9:02
‹ Notes
Along the way, Osmosis has been supported by a generous and creative team of editorial advisors, and our former communications coordinator, Scott Lilley, who kept our readers up to date with our latest digital publications, book launches, and events.
You may have noticed that Saskia is now on a new and incredible adventure. Cat has since turned their focus toward our printed books, and worked closely with Briony to launch our two latest publications! Again, community made the impossible possible!
囗
9:02
‹ Notes
As Osmosis is run in an entirely voluntary capacity, the risk of burning out is big. What we do is very much a labor of love, and when times have been tough we have reminded ourselves how necessary it is to keep small press publishing alive and thriving. It is an honor to contribute to creative culture in the UK and beyond. Like many other independent publishers, we have been at a crossroads - but we are determined to continue our work in uplifting, celebrating, and publishing groundbreaking writing.
We are so proud that Osmosis continues to be a community project - watch this space
THE NEWS CONTINUES
29.01.2026 09:10 — 👍 3 🔁 1 💬 0 📌 0
9:01
‹ Notes
January 29, 2026 at 9:01 AM
We are excited to announce that the Osmosis team is growing! Meet Alice, Francis, and Winter, who will be collaborating with Briony and Cat on the next chapter in the Osmosis adventure.
Excited is probably an understatement - this trio is a force to be reckoned with!
As most of our readers know, independent publishing is very much a community endeavor. After launching Osmosis in 2021, Briony was quickly joined on her adventure by the incredible Saskia, and together they grew Osmosis from a small idea (and lots of energy, love, and determination) into a full bookshelf of innovative books!
Since stepping into the role of digital editor in 2023, Cat has published a dynamic range of poetry, essays, short stories, film, text art, and hybrid experimentations across our featured writing blog - their energetic contribution to the project has been remarkable.
ALICE IS A WRITER, POET AND ARTIST FROM LONDON. HER CREATIVE WORK SPANS ARCHIVAL PRACTICES, COLLAGE, PRINT MAKING, ZINES AND TEXTILES. THESE WORKS HAVE BEEN COLLECTED BY THE NATIONAL POETRY LIBRARY, ARTS UNIVERSITY BOURNEMOUTH, THE BODLEIAN LIBRARY AND MULTIPLE PRIVATE COLLECTIONS. SHE IS CURRENTLY WORKING ON ALTERNATIVE MEMOIR AND EXPLORATIONS OF ANTICIPATORY GRIEF, EXISTENTIALISM AND SALVAGE.
WINTER IS A POET, PERFORMER AND MODEL. SHE JUST STARTED HER PRACTICE-BASED PHD IN CREATIVE WRITING AT ROYAL HOLLOWAY, WITH HER RESEARCH INTERESTS INCLUDING TRANSPOETICS, PERFORMANCE POETICS, ARCHIVES AND EPHEMERA.
WINTER CHEN
FRANGIS DE LIMA
FRANCIS IS A FINNISH-BRAZILIAN POET LIVING IN LONDON, WHERE THEY RECENTLY COMPLETED THEIR MA IN POETIC PRACTICE AT ROYAL HOLLOWAY.
MANY OF THEIR POEMS CAN BE FOUND IN ONLINE LITERATURE MAGAZINES, AND SOME HAVE EVEN BEEN SHORTLISTED FOR AN AWARD OR TWO. THEY ALSO WORK AS A TRANSLATOR, AS WELL AS IN VARIOUS ROLES WITHIN INDEPENDENT THEATRE, FILM, AND ART PROJECTS, BOTH IN THE UK AND ABROAD.
ANNOUNCING SOME GOOD NEWS
29.01.2026 09:10 — 👍 5 🔁 2 💬 1 📌 0
SPOTTED: copies of Him Hymn in the wild at @burleyfisher.bsky.social
02.12.2025 10:12 — 👍 1 🔁 0 💬 0 📌 0
YouTube video by Poetics Research Centre
The Living Library: a pop-up exhibition of eco poetry
Did you miss The Living Library? We’ve got you covered! I’m excited to share the video and audio documentation of our @beinghumanfest.bsky.social pop-up exhibition at the Landmark Arts Centre, curated by @royalholloway.bsky.social researchers 🍃🦇⛅️🐝 www.youtube.com/watch?v=w3PH...
