Giotto Di Bondone

"Giotto di Bondone's 'The Presentation of the Infant Jesus in the Temple' illustrates a biblical scene with a striking use of gold background typical of medieval religious art. The composition captures the tender moment of Jesus being presented by his parents to Simeon, set within an architecturally detailed temple environment."

The Presentation of the Infant Jesus in the Temple https://www.wikiart.org/en/giotto/the-presentation-of-the-infant-jesus-in-the-temple

Giotto di Bondone's "Feast of Herod" depicts the dramatic biblical scene where Salome presents the head of John the Baptist amid a lavish banquet setting. The fresco highlights Giotto's pioneering use of perspective and expression, capturing a spectrum of human emotions in a monumental architectural space.

Feast of Herod https://www.wikiart.org/en/giotto/feast-of-herod-1320

Giotto di Bondone's "Last Judgment," located in the Scrovegni Chapel in Padua, is a monumental fresco depicting Christ in judgment, situated centrally above a vivid representation of heaven and hell. The artwork is renowned for its emotional depth and innovative use of perspective and naturalism, which marked a turning point in Italian Renaissance art.

Last Judgment https://www.wikiart.org/en/giotto/last-judgment-1306

"Fortitude," from Giotto di Bondone's series, portrays a robust, armor-clad figure symbolizing strength and resilience, holding a staff and associated with a sculpted column. This work exemplifies Giotto's innovative approach to human emotion and physicality that marked the transition from medieval to Renaissance art.

Fortitude https://www.wikiart.org/en/giotto/fortitude

The Death of the Virgin

The Death of the Virgin https://www.wikiart.org/en/giotto/the-death-of-the-virgin

Giotto di Bondone's "Raising of Lazarus" is a fresco that captures the miraculous moment when Jesus raises Lazarus from the dead, a theme central to Christian iconography. This work, part of the Scrovegni Chapel in Padua, showcases Giotto’s pioneering use of perspective and emotional expression that marked a departure from the Byzantine style toward more naturalistic representation in art.

Raising of Lazarus https://www.wikiart.org/en/giotto/raising-of-lazarus

"Giotto di Bondone's 'The Dream of Joachim' captures a poignant biblical moment as an angel descends to console a sleeping Joachim with the promise of a child. This fresco, located in the Scrovegni Chapel, is celebrated for its innovative use of spatial perspective and emotional depth."

The Dream of Joachim https://www.wikiart.org/en/giotto/the-dream-of-joachim

This artwork from Giotto di Bondone depicts the biblical scene of Jesus walking on water, inviting reflections on faith and salvation. The fresco conveys a dramatic moment as the apostles react within a boat adorned with intricate details, embodying Giotto's revolutionary use of space and perspective in the early Renaissance.

Nacelle https://www.wikiart.org/en/giotto/nacelle

In "Joachim among the Shepherds," Giotto di Bondone illustrates Joachim in a humble interaction with shepherds, set against a rocky landscape and deep blue sky. The fresco, part of the Scrovegni Chapel series, showcases Giotto’s revolutionary use of naturalism and human emotion in early Italian Renaissance art.

Joachim among the Shepherds https://www.wikiart.org/en/giotto/joachim-among-the-shepherds

Isaac Blessing Jacob

Isaac Blessing Jacob https://www.wikiart.org/en/giotto/isac-blessing-jacob

Giotto di Bondone's artwork titled "Infidelity," from his series of virtues and vices in the Scrovegni Chapel, depicts a figure in a flowing white robe, holding a small figure tied with a string, symbolizing betrayal of trust. The composition combines symbolic elements to convey moral lessons, characteristic of Giotto's innovative approach to narrative fresco.

Infidelity https://www.wikiart.org/en/giotto/infidelity-1306

"Trial by Fire of St. Francis of Assisi before the Sultan of Egypt," part of Giotto di Bondone’s fresco cycle, depicts the moment St. Francis courageously demonstrates his faith by proposing to walk through fire in front of the Sultan. Giotto captures the scene with his characteristic use of vivid colors and expression, illustrating both the spiritual intensity and human drama of the encounter.

Trial by Fire of St. Francis of Assisi before the Sultan of Egypt https://www.wikiart.org/en/giotto/trial-by-fire-of-st-francis-of-assisi-before-the-sultan-of-egypt

This artwork, attributed to Giotto di Bondone, depicts Christ's return to Jerusalem amidst a richly detailed urban landscape showcasing architectural structures consistent with the Gothic period. Giotto, renowned for his contributions to the early Renaissance, is celebrated for infusing his figures with emotional depth and utilizing innovative fresco techniques.

