exodddus

dry humping a large pile of torillas

hold the people you love closer than anything. they matter more than anything in the world. protect them with your heart your hands your mind anything you can muster.

hehe the nose

guilty by association

patton oswalt transition. patton oswalt transition. patton oswalt transition. patton oswalt transition. i demand it.

ngl elon musk as a name has always sounded like someones particularly stinky raccoon sona. i think someone could use this

arrested after breaking into a dentist to steal all the wisdom teeth. they want to keep me regular and dumb they dont know what i could do with all that wisdom

a headline reading "that's no unicorn -it's a donkey with a dildo on its head" and "mum's fury at birthday treat fiasco"

this is the world I want

inside scoop: wes anderson's next film is about the defecit and adrian brody is going to play the dollar

scorsese averages on letterboxd are insane because yeah these films are good but like none of them drop below a 3.7 even gangs of new york a film i personally consider to be fucking attrocious and bringing up the dead which is more of a nick cage film than anything

delicious...

making bootleg graphic tees of various bowser renders captioned by coordinates to various locations in random forests in austria #sidehustle

"insert topic here is wild" videos are going to quickly consume every topic possible. soon the elegant beauty of a sunset viewed from the top of a tall bridge with someone you want to love forever will be wild. algorithms are #weird

a little bit. feel free to suggest improvements.

tally hall discourse versus and a large sentient pile of shit a la conkers bad fur day but a bit smaller and maybe a bit hotter im not sure how we're gonna make shit hot im sure someone knowe

im brewing 18,000 metric tonnes of co2 in an attempt to get myself on the industrial climate change contributors league table. first lidl, then the world.

my existence is an idle hell, a waiting room for suffering, lurching forwards into every bear trap the universe deems i should step in. image of kitty cat looking silly.

by "sanitizing queer spaces" i mean "blasting a large crowd of bottoms with a cold hose"

i hope industry thanks me at the end of the day for my contributions.

Charlie Kirk says while his face shrinks uncontrollably haunting nearby children: "London. Calgary. Rotterdam. And soon... New York City. The power centers of the west will soon have Muslim Mayors. You become what you import."

You mean the folk who invented algebra, algorithms, the concept of zero, the first hospital, most early surgical instruments, universities, the toothbrush and pioneered navigation and cartography? Who we also wouldn't have coffee or lemons or guitars without?

Sounds awesome

looking to get into diffferent african music genres, does anyone have any good rec for genres, scenes or artists? i have heard a good portion of fela kuti's recorded discography.

watching users of a discord server talk about which pokemon they'd fuck and now i know what it's like to be around me when i'm talking about music

anyways if this channel picks up the sopranos next then i told you so.

maybe it also speaks to the aura and reputation of these works as "great", a certain level of canonisation by fans? breaking bad/bcs fans CONSTANTLY jerk off their favourite show (i say this as one of them).

fragmentation of pop media until analysis becomes a case of turning over every stone in a single way by singular authors to create the authoratative opinion on something that we all already knew: what happened?

the reason i relate it to fnaf is because fnaf's underlying narrative was imagined by fans out of details like this. it was totally given form, but that technique of goldpanning for info can be applied to almost everything

ultimately because to make narrative sense of something that, at a base level, makes total narrative sense, is overanalysis. we arent expanding understanding we're deepening and gentrifying it, its a sort of narrative science based around detail.

but there are these little analysis points, like "all the villains wear red" which dont need to necessarily be tied to anything concrete. im sure there are lots of colour theories across the videos (especially with mexico) but it feels a little halfbaked here sadly.

the production info is genuinely fascinating and well researched, its a good compilation of that info with good editing. reveals a lot of the similarities between the direction of david fincher in his post-05 movies, digital cinematography, for what seems like a very natural show.