28.11.2025 17:08 — 👍 3 🔁 1 💬 0 📌 0
Thank you!!!
27.11.2025 13:56 — 👍 1 🔁 0 💬 0 📌 0
i love the title 😍
26.11.2025 19:53 — 👍 0 🔁 1 💬 1 📌 0
What an incredible evening celebrating the launch of Grief is the Thing in Pleather by Prudence Bussey-Chamberlain at the iconic Housmans 🖤
27.11.2025 13:56 — 👍 4 🔁 2 💬 1 📌 0
We have a handful of additional review copies for Him Hymn and Grief is the Thing in Pleather! Drop our editor @brihughespoet.bsky.social a message if you’re interested in reviewing!💙🖤
21.11.2025 09:12 — 👍 1 🔁 3 💬 0 📌 0
series ‘Dickinson’, Waldrop’s palimptext method, Denise Riley’s ‘Time Lived Without Its Flow’, Randy Schilt’s ‘And The Band Played On’, and ‘The Dead Poet’s Society’, to challenge conventional renderings of death, grief, citation, the banality of bodies and their upkeep. (3/4)
18.11.2025 13:11 — 👍 0 🔁 0 💬 1 📌 0
means to live with grief, where Death becomes an embodied figure who runs both literally and figuratively through the text. Borrowing from Emily Dickinson’s figure of death in ‘because I could not stop for death’, this collection mixes Wiz Khalifa from Alena Smith’s Apple TV (2/4)
18.11.2025 13:11 — 👍 0 🔁 0 💬 1 📌 0
Housmans Poetry Series
Prudence Bussey-Chamberlain launches Grief is a Thing in Pleather
published by Osmosis Press
+ a host of special guest readers
Hosted by Briony Hughes and Cat Chong
1900, 26/11/2025
Book your free tickets here:
Housmans.com/events
Housmans
5 Caledonian Road
Kings Cross
London
N1 9DX
"Grief is the thing in pleather: iterative, reshuffling noir signifiers, re-marking punctuation, always to the same end. As Bussey-Chamberlain writes: 'Last time was not the last time; / I am here again.' From open field composition glittering in headlit streaks to the short gasps of Emily Dickinson's lines, in the narrow time of birthing and the contained prose poems of time lived, this brief collection packs in life after life after life, an expansive exploration of Dickinson's choice of "kindly" for Death's stop, with all the sardonic seriousness, the deadpan profound, that characterises Bussey-Chamberlain's work."
So Mayer
A copy of the black and white cover of Grief is a Thing in Pleather published by Osmosis Press.
Two copies of the cover held up together in one hand.
✨LAUNCH EVENT ANNOUNCEMENT✨
We are delighted to be launching Prudence Bussey-Chamberlain’s ‘Grief is a Thing in Pleather’ at @housmansbookshop.bsky.social as part of the Housman’s Poetry Series on the 26th of November at 7pm!
This collection is a consideration of/ writing through what it (1/4)
18.11.2025 13:11 — 👍 4 🔁 3 💬 2 📌 1
Grief is the Thing in Pleather: Prudence Bussey-Chamberlain
Forthcoming 26th November 2025: Preorder BelowEdition of 100 copies.ISBN: 978-1-0369-3369-2 “Grief is the thing in pleather: iterative, reshuffling noir signifiers, re-marking punctuation, al…
“This brief collection packs in life after life after life, an expansive exploration of Dickinson’s choice of “kindly” for Death’s stop, with all the sardonic seriousness, the deadpan profound, that characterises Bussey-Chamberlain’s work.” (So Mayer) osmosispress.com/grief-is-the...
