In its latest concert, writes @aaronkeebaugh.bsky.social, the Mercury Orchestra explored nostalgia, via performances of rare Finzi and familiar Respighi compositions.
artsfuse.org/315063/conce...
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In its latest concert, writes @aaronkeebaugh.bsky.social, the Mercury Orchestra explored nostalgia, via performances of rare Finzi and familiar Respighi compositions.
artsfuse.org/315063/conce...
Quibbles aside, writes Trevor Fairbrother, the profusion of illustrations in "John Singer Sargent: The Charcoal Portraits" (@yalepress.bsky.social) is a windfall for artists, art students, and those keen on close looking and visual culture.
artsfuse.org/315080/book-...
James Kates writes that "Ne ne quitte pas: A Song by Jacques Brel and Interpreted by Nina Simone and Others" is a splendid book, a love letter and a dissertation, almost a song in itself. @dukepress.bsky.social
artsfuse.org/314999/book-...
Michael Londra on "A Day Like Any Other: The Life of James Schuyler" @fsgbooks.bsky.social. As befits a prolific and distinguished poet, renowned for his visionary instincts and signature compositional technique, this account is as morally serious as its subject.
artsfuse.org/314987/book-...
For @kuntsuragi.bsky.social, what sets "Weapons" apart from other “elevated horror” films utilizing a puzzle-box approach is Zach Cregger’s command of tone, a byproduct of honing his skills in sketch comedy.
artsfuse.org/315040/film-...
Debra Cash on the Zeitgeist Films documentary "Monk in Pieces": What it cost #MeredithMonk to be uncompromising! In the early days of her experimentations, the dismissive, often patronizing reviews included lines like her music “made my cats bite each other.”
artsfuse.org/315010/film-...
Glenn Rifkin previews this month's #baystatehotjazzfestival. The gathering will be better than ever this year: jug band legend Jim Kweskin will headline, along with performances by Annie and the Fur Trappers, The Busted Jug Band, and Rahsaan Cruse, Jr.
artsfuse.org/314964/music...
@sarahminaosman.bsky.social writes that the targets of #KingOfTheHill’s satire have changed — as Texas culture has changed — but the relationships, and who the characters are at their core, have not.
artsfuse.org/314949/telev...
@pkeough1.bsky.social on #AthinaRachelTsangari's "Harvest": This alternately ecstatic and murky, pointed and obscure, allegory is a rare attempt to confront the pathological systems leading us to an uncertain fate. Screening on MUBI
artsfuse.org/314936/film-...
The week’s poem: Mark Scroggins’s “Zion Offramp 124.”
artsfuse.org/314916/weekl...
@sarahminaosman.bsky.social writes that #JasonMomoa's series on Hawaiian history, #ChiefOfWar is beautifully shot, emotionally charged, and features the talents of Native Hawaiian actors, Hopefully, Hollywood will take note of this impressive dramatic accomplishment.
artsfuse.org/314866/telev...
This week's newsletter is released. My column offers a quick reaction to last week's Boston Mayoral Forum on Arts & Culture. A few topics were left out ...
artsfuse.substack.com/p/the-arts-f...
Steve Provizer on "The Letters of Frank Loesser" (@yalepress.bsky.social): The correspondence of this protean figure in American musical theater induced in this reader a pleasurable mixture of nostalgia, voyeurism, and insight.
artsfuse.org/314844/book-...
Bill Marx reviews the Commonwealth Shakespeare Company production of "As You Like It." The high spirits and tolerance in this enjoyable staging reinforce the director’s claim that this comedy is about expats striving for “a more balanced, egalitarian society.”
artsfuse.org/314742/theat...
Betsy Sherman on "Made in New Jersey: Films from Fort Lee, America’s First Film Town." This journey in the way-back machine contains many delights, some staged and some as part of the photographic record of America from 100-plus years ago. @kinolorber.com
artsfuse.org/314806/
Ed Meek writes that Eoin Higgins’s "Owned" is a provocative take on our shifting politics and the instrumental role the media plays in how the superrich maintains power.
artsfuse.org/314513/book-...
In Victor Kossakovsky's disappointing documentary "Architecton," writes @pkeough1.bsky.social, construction is deconstructed.
artsfuse.org/314732/doc-t...
Paul Robicheau writes that, despite the passing years, personal loss, and shifting musical roles, Wednesday’s 80-minute set at Roadrunner proved that everything’s indeed ok with TV On The Radio.
artsfuse.org/314689/conce...
Ralph Locke writes that Joachim Raff’s energetic and characterful "Die Eifersüchtigen" hits its mark, in the comic opera's first-ever production. Released on Naxos
artsfuse.org/314677/opera...
This week's poem: Micah Ballard's "Waller Street"
artsfuse.org/314647/weekl...
Aaron Keebaugh on the world premiere, at the Tanglewood Music Festival via the Boston Symphony Orchestra, of #johnwilliams’s piano concerto. The music may be intended to enrich and edify, but there’s always room for a little fandom, particularly on occasions like this.
artsfuse.org/314601/conce...
@sarahminaosman.bsky.social writes that, In terms of legacy film sequels, #AdamSandler's #happygilmore2 one isn’t a hole-in-one, but it doesn’t roll into a sand trap either. #Netflix
artsfuse.org/314616/telev...
Robert Israel sees too much of the same old same old in the fall season of Boston's major theaters. His hunch is that not only theater critics but audiences will find the parade of tried and true tiresome.
artsfuse.org/314554/theat...
@newportfolkfest.bsky.social will likely never deliver cameos as ground shaking as those in 2022, when stars aligned for Joni Mitchell and Paul Simon to grace separate tributes. But it doesn’t have to, given that there’s so much talent already onsite.
artsfuse.org/314566/conce...
This week's newsletter is out and about. The editor's column speculates about what will follow the death of the traditional arts review in the mainstream media. It will not be pretty ...
artsfuse.substack.com/p/the-arts-f...
Tim Jackson writes that the humanity #MariskaHargitay brings to her quest makes this film about her mother, #jaynemansfield, much more than a hagiographic profile of a movie star: it is a deeply personal story of reconciliation, love, and family. @hbo.bsky.social
artsfuse.org/314529/film-...
Jonathan Blumhofer on two splendid new recordings. Yulianna Avdeeva album of #DmitriShostakovich’s Preludes & Fugues is a testament to that rarest of syntheses. Pianist Marc-André Hamelin and the Takács Quartet release an album that, on so many levels, is simply a joy.
artsfuse.org/314477/class...
Aaron Keebaugh: Music by Amy Beach, Leonard Bernstein, Florence Price, John Harbison, and John Williams -- this Boston Landmarks Orchestra concert had a little something for everyone.
artsfuse.org/314450/conce...
In Czech composer Vilém Blodek's delightful one-act comic opera "In the Well," writes Ralph Locke, the world-renowned tenor Ivo Židek leads a spirited cast, and the recording reminds us of how involving opera can be when sung by native speakers.
artsfuse.org/314425/opera...
Kiyoshi Kurosawa’s return to form in "Cloud," writes @callinamagician.bsky.social, might be explained by his looking backward: the director has chosen to grapple with the fact that many of the pessimistic prophecies of his earlier films have come true.
artsfuse.org/313868/film-...?