Shiguehiko Hasumi and Yoshida Kiju on the start of Yoshida's film career
09.01.2026 22:18 — 👍 1 🔁 0 💬 0 📌 0Shiguehiko Hasumi and Yoshida Kiju on the start of Yoshida's film career
09.01.2026 22:18 — 👍 1 🔁 0 💬 0 📌 0this is amazing
07.01.2026 16:06 — 👍 1 🔁 0 💬 0 📌 0the way they film the end of the scene starts to resemble Welles' later filmmaking
05.01.2026 21:09 — 👍 4 🔁 1 💬 0 📌 0I can't believe I haven't seen this before - footage of Orson Welles' 1936 all-Black staging of Macbeth, from the WPA newsreel We Work Again
05.01.2026 21:09 — 👍 7 🔁 2 💬 1 📌 1"down with thieves!"
03.01.2026 22:07 — 👍 4 🔁 2 💬 0 📌 0
a nice show of Manet and Morisot - seeing the detail in The Balcony up close in person is quite shocking
02.01.2026 23:46 — 👍 2 🔁 0 💬 0 📌 0
Continued the tradition of looking at painting on my birthday - this time at the Legion of Honor in SF, where James Stewart trails Kim Novak in Vertigo
02.01.2026 23:45 — 👍 6 🔁 0 💬 1 📌 0A Chaplin impersonator in Naruse's Husband and Wife (1953)
18.11.2025 19:53 — 👍 5 🔁 1 💬 0 📌 0
Very excited to be speaking with Marta Mateus about António Reis and Margarida Cordeiro and their beautiful Trás-os-Montes (1976) tonight, 7PM at @bampfa.bsky.social bampfa.org/event/tras-o...
15.11.2025 18:02 — 👍 4 🔁 0 💬 0 📌 0Honestly you'r right though
15.11.2025 15:48 — 👍 1 🔁 0 💬 0 📌 0Are you having a mid off or....
13.11.2025 05:03 — 👍 1 🔁 0 💬 1 📌 0No question it's this
09.11.2025 15:39 — 👍 2 🔁 0 💬 0 📌 0Very impressed that you were able to pull it off
02.11.2025 15:02 — 👍 0 🔁 0 💬 1 📌 0These are fantastic
01.11.2025 17:11 — 👍 2 🔁 0 💬 0 📌 0
The key idea throughout the series: A black-and-white cropped still from a Watkins film stamped in the middle with a single word. Aggressive font, red, all caps. Here: Radical.
Controversial.
Relevant.
Subversive.
Still impressed by this series of posters for a 2018 Peter Watkins retrospective presented by Wolf Kino in Berlin.
01.11.2025 12:53 — 👍 14 🔁 4 💬 1 📌 0
Actor Ahmed Ahmedpoor, known for his role as Mohamed Reza Nematzadeh in Abbas Kiarostami’s Where Is the Friend’s House (1987), passed away last Thursday at the age of 46. ❤️
28.10.2025 07:32 — 👍 3 🔁 2 💬 0 📌 0
Brenez: "John Ford is certainly the inventor of the form, when at the end of Fort Apache (1948), we learn that the entire story we have witnessed exists in order to criticize a painting exhibited in Washington"
27.10.2025 00:31 — 👍 2 🔁 0 💬 0 📌 0footage of the aftermath of the 1982 bombing of Lebanon, edited by Carolee Schneemann in 1983/2006
25.10.2025 22:27 — 👍 4 🔁 0 💬 0 📌 0
Adorno on Ginster, which he considered to be Kracauer's "most significant achievement"
22.10.2025 18:09 — 👍 4 🔁 0 💬 0 📌 0
my most anticipated book release of the month
22.10.2025 18:09 — 👍 5 🔁 0 💬 1 📌 0
Claire Simon, Marie-Claude Treilhou, and Alain Guiraudie in Treilhou's Un petit cas de conscience (2002)
19.10.2025 16:56 — 👍 1 🔁 0 💬 0 📌 0Gotta make it home for bedtime
17.10.2025 15:25 — 👍 0 🔁 0 💬 0 📌 0It is indeed
17.10.2025 03:54 — 👍 0 🔁 0 💬 1 📌 02nd best song on that album
11.10.2025 03:55 — 👍 1 🔁 0 💬 0 📌 0Have you seen A Fond Face From the Past? Remarkable film
01.10.2025 17:55 — 👍 0 🔁 0 💬 1 📌 0It's too good
01.10.2025 14:11 — 👍 1 🔁 0 💬 0 📌 0Poster on my wall
01.10.2025 02:05 — 👍 7 🔁 0 💬 1 📌 3How did i not know about this festival
18.09.2025 17:21 — 👍 0 🔁 0 💬 1 📌 0
New in our Screening Room: Adrian Martin's recorded introduction to Raúl Ruiz’s City of Pirates (1983), initially presented in the context of our Serge Daney programme at ICA London.
→ sabzian.be/screening-room/la-ville-des-pirates-introduction
Rereading The American Cinema for the first time in maybe 8 years and am once again asking for a collected edition of Sarris's writing from Library of America
11.09.2025 18:27 — 👍 1 🔁 0 💬 0 📌 0
