Loramae

#8M en Roma: pared frente a la Embajada de Estados Unidos.
La muralista Laika1954 lo pintó el viernes por la noche .

Racing In The Street - Live at Meadowlands Arena, E. Rutherford, NJ - July 1981

open.spotify.com/track/5NmRai...

📷 Stanko Abadžić
#photooftheday #photography
#blueskyphotography #photokind

YouTube video by Paco Fox Vloj 160: Los mejores temas de bandas sonoras 80s (85-89 parte 1)

A las 16:00, nuevo vídeo en mi canal... youtu.be/Uw0d5lYwvVI?...

YouTube video by StingVEVO Sting - Shape of My Heart (Official Music Video)

Bos días Bolboretas 💚💚💚
youtu.be/NlwIDxCjL-8?...

10 barbaridades machistas de la ley Sharia

Goverdina Maria - Avocado Avocado (study). Acrylic on 300 gr. paper. Signed lower right, sept. 2025. I loved to paint this avocado and eat it afterwards!

WEDNESDAY ART SHARE
'Avocado'
#Art #artist #kunst #Dutchart #Dutchartist #OutsiderArt #ArtCollector #ArtGallery #ArtLover #WomenArtists #WomensArt #WomeninArt #painting #schilderij #expression #expressionist #essentialist #acrylic #Landscape #StillLife #avocado #fruit
www.ienvanderpol.nl/avocado/

Print in black and white looking up to a gap in the canopy of bare trees in a wood where two birds in silhouette fly

'More breathing space' by contemporary UK printmaker Janis Goodman #WomensArt

Two women with deep brown skin move toward each other on a wide, open field of green. They are barefoot, mid-step, and caught in a shared rhythm as one body leans in as if laughing while the other turns her face in reply, their expressions warm and engaged. Each wears a sleeveless dress in layered greens of teal, mint, and darker shadowed tones that is painted with loose, energetic brushwork that lets strokes stay visible. Arms extend outward in a wide arc, as if balancing or marking the beat. Their legs cross and lift in different phases of the same motion so that as one foot hovers, the other plants, toes splayed and grounded. Beneath them, a dark oval of paint like a stage-shadow, anchors the movement without locating a specific place. The background is intentionally spare without a horizon line or architecture and just shifting greens that create atmosphere rather than scenery, so our attention stays on gesture, closeness, and the quiet joy of motion between two people. Exhibited in British-Ghanaian Lynette Yiadom-Boakye’s “Under-Song for a Cipher” at the New Museum in 2017, this work sits in her ongoing project of painting figures who feel fully present, but not illustrations of a named story. That refusal of fixed biography lets Black life appear in painting without being made to “explain itself” through spectacle, trauma, or documentary proof. The dancers’ green surroundings is liberation from context (no social script, no assigned era), while the dense shadow beneath them insists on physical reality that these bodies have weight, momentum, and agency. The women seem to know about our gaze without performing for it, inviting attention while keeping their interiority intact. Yiadom-Boakye often emphasizes that her starting point is painting itself such as the problem of light, color, and form. Here, that painterly logic becomes its own kind of ethic in order to make space for tenderness, companionship, and movement as undeniable subjects

“Willow Strip” by Lynette Yiadom-Boakye (British-Ghanaian) - Oil on linen / 2017 - New Museum (New York) #WomenInArt #WomensArt #WomanArtist #WomenArtists #LynetteYiadomBoakye #YiadomBoakye #LynetteYiadom-Boakye #NewMuseum #artText #art #ArtBluesky #arte #WomenPaintingWomen #BlackArt #BlackArtist

Ceramic teapot with peacock head spout to the left and peacock feather stylised design on the pot in green and purple

Peacock teapot by Carol Long, US ceramicist who draws influences from Art Nouveau and plant and animal life #WomensArt

Two Chinese women float against a warm, golden background, as if suspended in a ceremonial dream. At left, Empress Liu is shown with an ivory-toned, stylized face and her black hair is gathered into a smooth, rounded style and crowned by an oversized pink peony bloom. She wears layered deep red robes with soft green sleeves and her hands tucked in a composed, inward pose. At right, Empress Dou turns slightly toward her, her expression calm and distant. Her hair rises into a tall, dark arrangement topped with a rich burgundy flower as a long pale ribbon trails in the air. She wears a patterned golden top and a darker skirt, adorned with clusters of blossoms that spill into the space between them. Green-blue ribbons loop and curl across the scene like wind-blown silk banners. Below and between the women, a golden phoenix spreads its wing in sweeping arcs of feathered lines, while a white crane glides low at the edge. Both birds are surrounded by scattered petals and dense bouquets of red, pink, yellow, and white flowers. Behind the painting's beauty is a story about power, vulnerability, and historical disappearance. In Chinese artist Xiang Li’s (李湘) telling, Empress Liu and Empress Dou (both connected to Emperor Ruizong) were accused of witchcraft and killed in 693 wither their bodies hidden and never recovered. The violence is echoed by the painting’s sense of weightless drifting. The phoenix (dynastic harmony) and the crane (longevity & transcendence) become more than decorative symbols. They are a wish for restoration, dignity, and endurance beyond the court’s intrigues. The peony (wealth, honor, and feminine prestige) crowns Liu like a fragile mandate. Li frames them not as footnotes, but as central actors: “Each empress I paint carries a story of resilience, wisdom, and strength.” The floral abundance is a memorial insistence that even when names are contested, erased, or buried, their presence can still be made visible, luminous, and impossible to overlook.

