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Ghosts in the Graveyard _This was originally written for and performed at theNovember 4th edition of Tuesday Funk, the long-running reading series in Chicago's Andersonville neighborhood. It's been lightly updated here._ I spent Halloween chasing ghosts. Not kids in costumes, or jumpscares in a haunted house. I spent Halloween, much of it anyway, chasing ghosts of a different kind: careening from one ICE spotting to another. We were always just a little late. They'd disappeared by the time my wife and I would pull up, a crowd left in their wake, angry and heartbroken. Dozens of people in the streets pointing at nothing, at ghosts, wondering what to do—what to do practically, right now, but also what to do with the welling anger inside them. Inside us. For now we'd tamp it down and check our phones. There was already another sighting, blocks away, so we jumped back in our car, and head out. Sometimes it feels like a little parade—a Halloween parade today—of cars chasing down another ghost. We're too late again. This time there's an empty truck, a landscaping crew, disappeared. In the truck, the keys are still in the ignition. They may have gotten snatched, but nobody knows for sure. They may be hiding. When I was little, kids in the neighborhood would play Ghosts in the Graveyard. It was a combination of tag and hide-and-seek. One person would be the ghost, and run and hide. Everyone else would run around trying to find them. If you spotted them, you yelled _" GHOSTS IN THE GRAVEYARD!!"_ as loud as you could, and ran back to base. If you got tagged before you made it back, you became a ghost as well. You played that way, one person getting picked off, then two, then four, an exponential set of disappearances, until there was no one left. I still remember what it was like, to be running around on a warm summer night, the fireflies thick, and realizing that the shouts and laughter of the other kids playing had dwindled to near nothing, as the recognition set in that you were alone. The last one that wasn't a ghost. It's not long before there's another sighting, across town this time, no way we'd make it there in time. The Feds are coordinating across multiple teams of jump-out-boys, hitting spots across town nearly simultaneously. The reports in the spotter's chat get tangled: they're going east and west simultaneously; they're _here_ , then they're _there_ in a blink. Hauntings crisscrossing the town. Hours of this, back and forth, sightings, a chase, and then gone again. _Poof_. I'm not supposed to be doing this. None of us are. I'm supposed to be chasing ghosts of a different kind. I'm supposed to be writing a book about a guy, George Dale, who lived a hundred years ago. George was a newspaperman in Muncie, Indiana in the 1920s who chased ghosts of his own: the white sheets of the the Ku Klux Klan. Back in the '20s the Klan had emerged as a political force across the country. The Immigration Act of 1924—which introduced racist limits on immigration numbers and created the very US Border Patrol that's now running wild in our streets—was authored by the Klan. But they were especially powerful in Indiana, where the Klan controlled the governor's mansion and two-thirds of the statehouse by the mid-20s. And in Muncie, where George Dale published his newspaper the _Post-Democrat_ , the Klan controlled the mayor, the city council, the cops, and the local courts. We know this, because George published their names in his paper. And because he published their names in the paper, he paid dearly for it. The corrupt connection of cops and judges meant that George was in and out of jail constantly, for years, on charges that were mostly trumped-up or frame jobs. When he'd decry the corruption that was haunting him in his newspaper, he'd get hauled in on libel charges. When he'd protest _those_ charges in his pages, he'd get called up for contempt. He was in and out of jail so much that it was said that other folks locked up would applaud when he'd return. Once on a cool spring night when he was walking home with his son, George Jr, two carloads of jump-out-boys in masks leapt out at them. They drew a gun on George, who moved without thinking—some say he never thought—and wrestled the gun from his gut where it was pressed. The gun went off and someone went down. It wasn't George. The masked bastards retreated back to their cars, dragging their wounded man. Nobody knows what happened to him. There's no record of a hospital visit for a gunshot wound that night. He just disappeared. _Poof_. George maintained he shot him dead. It wasn't the only time George was in danger. His house was shot at and firebombed. George was beaten in the streets multiple times. Members of the Klan's women's auxiliary were given the orders to spit on him on sight. And then there was the repeated threat of spending months on one of Indiana's notorious penal farms, made doubly dangerous for George because he'd exposed corruption on those very farms in his newspaper. He could have made it stop, so easily. He could have stopped writing, could have stopped exposing the Klan and the corruption and the way those two things were so closely interwoven as to essentially be the same. But he never did. Even as it destroyed his life—even as he was driven into destitution from the fines and legal fees, even as he lost his house—he continued to stand up. He continued to speak out. He never stopped fighting. When George Dale died in 1936, he was at his typewriter. He'd just started writing an editorial. The whole day was spent running from one sighting to another. A long chase west felt productive, by every account we were on course to intercept them, but they just never emerged where we thought. They'd made a turn at some point, the reports lagged, and then they were gone. _Poof_. After that, we headed home. Our young son was about to get out of school—a school ringed by parents standing like sentries. It was Halloween and, like every parent, we wanted to try and protect our child from the evil spirits of the world for as long as we could. At least for another night. We moved Halloween outside during the start of the pandemic, you probably did too. You remember Halloween 2020 and 2021, with candy chutes and folding tables with take-two bowls. All of us doing what we could to balance a sense of normalcy with living in a world that was haunted by the sense that it never would be again. I wonder sometimes if what I'm chasing isn't just the masked bastards snatching our neighbors, but the ghosts of the life we lead before all this. Before the agents showed up, before the helicopters, before the tear gas, before the kidnappings. Before this latest Trump election, certainly, but before the first one too. So much has been lost. So many ghosts. Back in those pandemic Halloweens, I started sitting out with a fire going, saying hi to parents and complimenting kids on their costumes as they went by. I've been doing it ever since and so on this day, after our kid was home safely and out trick-or-treating in the Garfield costume we'd made together, I arranged my little fire pit and chairs and was so exhausted, so bone tired from the day and from the stress and from the sound of the helicopters that never stop and from the last few weeks of living like this (this assault only started in Chicago in September, if you can wrap your head around that) and from the fact that nobody should be living like this and from—despite that fact—the _years and years_ of living like this, and I lit some firestart and I watched it all burn.
06.11.2025 15:31 — 👍 0    🔁 0    💬 0    📌 0
Halloween a Hundred Years Ago I've been deep in newspaper archives from Indiana in the 1920s doing research for my book _I HATE THOSE MASKED BASTARDS!_ Right now, a lot of my writing process involves clipping newspaper articles and filing them away in a piece of bespoke software I've written to help me create an annotated timeline which I'll use to start crafting chapters, so I've been copy/pasting a lot of old news articles. _A lot._ While I've been digging around in these old newspapers, I've been drawn to all the advertisements. In addition to being _beautiful_ , each one is an amazing little capture of life a hundred years ago (you could buy a new car for about $600 and there were a surprising number of uses for laxatives). In fact, I've been drawn enough to these old ads that I created a _second_ piece of bespoke software just to collect them (OK, yes: writing bespoke software is apparently my procrastination method). With Halloween tomorrow, I thought I'd share some of the ads I've collected from newspapers across Indiana to give you a glimpse of what Halloween was like in 1925. A hundred years ago, everything was cheap, there was a lot of "nose putty" involved, pumpkin pie was a Halloween thing, and the _cuts_ (think clip art from 100 years ago) illustrating many of the ads were incredible. Plus, Chicago's best typeface, Cooper Black, makes a few appearances. Of course, this is America and so racism is also always close at hand: "Mexican" and "Chinaman" costumes are cheerily advertised and burnt cork, for blackface, is on sale for 50 cents. Scratch under any surface in this country—even the ones with seemingly immaculate spooky vibes—and there it is. A hundred years ago and right now are not that far apart in that way. Anyway, everything is very hard right now, so travel back in time with me for a few minutes and take in the Halloween vibes—the good and the bad—of 1925. Evansville Journal, October 26, 1925 Richmond Item, October 7, 1925 Evansville Courier Press, October 18, 1925 Huntington Herald, October 21, 1925 Indianapolis Star, October 23, 1925 Richmond Palladium and Sun-Telegram, October 26, 1925 Muncie Morning Star, October 25, 1925 The Fairmount News, October 15, 1925 Huntington Press, October 18, 1925 Indianapolis News, October 5, 1925 Evansville Courier Press, October 25, 1925 Huntingburg Independent, October 23, 1925 Indianapolis Times, October 1, 1925 Richmond Item, October 1, 1925 Muncie Morning Star, October 23, 1925 Muncie Morning Star, October 9, 1925 Indianapolis Star, October 25, 1925 Evansville Courier Press, October 3, 1925 The Cambridge City Tribune, October 15, 1925 Muncie Evening Press, October 23, 1925 Huntington Herald, October 21, 1925 Richmond Item, October 25, 1925 Evansville Courier Press, October 23, 1925 Anderson Daily Bulletin, October 6, 1925 Indianapolis News, October 23, 1925 The Hammond Times, October 8, 1925 Indianapolis News, October 3, 1925 Marion Leader-Tribune, October 25, 1925 Richmond Palladium and Sun-Telegram, October 26, 1925 Indianapolis News, October 26, 1925 Indianapolis News, October 23, 1925 Evansville Journal, October 21, 1925 Huntington Herald, October 21, 1925 Evansville Courier Press, October 25, 1925 Jennings County News, October 15, 1925 The Columbus Evening Republican, October 9, 1925 The Columbus Evening Republican, October 23, 1925 The Hammond Times, October 23, 1925
31.10.2025 13:24 — 👍 0    🔁 0    💬 0    📌 0
A Visit With The Stamp King The Stamp King in all its glory. The first thing you should know about The Stamp King, the last stamp dealer in the city of Chicago, is that it is exactly what you imagine it would be: chaotic and jumbled, a space navigable by exactly one person, the Stamp King himself. I was bringing my dad's stamp collection to its last resting place. I never thought of him as an avid stamp collector, more someone who traveled a fair amount and collected trinkets along the way. But, in the process of cleaning out my parents house following the death of my mother last month, I found a bankers box filled with stamp books, with stamps clipped from mail, and with loose stamps in various envelopes marked with countries he had visited. It wasn't a collection that I needed to hang onto, so I looked up places that might be able to value it and, hopefully, buy it. Stamp collecting used to be a thing. Based on the lack of stamp stores that came back in my search, it's not much of a thing anymore. But there was one, The Stamp King, way out west on Higgins Road in a nearly-not-the-city corner of Chicago. Further research said it was the last stamp collector store in the city proper. The second thing you should know about The Stamp King is that you should probably call first. There's not a lot of street-level traffic to the store and when I got there on an absurdly hot day in mid-July, it did not look open. The lights were off, a security gate was pulled across the storefront window. A small sign was taped to the door instructing you to knock on the adjoining storefront, because he was using the computer there. I knocked. Eventually the Stamp King opened the original door, confused. "Did you call?" was his first question. I had not called. I had a collection of stamps I'd like him to look at, I said, gesturing to the bankers box I was carrying, and he sighed and invited me in. The place was chaos. Bankers boxes just like mine stacked in wobbly piles to the ceiling. Banks of filing cabinets stood behind a counter that was so covered in piles of dusty stamp books and shoeboxes that you couldn't see it. Unexpectedly at the front of the store sat rubbermaid tubs full of African violets, growing in the diffused light of the dirty storefront window. It was perfect. The Stamp King himself was also perfect. He sported a white mustache waxed into curls and a mostly-bald head, short along the sides like my dad used to wear it. He was kind without ever being particularly friendly, approaching this transaction with a generous series of sighs. He did not need to buy another stamp for the rest of his life. And yet you knew he would from the very start. He cleared a space on the counter, shifting pile after pile, and explained that he was planning on leaving early today, after he was done with his "computer stuff." I said I could come back a better day and he sighed and motioned to put the box in the newly-cleared space. He asked a little about the history of the collection and then started looking at it, breezing through books in fast-forward, opening every few envelopes, carefully tweezering stamps to get a closer look. A couple books you could tell were sort of interesting to him, until his tweezer-led inspection revealed that the stamps were "hinged," a heretofor unknown term to me, but apparently not the way stamps should be kept. Who knew? The Stamp King knew. He was through it all in 10 minutes, probably less. Most of the time was him sighing and me wandering around the store. It really was all boxes. The adjoining storefront where he'd been doing his computer work was also all boxes. Floor to ceiling. In a fire the place would go up in a millisecond. Affixed to the filing cabinets were stickers and clippings. "The only difference between this place and the Titanic: The Titanic had a band." The Stamp King laid it all out for me: two books were interesting, but all the stamps were stuck in wrong. He'd do $10 for those. Another book was $2. A couple envelopes were $5. Piles of stamps that had been lovingly de-adhered from envelopes were garbage. All this, he said gesturing to stamps collected from a lifetime of travels, are "fun but worthless." Eventually he delivered the total with another sigh: $25. It was a pity $25, I know, fished from his wallet. The Stamp King needs another box of stamps like Lake Michigan needs a glass of water. But I think probably everyone that comes through is like me now, someone with a box of someone else's stamps, a box that would end up in the garbage if The Stamp King didn't step up. So the Stamp King steps up. Stepping up is his life's work now. He's probably pushing 80, saving the thing he loves well beyond the point of sensibility. The piles are huge and threaten to engulf him and maybe me if today happens to be the day. I said $25 sounded good, and would he take the leftovers too. He sighed. Of course he would. Today there's another banker's box touching the ceiling of the Stamp King, that one was my dad's. Ever since I left that box behind, I've been thinking about the things each of us has piled in unsteady stacks, stacked all the way up to the ceiling of our own lives. We all accumulate a life the way the Stamp King accumulates stamps: sometimes with a thought-out plan, sometimes in the hopes of making a buck, but most of the time because you step up. The boxes stack up whatever way. Living is hard. That's not a revelation, just an acknowledgement. But we live it as best we can. We fill our boxes and we stack them up. Not every box is filled with good memories. Most of them, if we're lucky, I think fall into the best category the Stamp King offered: fun, but worthless. Fun, but worthless. Not everything has to make a profit, despite the grind mindset that's forced on us. Not everything has to have meaning beyond being joyful to you, _now_. Maybe it's some stamps, put in an envelope and kept in a box. A box that now sits among hundreds at The Stamp King. Maybe it's something else. Whatever it is, I hope it's fun but worthless to you and that you fill your boxes with it, every day, until they tower over you. And I hope you take a moment to look at those fun but worthless towers of your life and you sigh the content, exasperated sigh of the Stamp King. A sigh that says it's all a little bit mad and more than a little tiring and even so you know you would not do it any differently because someone has to step up and save the things that are fun, but worthless. As I left, I smiled at the Stamp King and said, "The good news is now you have some stamps to sell." He laughed a little and sighed a lot.
