@gfm-ag-sound.bsky.social
Hier postet die AG Auditive Kultur und Sound Studies (Gesellschaft für Medienwissenschaft) neu hier nach unserem #eXit Ankündigungen - Magazinbeiträge - Berichte #SoundStudies www.auditive-medienkulturen.de
New magazine article: In ‘Pre | Post Colour’, Sven Boxberg and Lily Hußmann examine the impact of the introduction of colour television 🎨 🌈 on music television and focus in particular on a very colourful new genre: glam rock 🪩🎸🏳️🌈 www.auditive-medienkulturen.de/2025/11/04/p...
05.11.2025 08:19 — 👍 2 🔁 1 💬 0 📌 0
Neuer Magazin-Beitrag: In "Pre | Post Colour" untersuchen Sven Boxberg und Lily Hußmann die Auswirkungen der Einführung von Farb-TV 🎨 🌈 auf das Musikfernsehen und gehen v.a. auf ein sehr buntes, neues Genre ein: Glam Rock 🪩🎸🏳️🌈 www.auditive-medienkulturen.de/2025/11/04/p...
05.11.2025 08:18 — 👍 2 🔁 1 💬 0 📌 0(picture credits: Steffen Just and Lorenz Gilli @lorenzgilli.bsky.social )
01.04.2025 13:04 — 👍 2 🔁 0 💬 0 📌 0
Nico Daleman @nicodaleman.bsky.social presents his artistic research project on noise reduction technologies as sonic material, alluding to Alvin Lucier's famous sound art piece "I Am Sitting in a Room".
Nico Daleman @nicodaleman.bsky.social presents his artistic research project on noise reduction technologies as sonic material, alluding to Alvin Lucier's famous sound art piece "I Am Sitting in a Room".
01.04.2025 13:02 — 👍 1 🔁 0 💬 1 📌 0
Our second lecture on auditory memory culture came from Thomas Sebastian Köhn (Lüneburg), who explored sonic spaces and practices of remembrance of the Shoa in Germany in the approaching 'post-witness era'.
Our second lecture on auditory memory culture came from Thomas Sebastian Köhn (Lüneburg), who explored sonic spaces and practices of remembrance of the Shoa in Germany in the approaching 'post-witness era'.
31.03.2025 18:40 — 👍 2 🔁 0 💬 1 📌 0
Friday: Anne Peiter (La Réunion) examines the 1994 genocide against the Tutsi in Rwanda through the lens of the autobiographical novel "Le Convoi" by survivor Béata Mairesse, and the importance of sound for remembering in the now, where before and after collapse.
Friday: Anne Peiter (La Réunion, via Zoom) examines the 1994 genocide against the Tutsi in Rwanda through the lens of the autobiographical novel "Le Convoi" by survivor Béata Mairesse, and the importance of sound for remembering in the now, where before and after collapse.
31.03.2025 18:35 — 👍 2 🔁 0 💬 1 📌 0
On Thursday afternoon, Raphael Börger (Potsdam) explored the listening app Endel, its sound and listening practices, and critically examines the 'science' behind such apps.
On Thursday afternoon, Raphael Börger (Potsdam) explored the listening app Endel, its sound and listening practices, and critically examines the 'science' behind such apps.
On Thursday afternoon, Raphael Börger (Potsdam) explored the listening app Endel, its sound and listening practices, and critically examines the 'science' behind such apps.
31.03.2025 18:33 — 👍 2 🔁 0 💬 1 📌 0
Thursday began with Jennifer Marine joining us online to give us an insight into her research project on the visualisation of sound in Margaret Watts-Hughes' Voice Figures as sound art avant la lettre.
... a few more pics came in... : Thursday began with Jennifer Marine joining us online to give us an insight into her research project on the visualisation of sound in Margaret Watts-Hughes' Voice Figures as sound art avant la lettre.
31.03.2025 18:30 — 👍 3 🔁 0 💬 1 📌 0
The final talk comes from Sven Boxberg (Bonn) & Lily Hußmann (Köln), who show us how the performance, presentation and even the sound of popular music – from beat to glam – changed with the introduction of colour in British and German music television.
The final talk comes from Sven Boxberg (Bonn) & Lily Hußmann (Köln), who show us how the performance, presentation and even the sound of popular music – from beat to glam – changed with the introduction of colour in British and German music television.
