Paris Spies-Gans

Women Artists Ascending Art historian Paris Spies-Gans uncovers art’s unsung “sheroes,” moving them to the forefront of the canon

Women Artists Ascending
Art historian @pspiesgans.bsky.social uncovers art’s unsung “sheroes,” moving them to the forefront of the canon
by Stacy Suaya for the Getty blog
www.getty.edu/news/paris-s...

Eight Paintings by Women Artists Sought for Exhibition - CODART The National Museum of Women in the Arts (NMWA) in Washington D.C. and the Museum of Fine Arts (MSK) in Ghent are currently preparing the first survey exhibition on women artists from the Low Countrie...

Eight Paintings by Women Artists Sought for Exhibition

www.codart.nl/art-works/ei...

Excited to be giving this talk next month — in person and live-streamed!

French Artist Marie-Guillemine Benoist, Revolutionary Painter Paris Spies-Gans surveys the achievement of 18th-century French painter Marie-Guillemine Benoist, focusing on her publicly exhibited work.

Marie-Guillemine Benoist, Revolutionary Painter
by @pspiesgans.bsky.social for #ArtHerstory
artherstory.net/marie-guille...

Because nobody had made this essential starter pack!!! Please let me know if you want to be added

The exhibition banner for Rachel Ruysch, Nature into Art - a long narrow horizontal rectangle white text reversed out of pink background, with a close up of a sunflower at the right. A white and tan butterfly flies up to flower from the left; toward the center of the flower sits a bee.

Opened today in Munich -

🌻 Rachel Ruysch – Nature into Art
26.11.2024 – 16.03.2025 | Alte Pinakothek

All information at: pinakothek.de/en/nature-into-art

#RachelRuysch #womenartists #artherstory

The French artist Maurice Quentin De La Tour points at a portrait of his glasses-wearing cat on an easel.

Do you know about Open Access and Open Content programs?

Several major museums make selections of images available for download and use.

We're using an OA image to illustrate our post!

🖼️: John Kay, The Favourite Cat and De La-Tour Painter (detail), 1813, The Metropolitan Museum of Art, New York

Trying to build a starter kit for Black Europe and Afropean scholars and activists - but many ppl I can think of are not (yet) on blusky. I need HELP 🖤

@eraldo.bsky.social @tnflorvil.bsky.social @afropean.bsky.social @historianmemory.bsky.social @camillahawth.bsky.social @jeannetteoho.bsky.social

Hi! I’m a psychiatrist at Harvard and a clinical researcher with MAPS/Lykos building the evidence base for MDMA and psychedelic-assisted therapy, and training the next generation of psychedelic clinicians. I develop psychedelic curricula and teach residents about cross-cultural psychiatry. /

And again, full now but a selection of women working in/waffling about history for you to choose from go.bsky.app/KNeAnRj

A newly identified portrait of Princess Mary, later Queen Mary I. Mary is wearing a black court gown with an embroidered, upturned collar. She has a black French hood, and a very distinctive cross set with five diamonds. Mary was gifted this cross in 1546 by her father, King Henry VII.

I am so thrilled to have been part of Emma Rutherford’s research team to reidentify this stunning portrait as Princess Mary, the future Queen Mary I. Displayed at Compton Verney, we argue that it was painted by Susannah Horenbout in c.1546 and is a rare example of her work. #Tudor #ArtHistory #MaryI

An illumination of a saint (Joseph?) holding baby Jesus, opposite another saint (Francis of Assisi?) in a brown robe, holding a crucifix in his right hand and cradling a human skull in his left hand. Both saints stand on clouds. The depiction is surrounded by a thick elaborate border with floral designs, cherubs, and portrait busts of saints.

New post on the #ArtHerstory blog!

Discovering Early Modern #WomenArtists in Iberia
by Cathy Hall-van den Elsen
artherstory.net/discovering-...

Pictured: Carta Ejecutoria de Hidalguía, 1675, by #LuisaValdés; private collection

Hah, it’s a big catalogue! Agreed — I loved the theatrical entry and the extended labyrinth motif, and thought the themes were excellent. Plus always delighted to see clips from Spellbound…

I just saw and loved this show!

Submissions Would you like to join the discussion? If you are a scholar (ABD or PhD required) and you have an interest in submitting a guest post that explores the concept of “revolution” or the re…

Please don't forget to follow Age of Revolutions, your friendly neighborhood digital (peer-reviewed) publication for all things revolution: bsky.app/profile/ageo...

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Publications by Non-Tenure-Track Historians Since we began publishing in 2019, Contingent has assembled lists of books and articles by non-tenure-track historians released in that calendar year, and we’re doing the same this year for 2024 publi...

A reminder that @contingent-mag.bsky.social publishes lists of books and articles produced by contingent historians at the end of each year. If you wrote something, or know someone who did, submit the info here so I know to included it! contingentmagazine.org/yearly-pub-l...

I’d love to join!

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That’s so nice, thank you!

Thanks for doing this! I’d love to be added :).

Thanks so much for doing this. Could you please add my name?

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Could I be added when there’s room? Thanks so much for doing this!

Right back at you!

Revolution’s definition document, the Declaration of the Rights of Man. A student of Jacques-Louis David, Vallain would exhibit classical and religious canvases at the Louvre Salon through 1810. Her story challenges so many assumptions about the ways we tell women's stories across time.

Jacobin Club, led by Robespierre. When the club closed in 1794, the painting entered the French national collection—where it remains today. Vallain featured the Revolution’s key attributes: a red Phrygian cap, the staff of liberty, and, in Liberty’s right hand, a detailed and legible copy of the /

In both, I show that women artists 1) have generally always existed, and 2) have mattered much more than we've thought.

I'll leave you with one of my favorite paintings: Nanine Vallain's (1767-1815) Liberty, or “Marianne,” made in 1793-94 and which immediately hung in the revolutionary /

Hi! I'm a historian of gender, art, and the politics of artistic expression. My first book, A Revolution on Canvas: The Rise of Women Artists in Britain and France (@yalebooks.bsky.social), came out in 2022. I'm now writing a broader look into #WomenArtists across time (Doubleday/US, Viking/UK). /