25.10.2025 11:24 — 👍 0    🔁 0    💬 0    📌 0
Six Scenes of Hulk Hogan, in Reverse 1 Hulk Hogan stands at the lecturn of the Republican National Convention, the summer of 2024. Donald Trump had been shot at a week earlier, he wears an oversized square bandage on his ear. Trump stands in the audience, applauding and pointing every time Hogan says that Trump is “my hero,” which he says a lot. Hogan’s got the audience right where he wants them, cheering and chanting as he runs through a script that paints him at his 1980s best, despite the fact that he can’t stand up straight anymore, his walk reduced to a shuffle. It’s all “dude” and “brother” and “real Americans.” He references the Macho Man Randy Savage and Andre the Giant. He’s wearing a sportcoat over a T-shirt with a picture of himself on it. At the climax of the speech, the sportcoat comes off, he take ahold of the neck of the T and he rips it clean in two, revealing a Trump/Vance shirt underneath. One year later, almost to the day, Hulk Hogan was dead. 2 Hulk Hogan stands next to his lawyer, dressed in all black with a black bandana covering the ample bald spot on his head. It’s March 18, 2016 and they’re on the steps of the Pinellas County Courthouse in Florida. Hogan doesn’t speak at all, squinting in the sunlight. Moments before, he was awarded $115 million in a lawsuit he’d filed against Gawker, the hard-charging news and gossip website, over their publication of a sex tape featuring Hogan and his best friend’s wife. Soon, that number would swell to $140 million, an amount that would send Gawker into bankruptcy. Ten days later, it was revealed that the lawsuit was funded by Peter Thiel, a then mostly-unknown startup billionaire who had been on a secret vendetta against Gawker ever since they wrote a story in 2007 that outed him as gay. Thiel spent $10 million on the lawsuit. He told the New York Times “it’s less about revenge and more about specific deterrence.” Thiel has since spent millions on conservative causes and candidates. He spoke at the 2016 Republican National Convention. He did not rip off his shirt. 3 Everything is silver and black, the distinctive hue of an infrared camera. Hulk Hogan sits on the edge of a canopy bed. Blurry in the bed is the wife of his then-best friend. It’s 2006, Hogan is getting divorced. His friend, a Tampa radio shock jock who goes by the name Bubba the Love Sponge, invites him to sleep with his wife. He doesn’t know that Bubba is taping him. He does more talking than anything else. He rants about his daughter Brooke dating a black man. It’s shockingly ugly, filled with the n-word. Over and over again. “I guess we’re all a little racist,” he says in the midst of it. They have sex. Six years later, the tape leaks. Gawker publishes a two-minute excerpt. Everything is silver and black. 4 Trash rains down on the wrestling ring. Hulk Hogan stands in the center, arms up, hands clasped with Kevin Nash on one side and Scott Hall on the other. It’s the culmination of a storyline that has been building for months. Hall and Nash, known as “The Outsiders,” had recently left the World Wrestling Federation to join their biggest rivals, World Championship Wrestling and had been running roughshod over the WCW roster. For weeks they’d been teasing that they’d be joined by a “third man,” at WCW’s July 1996 pay-per-view, Bash at the Beach. That third man turned out to be Hogan, who ran out as if he was saving his former best friend Macho Man Randy Savage before doing his signature Atomic Leg Drop on Savage and clasping hands with Hall and Nash. They became known as the New World Order. Wrestling was never the same after that point. 5 Hulk Hogan sits in the witness stand, dressed in a dark suit. It’s July 1994 and he’s quietly answering questions from federal prosecutor Sean O'Shea. Hogan is a witness in the government’s case against Vince McMahon, the owner of the WWF, for illegally providing steroids to his wrestlers. Hogan used to tell kids to say their prayers and take their vitamins and today he revealed that for 14 years he had been injecting himself with steroids. He picked them up at the WWF headquarters “along with my paycheck, fan mail or whatever.” The government's case seems solid. Hogan is the star attraction. Except. He testifies that he was never told by Vince to take steroids. McMahon is found not guilty. 30 years later, Vince’s wife Linda would become the US Secretary of Education. 6 93,000 people. It’s the largest crowd anyone had ever wrestled in front of. Wrestlemania III, Hulk Hogan vs Andre the Giant. March 29, 1987. The audience is huge and it is electric and here for this match. When Hogan is announced, the crowd explodes in unison. He struts down the aisle to “Real American,” his theme music. “I am a real American / Fight for the rights of every man / I am a real American / Fight for what’s right, fight for your life.” He points to the crowd, raises his hand to his ear. He climbs in the ring and reaches for his yellow Hulkamania T, grabs with both hands and rips. The bell rings. Slowly he approaches Andre the Giant who stands stoically in the center of the ring. They stand chest to chest, Hogan looking up at Andre who towers above him. They stare at each other. They stare forward into history. They stare info infamy, forever.
25.10.2025 11:24 — 👍 0    🔁 0    💬 0    📌 0
The Amazing Art of the Video Game Marquee Attempting to break out of the the malaise of a difficult summer, my family and I drove out to Brookfield, Illinois to visit the Galloping Ghost Arcade, a sprawling, ramshackle collection of buildings that take up one entire side of a city block and house the largest video game arcade in the world. Walking in is overwhelming, it's dark and warm and humid; the beeps and boops of the vintage arcade game collection drowned out slightly by the hum of industrial fans placed in corners. The windows to the outside world are either tinted or obscured and most of the lighting comes from the games themselves. The games. Room after room of games pressed right up against each other in aisles barely wide enough to squeeze past someone as they try their best against Donkey Kong or Pac Man. It's a labyrinth of games that seems to continue forever. We were discovering new rooms filled with games up until our last moments at the arcade. There's a box on the counter asking for donations to expand even further. At this point there are well over 800 games, according to their website, with machines regularly swapped in and out. You pay a flat $25 to play all day, every game rigged to play for free at the push of a button. Don't expect high-tech Dave & Busters-style games at the Galloping Ghost. The vast majority are from the golden age of arcades, the 1980s. As it should be, extra attention is given to the games born in Chicago from Bally, Midway, and Williams, as well as smaller outfits like Rock-Ola. The city used to be the center of the arcade universe, and it was fun to be able to walk past (and play) dozens of Chicago's forgotten classics. After a while though, I became captivated not by the games themselves but by the incredible art on the cabinets and specifically the marquee, the sign set above the screen, tempting a kid from 1983 to spend their hard-earned quarters. The marquee back then had to do a lot of work, because the games themselves were all low resolution and blocky affairs. The marquee had to sell the _idea_ of the game, the excitement around the concept and the story because the on-screen graphics alone weren't going to do it. So you made sure that your marquees did the job, filling it with exquisite hand-lettered logos, art borrowed from the pages of fantasy novels, sci-fi, and comics, and vivid color palettes that would shine out into the dark arcade. These vintage marquees, to me, are such a beautiful vernacular artform that perfectly capture the moment where our lives were transitioning from the physical to the digital. So, during this long, hot summer, enjoy a gallery of video game marquees I took while walking around the Galloping Ghost.
25.10.2025 11:24 — 👍 0    🔁 0    💬 0    📌 0
A Benediction for Chicago on the Eve of Occupation No matter what happens in the coming weeks, we are Chicago. We rose from the ashes. We never quit. We are the lake in the morning, the sun rising over the water, its reflection drawing a line straight to our shores. We are the Haymarket Martyrs, the Pullman strikers, always demanding better than what we've got. We are the words of Sandburg and Algren and Brooks and Wright. We are the 90s Bulls, making the impossible possible. We are the dipped Italian Beef. Messy, sure, but incredible. We are the humidity in the summer, the frostbitten cheeks in the winter. We are smoke-kissed rib tips. We are elotes on the street. We are pierogis in a pot. We are Curtis singing _Hush now child._ We are the Soul Train dance line, the National Barn Dance, the Warehouse on a hot summer night. We are the beach in the last days of summer, drawing every moment out. We are the downtown canyons, wind-whipped in the winter, how do you make it through? We make it through. We are celery salt and tomatoes and onion, sport peppers and a dill pickle and relish so green you swear it's not real. We are the dreams of millions. We are imperfect, but we are perfect. We are forever. We are everything. We are Chicago. There will never be more of them than there are of us.
25.10.2025 11:24 — 👍 0    🔁 0    💬 0    📌 0
The Good Things There's a record by garage rock legend Holly Golightly that has been my go-to for decades now: _The Good Things_. It's a short record (on vinyl it's only a 10"), but every song on it is amazing. It was Holly Golightly's first solo record, having made a name for herself as one of The Headcoatees, known for their driving, '60s girl-groupesque, lo-fi rock songs. _The Good Things_ was a very different record: slow and sad, a beautiful kind of melancholy. Which, honestly, is about as good a thing as you can ask for right now, a time that is so markedly sad. So here are a few _good things_ that I wanted to share with you. ## Automatic Noodle Automatic Noodle is a wonderful, slim book written by Annalee Newitz about robots that run a noodle restaurant in a post-dystopian San Francisco. But what it's _really_ about is about realizing your dreams with a found family, about building real things that matter to real people, and about the importance of community. It's a very nice read right now, if you'd like something where basically just good things happen. Which I desperately do. (The link to the book is an affiliate link where I get a little cut of the sale.) ## Coyote I will always ride-or-die with alt weeklies, the locally-focused indie culture newspapers like the _Chicago Reader_ , the _The Stranger_ , and the _Village Voice_ , and so it's thrilling to see the launch of the Coyote, a _new_ alt weekly for the Bay Area. Started by a bunch of kickass writers, I'm really excited to see where it goes from here. Lord knows we need more independent media right now, I hope that they're successful and that success spawns more in their image. ## Caitlin Angelica I've been listening to the haunting, warbling voice of Caitlin Angelica lately. Her tremendously sad, tremendously beautiful album "Now I Know," was born from the tragic death of her partner in 2023. She has bundled all of the hurt and shock and pain of it into a record about grief and perseverance and it's not an easy listen per se but it's one that I really need right now. (There's also a great interview with Caitlin in the latest edition of the excellent see/saw punk newsletter.) ## World Tramdriver Championships OK, this is one of my favorite things that happens once a year: This weekend 25 teams of tramdrivers competed to see which one would be crowned the best in the world. Yes, really. Previously focused just on European public transportation, this year included teams from Brazil, China, Australia and the US to turn what had been the European Tramdriver Championships into the World Tramdriver Championships. Feast your eyes on the six hour live stream to watch drivers compete in disciplines like driving-backwards-without-spilling-water, not-hitting-a-cardboard-cutout-of-two-people-dancing-as-you-drive-by-it, and of course, tram bowling. It's just pure joy. Look, times are hard right now. Take the good things where you can find them.
