‘people with […] pay are rubbish’ — J. H. Prynne
09.03.2026 19:18 — 👍 1 🔁 0 💬 0 📌 0‘people with […] pay are rubbish’ — J. H. Prynne
09.03.2026 19:18 — 👍 1 🔁 0 💬 0 📌 0
New Serge Daney translation: The Diagonale Archipelago. From the 2nd issue of new quarterly film magazine Narrow Margin.
sergedaney.blogspot.com/2026/01/the-...
Guy Clark – Better Days
08.01.2026 00:45 — 👍 1 🔁 0 💬 0 📌 0Stellan Skarsgård looks more like my late father than he looked like himself
31.12.2025 11:23 — 👍 0 🔁 0 💬 0 📌 0commiserations to all the people who, being British, for some reason have to have a conversation about ‘the trans issue’ around the dinner table today
25.12.2025 15:34 — 👍 8 🔁 1 💬 1 📌 0letterboxd.com/samwm/list/d... Christmas films!
22.12.2025 10:13 — 👍 10 🔁 0 💬 0 📌 0I encountered Silkworm young enough for their music to be my first exposure to aft, retsina, rapacious, hauteur, recidivist, contrite, obfuscate, and more I’m forgetting.
21.12.2025 11:45 — 👍 29 🔁 6 💬 2 📌 0It’s completely normal English.
08.12.2025 11:20 — 👍 0 🔁 0 💬 1 📌 0‘Aesthetics must not play at delivering graveside sermons, certifying the end, savoring the past, and abdicating in favor of a sort of barbarism that is no better than the culture that has earned barbarism as recompense for its own monstrosity.’
06.12.2025 20:06 — 👍 2 🔁 0 💬 0 📌 0At least this year (going theatrically) there were new films by two of the only filmmakers who are in touch with any kind of reality: Kiyoshi Kurosawa and Alain Guiraudie.
06.12.2025 00:30 — 👍 10 🔁 0 💬 1 📌 0In case any of you missed it on the other platforms, here's what's what www.narrowmarginquarterly.com/shop
23.11.2025 22:26 — 👍 8 🔁 2 💬 0 📌 0it’s I need you to be so serious right now november and hardly any of you are being so serious right now
23.11.2025 22:18 — 👍 3 🔁 0 💬 0 📌 0I agree that trailers that are completely their own film are the best kind. I wish there were more examples!
22.11.2025 14:40 — 👍 1 🔁 0 💬 0 📌 0out of interest, and because I've just started making trailers for retrospective series, do any trailers come to mind for you as particularly good examples of the form?
22.11.2025 11:07 — 👍 1 🔁 0 💬 1 📌 0Wow, the BFI pre-film ad for itself is exactly like this, same music and everything. They must have hired the same guy.
18.11.2025 22:17 — 👍 1 🔁 0 💬 1 📌 0Wikipedia article for Calybute Downing (1605–1643)
one thing I like to learn about is 17th century guys with non binary rock climbing enthusiast names
15.11.2025 15:17 — 👍 2 🔁 0 💬 0 📌 0you should watch the other Fishers
12.11.2025 15:46 — 👍 1 🔁 0 💬 0 📌 0
RIP Tatsuya Nakadai
nnmore.substack.com/p/its-all-in...
More very soon
07.11.2025 19:22 — 👍 1 🔁 0 💬 0 📌 02) NARROW MARGIN #1 is now available for purchase at the BFI shop and ICA bookstore. Ask for NARROW MARGIN. Accept no substitutes.
07.11.2025 19:21 — 👍 4 🔁 1 💬 1 📌 0TWO NARROW MARGIN ANNOUNCEMENTS: 1) I have curated a three night programme of some of Luc Moullet’s films and shorts at the ICA next month: www.ica.art/films/in-foc...
07.11.2025 19:20 — 👍 9 🔁 3 💬 1 📌 0NM is for the mothers
02.11.2025 12:00 — 👍 0 🔁 0 💬 0 📌 0a GREAT READ for FILM BUFFS in their EARLY FORTIES
01.11.2025 19:05 — 👍 4 🔁 0 💬 1 📌 0^
27.10.2025 23:57 — 👍 1 🔁 0 💬 0 📌 0hell of a picture!
21.10.2025 18:32 — 👍 2 🔁 0 💬 1 📌 0since it's the season I asked on the film discord for ‘something genuinely scary’, and someone replied ‘finding yourself to be identical in certain ways to your parents’
20.10.2025 09:11 — 👍 5 🔁 0 💬 1 📌 0It’s the law in the UK and possibly the anglophone world in general that you can only have good taste in literature or in films, not both at the same time, which is why I no longer check whether I know what a good book is
15.10.2025 16:53 — 👍 6 🔁 0 💬 0 📌 0We wanted to show a Dino Risi film at one point and the distributor said €800, then when we tried to negotiate said the closest thing you can to ‘fuck off’ in professional email language
08.10.2025 02:49 — 👍 1 🔁 0 💬 1 📌 0I tried to program _Caro Diario_ and the rights holder never got back to me. For some reason this, along with or prohibitive prices, seems to be a recurring problem with Italian distributors, and I wonder how much it has caused Italian directors not to have the repertory exposure they should have.
08.10.2025 02:48 — 👍 2 🔁 0 💬 1 📌 0Here’s two
01.10.2025 16:23 — 👍 8 🔁 1 💬 0 📌 0