18.11.2025 10:37 — 👍 0 🔁 0 💬 0 📌 0
as an inevitable eventuality, as ‘You will crash, or / You will run out of gas’, Bussey-Chamberlain perceives the drop dead pride in the ‘buzz of flies’ who linger at both endings of the crash and empty fuel tank. (4/4)
Blurb by @marbledmayhem
07.09.2025 17:40 — 👍 0 🔁 0 💬 1 📌 0
is not handsome, a buzz of flies’. Echoing Dickinson’s ‘I heard a Fly buzz - when I died - (591)’, this poem rewrites the fly as the omen of Death’s ego. As Caroline Hogue wrote in 2015, the blowfly ‘pollutes everything it touches. Its eggs are maggots. It is as carrion as a buzzard’. Framed (3/4)
07.09.2025 17:40 — 👍 0 🔁 0 💬 1 📌 0
from Alena Smith’s Apple series Dickinson, Bussey-Chamberlain’s collection reimagines Death’s identity in the age of the incel. Interpellated into the poem, ‘When your engine finally gives out Death pulls up, kicks his / door wide open, says Ride or Die. You choose both. Close up / his face (2/4)
07.09.2025 17:40 — 👍 0 🔁 0 💬 1 📌 0
*
When your engine finally gives out Death pulls up, kicks his
door wide open, says Ride or Die. You choose both. Close up
his face is not handsome, a buzz of flies. There’s a
waterproof hat in the back, wide rimmed and when a fly stops at
your ear you ask it, why do you stay?
To be as regal as the buzzard one day it replies as if
the bounty hunter can confer carrion pride to everything he touches
*
You will crash, or
You will run out of gas
Both are an ending.
*
This week Osmosis is so excited to be featuring an extract from the forthcoming collection 'Grief is a Thing in Pleather' by Prudence Bussey-Chamberlain! Writing back to Emily Dickinson’s figure of death in ‘because I could not stop for death’ alongside Wiz Khalifa’s character (1/4)
07.09.2025 17:40 — 👍 1 🔁 0 💬 1 📌 0
Her critical work includes two monographs, The Feminist Fourth Wave: Affective Temporality (Palgrave Macmillan, 2017) and Queer Troublemakers: Poetics of Flippancy (Bloomsbury, 2019). Her debut novel Bone Horn was published in June 2025 with Cipher Press. (5/5)
31.08.2025 17:42 — 👍 0 🔁 0 💬 0 📌 0
Lecturer in Creative Writing at Royal Holloway, University of London. She is the author of two books of poetry, Retroviral* (Veer, 2018) and {Coteries} (Knives Forks and Spoons Press, 2017), and the co-author of House of Mouse with SJ Fowler (Knives Forks and Spoons Press, 2017). (4/5)
31.08.2025 17:42 — 👍 0 🔁 0 💬 1 📌 0
palimptext method, Denise Riley’s Time Lived Without Its Flow, Randy Schilt’s And The Band Played On, and The Dead Poet’s Society, to challenge conventional renderings of death, grief, citation, alongside the banality of bodies and their upkeep.
Prudence Bussey-Chamberlain is a Senior (3/5)
31.08.2025 17:42 — 👍 0 🔁 0 💬 1 📌 0
with grief, where Death becomes an embodied figure who runs both literally and figuratively through the text. Borrowing from Emily Dickinson’s figure of death in ‘because I could not stop for death’, this collection mixes Wiz Khalifa from Alena Smith’s Apple TV series Dickinson, Waldrop’s (2/5)
31.08.2025 17:42 — 👍 0 🔁 0 💬 1 📌 0
Grief is a Thing with Pleather by Prudence Bussey-Chamberlain in white writing on a black background surrounded by white drawings of flies.
This week, interrupting our typical weekly Featured Writing schedule as we’re incredibly announce Prudence Bussey-Chamberlain’s latest collection will be forthcoming from Osmosis Press this October 2025!
This collection is a consideration of and a writing through what it means to live (1/5)
31.08.2025 17:42 — 👍 1 🔁 0 💬 1 📌 0
Makes poetry in multi-modes. Tenter (2020), Enclosures (2021), The Sleeping Place (2023), wastelands (forthcoming, Guillemot Press, 2025)
artist, writer, researcher, fossil hunter, PLA licensed mudlarker, and lecturer in the School of English at University of Leeds https://luckysoap.com
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built as a curious extension of above/ground press (b. 1993
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Bloodaxe Books, Britain's leading international poetry publisher.
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Writer | Work in The Stinging Fly, Banshee & more | Shortlisted | Brotherton Prize & Mairtín Crawford Award ‘24 |🥇Cúirt New Writing Award & Southword Editor’s Prize ‘24 | 𝕋𝕖𝕞𝕡𝕠𝕣𝕒𝕣𝕪 𝕊𝕥𝕒𝕤𝕚𝕤 & 𝔹𝕝𝕦𝕖 𝔻𝕚𝕒𝕘𝕠𝕟𝕒𝕝𝕤 | Broken Sleep Books
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