25.10.2025 11:24 — 👍 0    🔁 0    💬 0    📌 0
Disasters, Invisible and Visible One of my favorite stories from Chicago's recent history is the invisible flood that happened in 1992 that forced the shutdown of downtown Chicago for days. Repair work was happening on the Kinzie Street bridge, one of many that span the Chicago River. They were replacing nearly hundred-year-old pilings with updated ones that were driven deep into the ground beneath the river. Unbeknownst to anyone, one of the pilings was too close to an forgotten coal delivery tunnel that had been dug in 1906. Slowly, the clay soil between the piling and the tunnel eroded away and a small leak began to form. As things do, that small leak became a bigger one, and that bigger one became a problem when, suddenly, janitors and maintenance managers across the Loop discovered deep water in the basements and sub-basements of their buildings. Some buildings reported nearly forty feet of water. The colossal Merchandise Mart found fish swimming in their sub-basements! At first, nobody knew where it was coming from. The city turned off water mains, assuming there was a leak somewhere in their system. But eventually they figured out it was the old coal tunnels, which had long-forgotten openings in most of the buildings across downtown and to which there was never any formal map (many of them had actually been dug illegally). By the time they discovered it, the hole in the tunnel was 20 feet wide. You could see water swirling on the surface of the river like it was being flushed down a toilet. And yet, on the streets, everything was dry. My friends and I took the L downtown while it was happening. We walked the nearly-abandoned streets and marveled at the invisible disaster raging underneath our feet. There's a different type of invisible disaster unfolding across Chicago now. ICE and Border Patrol agents have been terrorizing immigrant communities across the massive geographic expanse that is the greater Chicago area. Instead of focusing on the city proper (though certainly they've been there as well), they seem to be concentrating on border suburbs, especially on the southwest side, though they've ranged as far north as Waukegan and as far south as Joliet, two cities 75 miles apart from each other. The raids are often pre-dawn and lightning-fast, agents gone within minutes, though that's not always the pattern. A traffic stop by ICE in the light of day in northwest suburban Franklin Park left a dad, who had just dropped his kids off at school, dead two weeks ago. The speed and unpredictability of the ICE roundups make hearing about them difficult. News organizations can't be everywhere all at once, not to mention most of the orgs in Chicago are in a defensive crouch from years of layoffs and budget cuts. As a result, there's _much_ less visibility on this unfolding tragedy than there should be. While some days get lots of coverage, focused largely around the ICE detention facility in the suburb of Broadview where daily protests have been held for weeks, other days this disaster is nearly invisible unless you know where to look. There is amazing coverage happening, don't get me wrong, but you have to work to seek it out. For me, my go-tos are largely on Twitter alternative Bluesky: * Unraveled Press is the load-bearing element to much of the up-to-the minute coverage of what's happening around Chicago. They're at the Broadview facility most days, and doing an admirable job of spreading disparate social media videos and reports of ICE raids from elsewhere across the region. That it's fallen on a _tiny_ two-person outlet is pretty much everything you need to know about what makes this disaster invisible. It's also a reason to send them some money. I sent $50, and I'll be sending more once I've got it. * Shawn Mulcahy, the news editor of the _Chicago Reader_ has also been at Broadview regularly and has been a must-follow on Bluesky for me. I wish the _Reader_ was actually highlighting his work on their site more regularly, but they're going through it right now, so ¯\_(ツ)_ /¯. * Organizer and author Kelly Hayes has also done a remarkable job of supplying to-the-minute information and photos from Broadview. There are two news organizations that I also think are doing standout work: * Block Club Chicago, a local news startup that has been running laps around the incumbent _Tribune_ and _Sun Times_ for years now, has been doing good work covering raids and giving a wide-angle look at what's happening. * The TRiiBE is a growing, Black-owned news org that has been punching above their weight for a while now and has been doing good nearly-daily updates. Other area news outlets, including stalwarts like the _Tribune_ and _Sun-Times_ , have been doing their best, but the coverage is often locked behind paywalls and gets buried under other stories quickly. But among all the Chicago news orgs, even the ones doing good work, the urgency of the situation isn't captured in the approach. What's unfolding every day—neighbors snatched off the streets, protesters teargassed and shot with pepper balls—should be treated like a disaster: pull down the paywalls and subscription pop-ups, make the coverage accessible to all comers. Get people up-to-speed on what's happening every day in a way that is comprehensive and accessible. In a way that makes the invisible visible. To me, the gold standard for this comes from an unexpected source: The (formerly) food-focused website _LA Taco_ , who found themselves in the position of doing the best reporting when ICE swept through Los Angeles and disproportionately targeted the same street food vendors that _LA Taco_ had covered for years. They realized that, like it or not, they were best situated to cover this unfolding disaster. What the folks at _LA Taco_ , not the _LA Times_ , figured out was that while it was impossible to have on-the-ground reporting from sweeps happening across a metro area as colossal as LA, we live in a time where most everything is documented and uploaded to social media in near-real time. They took to compiling these social media videos and reports into a vertical video Daily Memo that simply runs down where ICE has conducted raids that day across the vast LA area. The _LA Taco_ Daily Memo is required viewing now for folks in LA that want to keep up with what's happening there. They make their Daily Memo available as a video and as a written update on their website. I wish they provided them in Spanish as well, but they are a very small shop with limited resources. The Daily Memo is one of those ideas that's so obvious now that someone's doing it that I wonder why it hasn't been the standard all along. So, in the hopes that obvious ideas can be grabbed and run with easily, here's a few thoughts from me on how to flesh _LA Taco_ 's Daily Memo idea out even more. If you're a news org in Chicago or anywhere else looking to do this, feel free to borrow, expand, and—most importantly— _build_. * Have someone whose dedicated beat through the duration of this disaster is to monitor social for reports/video/etc of ICE activities. _Verify those reports,_ then put them in a spreadsheet. (Bonus points, make that spreadsheet open and available to all.) * Use that spreadsheet to build out a whole host of Daily Memo-style roundups: * Like _LA Taco_ , create vertical videos that you can put on TikTok, Instagram, and YouTube, as well as share on Bluesky, Twitter (ugh), and elsewhere. * Make text-based roundups that are available on your website at a consistent location and with findable, predictable titles and tags. Daily Memos, for instance, always lead with, what else, "Daily Memo:" in their headline. That makes finding them really fast and easy. * Use that text-based roundup to ground an ICE-specific mailing list that sends those daily updates directly to your readers. You can use that same mailing list for breaking alerts _when necessary_. Don't try and clog it up with other coverage. Stick to what's most important to the folks that subscribed. Respect their inbox. * You've got each incident in small, atomized, texted-sized chunks, so push _those_ to Bluesky, Twitter (ugh), and the others too. You could even push to phones via text if you have the infrastructure for it. * Create a short audio roundup that you can push out to podcasting apps for people to listen to on their commutes or whenever. Again, we're talking quick hits here. * Please, do this in English and Spanish if at all possible. * This part is important: Dedicate a place on your website that _won't_ get blown away by all the other news of the day that collects all of this and that is easily accessible from your home page, so that people can find your work immediately and accessibly. Make the URL simple: /ice or something else memorable. * If your CMS is so inflexible that you can't do that (and trust me, I've worked with some of them and they definitely _are_ that inflexible), build out a quick-and-dirty secondary site that you can host at a subdomain like ice.yoursite.com. This is a list of every possible permutation I can think of. I know it's a lot! Pick and choose. Some orgs are already doing some of this, and that's great, push to do more. Not all of it is a heavy lift—even just creating clear headlines will go a long way. All of it is important. Does this take people? Yes. Does it take time? Also yes. If a freak earthquake hit Chicago, you would find the people and time to cover it. If those old tunnels opened up again and the Loop flooded, you'd find the people and time to cover it. This is a disaster that has claimed hundreds of victims so far. Cover it like it should be covered. Make the invisible visible.
25.10.2025 11:24 — 👍 0    🔁 0    💬 0    📌 0
The Fog of War It was a beautiful, warm day in Chicago today. The kind of early October day that you want to be out in because you know the number of them we have left is dwindling. And so today, people were out. There were plenty of people out on the corner of Armitage and Central Park in Chicago, grabbing lunch, doing some shopping, just hanging around the way you do when it's nice in the early fall. All of that descended into chaos instantaneously, when an ICE agent—or some other masked motherfucker—after being momentarily blocked by a scooter, decides to uncork a can of teargas and casually toss it out of the window of his unmarked SUV. It makes a spiraling decent, and then it hits. Within seconds, everyone—who moments before had been going about their day—is scrambling, coughing, and screaming. It takes almost no time until the entire street is engulfed in toxic fog. The whole scene unfolds in a 43 second video posted to Reddit. > ICE incident at Rico Fresh > byu/DREWBICE inLoganSquare For those familiar with Chicago, there's no real reason you'd remember the corner of Armitage and Central Park, a mostly-residential section of Logan Square. For those unfamiliar, this is a city street not unlike the one you may live on, and certainly like one you've frequented many times in your life. It is unremarkable in every possible way: A check cashing place, a hot dog joint, a vacant storefront or two. The video was shot from the parking lot of Rico Fresh, a big Mexican grocery store that's the main draw for the corner. Just out of frame—and I mean _just_ out of frame, maybe 50 feet away—is Funston Elementary, which was in session at the time. Next to the school, just around the corner, is a playground. There are always kids there. There are _always_ kids there. I used to live a mile or two away from here. I'm pretty sure I have been on this very corner, and have certainly been on corners just like it a million times. It is the most ordinary place. Until, suddenly, in a blink, today it wasn't. This is how we live now: our ordinary places become something else, in an instant, subject to the whims of some bastard out to inflict cruelty or having a bad day or just following orders or a combination of it all. There have been horrific examples across the entire Chicago area for weeks now, of agents just like these jumping out on workers and families. A family of four were snatched while playing in the fountain at Millennium Park on Sunday. Just a couple days ago, an enormous action that included _camouflaged bastards dropping down from helicopters_ unfolded pre-dawn in a run-down apartment building in South Shore, children carried out by agents, zip-tied, and loaded into the back of a box truck. Hundreds of people have been snatched and disappeared in the weeks since the feds have descended on Chicago. You feel the tension everywhere, every day. Earlier this week I was sitting after a long day and realized I could hear a helicopter making big looping circles overhead. My initial thought was was it was a school shooter, since there are three schools within a few blocks of me. Then I thought it was a Department of Homeland Security copter, which have taken to buzzing the beach near me. I hate that these are the immediate two thoughts that come to mind, but this is our lives now. But. But watch the video from Armitage and Central Park again. You'll notice something, even as the fog drifts across the screen and the guy shooting the video starts retching: _Nobody is cowed by this._ Even as the gas thickens, people are screaming obscenities at the agents in the car. The moped directly in front of them, despite having received what must have been a facefull of gas, refuses to move. And then there's the shrill chorus of whistles that begin to ring out near the end, audible evidence of the successful grassroots campaign to distribute ICE warning whistles in neighborhoods across Chicago. There are, of course, no police to be seen. And despite the strong words of Governor Pritzker, who just last month told people to "be loud for America," he sent state troopers to hassle protestors at the Broadview detention facility today. When I first watched this video, I was seething. So angry the way I feel so often now. An _unhelpful_ level of angry. Angry because of the impunity with which these masked bastards operate. But also angry because we've been left to fend for ourselves. But. But that's how it's always been, when change has to happen. There's nobody to do it but us. This is how we live now: _it's just us._ And the good news is that even among the fog, even choking back tears and bile, we're strong and we're resilient and there are so many more of us than there are of them.
25.10.2025 11:24 — 👍 0    🔁 0    💬 0    📌 0
I'm Writing a Book! In February, I wrote a blog post, "What Felt Impossible Became Possible," about George Dale a newspaper editor and publisher based in Muncie, Indiana in the 1920s who used his paper, his wit, and his inability to stand down from a fight to do battle against the Ku Klux Klan. I'd done a fair amount of spelunking through Dale's archives in the months that followed the election of Donald Trump in 2024 and I thought that his story of perseverance would resonate with folks. It did. A lot of people read it. Like, _a lot_ a lot, which took me surprise on day one and was truly mind-blowing weeks later when it was still going strong. And it got me thinking: Maybe there's a bigger story here, the story of someone who refused to back down against fascism even when the odds were stacked massively against him and the only one that believed he could do it was himself. And maybe there's something resonant about _how_ he won, with words and with truth and with a wit sharpened like a razor poised to cut through the entire power structure aligned against him. And so a friend connected me with a book agent, who had already read the blog post—because at that point, like I said, _a lot of people had_ —and he thought the same thing that I had: There was a bigger story here. And so I'm absolutely beyond belief excited to tell you that that bigger story will get to be told in _I HATE THOSE MASKED BASTARDS! Terror, Truth, and the Editor Who Took on the Klan_ , a new book by me coming sometime in the future (I still gotta write the thing) from the powerhouse radical indie press Haymarket Books. _Really!_ There's even one of those Publisher's Marketplace things! I'm thrilled and I'm terrified. While I've done books before, I've never done something like this: researching events from a hundred years ago and trying to weave them into a coherent story that not only talks about yesterday but is relevant to today. It feels like I'm embarking on some kind of uncharted endeavor, like I'm heading into the frozen arctic without a map. Anyway. Of course, it's not lost on me, and I hope it's not lost on you, that there's a new crop of masked bastards running around the very streets that we live on right now. And it feels, at least for me, like the odds of overcoming them are insurmountable. That's where I think the story of George Dale (and others like him) comes in, because in learning about history we learn that the struggles of a hundred years ago offer lessons for the struggles of today. It's part of why our current crop of fascists are so hellbent on erasing history. And why we can't let them. You will be hearing about this _a lot_ in the coming months, including how _you_ can help make it happen. But for today, here's to history, to uncharted endeavors, and to beating back the masked bastards once again. Let's fucking go.
25.10.2025 11:24 — 👍 0    🔁 0    💬 0    📌 0
A Brilliant Mistake In 2016—you remember back then, it was nearly a decade ago if you can believe it—I made a proposition to Maureen Johnson, an author of YA books who I was friendly with online the way you were friendly with people online a decade ago. _What if we did a podcast,_ I wrote, _about the end of this crazy election cycle?_ It was the Donald Trump/Hillary Clinton race and, over the course of the summer, Maureen had been sending me DMs looking for reassurance that things weren't as tenuous as they seemed. She knew I knew folks involved in the election on both the journalism and political sides, and could I tell her _anything_ that I was hearing to help her cope with the increasing anxiety of that race. After a few back and forths, I finally made the proposition: _Let's do this as a podcast._ It will help us to talk it through, and maybe it will help other people too. But, I added, you're busy and I'm busy and this can't take over either of our lives, so let's keep it to just eight episodes—the final eight weeks of the election—and then that will be it. Besides, I said, it's not like Trump's going to win or anything. You know what happened next. Those eight episodes, which we called _Says Who_ after a quote from Trump bagman Michael Cohen, ended with an election night livestream too painful to link to here, and then it was over. That is until Maureen posed a question a few exhausting days later: _Are we really going to stop?_ We'd committed to eight episodes because our lives were busy but those episodes had helped, and they helped not just us but thousands of people who'd listened, and what's to come is going to be hard and maybe continuing is something we should do? Besides, she added, he's probably not going to stay in office for long. You know what happened that time too. This is a long way of saying that this week _Says Who_, the eight-episode podcast we launched in the leadup to the 2016 election, released its 400th episode. Yes, we overshot the mark by nearly 5000% and no, I don't regret it. In the immortal words of Elvis Costello, it was a brilliant mistake. Over the course of the 400 episodes we've released (don't misinterpret this as an ending, we're still going), the show has transformed. It's still about trying to understand current events and politics, sure, but more than that it's about Maureen and I trying to understand how to exist through it all, how to build lives when things are crumbling around you, and how to help others survive the cascading traumas of our time. But, you know, also funny. For Maureen and I, we built a thing to help us muddle through a specific period of time that then became a whole _era_. And, in the process, we connected with people who found our muddling helpful and, in return, helped us to continue. Because, despite outlasting most podcasts, _Says Who_ never got picked up by a network, never got a penny of advertising dollars, instead it has been entirely listener supported. Maybe some of those listeners are you. Thank you. When times are hard—and they were then and they sure as shit are now—one of the best things you can do is build things with your friends. Build things that can help people get through it, even if that just means _you_. Because it almost always isn't just you. Put your things out in the world, let them help the people they can help. You never know where it might lead. Here's to 400 episodes of _Says Who_, one of the best mistakes I've ever made.