"Chinese Empress Liu and Empress Dou, Tang Dynasty" by 李湘 Xiang Li (Chinese) - Watercolor on silk / 2015 - New England Botanic Garden (Boylston, Massachusetts) #WomenInArt #XiangLi #李湘 #NewEnglandBotanicGarden #ChineseArtist #artText #art #BlueskyArt #ChineseArt #WomensArt #WomanArtist #WomenArtists

Painting featuring a green field full of purple crocus flowers and yellow daffodils

'Crocus & Daffodils' by UK contemporary painter Susan Entwistle #WomensArt
#spring #March

Painted portrait of a sitting white woman in 17th century dress while in a darkened room

Elisabetta Sirani (1638-1665), an Italian Baroque painter who was one of the first female artists to specialize in history painting. She opened an academy for women artists before her mysterious early death #womensart #WomensHistoryMonth

Photo of a doorway created with twigs in a lush green forest

“Passage”, 2007 by German installation artist Cornelia Konrads #womensart #Spring

Monochrome photograph featuring a white woman on a scooter in a street facing left dressed in a long black dress and hat

In 1916, Florence Norman, a suffragette in London, used a motorised scooter known as a Autoped #WomensArt
Every month on Womensart is #WomensHistoryMonth 💙

Three paintings depicting white women workers in factories

Suffragette Sylvia Pankhurst who created several watercolours depicting women workers in cotton mills and potteries to highlight working women’s rights on pay and conditions #womensart #WomensHistoryMonth

Textile artwork featuring an image of a landscape with fields of purple flowers under a blue sky with fluffy white clouds

Monika Kinner-Whalen, contemporary Canadian textile artist known for her thread paintings #WomensArt

Hello Spring I couldn't resist including you in a painting any longer. This is all done in watercolours. The lettering is drawn by me in pencil and then I paint over it with watercolours and white gouache. I don't use computers for this, just 4 years of training at uni. A Goldcrest sitting in the Cherry Blossom. With words by Tolkien. It is the small everyday deeds of ordinary fold that keep the darkness at bay. Small acts of kindness and love.

Hello Spring
I couldn't resist including you in a painting any longer.
This is all done in watercolours.
The lettering is drawn by me in pencil and then I paint over it with watercolours and white gouache.

I don't use computers for this, just 4 years of training at uni.
#womensart

Collage with a realistic looking green plant with yellow flower against a black background

Oenothera Biennis, Common Tree Primrose. 1781, collage by Mary Delany (1700-1788),known for her botanical flower collages or 'paper-mosaicks' #WomensArt

Unas flores en un jarrón. El cuadro es delicado y suave. Me da que ya lo he puesto antes. Seguiremos luchando. Stop.

A veces me da la sensación de que vivimos en una competición continua, que hay que demostrar todo el rato lo mucho que se es de cualquier cosa.

Me piro, vampiro. Feliz noche 🎨.

Micaela Eleutheriade.

#womensart #art #painting #pintoras

Painting of a young white girl, upper half, with her back to the viewer, standing by a window in an interior, there are bottles on the windowsill with flowering twigs in them

'Spring at the Window' by Tetyana Yablonska (1917-2006), Ukrainian painter #WomensArt

Se llama Coral Couso y es árbitra en Regional Preferente en Aragón. Ayer en el 8-M recibió todo tipo de insultos y amenazas: "Te vamos a matar". Tuvo que suspender el encuentro y llamar a la Guardia Civil al temer por su integridad física.

YouTube video by Paul Simon - Topic Bridge over Troubled Water (Live at Central Park, New York, NY - August 15, 1991)

El concierto en mi ciudad, A Coruña, de esta gira fue una auténtica magia.
Si el fantasma de las navidades pasadas me dejase volver a un concierto, cómo normoyente, elegiría este sin dudarlo.
youtu.be/Ja-NlVR4fv8?...

Un clásico

YouTube video by SimonGarfunkelVEVO Simon & Garfunkel - Bridge over Troubled Water (from The Concert in Central Park)

Amig@s, buenas noches...
Simon & Garfunkel - Bridge over Troubled Water
youtu.be/WrcwRt6J32o

Muscarii floreciendo 🪻🪻🪻

Homenaje a la escritora, que supo combinar tradición y modernidad en su obra, fundamental para entender la narrativa de su tiempo

CULTURA. Poemas manuscritos de Concha Espina, obra por la que fue nominada al Nobel, entran en la Caja de las Letras del Instituto Cervantes. www.cronicadelhenares.com/2026/03/cult...

#aguilucholagunero juvenil. En breve veremos a los laguneros ejecutando sus vuelos acrobáticos primaverales, la época de cortejo es el mejor momento para verles en acción mostrando su increíble pericia en vuelo, un buen momento para poner en práctica todo lo aprendido durante su 1° año de vida #aves