Francis Bacon

Study for Bullfight No.1

Study for Bullfight No.1 https://www.wikiart.org/en/francis-bacon/study-for-bullfight-no-1-1969

Study for portrait of Henrietta Moraes on a red ground

Study for portrait of Henrietta Moraes on a red ground https://www.wikiart.org/en/francis-bacon/study-for-portrait-of-henrietta-moraes-on-a-red-ground-1964

Study of a Figure in a Landscape

Study of a Figure in a Landscape https://www.wikiart.org/en/francis-bacon/study-of-a-figure-in-a-landscape-1952

Three Studies of Henrietta Moraes

Three Studies of Henrietta Moraes https://www.wikiart.org/en/francis-bacon/three-studies-of-henrietta-moraes-1969

Man Kneeling in Grass

Man Kneeling in Grass https://www.wikiart.org/en/francis-bacon/man-kneeling-in-grass-1952

Head VI

Head VI https://www.wikiart.org/en/francis-bacon/head-vi-1949

Purchased with assistance from the National Lottery through the Heritage Lottery Fund, the Art Fund and a group of anonymous donors in memory of Mario Tazzoli 1998

Figure in Grey Interior http://www.tate.org.uk/art/artworks/bacon-figure-in-grey-interior-t07366

Double Portrait of Lucian Freud and Frank Auerbach

Double Portrait of Lucian Freud and Frank Auerbach https://www.wikiart.org/en/francis-bacon/double-portrait-of-lucian-freud-and-frank-auerbach-1964

Purchased with assistance from the National Lottery through the Heritage Lottery Fund, the Art Fund and a group of anonymous donors in memory of Mario Tazzoli 1998

Seated Woman http://www.tate.org.uk/art/artworks/bacon-seated-woman-t07386

William Blake

William Blake https://www.wikiart.org/en/francis-bacon/william-blake-1955

Purchased with assistance from the National Lottery through the Heritage Lottery Fund, the Art Fund and a group of anonymous donors in memory of Mario Tazzoli 1998

Figure with Left Arm Raised, No. 2 http://www.tate.org.uk/art/artworks/bacon-figure-with-left-arm-raised-no-2-t07362

Purchased with assistance from the National Lottery through the Heritage Lottery Fund, the Art Fund and a group of anonymous donors in memory of Mario Tazzoli 1998

Bending Figure, No. 2 http://www.tate.org.uk/art/artworks/bacon-bending-figure-no-2-t07379

Study for a Portrait of John Edwards

Study for a Portrait of John Edwards https://www.wikiart.org/en/francis-bacon/study-for-a-portrait-of-john-edwards-1988

Study for Head of Isabel Rawsthorne

Study for Head of Isabel Rawsthorne https://www.wikiart.org/en/francis-bacon/study-for-head-of-isabel-rawsthorne-1967

Study for Portrait of P.L. No.1

Study for Portrait of P.L. No.1 https://www.wikiart.org/en/francis-bacon/study-for-portrait-of-p-l-no-1-1957

Chimpanzee

Chimpanzee https://www.wikiart.org/en/francis-bacon/chimpanzee-1955

Purchased with assistance from the National Lottery through the Heritage Lottery Fund, the Art Fund and a group of anoymous donors in memory of Mario Tazzoli 1998

Turning Figure http://www.tate.org.uk/art/artworks/bacon-turning-figure-t07352

Study for a Pope IV

Study for a Pope IV https://www.wikiart.org/en/francis-bacon/study-for-a-pope-iv-1961

Tassels

Tassels https://www.wikiart.org/en/francis-bacon/tassels-1961

Triptych - Studies from the Human Body

Triptych - Studies from the Human Body https://www.wikiart.org/en/francis-bacon/triptych-studies-from-the-human-body-1970-0

Man in a Chair

Man in a Chair https://www.wikiart.org/en/francis-bacon/man-in-a-chair-1952

Two Studies for Self-Portrait

Two Studies for Self-Portrait https://www.wikiart.org/en/francis-bacon/two-studies-for-self-portrait-1972

Study for Portrait III

Study for Portrait III https://www.wikiart.org/en/francis-bacon/study-for-portrait-iii-1953

The human figure was Francis Bacon's principal object of study throughout his career. This picture belongs to a series of eight paintings, which began as a portrait of Bacon's friend and biographer David Sylvester but became, in the final project, studies of a seated pope. Inspired by Eadweard Muybridge's sequential photos of the human body in movement, Bacon made his figures more and more agititated until, in the final painting, the pope is convulsive. Here his ambiguous facial expression rests somewhere between the grimace of Portrait V and the horrific scream of Portrait VII. This painting is one of the first Francis Bacon paintings acquired by an American museum.

Study for Portrait VI https://collections.artsmia.org/art/1355/

Self-Portrait I

Self-Portrait I https://www.wikiart.org/en/francis-bacon/self-portrait-i-1972

Female Nude Standing in Doorway

Female Nude Standing in Doorway https://www.wikiart.org/en/francis-bacon/female-nude-standing-in-doorway-1972

Purchased 1979

Study for Portrait II (after the Life Mask of William Blake) http://www.tate.org.uk/art/artworks/bacon-study-for-portrait-ii-after-the-life-mask-of-william-blake-t02414

Three Studies for Figures at the Base of a Crucifixion

Three Studies for Figures at the Base of a Crucifixion https://www.wikiart.org/en/francis-bacon/three-studies-for-figures-at-the-base-of-a-crucifixion-1944

Study for Portrait of Van Gogh III

Study for Portrait of Van Gogh III https://www.wikiart.org/en/francis-bacon/study-for-portrait-of-van-gogh-iii-1957

Seated Figure (S. 5)

Seated Figure (S. 5) https://www.wikiart.org/en/francis-bacon/seated-figure-s-5-1983