25.10.2025 11:24 — 👍 0    🔁 0    💬 0    📌 0
What I Need You To Understand, Notes from Chicago in Late October _Originally from notes written Tuesday, October 21 2025_ What I need you to understand is that it was relentless. Sightings miles apart at the same time, reports, misreports, they were at a Home Depot, a mall, the post office, six different intersections. Car makes and models rapid-fire. A Kia, a Ford, a Silverado, an Audi (an Audi??), a dizzying number of license plates. Too much to keep straight, so you look at every car and you wonder. There's noise, so much noise, but there's also signal and the signal was that they were _here_ that they were _everywhere_. Smash and grab jobs happening across the city nearly simultaneously. But the things being stolen aren't jewels, they're lives. Off streets, from yards. One roofer plucked off a ladder. A landscaper thrown to the ground, tackled by a half-dozen men in camo with weapons. Sixteen people on this day. Sixteen people disappeared, from just the northern side of the city and suburbs. More across the entire city. What I need you to understand is that nobody is letting them go quietly. The Feds' every movement is announced by a chorus of whistles, by a parade of cars honking in their wake, neighbors rushing outside to yell to film to witness these kidnappings that are unfolding in front of us. Neighbors running _towards_ trouble. What I need you to know is we are organized. What I need you to know is that you need to get organized. What I need you to know is they are coming. What I need you to know is you can stop them. They come not for the "worst of the worst," as they so repeatedly claim, because that would mean they would be coming for themselves. They are coming for people just trying to get by. Landscapers, roofers, tamale women, Lyft drivers waiting in a lot at Ohare, the people standing outside a Home Depot hoping that today might be better than yesterday. A report rang out that a child was hiding, and people converged. Whistles around necks, a half-dozen in moments. One heard whistles when dropping her own child off at school. Another rode up on a bike. Everyone unsure of what to do except to do what any parent would do: ensure a child is safe. The child was safe. This is how it works: We protect each other, period. These are our neighbors, our friends, our family. We do the things we have to do to ensure that as many of us can make it to tomorrow as possible. Not everyone does. I need you to understand that we tried. For some, living far away from Chicago, this may sound overwrought. I need you to understand that it's not. This is every day here. Every day, in any part of the city. As I write this, the onslaught is happening across Lincoln Park, one of the richest parts of Chicago, while yesterday it was in Little Village a working class Mexican neighborhood on the West Side. You never know when it's going to happen. You only know that it is going to happen. Life is lived on the edge now. I need you to understand that we'll still be here when it's over. I need you to understand that, eventually, it will be over. It will be over because we are here. I need you to understand they can't take us all. * * * ## A couple places to give your time and your money ## ICIRR Pretty much everything involving witnessing ICE and alerting neighborhoods is running through the Illinois Coalition for Immigrant and Refugee Rights (ICIRR) Family Support Network and Hotline. * If you spot ICE (in and around Chicago) you can call the ICIRR FSN hotline at 855-435-7693. If you're in the greater Chicago area, put that number in your phone. * You can get alerts from the ICIRR's Eyes on Ice text network by signing up here. (note: this is Chicago-area specific) * ICIRR also runs Know Your Rights trainings regularly, which are open to anyone. If this seems like a very long list of things, it is. And I am positive they could use your donation ## Whistles/Pilsen Arts & Community House A huge amount of organizing is going on around the distribution of whistle kits, the amazingly effective on-the-ground street-level alert system for neighborhoods. * While the actual instructions for what to do with a whistle are very simple (short bursts if you see ICE, long blows if they're actively detaining someone), the Pilsen Arts & Community House has created a little zine that has become the iconic symbol of the rapid response effort. * There are "Whistlemania" and whistle assembly events happening across the Chicago area pretty much all the time. * If you are in a city that Trump has been threatening, the best time to start buying whistles was yesterday and the next best time is right now. They're getting harder to come by because so many people are ordering them. * People are also 3d-printing whistles, if that's your thing. As with ICIRR, the Pilsen Arts & Community House could very much use your money.
25.10.2025 11:24 — 👍 0    🔁 0    💬 0    📌 0
A Visit With The Stamp King The Stamp King in all its glory. The first thing you should know about The Stamp King, the last stamp dealer in the city of Chicago, is that it is exactly what you imagine it would be: chaotic and jumbled, a space navigable by exactly one person, the Stamp King himself. I was bringing my dad's stamp collection to its last resting place. I never thought of him as an avid stamp collector, more someone who traveled a fair amount and collected trinkets along the way. But, in the process of cleaning out my parents house following the death of my mother last month, I found a bankers box filled with stamp books, with stamps clipped from mail, and with loose stamps in various envelopes marked with countries he had visited. It wasn't a collection that I needed to hang onto, so I looked up places that might be able to value it and, hopefully, buy it. Stamp collecting used to be a thing. Based on the lack of stamp stores that came back in my search, it's not much of a thing anymore. But there was one, The Stamp King, way out west on Higgins Road in a nearly-not-the-city corner of Chicago. Further research said it was the last stamp collector store in the city proper. The second thing you should know about The Stamp King is that you should probably call first. There's not a lot of street-level traffic to the store and when I got there on an absurdly hot day in mid-July, it did not look open. The lights were off, a security gate was pulled across the storefront window. A small sign was taped to the door instructing you to knock on the adjoining storefront, because he was using the computer there. I knocked. Eventually the Stamp King opened the original door, confused. "Did you call?" was his first question. I had not called. I had a collection of stamps I'd like him to look at, I said, gesturing to the bankers box I was carrying, and he sighed and invited me in. The place was chaos. Bankers boxes just like mine stacked in wobbly piles to the ceiling. Banks of filing cabinets stood behind a counter that was so covered in piles of dusty stamp books and shoeboxes that you couldn't see it. Unexpectedly at the front of the store sat rubbermaid tubs full of African violets, growing in the diffused light of the dirty storefront window. It was perfect. The Stamp King himself was also perfect. He sported a white mustache waxed into curls and a mostly-bald head, short along the sides like my dad used to wear it. He was kind without ever being particularly friendly, approaching this transaction with a generous series of sighs. He did not need to buy another stamp for the rest of his life. And yet you knew he would from the very start. He cleared a space on the counter, shifting pile after pile, and explained that he was planning on leaving early today, after he was done with his "computer stuff." I said I could come back a better day and he sighed and motioned to put the box in the newly-cleared space. He asked a little about the history of the collection and then started looking at it, breezing through books in fast-forward, opening every few envelopes, carefully tweezering stamps to get a closer look. A couple books you could tell were sort of interesting to him, until his tweezer-led inspection revealed that the stamps were "hinged," a heretofor unknown term to me, but apparently not the way stamps should be kept. Who knew? The Stamp King knew. He was through it all in 10 minutes, probably less. Most of the time was him sighing and me wandering around the store. It really was all boxes. The adjoining storefront where he'd been doing his computer work was also all boxes. Floor to ceiling. In a fire the place would go up in a millisecond. Affixed to the filing cabinets were stickers and clippings. "The only difference between this place and the Titanic: The Titanic had a band." The Stamp King laid it all out for me: two books were interesting, but all the stamps were stuck in wrong. He'd do $10 for those. Another book was $2. A couple envelopes were $5. Piles of stamps that had been lovingly de-adhered from envelopes were garbage. All this, he said gesturing to stamps collected from a lifetime of travels, are "fun but worthless." Eventually he delivered the total with another sigh: $25. It was a pity $25, I know, fished from his wallet. The Stamp King needs another box of stamps like Lake Michigan needs a glass of water. But I think probably everyone that comes through is like me now, someone with a box of someone else's stamps, a box that would end up in the garbage if The Stamp King didn't step up. So the Stamp King steps up. Stepping up is his life's work now. He's probably pushing 80, saving the thing he loves well beyond the point of sensibility. The piles are huge and threaten to engulf him and maybe me if today happens to be the day. I said $25 sounded good, and would he take the leftovers too. He sighed. Of course he would. Today there's another banker's box touching the ceiling of the Stamp King, that one was my dad's. Ever since I left that box behind, I've been thinking about the things each of us has piled in unsteady stacks, stacked all the way up to the ceiling of our own lives. We all accumulate a life the way the Stamp King accumulates stamps: sometimes with a thought-out plan, sometimes in the hopes of making a buck, but most of the time because you step up. The boxes stack up whatever way. Living is hard. That's not a revelation, just an acknowledgement. But we live it as best we can. We fill our boxes and we stack them up. Not every box is filled with good memories. Most of them, if we're lucky, I think fall into the best category the Stamp King offered: fun, but worthless. Fun, but worthless. Not everything has to make a profit, despite the grind mindset that's forced on us. Not everything has to have meaning beyond being joyful to you, _now_. Maybe it's some stamps, put in an envelope and kept in a box. A box that now sits among hundreds at The Stamp King. Maybe it's something else. Whatever it is, I hope it's fun but worthless to you and that you fill your boxes with it, every day, until they tower over you. And I hope you take a moment to look at those fun but worthless towers of your life and you sigh the content, exasperated sigh of the Stamp King. A sigh that says it's all a little bit mad and more than a little tiring and even so you know you would not do it any differently because someone has to step up and save the things that are fun, but worthless. As I left, I smiled at the Stamp King and said, "The good news is now you have some stamps to sell." He laughed a little and sighed a lot.
17.10.2025 07:21 — 👍 0    🔁 0    💬 0    📌 0
Three Escapes Sometimes you need to step out for a second, to take yourself out of the here and now and go somewhere else. With everything so _waves hands in all directions_ right now, here are three places I'm going, if only for a moment. # Skating Across America Earlier this summer, pro skater Demarcus James embarked on a journey from Oakland to New York on his skateboard. It's been incredible watching him kick-push-coast his way up the Sierra Nevada mountains and down into the desert of Nevada. Averaging around 40 miles a day, it's slow, hot, and more than a little dangerous. But the daily videos he puts together and posts to Instagram are truly inspiring and beautiful and showcase the things that are still pretty incredible about this country as seen from atop a board. (He's raising money on Gofundme for his travels, toss a couple bucks his way if you can.) > View this post on Instagram # Bezawada Arts I follow a huge number of signpainters on Instagram, but Bezawada Arts is unique. An auto shop based in India, who post regularly to Instagram, they paint trucks and busses with some of the steadiest hands I've ever seen. South Asian truck art is worth a whole post of its own sometime, but watching these masters of the craft freestyle perfect gothic lettering on the bumper of a truck is some of the most relaxing moments I get in a day. > View this post on Instagram # Cornell Feederwatch I've been watching birdfeeder cams since the pandemic, and the one I've come back to the most is the one at the Cornell Lab of Ornithology in Ithaca, New York. A lot of the time it's just bird feeders swinging in a gentile breeze, sometimes it's more of an ASMR thing with the far-away sounds of bird calls, and other times, yes, it's buzzing with activity as birds swarm the feeders. Either way, it's worth a visit to YouTube just to be taken away from everything for a while.
17.10.2025 07:21 — 👍 0    🔁 0    💬 0    📌 0
The Amazing Art of the Video Game Marquee Attempting to break out of the the malaise of a difficult summer, my family and I drove out to Brookfield, Illinois to visit the Galloping Ghost Arcade, a sprawling, ramshackle collection of buildings that take up one entire side of a city block and house the largest video game arcade in the world. Walking in is overwhelming, it's dark and warm and humid; the beeps and boops of the vintage arcade game collection drowned out slightly by the hum of industrial fans placed in corners. The windows to the outside world are either tinted or obscured and most of the lighting comes from the games themselves. The games. Room after room of games pressed right up against each other in aisles barely wide enough to squeeze past someone as they try their best against Donkey Kong or Pac Man. It's a labyrinth of games that seems to continue forever. We were discovering new rooms filled with games up until our last moments at the arcade. There's a box on the counter asking for donations to expand even further. At this point there are well over 800 games, according to their website, with machines regularly swapped in and out. You pay a flat $25 to play all day, every game rigged to play for free at the push of a button. Don't expect high-tech Dave & Busters-style games at the Galloping Ghost. The vast majority are from the golden age of arcades, the 1980s. As it should be, extra attention is given to the games born in Chicago from Bally, Midway, and Williams, as well as smaller outfits like Rock-Ola. The city used to be the center of the arcade universe, and it was fun to be able to walk past (and play) dozens of Chicago's forgotten classics. After a while though, I became captivated not by the games themselves but by the incredible art on the cabinets and specifically the marquee, the sign set above the screen, tempting a kid from 1983 to spend their hard-earned quarters. The marquee back then had to do a lot of work, because the games themselves were all low resolution and blocky affairs. The marquee had to sell the _idea_ of the game, the excitement around the concept and the story because the on-screen graphics alone weren't going to do it. So you made sure that your marquees did the job, filling it with exquisite hand-lettered logos, art borrowed from the pages of fantasy novels, sci-fi, and comics, and vivid color palettes that would shine out into the dark arcade. These vintage marquees, to me, are such a beautiful vernacular artform that perfectly capture the moment where our lives were transitioning from the physical to the digital. So, during this long, hot summer, enjoy a gallery of video game marquees I took while walking around the Galloping Ghost.
