Cindy Deachman

Oh okay, thanks for clarifying. And for the link. Will look into it.

À la toilette: Madame Poupoule by Henri Toulouse-Lautrec, 1898. Oil on panel, 60.8 x 49.6 cm (23.9 x 19.5 in.) Gift from Comtesse Adèle de Toulouse-Lautrec in 1922, Musée Toulouse-Lautrec, Albi, France

Missy, what do you mean by Weight, about Atlas?

Katharine Hepburn and Her Brother Tom by unidentified photographer, ca. 1909. Gelatin silver print. Estate of Katharine Hepburn

What are the two by Winterson like, Missy?

Missy, is this one of yours BASED on Utrillo?

Hahaha!

Louise Bourgeois in 1975 wearing her latex sculpture Avenza, 1968–9, cast 1992. Tate, London

Why can't I be you? by Andrew Cranston, 2022. Distemper. Photo by Robert Glowack, courtesy of Andrew Cranston and Ingleby, Edinburgh

Tête d'enfant endormi by Constantin Brancusi, ca. 1908. Marble, 10.5 x 16.5 x 15 cm. Centre Pompidou

The Couple by Terence Gower, 2016. Steel. Residence of Moisés Mich, Mexico City. Interior designer: Adrian Gaut

White Roses by Lorna Simpson, 2011. Ink drawing and collage on paper, 29.2 × 21.9 cm (11½ × 8⅝ in.) The Studio Museum in Harlem; gift of the artist on the occasion of the Romare Bearden (1911–1988) Centennial and The Bearden Project

Hahaha. That I believe. The occasional part, that is.

Moroccan Rug by once-known weaver of the Beni Ourain tribe, n.d. Sheep’s wool

IX.9.6 Pompeii, 1978. Pot in north-east corner, looking east by Stanley A. Jashemski. Source: The Wilhelmina and Stanley A. Jashemski archive, University of Maryland Library, Special Collections

Lavender Girl by Milton Avery, 1963. Oil on canvasboard, 76.2 × 61 cm (30 × 24 in.)

The Conservation of Ultra Mass by Marc Quinn, 2015. Stainless steel, over 7 m long. Photo by Marc Quinn Studio

Lucio Fontana with his original terracotta Concetto Spaziale, Natura, which he produced in 1959-60. Afterwards, the forms were cast in bronze. Photographer and date unknown

Jorōgumo by once-known artist, n.d.

The mythical jorōgumo, with the ability to shape shift into a beautiful woman, is the subject of a few Japanese legends. She seduces (and may even eat) unwary men.

Bat by Lucian Freud, ca. 1961. Watercolour

Amedeo Modigliani in his studio by Paul Guillaume, 1915

Red Bison/Blue Horse by Elaine de Kooning, 1985-86. Oil and charcoal on canvas, 197.5 x 275 cm (77¾ x 108¼ in.)

Woman on a Bench by Mary Cassatt, ca. 1881. Pastel on green wove paper, mounted on illustration board, 46.4 x 61.3 cm (18¼ x 24⅛ in.) Gift of Mrs. Gardner Cassatt, 1958, The MET

Blue Iris (Germanica), Caterpillar, and Red Backed Beetle by Barbara Regina Dietzsch (1706-83), n.d., Bodycolour and watercolour on prepared black ground on vellum, 28.6 x 20.4 cm. The Fitzwilliam Museum, Cambridge, United Kingdom

Octopus by Victor Hugo, 1866–69. Pen & ink. Photograph by Bibliothèque Nationale de France

An angel locking the gates of Hell with a key, a miniature from the Winchester Psalter by once known artist, between ca. 1121 and ca. 1161. Illuminated manuscript psalter, 142 vellum leaves, 32 x 22.25 cm. British Library

The psalter is the Book of Psalms from the Bible.

Hand towel (detail) by once-known maker, late 18th century. 160 x 65 cm. Ottoman Collection of Sadberk Hanım Museum, Istanbul

Detail

Hand towel by once-known maker, late 18th century. 160 x 65 cm. Ottoman Collection of Sadberk Hanım Museum, Istanbul

BK0487 by Miho Kajioka, 2011. Hand-finished silver gelatin print, 21.5 × 12.5 cm (8½ × 4⁹⁄₁₀ in.) Editions 1-10 of 10 + 1AP