Timothra

This is not a joke: I need someone to check for a lost stuffed animal on campus at UT-Knoxville outside Thompson-Boling. DM me for details.

My favorite forgotten title ‘Project X’ landed in between but it had cowriters iirc

Shares writing DNA with Wargames as well

Cursed with the cognizance to follow that construction

Mog the moogle of Final fantasy 6 fame. He either failed a slam dance or is unconscious in this sprite.

Used to get mogged all the time in the 90s

a green creature with trees on its back seemingly slowly moving forward. Maybe an old woman. Has a bird mask.

Man... Forest Goddess is 20 years old now.
Tea stained paper, watercolor. I painted this after moving to Illinois (the shadows on the hills looked like the moved)

(prints> fallenlights.net/tea-painting... )

🥦 Shroomish Cursor 🍄

⭐Now available on my Ko-fi!
ko-fi.com/s/154dba8ccb
#pixelart #pokemon

chemistry bsky, i need to consult on a very specific, slightly disgusting question about a lithium reaction. who has open dms & a strong stomach for exothermic reactions in extremely biological circumstances?

Photo of a light grey lichen comprised of numerous octopus-looking branches covered in dark grey discs (the apothecia).

A Physcia sp lichen on a poplar tree.
NWT, Canada. photo covers about 6cm, left to right. #lichen #fungi #fungifriends

Against hazy gray sky, a small figure sits in profile with arms resting on upraised knees. His high perch of smooth curling wood snakes and branches beneath him dividing into thinner tendrils of swampy roots that extend off the bottom of the panel. A pale yellow sun—interrupted by implied clouds in an atmospheric effect—settles to the right of the twisting wooden arch.

TANGLEWOOD (2016)
Oil on Canvas - 10” x 8”

Even though this leftover has a Hobbit in it, it’s not related to any story. It’s just what I felt like painting.

The oils left on my palette were from a session spent trying to visualize the Witchwood trees for a Tad Williams’ Osten Ard novel. 1/3

Borders are for board games

Indeed!

Magic erasers

For my purposes, my weather always reflects something that is influencing the weave of the world.

It’s one of those beneath the waterline mechanisms that keep my consistent but the players may never even figure out.

A digital painting of a vast underground dungeon lain with greyish-blue bricks, ornamented stones and pillars. The main walkways are raised above a lava chamber and covered in fine red carpet with gold embroidery. It is a maze-like ruin with paths and stairways leading left and right to various walkways and doorways. The scene is lit by hanging metal chandeliers clasping large illuminated crystals. The main hall leads back to a raised portcullis, behind which is a winding hallway that twists as if the fabric of space has warped. There are elegant vases on either side of the stone rails bordering the entryway to the main chamber. One vase has been knocked over and shattered open, and you can see rats scurrying about among the gold pieces and ruby fragments that were once inside. Pillars more than twenty feet tall line the main hall, and a strange maze-like rune lies on the floor before a parapet with triangular openings which leads down to the molten lava. Bats are circling and swooping through the scene, no doubt due to your disturbance in this long forgotten tomb. Artifacts, gold and magic are abound in this deep, forgotten place. The pathway left leads to a short staircase guarded by gargoyles, which leads up to a raised stone basin or platform surrounded by a circle of pillars. There is a decorative red cloth draped through the hall high on the pillars, which leads to this platform and marking it with some significance. On a red stone pedestal lies a gauntlet surrounded by flames. This is clearly an item of incredible power. The right path from the center hall leads over path with the statue of a knight standing on a pedestal, guarding a short pillar which is holding a red potion bottle. The end of that path is marked by a tomb with a cross before a stairway leading to multiple doorways. Clearly there is much to explore here, do you dare to continue? Or turn back for fear of what you might learn? I chose to keep exploring, until this painting was complete.

A closeup of the raised stone basin or platform on the left side of the scene. Here you can see the fiery gauntlet, in all of its glory. Magic particles float through the scene, and bats circle and swoop furiously around the pillars surrounding the platform.