17.10.2025 07:21 — 👍 0    🔁 0    💬 0    📌 0
Six Scenes of Hulk Hogan, in Reverse 1 Hulk Hogan stands at the lecturn of the Republican National Convention, the summer of 2024. Donald Trump had been shot at a week earlier, he wears an oversized square bandage on his ear. Trump stands in the audience, applauding and pointing every time Hogan says that Trump is “my hero,” which he says a lot. Hogan’s got the audience right where he wants them, cheering and chanting as he runs through a script that paints him at his 1980s best, despite the fact that he can’t stand up straight anymore, his walk reduced to a shuffle. It’s all “dude” and “brother” and “real Americans.” He references the Macho Man Randy Savage and Andre the Giant. He’s wearing a sportcoat over a T-shirt with a picture of himself on it. At the climax of the speech, the sportcoat comes off, he take ahold of the neck of the T and he rips it clean in two, revealing a Trump/Vance shirt underneath. One year later, almost to the day, Hulk Hogan was dead. 2 Hulk Hogan stands next to his lawyer, dressed in all black with a black bandana covering the ample bald spot on his head. It’s March 18, 2016 and they’re on the steps of the Pinellas County Courthouse in Florida. Hogan doesn’t speak at all, squinting in the sunlight. Moments before, he was awarded $115 million in a lawsuit he’d filed against Gawker, the hard-charging news and gossip website, over their publication of a sex tape featuring Hogan and his best friend’s wife. Soon, that number would swell to $140 million, an amount that would send Gawker into bankruptcy. Ten days later, it was revealed that the lawsuit was funded by Peter Thiel, a then mostly-unknown startup billionaire who had been on a secret vendetta against Gawker ever since they wrote a story in 2007 that outed him as gay. Thiel spent $10 million on the lawsuit. He told the New York Times “it’s less about revenge and more about specific deterrence.” Thiel has since spent millions on conservative causes and candidates. He spoke at the 2016 Republican National Convention. He did not rip off his shirt. 3 Everything is silver and black, the distinctive hue of an infrared camera. Hulk Hogan sits on the edge of a canopy bed. Blurry in the bed is the wife of his then-best friend. It’s 2006, Hogan is getting divorced. His friend, a Tampa radio shock jock who goes by the name Bubba the Love Sponge, invites him to sleep with his wife. He doesn’t know that Bubba is taping him. He does more talking than anything else. He rants about his daughter Brooke dating a black man. It’s shockingly ugly, filled with the n-word. Over and over again. “I guess we’re all a little racist,” he says in the midst of it. They have sex. Six years later, the tape leaks. Gawker publishes a two-minute excerpt. Everything is silver and black. 4 Trash rains down on the wrestling ring. Hulk Hogan stands in the center, arms up, hands clasped with Kevin Nash on one side and Scott Hall on the other. It’s the culmination of a storyline that has been building for months. Hall and Nash, known as “The Outsiders,” had recently left the World Wrestling Federation to join their biggest rivals, World Championship Wrestling and had been running roughshod over the WCW roster. For weeks they’d been teasing that they’d be joined by a “third man,” at WCW’s July 1996 pay-per-view, Bash at the Beach. That third man turned out to be Hogan, who ran out as if he was saving his former best friend Macho Man Randy Savage before doing his signature Atomic Leg Drop on Savage and clasping hands with Hall and Nash. They became known as the New World Order. Wrestling was never the same after that point. 5 Hulk Hogan sits in the witness stand, dressed in a dark suit. It’s July 1994 and he’s quietly answering questions from federal prosecutor Sean O'Shea. Hogan is a witness in the government’s case against Vince McMahon, the owner of the WWF, for illegally providing steroids to his wrestlers. Hogan used to tell kids to say their prayers and take their vitamins and today he revealed that for 14 years he had been injecting himself with steroids. He picked them up at the WWF headquarters “along with my paycheck, fan mail or whatever.” The government's case seems solid. Hogan is the star attraction. Except. He testifies that he was never told by Vince to take steroids. McMahon is found not guilty. 30 years later, Vince’s wife Linda would become the US Secretary of Education. 6 93,000 people. It’s the largest crowd anyone had ever wrestled in front of. Wrestlemania III, Hulk Hogan vs Andre the Giant. March 29, 1987. The audience is huge and it is electric and here for this match. When Hogan is announced, the crowd explodes in unison. He struts down the aisle to “Real American,” his theme music. “I am a real American / Fight for the rights of every man / I am a real American / Fight for what’s right, fight for your life.” He points to the crowd, raises his hand to his ear. He climbs in the ring and reaches for his yellow Hulkamania T, grabs with both hands and rips. The bell rings. Slowly he approaches Andre the Giant who stands stoically in the center of the ring. They stand chest to chest, Hogan looking up at Andre who towers above him. They stare at each other. They stare forward into history. They stare info infamy, forever.
17.10.2025 07:21 — 👍 0    🔁 0    💬 0    📌 0
A Benediction for Chicago on the Eve of Occupation No matter what happens in the coming weeks, we are Chicago. We rose from the ashes. We never quit. We are the lake in the morning, the sun rising over the water, its reflection drawing a line straight to our shores. We are the Haymarket Martyrs, the Pullman strikers, always demanding better than what we've got. We are the words of Sandburg and Algren and Brooks and Wright. We are the 90s Bulls, making the impossible possible. We are the dipped Italian Beef. Messy, sure, but incredible. We are the humidity in the summer, the frostbitten cheeks in the winter. We are smoke-kissed rib tips. We are elotes on the street. We are pierogis in a pot. We are Curtis singing _Hush now child._ We are the Soul Train dance line, the National Barn Dance, the Warehouse on a hot summer night. We are the beach in the last days of summer, drawing every moment out. We are the downtown canyons, wind-whipped in the winter, how do you make it through? We make it through. We are celery salt and tomatoes and onion, sport peppers and a dill pickle and relish so green you swear it's not real. We are the dreams of millions. We are imperfect, but we are perfect. We are forever. We are everything. We are Chicago. There will never be more of them than there are of us.
17.10.2025 07:21 — 👍 0    🔁 0    💬 0    📌 0
The Good Things There's a record by garage rock legend Holly Golightly that has been my go-to for decades now: _The Good Things_. It's a short record (on vinyl it's only a 10"), but every song on it is amazing. It was Holly Golightly's first solo record, having made a name for herself as one of The Headcoatees, known for their driving, '60s girl-groupesque, lo-fi rock songs. _The Good Things_ was a very different record: slow and sad, a beautiful kind of melancholy. Which, honestly, is about as good a thing as you can ask for right now, a time that is so markedly sad. So here are a few _good things_ that I wanted to share with you. ## Automatic Noodle Automatic Noodle is a wonderful, slim book written by Annalee Newitz about robots that run a noodle restaurant in a post-dystopian San Francisco. But what it's _really_ about is about realizing your dreams with a found family, about building real things that matter to real people, and about the importance of community. It's a very nice read right now, if you'd like something where basically just good things happen. Which I desperately do. (The link to the book is an affiliate link where I get a little cut of the sale.) ## Coyote I will always ride-or-die with alt weeklies, the locally-focused indie culture newspapers like the _Chicago Reader_ , the _The Stranger_ , and the _Village Voice_ , and so it's thrilling to see the launch of the Coyote, a _new_ alt weekly for the Bay Area. Started by a bunch of kickass writers, I'm really excited to see where it goes from here. Lord knows we need more independent media right now, I hope that they're successful and that success spawns more in their image. ## Caitlin Angelica I've been listening to the haunting, warbling voice of Caitlin Angelica lately. Her tremendously sad, tremendously beautiful album "Now I Know," was born from the tragic death of her partner in 2023. She has bundled all of the hurt and shock and pain of it into a record about grief and perseverance and it's not an easy listen per se but it's one that I really need right now. (There's also a great interview with Caitlin in the latest edition of the excellent see/saw punk newsletter.) ## World Tramdriver Championships OK, this is one of my favorite things that happens once a year: This weekend 25 teams of tramdrivers competed to see which one would be crowned the best in the world. Yes, really. Previously focused just on European public transportation, this year included teams from Brazil, China, Australia and the US to turn what had been the European Tramdriver Championships into the World Tramdriver Championships. Feast your eyes on the six hour live stream to watch drivers compete in disciplines like driving-backwards-without-spilling-water, not-hitting-a-cardboard-cutout-of-two-people-dancing-as-you-drive-by-it, and of course, tram bowling. It's just pure joy. Look, times are hard right now. Take the good things where you can find them.
17.10.2025 07:21 — 👍 0    🔁 0    💬 0    📌 0
Disasters, Invisible and Visible One of my favorite stories from Chicago's recent history is the invisible flood that happened in 1992 that forced the shutdown of downtown Chicago for days. Repair work was happening on the Kinzie Street bridge, one of many that span the Chicago River. They were replacing nearly hundred-year-old pilings with updated ones that were driven deep into the ground beneath the river. Unbeknownst to anyone, one of the pilings was too close to an forgotten coal delivery tunnel that had been dug in 1906. Slowly, the clay soil between the piling and the tunnel eroded away and a small leak began to form. As things do, that small leak became a bigger one, and that bigger one became a problem when, suddenly, janitors and maintenance managers across the Loop discovered deep water in the basements and sub-basements of their buildings. Some buildings reported nearly forty feet of water. The colossal Merchandise Mart found fish swimming in their sub-basements! At first, nobody knew where it was coming from. The city turned off water mains, assuming there was a leak somewhere in their system. But eventually they figured out it was the old coal tunnels, which had long-forgotten openings in most of the buildings across downtown and to which there was never any formal map (many of them had actually been dug illegally). By the time they discovered it, the hole in the tunnel was 20 feet wide. You could see water swirling on the surface of the river like it was being flushed down a toilet. And yet, on the streets, everything was dry. My friends and I took the L downtown while it was happening. We walked the nearly-abandoned streets and marveled at the invisible disaster raging underneath our feet. There's a different type of invisible disaster unfolding across Chicago now. ICE and Border Patrol agents have been terrorizing immigrant communities across the massive geographic expanse that is the greater Chicago area. Instead of focusing on the city proper (though certainly they've been there as well), they seem to be concentrating on border suburbs, especially on the southwest side, though they've ranged as far north as Waukegan and as far south as Joliet, two cities 75 miles apart from each other. The raids are often pre-dawn and lightning-fast, agents gone within minutes, though that's not always the pattern. A traffic stop by ICE in the light of day in northwest suburban Franklin Park left a dad, who had just dropped his kids off at school, dead two weeks ago. The speed and unpredictability of the ICE roundups make hearing about them difficult. News organizations can't be everywhere all at once, not to mention most of the orgs in Chicago are in a defensive crouch from years of layoffs and budget cuts. As a result, there's _much_ less visibility on this unfolding tragedy than there should be. While some days get lots of coverage, focused largely around the ICE detention facility in the suburb of Broadview where daily protests have been held for weeks, other days this disaster is nearly invisible unless you know where to look. There is amazing coverage happening, don't get me wrong, but you have to work to seek it out. For me, my go-tos are largely on Twitter alternative Bluesky: * Unraveled Press is the load-bearing element to much of the up-to-the minute coverage of what's happening around Chicago. They're at the Broadview facility most days, and doing an admirable job of spreading disparate social media videos and reports of ICE raids from elsewhere across the region. That it's fallen on a _tiny_ two-person outlet is pretty much everything you need to know about what makes this disaster invisible. It's also a reason to send them some money. I sent $50, and I'll be sending more once I've got it. * Shawn Mulcahy, the news editor of the _Chicago Reader_ has also been at Broadview regularly and has been a must-follow on Bluesky for me. I wish the _Reader_ was actually highlighting his work on their site more regularly, but they're going through it right now, so ¯\_(ツ)_ /¯. * Organizer and author Kelly Hayes has also done a remarkable job of supplying to-the-minute information and photos from Broadview. There are two news organizations that I also think are doing standout work: * Block Club Chicago, a local news startup that has been running laps around the incumbent _Tribune_ and _Sun Times_ for years now, has been doing good work covering raids and giving a wide-angle look at what's happening. * The TRiiBE is a growing, Black-owned news org that has been punching above their weight for a while now and has been doing good nearly-daily updates. Other area news outlets, including stalwarts like the _Tribune_ and _Sun-Times_ , have been doing their best, but the coverage is often locked behind paywalls and gets buried under other stories quickly. But among all the Chicago news orgs, even the ones doing good work, the urgency of the situation isn't captured in the approach. What's unfolding every day—neighbors snatched off the streets, protesters teargassed and shot with pepper balls—should be treated like a disaster: pull down the paywalls and subscription pop-ups, make the coverage accessible to all comers. Get people up-to-speed on what's happening every day in a way that is comprehensive and accessible. In a way that makes the invisible visible. To me, the gold standard for this comes from an unexpected source: The (formerly) food-focused website _LA Taco_ , who found themselves in the position of doing the best reporting when ICE swept through Los Angeles and disproportionately targeted the same street food vendors that _LA Taco_ had covered for years. They realized that, like it or not, they were best situated to cover this unfolding disaster. What the folks at _LA Taco_ , not the _LA Times_ , figured out was that while it was impossible to have on-the-ground reporting from sweeps happening across a metro area as colossal as LA, we live in a time where most everything is documented and uploaded to social media in near-real time. They took to compiling these social media videos and reports into a vertical video Daily Memo that simply runs down where ICE has conducted raids that day across the vast LA area. The _LA Taco_ Daily Memo is required viewing now for folks in LA that want to keep up with what's happening there. They make their Daily Memo available as a video and as a written update on their website. I wish they provided them in Spanish as well, but they are a very small shop with limited resources. The Daily Memo is one of those ideas that's so obvious now that someone's doing it that I wonder why it hasn't been the standard all along. So, in the hopes that obvious ideas can be grabbed and run with easily, here's a few thoughts from me on how to flesh _LA Taco_ 's Daily Memo idea out even more. If you're a news org in Chicago or anywhere else looking to do this, feel free to borrow, expand, and—most importantly— _build_. * Have someone whose dedicated beat through the duration of this disaster is to monitor social for reports/video/etc of ICE activities. _Verify those reports,_ then put them in a spreadsheet. (Bonus points, make that spreadsheet open and available to all.) * Use that spreadsheet to build out a whole host of Daily Memo-style roundups: * Like _LA Taco_ , create vertical videos that you can put on TikTok, Instagram, and YouTube, as well as share on Bluesky, Twitter (ugh), and elsewhere. * Make text-based roundups that are available on your website at a consistent location and with findable, predictable titles and tags. Daily Memos, for instance, always lead with, what else, "Daily Memo:" in their headline. That makes finding them really fast and easy. * Use that text-based roundup to ground an ICE-specific mailing list that sends those daily updates directly to your readers. You can use that same mailing list for breaking alerts _when necessary_. Don't try and clog it up with other coverage. Stick to what's most important to the folks that subscribed. Respect their inbox. * You've got each incident in small, atomized, texted-sized chunks, so push _those_ to Bluesky, Twitter (ugh), and the others too. You could even push to phones via text if you have the infrastructure for it. * Create a short audio roundup that you can push out to podcasting apps for people to listen to on their commutes or whenever. Again, we're talking quick hits here. * Please, do this in English and Spanish if at all possible. * This part is important: Dedicate a place on your website that _won't_ get blown away by all the other news of the day that collects all of this and that is easily accessible from your home page, so that people can find your work immediately and accessibly. Make the URL simple: /ice or something else memorable. * If your CMS is so inflexible that you can't do that (and trust me, I've worked with some of them and they definitely _are_ that inflexible), build out a quick-and-dirty secondary site that you can host at a subdomain like ice.yoursite.com. This is a list of every possible permutation I can think of. I know it's a lot! Pick and choose. Some orgs are already doing some of this, and that's great, push to do more. Not all of it is a heavy lift—even just creating clear headlines will go a long way. All of it is important. Does this take people? Yes. Does it take time? Also yes. If a freak earthquake hit Chicago, you would find the people and time to cover it. If those old tunnels opened up again and the Loop flooded, you'd find the people and time to cover it. This is a disaster that has claimed hundreds of victims so far. Cover it like it should be covered. Make the invisible visible.