29.03.2025 17:39 — 👍 3 🔁 0 💬 1 📌 0
Lukas Iden (Halle) and Sophia Tobis (Münster) takes us through the ravey, cosy and vibey soundscapes of contemporary hyper-pop, reflecting on the critical potential of these sounds
Lukas Iden (Halle) and Sophia Tobis (Münster) takes us through the ravey, cosy and vibey soundscapes of contemporary hyper-pop, reflecting on the critical potential of these sounds
Lukas Iden (Halle) and Sophia Tobis (Münster) take us through the ravey, cosy and vibey soundscapes of contemporary hyper-pop, reflecting on the critical potential of these sounds
29.03.2025 17:36 — 👍 2 🔁 0 💬 1 📌 0
Using the voice of jazz icon Ella Fitzgerald as a starting point, Malte Kobel (London) reflects on sonic materialism and its limitations
Using the voice of jazz icon Ella Fitzgerald as a starting point, Malte Kobel (London) reflects on sonic materialism and its limitations
29.03.2025 17:33 — 👍 2 🔁 0 💬 1 📌 0
In the second keynote on Thursday, Viktoria Tkaczyk (Berlin) reconstructs the sonic creation of a global imagined community through wire recording technology and the delayed radio broadcasts of the BBC's Empire Service in the 1930s
29.03.2025 17:30 — 👍 3 🔁 0 💬 1 📌 0
Our next international speaker, Elisabeth Salverda (Ghent), gave us an insight into her research on the Brussels organ builder and 'magician of acoustics' Georges Cloetens and his sonic inventions
29.03.2025 17:28 — 👍 2 🔁 0 💬 1 📌 0
The conference started on Wednesday with the first keynote by Julia Kursell on the work of Hermann Helmholtz and on ways of hearing an re-enacting his experiments in the here and now
The conference started on Wednesday with the first keynote by Julia Kursell on the work of Hermann Helmholtz and on ways of hearing an re-enacting his experiments in the here and now
29.03.2025 17:28 — 👍 2 🔁 0 💬 1 📌 0Our conference “Pre | Post” has come to an end and it was truly an inspiring and enriching experience. Great discussions and wonderful connections in the beautiful city of #Bonn and its cherry blossom trees made it a fantastic event. Looking forward to the next one! Here's a quick recap (thread):
29.03.2025 17:27 — 👍 2 🔁 2 💬 1 📌 0
Our next international speaker, Elisabeth Salverda (Ghent), gave us an insight into her research on the Brussels organ builder and 'magician of acoustics' Georges Cloetens and his sonic inventions
Our next international speaker, Elisabeth Salverda (Ghent), gave us an insight into her research on the Brussels organ builder and 'magician of acoustics' Georges Cloetens and his sonic inventions
29.03.2025 17:25 — 👍 0 🔁 0 💬 0 📌 0happening today! are you already there? on the train? still at home preping your talk? We wish you a safe journey to the conference 🍀🚂 and are looking forward to seeing you today! 😀☀️🔊
26.03.2025 08:50 — 👍 1 🔁 0 💬 0 📌 0unser Magazin "Auditive Medienkulturen" ist komplett frei zugänglich. Mit wissensch Beiträgen zu Klangkulturen, #Ästhetik auditiver Medien, #SoundStudies oder Praktiken des Hörens. Aktuell: soundkulturelle Praktiken auf Social Media, va #TikTok und #YouTube 📱🤳🔊 tinyurl.com/audkult schaut gern rein!
24.03.2025 08:42 — 👍 2 🔁 0 💬 0 📌 0
We are very sad to hear that Jonathan Sterne has passed away recently. He was one of the defining scholars in sound studies, who shaped the field in so many ways. Our condolences go out to his partner Carrie Rentschler and to his friends and family! dukeupress.wordpress.com/2025/03/21/f...
