Chris Jack

This is atmospheric black-and-white photograph shows a group of sheep grazing in a foggy field. To the right, there are rows of solar panels elevated on structures, and to the left, there’s a tall chain-link fence. In the background, a thick fog obscures the distance, blending the horizon into the sky. A formation of birds is faintly visible in the sky above, adding a touch of motion to the stillness of the scene.

Ovine wanderers grazing over the footprints of Julius Caesar, St Augustine and other such luminaries.
Ebbsfleet, Thanet, England.
#printmaking

This photograph evokes a haunting, melancholic atmosphere. The misty background, the skeletal remains of a metal structure, and the tattered piece of cloth hanging from it all suggest abandonment or the passage of time. The landscape that the photograph describes appears to be a sloping hillside or coastal bluff, with the terrain descending toward the left. The vegetation is sparse and dry-looking, likely grasses or low shrubs, suggesting a windswept or seasonally barren environment. A thick fog or low cloud cover obscures the distance, blending the sky and the land into a soft, grainy gradient. The horizon is barely visible, swallowed by mist, which adds an eerie depth and mystery to the scene. The toned grayscale printing amplifies the sense of desolation and quiet.

Pegwell Bay.

Found machinery. Agricultural unspecified. 3/3

Found machinery. Agricultural unspecified. 2/3

Found machinery. Agricultural unspecified. 1/3

Cheers, that was a bit of an experiment getting AI to give a literal description of the image.

This is a black and white photograph of a 13th century Norman church in Kent, England. The image focuses on a weathered exterior wall with a small, arched window in the center. A prominent crack runs vertically along the wall, creating an organic, meandering line from the top to the bottom. To the left, there is a vertical drainpipe attached to the wall. The right side of the image includes part of another section of the building with a sloped roof covered in tiles. Some vegetation is visible growing along the edge of the church. The background contains dark foliage, suggesting a rural or secluded setting. The photograph is printed on warm toned paper, giving it a vintage or archival feel. The overall composition emphasizes the textures of the weathered wall, the crack, and the contrast between architectural elements and nature.

13th century church.
Gampi paper, pigment ink, cotton mount.
#giclee #printmaking #pigmentprint #washi

Thanks so much Sara, I hope you're well ❤️

Thank you ✨

#washi #printmaking

A black and white print of a bindweed flower. © 2023 Chris Jack.

Bindweed flower, Tivoli Woods. From my photobook, Sanctuary (2023). Pigment print on Somerset satin heavyweight.
#printmaking #monochrome #bnw #giclee

Thanks Deb! It is such a lovely paper, definitely one of my favourites 👌✨

A photographic print of the disused Tivoli rail station, Margate. © 2023 Chris Jack.

A close up of a photographic print of the disused Tivoli rail station, Margate. © 2023 Chris Jack.

A close up of a photographic print of the disused Tivoli rail station, Margate. © 2023 Chris Jack.

Sanctuary (2023). St Cuthbert's Mill Somerset paper.
#printmaking

A tree in winter, at Tivoli Woods, Margate. © 2023 Chris Jack

A tree in winter, at Tivoli Woods, Margate. © 2023 Chris Jack

A pair of my favourite Woodfolk. From Sanctuary (2023).

A black and white photograph of a tulip discarded in the ashes of a makeshift fire. The photograph is from Chris Jack's photobook, Sanctuary (2023).

Tivoli Woods, Margate. From my photobook, Sanctuary, 2023.

Silbury Hill would have been a glowing chalk white beacon back in Neolithic times. The largest artificial mound in Europe its purpose and significance is mysterious. Built around 2400 BCE it could have been a marker to pilgrims making their way to Avebury for ceremony and ritual? #neolithic

Thanks that's helpful to hear.

My pleasure, Andy, and likewise 🤩

Obscured.
#35mm #darkroom #gelatinsilverprint #photograph #print #portrait

This is cool 👌

Beautiful work, Sophie ✨

Stunning!

A shadow passes

Skye, 2022

A heron perched on the edge of a pond

Herons have an elusive quality. This was the first heron I've ever succeeded in making a picture of close. And only because it had gotten used to feeding on scraps from a friendly Dutch-Chinese man who I met in an Amsterdam public park.

How effective are hashtags in BSky for improving reach? I stopped using them altogether in IG because I felt it made little to no difference any longer. @flakphoto.news maybe you have some insight on this?

More darkroom therapy (1-4)….an 11x14” silver gelatin photogram of a simple vine, and details of a second 11x14” photogram with mordançage bleach-etch technique applied.
(Cont. in comment)

Hay field, South of France. (Really enjoying posting some colour work for a change)

Shadow Self - Huis Marseille This fall Huis Marseille presents the exhibition Shadow Self – Portal to a Parallel World, with work by Shuang Li (1990), Charmaine Poh (1990), Heesoo Kwon (1990), Xiaopeng Yuan (1987), and Diane Seve...

Where does an image begin and end? In Shadow Self, five artists explore this question—and its responsibility—through new media and technology. On show until Sunday 9/2 at Huis Marseille
#NewMedia #ContemporaryArt #DigitalArt #Photography #MediaArt #HuisMarseille #Amsterdam #VisualCulture

That's lovely to hear buddy ❤️

Silage bales, South of France