17.10.2025 07:21 — 👍 0    🔁 0    💬 0    📌 0
I'm Writing a Book! In February, I wrote a blog post, "What Felt Impossible Became Possible," about George Dale a newspaper editor and publisher based in Muncie, Indiana in the 1920s who used his paper, his wit, and his inability to stand down from a fight to do battle against the Ku Klux Klan. I'd done a fair amount of spelunking through Dale's archives in the months that followed the election of Donald Trump in 2024 and I thought that his story of perseverance would resonate with folks. It did. A lot of people read it. Like, _a lot_ a lot, which took me surprise on day one and was truly mind-blowing weeks later when it was still going strong. And it got me thinking: Maybe there's a bigger story here, the story of someone who refused to back down against fascism even when the odds were stacked massively against him and the only one that believed he could do it was himself. And maybe there's something resonant about _how_ he won, with words and with truth and with a wit sharpened like a razor poised to cut through the entire power structure aligned against him. And so a friend connected me with a book agent, who had already read the blog post—because at that point, like I said, _a lot of people had_ —and he thought the same thing that I had: There was a bigger story here. And so I'm absolutely beyond belief excited to tell you that that bigger story will get to be told in _I HATE THOSE MASKED BASTARDS! Terror, Truth, and the Editor Who Took on the Klan_ , a new book by me coming sometime in the future (I still gotta write the thing) from the powerhouse radical indie press Haymarket Books. _Really!_ There's even one of those Publisher's Marketplace things! I'm thrilled and I'm terrified. While I've done books before, I've never done something like this: researching events from a hundred years ago and trying to weave them into a coherent story that not only talks about yesterday but is relevant to today. It feels like I'm embarking on some kind of uncharted endeavor, like I'm heading into the frozen arctic without a map. Anyway. Of course, it's not lost on me, and I hope it's not lost on you, that there's a new crop of masked bastards running around the very streets that we live on right now. And it feels, at least for me, like the odds of overcoming them are insurmountable. That's where I think the story of George Dale (and others like him) comes in, because in learning about history we learn that the struggles of a hundred years ago offer lessons for the struggles of today. It's part of why our current crop of fascists are so hellbent on erasing history. And why we can't let them. You will be hearing about this _a lot_ in the coming months, including how _you_ can help make it happen. But for today, here's to history, to uncharted endeavors, and to beating back the masked bastards once again. Let's fucking go.
17.10.2025 07:21 — 👍 0    🔁 0    💬 0    📌 0
The Fog of War It was a beautiful, warm day in Chicago today. The kind of early October day that you want to be out in because you know the number of them we have left is dwindling. And so today, people were out. There were plenty of people out on the corner of Armitage and Central Park in Chicago, grabbing lunch, doing some shopping, just hanging around the way you do when it's nice in the early fall. All of that descended into chaos instantaneously, when an ICE agent—or some other masked motherfucker—after being momentarily blocked by a scooter, decides to uncork a can of teargas and casually toss it out of the window of his unmarked SUV. It makes a spiraling decent, and then it hits. Within seconds, everyone—who moments before had been going about their day—is scrambling, coughing, and screaming. It takes almost no time until the entire street is engulfed in toxic fog. The whole scene unfolds in a 43 second video posted to Reddit. > ICE incident at Rico Fresh > byu/DREWBICE inLoganSquare For those familiar with Chicago, there's no real reason you'd remember the corner of Armitage and Central Park, a mostly-residential section of Logan Square. For those unfamiliar, this is a city street not unlike the one you may live on, and certainly like one you've frequented many times in your life. It is unremarkable in every possible way: A check cashing place, a hot dog joint, a vacant storefront or two. The video was shot from the parking lot of Rico Fresh, a big Mexican grocery store that's the main draw for the corner. Just out of frame—and I mean _just_ out of frame, maybe 50 feet away—is Funston Elementary, which was in session at the time. Next to the school, just around the corner, is a playground. There are always kids there. There are _always_ kids there. I used to live a mile or two away from here. I'm pretty sure I have been on this very corner, and have certainly been on corners just like it a million times. It is the most ordinary place. Until, suddenly, in a blink, today it wasn't. This is how we live now: our ordinary places become something else, in an instant, subject to the whims of some bastard out to inflict cruelty or having a bad day or just following orders or a combination of it all. There have been horrific examples across the entire Chicago area for weeks now, of agents just like these jumping out on workers and families. A family of four were snatched while playing in the fountain at Millennium Park on Sunday. Just a couple days ago, an enormous action that included _camouflaged bastards dropping down from helicopters_ unfolded pre-dawn in a run-down apartment building in South Shore, children carried out by agents, zip-tied, and loaded into the back of a box truck. Hundreds of people have been snatched and disappeared in the weeks since the feds have descended on Chicago. You feel the tension everywhere, every day. Earlier this week I was sitting after a long day and realized I could hear a helicopter making big looping circles overhead. My initial thought was was it was a school shooter, since there are three schools within a few blocks of me. Then I thought it was a Department of Homeland Security copter, which have taken to buzzing the beach near me. I hate that these are the immediate two thoughts that come to mind, but this is our lives now. But. But watch the video from Armitage and Central Park again. You'll notice something, even as the fog drifts across the screen and the guy shooting the video starts retching: _Nobody is cowed by this._ Even as the gas thickens, people are screaming obscenities at the agents in the car. The moped directly in front of them, despite having received what must have been a facefull of gas, refuses to move. And then there's the shrill chorus of whistles that begin to ring out near the end, audible evidence of the successful grassroots campaign to distribute ICE warning whistles in neighborhoods across Chicago. There are, of course, no police to be seen. And despite the strong words of Governor Pritzker, who just last month told people to "be loud for America," he sent state troopers to hassle protestors at the Broadview detention facility today. When I first watched this video, I was seething. So angry the way I feel so often now. An _unhelpful_ level of angry. Angry because of the impunity with which these masked bastards operate. But also angry because we've been left to fend for ourselves. But. But that's how it's always been, when change has to happen. There's nobody to do it but us. This is how we live now: _it's just us._ And the good news is that even among the fog, even choking back tears and bile, we're strong and we're resilient and there are so many more of us than there are of them.
17.10.2025 07:21 — 👍 0    🔁 0    💬 0    📌 0
A Brilliant Mistake In 2016—you remember back then, it was nearly a decade ago if you can believe it—I made a proposition to Maureen Johnson, an author of YA books who I was friendly with online the way you were friendly with people online a decade ago. _What if we did a podcast,_ I wrote, _about the end of this crazy election cycle?_ It was the Donald Trump/Hillary Clinton race and, over the course of the summer, Maureen had been sending me DMs looking for reassurance that things weren't as tenuous as they seemed. She knew I knew folks involved in the election on both the journalism and political sides, and could I tell her _anything_ that I was hearing to help her cope with the increasing anxiety of that race. After a few back and forths, I finally made the proposition: _Let's do this as a podcast._ It will help us to talk it through, and maybe it will help other people too. But, I added, you're busy and I'm busy and this can't take over either of our lives, so let's keep it to just eight episodes—the final eight weeks of the election—and then that will be it. Besides, I said, it's not like Trump's going to win or anything. You know what happened next. Those eight episodes, which we called _Says Who_ after a quote from Trump bagman Michael Cohen, ended with an election night livestream too painful to link to here, and then it was over. That is until Maureen posed a question a few exhausting days later: _Are we really going to stop?_ We'd committed to eight episodes because our lives were busy but those episodes had helped, and they helped not just us but thousands of people who'd listened, and what's to come is going to be hard and maybe continuing is something we should do? Besides, she added, he's probably not going to stay in office for long. You know what happened that time too. This is a long way of saying that this week _Says Who_, the eight-episode podcast we launched in the leadup to the 2016 election, released its 400th episode. Yes, we overshot the mark by nearly 5000% and no, I don't regret it. In the immortal words of Elvis Costello, it was a brilliant mistake. Over the course of the 400 episodes we've released (don't misinterpret this as an ending, we're still going), the show has transformed. It's still about trying to understand current events and politics, sure, but more than that it's about Maureen and I trying to understand how to exist through it all, how to build lives when things are crumbling around you, and how to help others survive the cascading traumas of our time. But, you know, also funny. For Maureen and I, we built a thing to help us muddle through a specific period of time that then became a whole _era_. And, in the process, we connected with people who found our muddling helpful and, in return, helped us to continue. Because, despite outlasting most podcasts, _Says Who_ never got picked up by a network, never got a penny of advertising dollars, instead it has been entirely listener supported. Maybe some of those listeners are you. Thank you. When times are hard—and they were then and they sure as shit are now—one of the best things you can do is build things with your friends. Build things that can help people get through it, even if that just means _you_. Because it almost always isn't just you. Put your things out in the world, let them help the people they can help. You never know where it might lead. Here's to 400 episodes of _Says Who_, one of the best mistakes I've ever made.
17.10.2025 07:21 — 👍 0    🔁 0    💬 0    📌 0
Gathering Grief It's easy at first, I play my cards just right. A fleet of cat soldiers, lined up eight deep, attacking with impunity. Each hit against my opponent raises my life counter, tick tick tick tick. I amass a lead that feels impossible for anyone to overcome until, of course, my opponent plays a series of cards in such quick succession that I have no idea what's happened to me. They flash the "good game" emote before I even realize it's over. I watch my life count down precipitously until it's all gone and my avatar explodes into red smoke. I sit and hit the play button again. Magic: The Gathering (shortened by most to MTG) is a trading card game—think Pokemon with wizards—that has amassed tens of millions of players in the 30 years it's been around. Traditionally played on folding tables in game stores that smell like meat and sweat, it made the leap into a digital version, _MTG: Arena_ , in 2018. Gameplay in-person and online is virtually identical, though online has more sound effects and less awkward social interactions. The game features elaborate, if convoluted, lore about multiverse-jumping sorcerers known as Planeswalkers, and each card is illustrated with artwork that would look right at home airbrushed on the side of a sweet conversion van. Players play cards—sorry, _cast spells_ —against each other in an attempt to bring the life counter of their opponent to zero. The rules are fairly straightforward, but are modified by the cards themselves, which are introduced in new sets every few months while older sets are retired in a matching cadence. The result is an ever-changing game that has spent more than 30 years transforming and evolving, almost alive. An endless game, if you let it become one. This month, I've let it become one. My mother died, suddenly and unexpectedly, at the beginning of June. It was a Sunday, plain as any other until it wasn't. A text, followed by a frantic phone call, followed by a desperate drive. I will spare you further details. Nearly every waking moment since has been dealing with grim logistics and digging through a house filled with 30 years of accumulated things. My dad died a few years ago, so there's nobody left in the house now. We're speedrunning the cleanout, a terrible experience that involves making split-second decisions about someone else's most precious items. I'm not sure I've made a single correct decision, in part because there are no right choices in this excruciating game. I come home exhausted, physically and mentally, spent so completely that basically all I can do is play Magic. It's not an escape, not really. Despite the elaborate fantasy settings and sweeping orchestral music, never once am I not conscious of the fact that I'm sitting on a threadworm couch after a day of dealing with the hardest possible things, hoping that the familiar repetition of the game will lull my brain enough to let me sleep. Every game starts the same: you play a "land" card—just one a turn—which functions as the currency of the game, and you use it to cast a spell. On the second turn, you play a second land, and you can cast slightly better spells. It continues like this until you lose. You lose a lot. And then you start over, one land after another. One life after another. I left home at 17, I couldn't wait to move out. My friends and I settled in an apartment in Chicago's Wicker Park neighborhood, then a haven for artists and musicians. We were both. I look back on it now and think about how impossibly young I was, setting out on my own. I never moved back. Not long after I moved out my parents left my childhood home, settling in the home that I'm now working to empty and, eventually, to sell. There were things of mine still in the basement and those were the boxes I opened first, revisiting a child I barely remembered. But there were also boxes and boxes of letters my parents had been sent over the decades, back when people still wrote letters. And, further in, boxes of letters they wrote each other when they were young and in love and living apart. All these letters saved for decades—many for way more than half a century. I wanted to read them all, to take my time, to better understand the lives they lead. There is no time. Some people play fast, winning in seconds. Others counter every move, frustrating you into maddening submission. My style is just to chip away at my opponents life as they chip away at mine. A war of attrition. Most of the time I lose, slowly. My life, chipped away one by one. But play enough and you do get better and, in time, you learn how to bend the ever-changing rules to your favor, slightly. Eventually you rack up tiny victories in a field of losses. It feels, if not better, at least not worse, for a moment. It's not lost on me that filling time with an endless card game is a way to escape the cold clutch of grief. There are no counters, no tricky cards you can pull out of your hand. When that bastard attacks, it sails right through all defenses. Grief is a bastard, but it's one I've known for a while. Coming up in a scene built by people that couldn't live in the mainstream meant that you become familiar with grief early on. You build your defenses as best you can at too young an age, and you hold the people around you and you hope. It doesn't always work. Right now, it definitely doesn't work. And so I hit the play button again, a new hand of cards is dealt to me and I begin the process all over again of chipping away at life. Chipping away, chipping, chipping, until you're just barely hanging on, hoping that the next draw will bring a miracle.