21.03.2025 18:40 — 👍 12 🔁 2 💬 0 📌 2
In 5 days our annual #conference “Pre | Post” will start at the Dept of Musicology/Sound Studies at Uni of #Bonn (26.-28.03.2025). Looking forward to exciting lectures, keynotes, roundtables and the Sound Lecture by Pedro Oliviera! www.auditive-medienkulturen.de/2025/02/07/t... #SoundStudies #Sound
21.03.2025 12:15 — 👍 2 🔁 1 💬 0 📌 1
in 5 Tagen beginnt unsere Jahrestagung “Pre | Post” an der Abt. für Musikwissenschaft/Sound Studies der Uni Bonn (26.-28.03.2025). Wir freuen uns auf spannende Vorträge, Keynotes, Roundtables u die Sound Lecture v Pedro Oliviera! #SoundStudies #Sound
www.auditive-medienkulturen.de/2025/02/07/t...
Dominik Maxelon, Marc Godau und Timo Neuhausen untersuchen schließlich die Auswirkungen der Plattformisierung auf das #Songwriting von Musiker:innen. www.auditive-medienkulturen.de/2025/01/23/a... #Platforms #Algorithms #Hyperawareness
27.01.2025 16:48 — 👍 1 🔁 0 💬 0 📌 0
Marc Godau und Phillip Gosmann widmen sich dem bislang kaum erforschten Bereich musikpädagogischer Praktiken und #Wissenskommunikation von #Musiktheorie auf Social-Media-Plattformen durch sogenannte #Edugramers www.auditive-medienkulturen.de/2025/01/23/s... #Musikpädagogik #Instagram
27.01.2025 16:48 — 👍 1 🔁 0 💬 1 📌 0
Pascal Rudolph und Martin Ullrich untersuchen digital vermittelte musikalische Kollaborationen von #Katzen (und anderen nicht-menschlichen Tieren) mit Menschen, die insbesondere auf TikTok zu finden sind. www.auditive-medienkulturen.de/2025/01/23/m... #Cats #Kiffness #SadHamster
27.01.2025 16:47 — 👍 1 🔁 0 💬 1 📌 0
Die Haupt-Beiträge: Elena Pilipets begreift in ihrem Beitrag TikTok als vernetzte und verdatete Klanglandschaften, in denen die affektiven Impulse der User:innen miteinander interagieren. www.auditive-medienkulturen.de/2025/01/23/s... #Affect #Deeptok
27.01.2025 16:47 — 👍 1 🔁 0 💬 1 📌 0Sarah-Indriyati Hardjowirogo macht auf die Etablierung neuer musikalischer Ästhetiken, Produktionsweisen und Erfolgskriterien aufmerksam und Max Alt fragt mit #Adorno s Ohren und Gaumen nach Kulinarik, atomistischem Hören, #TikTok und dem Begehren nach #FastFood.
27.01.2025 16:47 — 👍 1 🔁 0 💬 1 📌 0@maxhaberer.bsky.social befasst sich mit der Transformation privater und öffentlicher Räume, die das Lautwerden von TikTok-Feeds z.B. in #Bus und #Bahn impliziert, Sebastian R. Richter beleuchtet musikalische Memes in/von #Videospielen, …
27.01.2025 16:46 — 👍 1 🔁 0 💬 1 📌 0
Die Einleitung von uns Herausgeber*innen gibt in Form von 5 Schlaglichtern eine vorsichtige Rahmung vor. @lorenzgilli.bsky.social legt an TikTok Felix Stalders Merkmale digitaler Kulturen an und versteht diese als „‘klanglich digitalste’ Plattform“, … www.auditive-medienkulturen.de/2025/01/23/t...
27.01.2025 16:46 — 👍 1 🔁 0 💬 1 📌 1Wir haben die Special Issue „‘The Evolution of Sound’? Soundkulturelle Praktiken in Social Media-Mikroformaten“ veröffentlicht. In den fünf Beiträgen geht es um die auditiven Dimensionen von #TikTok, #Instagram #Reels und #YouTube #Shorts. #SocialMedia #Soundkultur #SoundStudies Details hier: ⬇️🧵
27.01.2025 16:44 — 👍 2 🔁 0 💬 1 📌 0Hello #BlueSky! We have left X and are making ourselves comfortable here. We = AG Sound Studies and Auditory Media Cultures in the Society for Media Studies (GfM). We post announcements, journal articles and reports from #SoundStudies and #AuditiveMediacultures pls follow us 😊🦋 #eXit #WissXit
27.01.2025 11:30 — 👍 0 🔁 0 💬 0 📌 0
