David Hockney

date inscribed Presented by the artist 1993

Mexican Hotel, Acatlan http://www.tate.org.uk/art/artworks/hockney-mexican-hotel-acatlan-p20107

date inscribed Purchased 1992

The Shop Window of a Tobacco Store http://www.tate.org.uk/art/artworks/hockney-the-shop-window-of-a-tobacco-store-p77569

“Lawn Sprinkler,” part of David Hockney's exploration of everyday life in California, vividly captures the rhythmic choreography of sprinklers on a verdant lawn. With its minimalist house and perfectly manicured grass, the painting reflects the blend of nature and suburban modernity characteristic of Hockney's 1960s work.

Lawn sprinkled https://www.wikiart.org/en/david-hockney/lawn-sprinkled

"Pearblossom Highway, 11th to 18th April 1986 No.2," by David Hockney, is a striking photomontage that captures a seemingly endless stretch of road in the California desert, emphasizing the convergence of multiple perspectives. The piece showcases Hockney's innovative use of photography to explore the relationship between perception and time, creating a dynamic and fragmented view of the landscape.

Pearblossom Highway, 11th to 18th April 1986 No.2 https://www.wikiart.org/en/david-hockney/pearblossom-highway-11th-to-18th-april-1986-no-2-1986

This painting by David Hockney captures an intimate scene between a photographer and his daughter, portrayed in a brightly colored, hyperrealistic style. The composition highlights the contrast between Chloe's youthful, vivid presence and Jim's thoughtful demeanor, set against a minimalist yet expressive backdrop.

The Photographer and his Daughter (Jim & Chloe McHugh) https://www.wikiart.org/en/david-hockney/the-photographer-and-his-daughter-jim-chloe-mchugh-2005

"David, Celia, Stephan and Ian, London 1982" by David Hockney is a vibrant group portrait featuring four individuals, each depicted with Hockney's characteristic bold colors and distinct line work. The composition captures a moment in time with a playful approach, reflecting the artist's keen interest in conveying the personalities and relationships of his subjects through expressive painterly techniques.

David, Celia, Stephan and Ian, London 1982 https://www.wikiart.org/en/david-hockney/david-celia-stephan-and-ian-london-1982-1982

This artwork by David Hockney portrays a contemplative figure in a detailed sketch featuring a distinct blue hat and glasses, capturing the subject's serene demeanor. Known for his contributions to the Pop Art movement, Hockney’s use of minimalist line work and emphasis on personal details shines through in this intimate portrait from 2002.

Untitled https://www.wikiart.org/en/david-hockney/not-detected-18

Gift of the artist

Cancellation proof for Made in April from The Blue Guitar http://www.moma.org/collection/works/156241

This drawing by David Hockney depicts a seated elderly woman rendered with delicate and minimal line work, capturing her contemplative expression and relaxed posture. Hockney's expertise in portraiture is evident in the simplicity and precision with which he conveys both likeness and presence.

Untitled https://www.wikiart.org/en/david-hockney/not-detected-35

This artwork by David Hockney, titled "Divine," features a seated figure adorned in a vibrant striped robe, set against a dynamic blue and red patterned background. Hockney’s characteristic use of bold color and geometric composition emphasizes both the figure's presence and the modernist tendencies in his work.

Divine https://www.wikiart.org/en/david-hockney/divine-1979

Harvard Art Museums/Fogg Museum, Margaret Fisher Fund and Margaret Fisher 1986 Fund

Mark Lancaster Asleep https://www.harvardartmuseums.org/collections/object/362260

Joseph G. Mayer Foundation Fund

Water Pouring into Swimming Pool, Santa Monica http://www.moma.org/collection/works/74998

Gift of the Trustees of the Pastorale Fund

Ubu's Horse. Design for the play Ubu Roi http://www.moma.org/collection/works/85840

This artwork by David Hockney presents a subtle, tender portrayal of a figure executed in soft pastels, displaying the artist's mastery of light and form. The use of a minimal background draws focus to the subject, emphasizing the emotional presence of the figure while reflecting Hockney’s affinity for capturing human vulnerability.

Untitled https://www.wikiart.org/en/david-hockney/not-detected-5

Purchased 1971

2a. The Gospel Singing (Good People) (Madison Square Garden) http://www.tate.org.uk/art/artworks/hockney-2a-the-gospel-singing-good-people-madison-square-garden-p07032

Celeste and Armand Bartos Foundation

Portrait of Cavafy in Alexandria from Fourteen Poems http://www.moma.org/collection/works/10692

This artwork by David Hockney, a pastel and charcoal drawing, captures the subject in a contemplative pose, draped in an earth-toned shawl. Hockney's distinctive style blends subtle, expressive use of color with fine, delicate lines, highlighting the subject's thoughtful expression.

Untitled https://www.wikiart.org/en/david-hockney/not-detected-31

"A Bigger Splash" by David Hockney captures the moment after a dive into a California pool, emphasizing the juxtaposition between the calm architectural background and the motion of the water. Created in 1967, this iconic piece reflects Hockney's fascination with light, leisure, and the suburban lifestyle of Los Angeles.

A Bigger Splash https://www.wikiart.org/en/david-hockney/a-bigger-splash-1967

Gift of the Trustees of the Pastorale Fund

Phynancial Horse. Design for the play Ubu Roi http://www.moma.org/collection/works/85835

Gift of J. Kasmin

Royal Palace (b), design for Ubu Roi http://www.moma.org/collection/works/85233

Gift of Kleiner, Bell & Co.

Pacific Mutual Life http://www.moma.org/collection/works/76380

Presented by the artist 1993

Caribbean Tea Time http://www.tate.org.uk/art/artworks/hockney-caribbean-tea-time-p20129

Presented by Bernard Jacobson Gallery 1976

For John Constable http://www.tate.org.uk/art/artworks/hockney-for-john-constable-p03184

Celeste and Armand Bartos Foundation

In the Dull Village from Fourteen Poems http://www.moma.org/collection/works/10703

Purchased 1971

1. The Arrival http://www.tate.org.uk/art/artworks/hockney-1-the-arrival-p07029

Mr. and Mrs. Ralph F. Colin, Leon A. Mnuchin, and Joanne M. Stern Fund

Death in Harlem (plate 6) from A Rake's Progress http://www.moma.org/collection/works/18177

Presented by Klaus Anschel in memory of his wife Gerty 1997

Queen http://www.tate.org.uk/art/artworks/hockney-queen-p11495

Presented by Jonathan Cheshire and Gareth Marshallsea in memory of Peter Coni 1994

Water Pouring into Swimming Pool, Santa Monica http://www.tate.org.uk/art/artworks/hockney-water-pouring-into-swimming-pool-santa-monica-p11378

This artwork by David Hockney depicts an intimate scene with two figures, one seated and fully clothed, engaging with a piece of paper, while the other is partially nude and reclined. The piece highlights Hockney's mastery of detail and human emotion, using minimalist lines and red-toned contours.

Untitled https://www.wikiart.org/en/david-hockney/not-detected-33

date inscribed Purchased 1978

Billy Wilder http://www.tate.org.uk/art/artworks/hockney-billy-wilder-p07239