09.10.2025 05:21 — 👍 0    🔁 0    💬 0    📌 0
Three Escapes Sometimes you need to step out for a second, to take yourself out of the here and now and go somewhere else. With everything so _waves hands in all directions_ right now, here are three places I'm going, if only for a moment. # Skating Across America Earlier this summer, pro skater Demarcus James embarked on a journey from Oakland to New York on his skateboard. It's been incredible watching him kick-push-coast his way up the Sierra Nevada mountains and down into the desert of Nevada. Averaging around 40 miles a day, it's slow, hot, and more than a little dangerous. But the daily videos he puts together and posts to Instagram are truly inspiring and beautiful and showcase the things that are still pretty incredible about this country as seen from atop a board. (He's raising money on Gofundme for his travels, toss a couple bucks his way if you can.) > View this post on Instagram # Bezawada Arts I follow a huge number of signpainters on Instagram, but Bezawada Arts is unique. An auto shop based in India, who post regularly to Instagram, they paint trucks and busses with some of the steadiest hands I've ever seen. South Asian truck art is worth a whole post of its own sometime, but watching these masters of the craft freestyle perfect gothic lettering on the bumper of a truck is some of the most relaxing moments I get in a day. > View this post on Instagram # Cornell Feederwatch I've been watching birdfeeder cams since the pandemic, and the one I've come back to the most is the one at the Cornell Lab of Ornithology in Ithaca, New York. A lot of the time it's just bird feeders swinging in a gentile breeze, sometimes it's more of an ASMR thing with the far-away sounds of bird calls, and other times, yes, it's buzzing with activity as birds swarm the feeders. Either way, it's worth a visit to YouTube just to be taken away from everything for a while.
09.10.2025 05:20 — 👍 0    🔁 0    💬 0    📌 0
A Visit With The Stamp King The Stamp King in all its glory. The first thing you should know about The Stamp King, the last stamp dealer in the city of Chicago, is that it is exactly what you imagine it would be: chaotic and jumbled, a space navigable by exactly one person, the Stamp King himself. I was bringing my dad's stamp collection to its last resting place. I never thought of him as an avid stamp collector, more someone who traveled a fair amount and collected trinkets along the way. But, in the process of cleaning out my parents house following the death of my mother last month, I found a bankers box filled with stamp books, with stamps clipped from mail, and with loose stamps in various envelopes marked with countries he had visited. It wasn't a collection that I needed to hang onto, so I looked up places that might be able to value it and, hopefully, buy it. Stamp collecting used to be a thing. Based on the lack of stamp stores that came back in my search, it's not much of a thing anymore. But there was one, The Stamp King, way out west on Higgins Road in a nearly-not-the-city corner of Chicago. Further research said it was the last stamp collector store in the city proper. The second thing you should know about The Stamp King is that you should probably call first. There's not a lot of street-level traffic to the store and when I got there on an absurdly hot day in mid-July, it did not look open. The lights were off, a security gate was pulled across the storefront window. A small sign was taped to the door instructing you to knock on the adjoining storefront, because he was using the computer there. I knocked. Eventually the Stamp King opened the original door, confused. "Did you call?" was his first question. I had not called. I had a collection of stamps I'd like him to look at, I said, gesturing to the bankers box I was carrying, and he sighed and invited me in. The place was chaos. Bankers boxes just like mine stacked in wobbly piles to the ceiling. Banks of filing cabinets stood behind a counter that was so covered in piles of dusty stamp books and shoeboxes that you couldn't see it. Unexpectedly at the front of the store sat rubbermaid tubs full of African violets, growing in the diffused light of the dirty storefront window. It was perfect. The Stamp King himself was also perfect. He sported a white mustache waxed into curls and a mostly-bald head, short along the sides like my dad used to wear it. He was kind without ever being particularly friendly, approaching this transaction with a generous series of sighs. He did not need to buy another stamp for the rest of his life. And yet you knew he would from the very start. He cleared a space on the counter, shifting pile after pile, and explained that he was planning on leaving early today, after he was done with his "computer stuff." I said I could come back a better day and he sighed and motioned to put the box in the newly-cleared space. He asked a little about the history of the collection and then started looking at it, breezing through books in fast-forward, opening every few envelopes, carefully tweezering stamps to get a closer look. A couple books you could tell were sort of interesting to him, until his tweezer-led inspection revealed that the stamps were "hinged," a heretofor unknown term to me, but apparently not the way stamps should be kept. Who knew? The Stamp King knew. He was through it all in 10 minutes, probably less. Most of the time was him sighing and me wandering around the store. It really was all boxes. The adjoining storefront where he'd been doing his computer work was also all boxes. Floor to ceiling. In a fire the place would go up in a millisecond. Affixed to the filing cabinets were stickers and clippings. "The only difference between this place and the Titanic: The Titanic had a band." The Stamp King laid it all out for me: two books were interesting, but all the stamps were stuck in wrong. He'd do $10 for those. Another book was $2. A couple envelopes were $5. Piles of stamps that had been lovingly de-adhered from envelopes were garbage. All this, he said gesturing to stamps collected from a lifetime of travels, are "fun but worthless." Eventually he delivered the total with another sigh: $25. It was a pity $25, I know, fished from his wallet. The Stamp King needs another box of stamps like Lake Michigan needs a glass of water. But I think probably everyone that comes through is like me now, someone with a box of someone else's stamps, a box that would end up in the garbage if The Stamp King didn't step up. So the Stamp King steps up. Stepping up is his life's work now. He's probably pushing 80, saving the thing he loves well beyond the point of sensibility. The piles are huge and threaten to engulf him and maybe me if today happens to be the day. I said $25 sounded good, and would he take the leftovers too. He sighed. Of course he would. Today there's another banker's box touching the ceiling of the Stamp King, that one was my dad's. Ever since I left that box behind, I've been thinking about the things each of us has piled in unsteady stacks, stacked all the way up to the ceiling of our own lives. We all accumulate a life the way the Stamp King accumulates stamps: sometimes with a thought-out plan, sometimes in the hopes of making a buck, but most of the time because you step up. The boxes stack up whatever way. Living is hard. That's not a revelation, just an acknowledgement. But we live it as best we can. We fill our boxes and we stack them up. Not every box is filled with good memories. Most of them, if we're lucky, I think fall into the best category the Stamp King offered: fun, but worthless. Fun, but worthless. Not everything has to make a profit, despite the grind mindset that's forced on us. Not everything has to have meaning beyond being joyful to you, _now_. Maybe it's some stamps, put in an envelope and kept in a box. A box that now sits among hundreds at The Stamp King. Maybe it's something else. Whatever it is, I hope it's fun but worthless to you and that you fill your boxes with it, every day, until they tower over you. And I hope you take a moment to look at those fun but worthless towers of your life and you sigh the content, exasperated sigh of the Stamp King. A sigh that says it's all a little bit mad and more than a little tiring and even so you know you would not do it any differently because someone has to step up and save the things that are fun, but worthless. As I left, I smiled at the Stamp King and said, "The good news is now you have some stamps to sell." He laughed a little and sighed a lot.
09.10.2025 05:20 — 👍 0    🔁 0    💬 0    📌 0
Six Scenes of Hulk Hogan, in Reverse 1 Hulk Hogan stands at the lecturn of the Republican National Convention, the summer of 2024. Donald Trump had been shot at a week earlier, he wears an oversized square bandage on his ear. Trump stands in the audience, applauding and pointing every time Hogan says that Trump is “my hero,” which he says a lot. Hogan’s got the audience right where he wants them, cheering and chanting as he runs through a script that paints him at his 1980s best, despite the fact that he can’t stand up straight anymore, his walk reduced to a shuffle. It’s all “dude” and “brother” and “real Americans.” He references the Macho Man Randy Savage and Andre the Giant. He’s wearing a sportcoat over a T-shirt with a picture of himself on it. At the climax of the speech, the sportcoat comes off, he take ahold of the neck of the T and he rips it clean in two, revealing a Trump/Vance shirt underneath. One year later, almost to the day, Hulk Hogan was dead. 2 Hulk Hogan stands next to his lawyer, dressed in all black with a black bandana covering the ample bald spot on his head. It’s March 18, 2016 and they’re on the steps of the Pinellas County Courthouse in Florida. Hogan doesn’t speak at all, squinting in the sunlight. Moments before, he was awarded $115 million in a lawsuit he’d filed against Gawker, the hard-charging news and gossip website, over their publication of a sex tape featuring Hogan and his best friend’s wife. Soon, that number would swell to $140 million, an amount that would send Gawker into bankruptcy. Ten days later, it was revealed that the lawsuit was funded by Peter Thiel, a then mostly-unknown startup billionaire who had been on a secret vendetta against Gawker ever since they wrote a story in 2007 that outed him as gay. Thiel spent $10 million on the lawsuit. He told the New York Times “it’s less about revenge and more about specific deterrence.” Thiel has since spent millions on conservative causes and candidates. He spoke at the 2016 Republican National Convention. He did not rip off his shirt. 3 Everything is silver and black, the distinctive hue of an infrared camera. Hulk Hogan sits on the edge of a canopy bed. Blurry in the bed is the wife of his then-best friend. It’s 2006, Hogan is getting divorced. His friend, a Tampa radio shock jock who goes by the name Bubba the Love Sponge, invites him to sleep with his wife. He doesn’t know that Bubba is taping him. He does more talking than anything else. He rants about his daughter Brooke dating a black man. It’s shockingly ugly, filled with the n-word. Over and over again. “I guess we’re all a little racist,” he says in the midst of it. They have sex. Six years later, the tape leaks. Gawker publishes a two-minute excerpt. Everything is silver and black. 4 Trash rains down on the wrestling ring. Hulk Hogan stands in the center, arms up, hands clasped with Kevin Nash on one side and Scott Hall on the other. It’s the culmination of a storyline that has been building for months. Hall and Nash, known as “The Outsiders,” had recently left the World Wrestling Federation to join their biggest rivals, World Championship Wrestling and had been running roughshod over the WCW roster. For weeks they’d been teasing that they’d be joined by a “third man,” at WCW’s July 1996 pay-per-view, Bash at the Beach. That third man turned out to be Hogan, who ran out as if he was saving his former best friend Macho Man Randy Savage before doing his signature Atomic Leg Drop on Savage and clasping hands with Hall and Nash. They became known as the New World Order. Wrestling was never the same after that point. 5 Hulk Hogan sits in the witness stand, dressed in a dark suit. It’s July 1994 and he’s quietly answering questions from federal prosecutor Sean O'Shea. Hogan is a witness in the government’s case against Vince McMahon, the owner of the WWF, for illegally providing steroids to his wrestlers. Hogan used to tell kids to say their prayers and take their vitamins and today he revealed that for 14 years he had been injecting himself with steroids. He picked them up at the WWF headquarters “along with my paycheck, fan mail or whatever.” The government's case seems solid. Hogan is the star attraction. Except. He testifies that he was never told by Vince to take steroids. McMahon is found not guilty. 30 years later, Vince’s wife Linda would become the US Secretary of Education. 6 93,000 people. It’s the largest crowd anyone had ever wrestled in front of. Wrestlemania III, Hulk Hogan vs Andre the Giant. March 29, 1987. The audience is huge and it is electric and here for this match. When Hogan is announced, the crowd explodes in unison. He struts down the aisle to “Real American,” his theme music. “I am a real American / Fight for the rights of every man / I am a real American / Fight for what’s right, fight for your life.” He points to the crowd, raises his hand to his ear. He climbs in the ring and reaches for his yellow Hulkamania T, grabs with both hands and rips. The bell rings. Slowly he approaches Andre the Giant who stands stoically in the center of the ring. They stand chest to chest, Hogan looking up at Andre who towers above him. They stare at each other. They stare forward into history. They stare info infamy, forever.
