Tim Jackson writes that #รliverLaxe's "Sirฤt" is a heart-stopping, surreal reflection of our contemporary moment. Screening at @thecoolidge.bsky.social
artsfuse.org/325084/film-...
Tim Jackson writes that #รliverLaxe's "Sirฤt" is a heart-stopping, surreal reflection of our contemporary moment. Screening at @thecoolidge.bsky.social
artsfuse.org/325084/film-...
March Short Fuses is up and at 'em. Reviews from, among others, me, Ralph Locke, Steve Provizer, Steve Erickson, Mark Favermann.
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Paul Robicheau on a very special evening at the Isabella Stewart Gardner Museum: Steve Reichโs 1976 minimalist masterpiece "Music for 18 Musiciansโ performed by Ensemble SIGNAL.
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Ed Symkus adores director #bazluhrmannโs exhilarating documentary-concert film, "EPiC: Elvis Pressley in Concert," gives us #elvispresley in his prime.
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The documentary "Deepfaking Sam Altman" is an entertaining, off-beat deep dive into the hands-on tech needed to generate deepfakes, writes Preston Gralla. It also sounds the alarm about the growing imitative power of AI.
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@pkeough1.bsky.social offers admiring looks at a wealth of illuminating documentaries at this year's Boston Baltic Film Festival.
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In this episode of The Short Fuse Podcast, host Elizabeth Howard speaks with Oarabile Ditsele, a South African actor, filmmaker, writer, and multidisciplinary creative artist.
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For @sarahminaosman.bsky.social, the ratio between fantasy and real life felt off in this uneven film version of Kander and Ebbโs 1990 musical, though #JenniferLopez and #Tonatiuh shine.
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Robert Israel reviews Allegra Goodman's "This Is Not About Us." What is served up in this collection of stories โ it is not a novel, although it aspires to be -- could be called a vision of Jewish American Life Lite. @thedialpress.bsky.social
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David Mehegan on #sarastridsberg's novel #beckomberga: Disrepair is the leitmotif. The atmosphere throughout is dark and gray, tinting a sadness that to the narrator seems to be inexpressible. @fsgbooks.bsky.social
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Betsy Sherman writes that cinema lovers with a taste for the exotic and a tolerance for narrative loose ends should take advantage of the re-emergence, via 4k digital makeover, of the splendid silent film "Queen Kelly."
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A feature by Joan Lancourt on harnessing the performing arts to prepare the next generation to sustain democracy.
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This weekโs poem: Marina Lazzaraโs โpassionflowerโ
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The weekly newsletter is out. My column answers critics whoโve pushed back against my view that the arts must sound the alarm and resist as we face a drift toward authoritarianism.
artsfuse.substack.com/p/the-arts-f...
@allenmichie.bsky.social enthuses that the Django Festival Allstars's album "Evolution" is a major statement from master musicians building on a strong tradition and taking it forward into our own generation with passion and elegance.
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Erica Abeel on Josh Safdieโs "Marty Supreme" and Emerald Fennell's "Wuthering Heights." Both films are intermittently entertaining and display a high level of craft. Theyโre also blithely mediocre: mainly flash and filigree, vacuous at their center.
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David Mehegan writes that #MarioVargasLlosaโs final novel, "I Give You My Silence," is a sweet, light story about art and idealismโand its ever-present opposite, cynicism. @fsgbooks.bsky.social
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@pkeough1.bsky.social's latest "Doc Talk" column: for a piercing reflection of the times, turn to 2026 nominations for the Academy Award for Best Documentary Short Film.
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Clea Simon writes on the eighth iteration of โWhich Side? A Protest Music Teach-out," the monthly music and inspiration gatherings dedicated to protest music. It was a wild success.
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In its first commercial recording, writes Ralph Locke, Croatian composer Frano Paraฤโs opera "Judita "wrings compelling drama out of the biblical strory.
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Preston Gralla writes that what youโll think about Steven Underwood's "Forever for the Culture: Notes from the New Black Digital Arts Renaissance" @beaconpress.bsky.social will likely rest on what you make of the writerโs definition of Black digital Art.
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Peter Keough on director #HlynurPรกlmason's "The Love That Remains" -- this domestic tragicomedy critiques the patriarchy amid the staggering beauty of Icelandโs landscape. It is an ambitious, artful, but half-baked bagatelle. Screening at @brattletheatre.bsky.social
artsfuse.org/324646/film-...
Robert Israel reviews #JoshuaHarmon's play "We Had a World" at @thehuntington.bsky.social. The dark comedy offers familial turbulence, moments of rhapsodic relief, and revelations of how guilt and hostility fuse to create irreparable fissures in the family dynamic.
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Clea Simon is smitten by "The Copywriter" @simonandschuster.bsky.social -- Daniel Poppick generates plenty of humor from the quotidian as he skewers contemporary life โ and what passes as our search for meaning -- in this short novel.
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This week's poem: Nidia Hernรกndez's "Darkness"
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Ralph Locke on the first recording of Lerner and Weillโs 1948 musical "Love Life." (Capriccio) Lauded in histories of Broadway but rarely performed, the show proves to be an insightful and effective work of social criticism, nearly eight decades after its premiere.
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Jon Garelick on "WAIL: The Visual Language of #prestigerecords" (RIT Press). Along with its slew of images โ photos, sketches, and ephemera as well as album covers โ WAIL offers what amounts to a compelling oral history of a burgeoning New York cultural scene.
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The magazine's weekly newsletter -- packed with links -- has come forth. My short editorial wonders why U.S. philanthropies have been so reluctant to take bold stances against the countryโs slide toward authoritarianism.
artsfuse.substack.com/p/the-arts-f...
Allen Michie on the Maria Schneider Orchestra's EP "American Crow" (@artistshare.bsky.social). Composer and bandleader #mariaschneider is a storyteller, and thatโs the best way to approach her music for the first time.
artsfuse.org/324517/jazz-...
For Robert Israel, the "In the Fiddlerโs House" klezmer concert (presented by @vivoperformingarts.bsky.social and featuring Itzhak Perlman) captured the infectious joy of this wondrous musical genre.
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