Quick Fix Reviews

masterpiece look somewhere else, this is not the album for it. Not a detractor from the album, the production and instrumentals take center stage on pretty much every song, and that’s how it’s meant to be. Most everything is fun, but not mind blowing or absolutely amazing. Overall, 6.5/10.

MY FIRST UNTITLED by DIRTYBUTT:
This is a really fun set of hyperpop songs in the lane of other albums like ‘1,000 gecs’. Big 808s carry most of the beat with some trap hi-hats to keep a rhythm and flow going on each song. If you’ve come for a lyrical

It’s incredibly gruesome and heartbreaking as the original series is, but there’s just more to see for a demo based on a predefined series of events. Overall, I don’t want to wait until 2026, but, that’s how it is. 8/10.

Lacey’s Flash Games(Demo): Yes, I’m reviewing a demo for a game that doesn’t drop until next year. This is one of the coolest things I’ve ever played. It is pretty much what it says on the cover, a game translation of Lacey’s Games with more content somehow.

flex this acting skills against himself and others. Ruffalo makes another appearance as an amazingly written character who is easy and satisfying to hate and seeing him die is lovely. There’s not much bad to say about the technical pieces of this movie. I really enjoyed it. 7.5/10.

Mickey 17(dir. Bong Joon Ho): This was amazing. I generally knew what U was getting into with clones and being in space, but I did not expect the plot to go how it did. This is a great film about the morality and philosophy of making clones of dead people. Robert Pattinson is continuing to prove and

issue. Everything sounds very similar across the 47 minute runtime. Its biggest pull outside of the sound is continuing a cool story told throughout four albums so far. Everything is written very well, performances from both Josh and Tyler are exemplary, this is worth a listen. Overall, 7.5/10.

Breach by Twenty Øne Pilots: The fourth act of the Trench is here, and it sounds pretty good. TØP once again proves that they can continue to make great music. This album makes a really great example of a balance of alt-rock. Never too heavy, but it’s never light either. That does lead to the major

that. A 22 year old white kid from Toronto fighting like he’s Bruce Lee and getting hit like he heals like Wolverine. All of the Evil Exes really owned their powers and weaknesses. This is a truly and wholly unique experience that I think everyone should watch. Overall, 8/10.

The music also rocks. I love Sex Bob-Omb’s midwest emo rock sound, especially when it’s clashing with the other bands in the battles. On the topic of battles, the fight scenes. The choreography of every move is masterful and absolutely beautiful. Also, who the hell taught Scott Pilgrim to fight like

Scott Pilgrim vs. The World: I don’t understand why people hate this movie. Everything about is so good. The acting is on point for the whole movie, Michael Cera as Scott Pilgrim is an absolute genius choice. The visual effects are absolutely amazing, and star almost as heavily as the actors.

is something to be had, but not here. Overall, 4.5/10.

the lamest way possible. It definitely sounds like an AJR project, if anything it’s another step back in pretty much everything. My biggest gripe with AJR is that they CLEARLY have musical talent, but they seem to have a truly difficult time applying it. It sucks to see because it’s so obvious there

What No One’s Thinking by AJR: Ughhhhhhhhhhhhhhh. I don’t understand how these fuckers are the face of indie pop. Continuing with their previous albums they’re 30 somethings singing like they’re still 17. Lyrically it’s so egotistical and boring, Adam just sings about himself the whole time, but in

Near the end of year. Probably mid-December, I will make a post recapping my favorite music from this year. Potentially worst, but we will see.

The Amazing Digital Circus review coming when the show is all the way over.

Everything comes together to make an occasionally overwhelming experience, although it’s pretty easy, even Night 6 doesn’t really pose too much of a challenge. Overall, I had a great time, beat it in one sitting. 7.5/10.

though. He rips and holds one of your doors open until you die or somehow make it to the end of the night. Freddy will sometimes laugh, and you have to look through the pitch black cameras to try to stare at him, and sometimes he’ll just pop up right in front of you and you have to stare him down.

and Freddy are really the wrench in the works both of them have 2 mechanics. Foxy will sometimes drop his hook from the top of the screen, and you have to click it to not die, and he has his more traditional stages of waiting with a shock mechanic to keep him back. He doesn’t kill you that way

is played out through a weird nightmare scenario. It’s like if you tried to remember FNAF 1 after 10-20 years of never seeing the game. We see these twisted redesigns of the original 4 that are genuinely kinda creepy. Bonnie and Chica work damn near the exact same, you just close the doors, but Foxy

FNAF 1 REMAKE: Holy shit. I’m a little late to this one(as always), but I really don’t care. Coming back to anything FNAF in a good while, this was very nice. The gameplay is close enough to original FNAF 1 that anyone who’s even seen gameplay can pick it up easily. There’s a few changes, but it

Vanisher, Horizon Scraper by Quadeca: Album Of The Year. 10/10.

Least Favorite: She(ft. Kurtis Wells). Overall, 8.5/10.

beautiful. Brian’s singing is another thing I absolutely wasn’t ready for, his lyrical ability and rapping see an evolution as well. He really digs deep into his personal life on almost every song. This almost feels like a vent album, and it’s a great one. Favorite: Ma

WHERE IS MY HEAD? by Rich Brian: This was such a sonic smack to the face. I wasn’t ready for what would happen in the slightest. It’s been 6 whole years since Rich Brian’s last album ‘The Sailor’. The amount of growth is absolutely spectacular. The use of acoustic sounds across this project is

JVB continues to flex their lyrical and production talents for the second time in a row. Delivery doesn’t lack either. There’s so many good things to say and nothing bad other than I want more. Favorite song: SEE U DANCE(ft. Rebecca Black) Least Favorite: n/a. Overall, 9/10.

HYPERYOUTH by Joey Valence and Brae: WASSUP WASSUP! This crushed all of my expectations, and they were already pretty high after ‘NO HANDS’. We get a mix of some absolute crazy bangers and deep tracks about wanting to be young again. The title fits the feeling of this album through and through.

sense. Very basic drums, distorted guitars on the VERY back end of the album. Overall, 9/10.

reviewing said story. Although it is there. The ethereal qualities of this album are hard to overstate. Light folksy guitars and strings reverberate like a hallway you thought you were alone in, but someone is there to hear you, in the most beautiful way. Everything is very sparse, but in the good

Willoughby Tucker, I’ll Always Love You by Ethel Cain: To start this off: I am not familiar with the actual lore of Ethel Cain’s albums, specifically this and ‘Preacher’s Daughter’. This album is a prequel to the story between Ethel and the namesake of the album, Willoughby Tucker. I will not be