SYX

just as a side note, there is something so fascinatingly unique in retrospect that there are enemies in both Mother and Earthbound that you pretty much have to run away from as you learn in the gameplay that big = dangerous

also i misinterpreted this sprite for years

a "light" snack for a very hungry worm 🐛
@leprosick.bsky.social

a big, fat, worm being praised after his meal

good worm

Short version because people aren't reading the blog

- "dislikes", essentially just a "not interested" button, private, doesn't effect anyone but yourself

- "Social proximity", puts people you know at the top of comments

- "Reply context", shows people full thread before they reply

konkly solidaroty!! *tries to do a cool hand gesture but awkwardly flips everyone the bird by accident*

You're such a filthy fucking poster. Nothing more than an account made for my entertainment. Don't you dare stop, you clout whore. Keep posting bangers. If you post good enough, maybe I'll call you by your name again, influencer.

i knew of a philosophy major who fell for right wing political nonsense unironically. I think there is a bigger problem at play in how learning alone does not account for scrupled morality.

B. Kliban drew one of the funniest comics I have ever seen before

She wants to be the catcher in the rye but evil and scary.

Another idea being a kind of parody of spy vs spy but one of them is just a normal guy for comedic contrast and the other a fash and their fashy machinations backfire with horrifyingly violent cartoonish consequences even with seemingly mundane things.

Came up on stream but thinking about the time i got fan art (made by BlueCard916) several years ago of my D&D kobold. Its still killer work tbh

HAPPY SPOOKY

Like a guy punching anti-vaxxer so hard they fly into a casket and then the casket flys into a slight hillside and the sheer force sprouts up a hedge stone that says RIP

What I would like to see is the return of something akin to Everett True but against contemporary falsehoods and badass cartoon violence

like for example people who make anti-nazi cartoon such as 'character hitting the bad guy' but the bad guy is overemphasized in size in the composition.

I wish more people made political cartoons. But mostly that I wish people did so as well with a more awareness of symbols and weighted semiotic placement

Costume Inspiration - Gator Days Transcript Panel 1 Gustopher and Douglas are meeting up to go Trick-or-Treating. Gustopher sees that Douglas has decided to go as the classic ghost for Halloween. Various spooky things are happening in a house in the background. There are two mysterious figures on the second floor with a spider above them. And demonic entity also appears to have a plate full of eyeballs as a bat watches from above. I hear they're full of protein. Gustopher: DOUGLAS! Great costume! Douglas: Thanks. Panel 2 Douglas poses in his costume. It's just a simple sheet with eye and arm holes cut out but it's effective. I'd give it four out of five rocks. Douglas explains his inspiration for the costume. Douglas: I decided to be a ghost. It represents my fear of never truly being seen and my hope to be remembered. Panel 3 Gustopher stands in his own costume. He is wearing the same taco costume he wore last year. He begins to contemplate his inspiration for such a costume. Thankfully, the house behind him does not have anything too spooky in it. Just a cat looking at what's going on outside. Panel 4 Gustopher carefully chooses his words and explains his inspiration for his fine taco costume. Gustopher: I'm a taco because I like tacos. The cat in the window appears to be doing something. Smiling? And shadowy tendrils are erupting beneath the cat. Okay, I'm sorry. This is too spooky. The eyeballs were bad enough. I'm leaving.

Costume Inspiration - Gator Days

In Super Mario Odyssey, there is a single Luigi who is somehow too much for the Nintendo Switch to handle. Bringing the camera close to this 8-bit Luigi in Metro Kingdom at night will cause the game to stutter and slow down to 5 FPS. This is the only Luigi who has this effect.

Its a work of creative genious to take the knowledge of what happen in the orginal game and just have the sheer audacity to do it again but in a way that is ten times as emotionally devastating.

Its really frustrating that people treat the series as if its not written by writers. The remake series of the FF7 games is entirely apart of the 'extended' canon and every idea explored therein. The game even establishes this super clearly in the first remake.

Outside these walls, the Children say, the grown-ups are monsters, and nowhere is safe.

Our bittersweet fairy tale RPG #StrayChildren is now available worldwide!

Buy it now on Steam: store.steampowered.com/app/3649490/...

Buy it now on Nintendo Switch: www.nintendo.com/us/store/pro...

[RGB] 3D render in the style of 1990s CG. It depicts Mario and MIPS at a tea party, similar to the one from Alice in Wonderland (1951). MIPS is sitting at the table while Mario is standing on it, wearing a large green top hat and balancing two teacups while sugar cubes fall from the sky.

[CMYK] 3D render in the style of 1990s CG. It depicts Mario and MIPS at a tea party, similar to the one from Alice in Wonderland (1951). MIPS is sitting at the table while Mario is standing on it, wearing a large green top hat and balancing two teacups while sugar cubes fall from the sky.

roll that beautiful bean footage

The sweet cute nobodies are burdened with the worst portents of a decaying society while the people best fit to solve these problems are simply too busy in the triage and maintenence of their own lives admist a hidiously complex system of manipulation and the extreme distortion brought by capital.

The worldly pressures in truth were never meant to be taken so seriously so much as a refinement of one's own self. I think everything is backwards.

I guess its hard not to relate to this sentiment in some way but I can't help but feel there is a kind of injustice to how quickly those who are sweet of the heart so readily cast themselves to a ceaseless sense of despair as if its right or even logical to do so.