A closer view of the upper left part of the main chamber. Here you can see the tops of the blue pillars are decorated with the face of what looks like a woman. The pillar in the foreground has a crystal in the forehead of the being which is illuminated, and a mysterious red liquid drips from the closed eyes of the face almost like tears. You can see the details of the metal chandeliers, and crystalline lighting. Cob webs are strewn through the scene and spread from the chandeliers over the decorative cloth that is draped across the ceiling and pinned above the pillars by gold medallions. Bats can be seen hanging below the overhang, and around the tops of the pillars throughout the hall.

On the right side of the scene we see a path guarded by a knight's statue standing on a round pedestal. There is a short pillar behind the statue, which holds a red bottle of some kind. The end of the path is marked by a tomb bearing a cross, and lies before a stairway which leads up to a raised path that leads left and right to even more doorways.

I've seen artists sharing their most detailed work lately so here is mine. This is one piece that I spent over 100 hours on.

I could write a short book on all the things I learned while painting this. For example: sometimes less is more, and more is just too much. But that's better than not enough.

I propose we don’t do it that way, so long as we’re manifesting the future we want.

Government can stand up and manage a civilian construction program. There’s no particular reason to bid out the work on some belief a firm can do it at lower cost, per your point.

Much like Dr. Scholl, the degree isn’t recognized by the European board.

artwork of a battelfield with many knights corpses. A giant dark knight has been defeated, his huge sword planted in his chest. A single survivor is standing in front of the ennemy, exhausted, hurt and bloodied

"In the middle of the battlefield, surrounded by the corpses of his companions, the Paladin, bloodied and exhausted, observed the corpse of the evil champion, finally defeated."

February Wallpaper on Ko-fi :D

I'm happy with the result, it took me a lot of energy!

#artsky #fantasy #knight

they set a scrying stone before my eyes and made me watch the next 40 years of my dating life www.youtube.com/watch?v=6Zdu...

Love to watch the WA Rep I canvassed for vote almost as badly as MGP.

Very inspiring.

An illustration / fanart for the path of exile art contest. The dreamer, an eldritch being from deep within the Flame Keep, with dozens of twisted and warped arms, chains hanging between them, a giant grotesque bud of purple scales and cysts, menacingly reaching with its countless hands, looming over Aelith - the Keeper of the Flame, wearing a desert-like clothing with a lot of loose, crimson fabric, adorned with wilted golden, engraved armor and jewelry, - suspending her in the air, devouring her soul, as the ground beneath her crashes into rubble, sending it flying.

NEW ART!!

Hi everyone! I can finally show my Path of Exile art contest entry!
Here's Aelith and The Dreamer from the last league, Keepers of the Light

#digitalart #fanart #pathofexile #poe

Me and my bro when we see how outmuscled…

Toast some almonds or walnuts on top and you got a meal.

That post 2 weeks back about token anxiety makes me think those coders are just training Claude for pay, not producing any tangible code for purpose.

Oh hey here's a quick reminder you can get your hands on an exclusive ebook if you preorder
(also, preorders are love and I definitely could use some of that)

A knot of driftwood stands upright on the beach backed by mist and low frothy waves. An arc of silver set against the gray-blue mist forms a fogbow. The surface of the weathered wood is smooth but cracked in places, and there's an asymmetrical hole at the top that shows through to the sky. A sand dollar shell is wedged at the bottom of that gap. Below it, hanging by rope wrapped around the girth of the totem, is a rusty 5-pointed star. A variety of smooth rocks are laid out on the wet sand. Among them are a green shard of glass, an ivory conch shell, and a white feather.

TOTEM II: NAUSET (2012)

Acrylic - 12" x 9"



When I think of Nauset beach, I am reminded of early mornings walking the sands wrapped in dense fog. One late afternoon, however, a fog rolled in slowly off the ocean, something I had never experienced outside of Northern California. 1/2

A cunty white lepidopteran person with wings like a Alcides agathyrsus

A ghostly visage

Trump v Orr paused the prelimary injunction set by a lower court. It’s yet to be heard.

SCOTUS hasn’t decided the case outside of that unsigned shadow docket, so there is no precedent consideration here.