Sol LeWitt

Roxanne H. Frank Fund and General Print Fund

Untitled from Cubes in Color on Color http://www.moma.org/collection/works/100141

Gift of Allen Skolnick

Plate (folio 38) from Six Geometric Figures and All Their Combinations, Volume I http://www.moma.org/collection/works/17631

Roxanne H. Frank Fund and General Print Fund

Untitled from Cubes in Color on Color http://www.moma.org/collection/works/100152

Gift of Allen Skolnick

Plate (folio 9) from Six Geometric Figures and All Their Combinations, Volume I http://www.moma.org/collection/works/17662

Gift of Dian Woodner

Scribbles with Not Straight Vertical Lines on the Left and Straight Horizontal and Vertical Lines on the Right (plate 32) from Squarings http://www.moma.org/collection/works/409675

John B. Turner Fund

Untitled from Six Geometric Figures, Superimposed in Pairs http://www.moma.org/collection/works/126234

Gift of Allen Skolnick

Plate (folio 29) from Six Geometric Figures and All Their Combinations, Volume II http://www.moma.org/collection/works/19680

Gift of Allen Skolnick

Plate (folio 26) from Six Geometric Figures and All Their Combinations, Volume II http://www.moma.org/collection/works/19677

Gift of the artist

Untitled from Vanish http://www.moma.org/collection/works/143710

Given anonymously in memory of Sidney Feldman

Plate (folio 22) from Geometric Figures within Geometric Figures http://www.moma.org/collection/works/17086

Gift of the artist

Untitled from Vanish http://www.moma.org/collection/works/143691

Gift of Allen Skolnick

Plate (folio 14) from Six Geometric Figures and All Their Combinations, Volume I http://www.moma.org/collection/works/17605

Gift of Allen Skolnick

Plate (folio 15) from Six Geometric Figures and All Their Combinations, Volume I http://www.moma.org/collection/works/17606

Gift of Alicia Legg

Cubic-Modular Wall Structure, Black http://www.moma.org/collection/works/81428

Gift of Allen Skolnick

Plate (folio 57) from Six Geometric Figures and All Their Combinations, Volume I http://www.moma.org/collection/works/17652

Gift of an anonymous donor

Wall Drawing #260, On Black Walls, All Two-Part Combinations of White Arcs from Corners and Sides, and White Straight, Not-Straight, and Broken Lines http://www.moma.org/collection/works/79898

Gift of Crown Point Press in celebration of its 25th anniversary

Untitled from Double Stars http://www.moma.org/collection/works/87861

Purchase

Broken/Straight, Broken (plate, folio 19) from Grids, Using Straight Lines, Not-Broken Lines and Broken Lines in all Their Possible Combinations http://www.moma.org/collection/works/12494

Gift of Steven M. Feinstein

Circles from The New York Collection for Stockholm http://www.moma.org/collection/works/72056

Gift of Allen Skolnick

Plate (folio 40) from Six Geometric Figures and All Their Combinations, Volume II http://www.moma.org/collection/works/19692

Gift of the Gilbert B. and Lila Silverman Instruction Drawing Collection, Detroit

R872 A Rectangle of Florence Without a Rectangle http://www.moma.org/collection/works/289190

Roxanne H. Frank Fund and General Print Fund

Untitled from Cubes in Color on Color http://www.moma.org/collection/works/100157

Given anonymously in memory of Sidney Feldman

Plate (folio 23) from Geometric Figures within Geometric Figures http://www.moma.org/collection/works/17087

Irregular Bands with Colors Superimposed

Irregular Bands with Colors Superimposed https://www.wikiart.org/en/sol-lewitt/irregular-bands-with-colors-superimposed-1991

Sol LeWitt was one of the pioneering figures in both the Conceptual and Minimalist art movements of the 1960s and '70s. Whether working as a painter, draftsman, photographer, printmaker, or sculptor, LeWitt conceived works of art that were fundamentally geometric and architectonic, and relied on the cube as a starting point for his explorations of space, time, form, volume, repetition, sequence, and variation. In Horizontal Composite, LeWitt generates a geometric motif from a limited repertoire of repeated lines, shapes and colors. These basic compositional elements were LeWitt's personal grammar and syntax that he freely manipulated to illustrate visual, spatial, and mathematical problems or concepts. For LeWitt, the ideas expressed through his work always took precedence over the objects themselves.

Horizontal Composite https://collections.artsmia.org/art/67363/

Pyramid #10

Pyramid #10 https://www.wikiart.org/en/sol-lewitt/pyramid-10-1985

Gift of Agnes Gund and purchase (by exchange)

Serial Project, I (ABCD) http://www.moma.org/collection/works/81533

Purchase

Straight, Not-straight/Straight, Broken (plate, folio 23) from Grids, Using Straight Lines, Not-Broken Lines and Broken Lines in all Their Possible Combinations http://www.moma.org/collection/works/12499

Splotch #3

Splotch #3 https://www.wikiart.org/en/sol-lewitt/splotch-3-2000

Brushstrokes

Brushstrokes https://www.wikiart.org/en/sol-lewitt/brushstrokes