station (XIV: The Entombment of Jesus Christ): "Jesus’ body is laid in the tomb. Matthew 27:59-61: Joseph took the body, wrapped it in a clean linen cloth, and placed it in his own new tomb that he had cut out of the rock. He rolled a big stone in front of the entrance and departed. Mary Magdalene and the other Mary were sitting there opposite the tomb." (See also Mark 15:46-47; Luke 23:53-56; John 19:39-42.)

«Station Fourteen – The Entombment of Jesus»
(Calvary (Way of the Cross) at Askold's Grave)
Unveiled: 2012. Materials: Granite, bronze, wood
Sculptor: Valeriy Dyakonov

#blackandwhite #sculpture #kiev #ukraine #gravestatue #documentary #grave #kitcam #dark #KitCamApp #blackandwhitephoto #noir #bw

Eddie Posthuma de Boer

GM I’m still here: Thinking, working on things, pondering how to keep going, because if one thing is clear, is that I have no other option but to keep going!
Have a good Saturday 👋🏻