09.10.2025 05:20 — 👍 0    🔁 0    💬 0    📌 0
The Amazing Art of the Video Game Marquee Attempting to break out of the the malaise of a difficult summer, my family and I drove out to Brookfield, Illinois to visit the Galloping Ghost Arcade, a sprawling, ramshackle collection of buildings that take up one entire side of a city block and house the largest video game arcade in the world. Walking in is overwhelming, it's dark and warm and humid; the beeps and boops of the vintage arcade game collection drowned out slightly by the hum of industrial fans placed in corners. The windows to the outside world are either tinted or obscured and most of the lighting comes from the games themselves. The games. Room after room of games pressed right up against each other in aisles barely wide enough to squeeze past someone as they try their best against Donkey Kong or Pac Man. It's a labyrinth of games that seems to continue forever. We were discovering new rooms filled with games up until our last moments at the arcade. There's a box on the counter asking for donations to expand even further. At this point there are well over 800 games, according to their website, with machines regularly swapped in and out. You pay a flat $25 to play all day, every game rigged to play for free at the push of a button. Don't expect high-tech Dave & Busters-style games at the Galloping Ghost. The vast majority are from the golden age of arcades, the 1980s. As it should be, extra attention is given to the games born in Chicago from Bally, Midway, and Williams, as well as smaller outfits like Rock-Ola. The city used to be the center of the arcade universe, and it was fun to be able to walk past (and play) dozens of Chicago's forgotten classics. After a while though, I became captivated not by the games themselves but by the incredible art on the cabinets and specifically the marquee, the sign set above the screen, tempting a kid from 1983 to spend their hard-earned quarters. The marquee back then had to do a lot of work, because the games themselves were all low resolution and blocky affairs. The marquee had to sell the _idea_ of the game, the excitement around the concept and the story because the on-screen graphics alone weren't going to do it. So you made sure that your marquees did the job, filling it with exquisite hand-lettered logos, art borrowed from the pages of fantasy novels, sci-fi, and comics, and vivid color palettes that would shine out into the dark arcade. These vintage marquees, to me, are such a beautiful vernacular artform that perfectly capture the moment where our lives were transitioning from the physical to the digital. So, during this long, hot summer, enjoy a gallery of video game marquees I took while walking around the Galloping Ghost.
09.10.2025 05:20 — 👍 0    🔁 0    💬 0    📌 0
A Benediction for Chicago on the Eve of Occupation No matter what happens in the coming weeks, we are Chicago. We rose from the ashes. We never quit. We are the lake in the morning, the sun rising over the water, its reflection drawing a line straight to our shores. We are the Haymarket Martyrs, the Pullman strikers, always demanding better than what we've got. We are the words of Sandburg and Algren and Brooks and Wright. We are the 90s Bulls, making the impossible possible. We are the dipped Italian Beef. Messy, sure, but incredible. We are the humidity in the summer, the frostbitten cheeks in the winter. We are smoke-kissed rib tips. We are elotes on the street. We are pierogis in a pot. We are Curtis singing _Hush now child._ We are the Soul Train dance line, the National Barn Dance, the Warehouse on a hot summer night. We are the beach in the last days of summer, drawing every moment out. We are the downtown canyons, wind-whipped in the winter, how do you make it through? We make it through. We are celery salt and tomatoes and onion, sport peppers and a dill pickle and relish so green you swear it's not real. We are the dreams of millions. We are imperfect, but we are perfect. We are forever. We are everything. We are Chicago. There will never be more of them than there are of us.
09.10.2025 05:20 — 👍 0    🔁 0    💬 0    📌 0
The Good Things There's a record by garage rock legend Holly Golightly that has been my go-to for decades now: _The Good Things_. It's a short record (on vinyl it's only a 10"), but every song on it is amazing. It was Holly Golightly's first solo record, having made a name for herself as one of The Headcoatees, known for their driving, '60s girl-groupesque, lo-fi rock songs. _The Good Things_ was a very different record: slow and sad, a beautiful kind of melancholy. Which, honestly, is about as good a thing as you can ask for right now, a time that is so markedly sad. So here are a few _good things_ that I wanted to share with you. ## Automatic Noodle Automatic Noodle is a wonderful, slim book written by Annalee Newitz about robots that run a noodle restaurant in a post-dystopian San Francisco. But what it's _really_ about is about realizing your dreams with a found family, about building real things that matter to real people, and about the importance of community. It's a very nice read right now, if you'd like something where basically just good things happen. Which I desperately do. (The link to the book is an affiliate link where I get a little cut of the sale.) ## Coyote I will always ride-or-die with alt weeklies, the locally-focused indie culture newspapers like the _Chicago Reader_ , the _The Stranger_ , and the _Village Voice_ , and so it's thrilling to see the launch of the Coyote, a _new_ alt weekly for the Bay Area. Started by a bunch of kickass writers, I'm really excited to see where it goes from here. Lord knows we need more independent media right now, I hope that they're successful and that success spawns more in their image. ## Caitlin Angelica I've been listening to the haunting, warbling voice of Caitlin Angelica lately. Her tremendously sad, tremendously beautiful album "Now I Know," was born from the tragic death of her partner in 2023. She has bundled all of the hurt and shock and pain of it into a record about grief and perseverance and it's not an easy listen per se but it's one that I really need right now. (There's also a great interview with Caitlin in the latest edition of the excellent see/saw punk newsletter.) ## World Tramdriver Championships OK, this is one of my favorite things that happens once a year: This weekend 25 teams of tramdrivers competed to see which one would be crowned the best in the world. Yes, really. Previously focused just on European public transportation, this year included teams from Brazil, China, Australia and the US to turn what had been the European Tramdriver Championships into the World Tramdriver Championships. Feast your eyes on the six hour live stream to watch drivers compete in disciplines like driving-backwards-without-spilling-water, not-hitting-a-cardboard-cutout-of-two-people-dancing-as-you-drive-by-it, and of course, tram bowling. It's just pure joy. Look, times are hard right now. Take the good things where you can find them.
09.10.2025 05:20 — 👍 0    🔁 0    💬 0    📌 0
Disasters, Invisible and Visible One of my favorite stories from Chicago's recent history is the invisible flood that happened in 1992 that forced the shutdown of downtown Chicago for days. Repair work was happening on the Kinzie Street bridge, one of many that span the Chicago River. They were replacing nearly hundred-year-old pilings with updated ones that were driven deep into the ground beneath the river. Unbeknownst to anyone, one of the pilings was too close to an forgotten coal delivery tunnel that had been dug in 1906. Slowly, the clay soil between the piling and the tunnel eroded away and a small leak began to form. As things do, that small leak became a bigger one, and that bigger one became a problem when, suddenly, janitors and maintenance managers across the Loop discovered deep water in the basements and sub-basements of their buildings. Some buildings reported nearly forty feet of water. The colossal Merchandise Mart found fish swimming in their sub-basements! At first, nobody knew where it was coming from. The city turned off water mains, assuming there was a leak somewhere in their system. But eventually they figured out it was the old coal tunnels, which had long-forgotten openings in most of the buildings across downtown and to which there was never any formal map (many of them had actually been dug illegally). By the time they discovered it, the hole in the tunnel was 20 feet wide. You could see water swirling on the surface of the river like it was being flushed down a toilet. And yet, on the streets, everything was dry. My friends and I took the L downtown while it was happening. We walked the nearly-abandoned streets and marveled at the invisible disaster raging underneath our feet. There's a different type of invisible disaster unfolding across Chicago now. ICE and Border Patrol agents have been terrorizing immigrant communities across the massive geographic expanse that is the greater Chicago area. Instead of focusing on the city proper (though certainly they've been there as well), they seem to be concentrating on border suburbs, especially on the southwest side, though they've ranged as far north as Waukegan and as far south as Joliet, two cities 75 miles apart from each other. The raids are often pre-dawn and lightning-fast, agents gone within minutes, though that's not always the pattern. A traffic stop by ICE in the light of day in northwest suburban Franklin Park left a dad, who had just dropped his kids off at school, dead two weeks ago. The speed and unpredictability of the ICE roundups make hearing about them difficult. News organizations can't be everywhere all at once, not to mention most of the orgs in Chicago are in a defensive crouch from years of layoffs and budget cuts. As a result, there's _much_ less visibility on this unfolding tragedy than there should be. While some days get lots of coverage, focused largely around the ICE detention facility in the suburb of Broadview where daily protests have been held for weeks, other days this disaster is nearly invisible unless you know where to look. There is amazing coverage happening, don't get me wrong, but you have to work to seek it out. For me, my go-tos are largely on Twitter alternative Bluesky: * Unraveled Press is the load-bearing element to much of the up-to-the minute coverage of what's happening around Chicago. They're at the Broadview facility most days, and doing an admirable job of spreading disparate social media videos and reports of ICE raids from elsewhere across the region. That it's fallen on a _tiny_ two-person outlet is pretty much everything you need to know about what makes this disaster invisible. It's also a reason to send them some money. I sent $50, and I'll be sending more once I've got it. * Shawn Mulcahy, the news editor of the _Chicago Reader_ has also been at Broadview regularly and has been a must-follow on Bluesky for me. I wish the _Reader_ was actually highlighting his work on their site more regularly, but they're going through it right now, so ¯\_(ツ)_ /¯. * Organizer and author Kelly Hayes has also done a remarkable job of supplying to-the-minute information and photos from Broadview. There are two news organizations that I also think are doing standout work: * Block Club Chicago, a local news startup that has been running laps around the incumbent _Tribune_ and _Sun Times_ for years now, has been doing good work covering raids and giving a wide-angle look at what's happening. * The TRiiBE is a growing, Black-owned news org that has been punching above their weight for a while now and has been doing good nearly-daily updates. Other area news outlets, including stalwarts like the _Tribune_ and _Sun-Times_ , have been doing their best, but the coverage is often locked behind paywalls and gets buried under other stories quickly. But among all the Chicago news orgs, even the ones doing good work, the urgency of the situation isn't captured in the approach. What's unfolding every day—neighbors snatched off the streets, protesters teargassed and shot with pepper balls—should be treated like a disaster: pull down the paywalls and subscription pop-ups, make the coverage accessible to all comers. Get people up-to-speed on what's happening every day in a way that is comprehensive and accessible. In a way that makes the invisible visible. To me, the gold standard for this comes from an unexpected source: The (formerly) food-focused website _LA Taco_ , who found themselves in the position of doing the best reporting when ICE swept through Los Angeles and disproportionately targeted the same street food vendors that _LA Taco_ had covered for years. They realized that, like it or not, they were best situated to cover this unfolding disaster. What the folks at _LA Taco_ , not the _LA Times_ , figured out was that while it was impossible to have on-the-ground reporting from sweeps happening across a metro area as colossal as LA, we live in a time where most everything is documented and uploaded to social media in near-real time. They took to compiling these social media videos and reports into a vertical video Daily Memo that simply runs down where ICE has conducted raids that day across the vast LA area. The _LA Taco_ Daily Memo is required viewing now for folks in LA that want to keep up with what's happening there. They make their Daily Memo available as a video and as a written update on their website. I wish they provided them in Spanish as well, but they are a very small shop with limited resources. The Daily Memo is one of those ideas that's so obvious now that someone's doing it that I wonder why it hasn't been the standard all along. So, in the hopes that obvious ideas can be grabbed and run with easily, here's a few thoughts from me on how to flesh _LA Taco_ 's Daily Memo idea out even more. If you're a news org in Chicago or anywhere else looking to do this, feel free to borrow, expand, and—most importantly— _build_. * Have someone whose dedicated beat through the duration of this disaster is to monitor social for reports/video/etc of ICE activities. _Verify those reports,_ then put them in a spreadsheet. (Bonus points, make that spreadsheet open and available to all.) * Use that spreadsheet to build out a whole host of Daily Memo-style roundups: * Like _LA Taco_ , create vertical videos that you can put on TikTok, Instagram, and YouTube, as well as share on Bluesky, Twitter (ugh), and elsewhere. * Make text-based roundups that are available on your website at a consistent location and with findable, predictable titles and tags. Daily Memos, for instance, always lead with, what else, "Daily Memo:" in their headline. That makes finding them really fast and easy. * Use that text-based roundup to ground an ICE-specific mailing list that sends those daily updates directly to your readers. You can use that same mailing list for breaking alerts _when necessary_. Don't try and clog it up with other coverage. Stick to what's most important to the folks that subscribed. Respect their inbox. * You've got each incident in small, atomized, texted-sized chunks, so push _those_ to Bluesky, Twitter (ugh), and the others too. You could even push to phones via text if you have the infrastructure for it. * Create a short audio roundup that you can push out to podcasting apps for people to listen to on their commutes or whenever. Again, we're talking quick hits here. * Please, do this in English and Spanish if at all possible. * This part is important: Dedicate a place on your website that _won't_ get blown away by all the other news of the day that collects all of this and that is easily accessible from your home page, so that people can find your work immediately and accessibly. Make the URL simple: /ice or something else memorable. * If your CMS is so inflexible that you can't do that (and trust me, I've worked with some of them and they definitely _are_ that inflexible), build out a quick-and-dirty secondary site that you can host at a subdomain like ice.yoursite.com. This is a list of every possible permutation I can think of. I know it's a lot! Pick and choose. Some orgs are already doing some of this, and that's great, push to do more. Not all of it is a heavy lift—even just creating clear headlines will go a long way. All of it is important. Does this take people? Yes. Does it take time? Also yes. If a freak earthquake hit Chicago, you would find the people and time to cover it. If those old tunnels opened up again and the Loop flooded, you'd find the people and time to cover it. This is a disaster that has claimed hundreds of victims so far. Cover it like it should be covered. Make the invisible visible.
09.10.2025 05:20 — 👍 0    🔁 0    💬 0    📌 0