Return of Christ to Jerusalem https://www.wikiart.org/en/giotto/return-of-christ-to-jerusalem

Giotto di Bondone's "The Adoration of the Magi" depicts the biblical scene of the three wise men visiting the newborn Jesus, characterized by Giotto's innovative use of space and emotional expression. The fresco, adorned with rich narrative detail, highlights the shift toward naturalism in early Renaissance art.

The Adoration of the Magi https://www.wikiart.org/en/giotto/the-adoration-of-the-magi

"St. Francis Honoured by a Simple Man," painted by Giotto di Bondone, depicts St. Francis clothed in dark robes, receiving humble reverence from a kneeling admirer in the foreground. The fresco is part of the intricate narrative cycle in the Basilica of San Francesco in Assisi, renowned for its pioneering use of perspective and emotive humanism in early Renaissance art.

St. Francis Honoured by a Simple Man https://www.wikiart.org/en/giotto/st-francis-honoured-by-a-simple-man-1300

In Giotto di Bondone's fresco "St. Francis Preaching to the Birds," the saint is depicted with a halo, gently speaking to an attentive flock of birds under lush trees, symbolizing his connection to nature. This artwork, part of the Upper Church at the Basilica of St. Francis in Assisi, showcases Giotto's innovative use of perspective and human emotion during the Italian Gothic period.

St. Francis Preaching to the Birds https://www.wikiart.org/en/giotto/st-francis-preaching-to-the-birds-1299

This depiction of "The Crucifixion" by Giotto di Bondone showcases the transition from medieval to early Renaissance art with its emphasis on naturalism and emotional expression. Giotto's innovative approach captures the solemnity and gravity of Christ's sacrifice, enhanced by the detailed use of gold leaf and a geometric yet hauntingly human form.

The Crucifixion https://www.wikiart.org/en/giotto/the-crucifixion-1

In "Flight into Egypt," Giotto di Bondone masterfully depicts the Holy Family's escape, highlighting Mary's serene demeanor as she holds the infant Jesus on a donkey. The fresco, part of the Scrovegni Chapel series, is remarkable for its use of perspective and emotive figures, embodying the transition from medieval art to the Renaissance.

Flight into Egypt https://www.wikiart.org/en/giotto/flight-into-egypt

"Joachim's Sacrificial Offering" by Giotto di Bondone captures Saint Joachim presenting an offering to an angel at a rustic altar, symbolizing divine acceptance and hope. The fresco, rich in emotion and realism, showcases Giotto's pioneering use of perspective and depth during the early 14th century in the Scrovegni Chapel.

Joachim's Sacrificial Offering https://www.wikiart.org/en/giotto/joachim-s-sacrificial-offering

Badia Polyptych

Badia Polyptych https://www.wikiart.org/en/giotto/badia-polyptych-1302

"The Dream of Innocent III" by Giotto di Bondone illustrates a vision experienced by the Pope, with St. Francis symbolically supporting a collapsing church, signifying his role in revitalizing the faith. This work, part of the frescoes in the Basilica of San Francesco in Assisi, showcases Giotto's innovative use of perspective and emotion in early Renaissance art.

The Dream of Innocent III https://www.wikiart.org/en/giotto/the-dream-of-innocent-iii-1299

In "Judas Receiving Payment for his Betrayal," Giotto di Bondone captures the dramatic moment of Judas Iscariot receiving money for betraying Jesus, showcasing his mastery of expression and human emotion. This fresco from the Scrovegni Chapel in Padua exemplifies the transition from medieval to Renaissance art with its use of perspective and shading.

Judas Receiving Payment for his Betrayal https://www.wikiart.org/en/giotto/judas-receiving-payment-for-his-betrayal

This painting, "Madonna and Child" by Giotto di Bondone, features the Virgin Mary holding the Christ Child, set against an ornate background with angels. Giotto's innovative use of perspective and naturalism marks a significant departure from the more stylized forms of Byzantine art.

Madonna and Child https://www.wikiart.org/en/giotto/madonna-and-child-1

"The Virgin's Wedding Procession," attributed to Giotto di Bondone, captures a solemn yet vibrant scene of the Virgin Mary's marriage ceremony, highlighting Giotto's mastery of human emotion through precise lines and expressive figures. This fresco is part of the North Wall cycle in the Scrovegni Chapel, reflecting the early Renaissance shift towards naturalism and depth in religious storytelling.

The Virgin's Wedding Procession https://www.wikiart.org/en/giotto/the-virgin-s-wedding-procession-1305

The artwork "St. Paul" by Giotto di Bondone portrays the apostle with a solemn expression, marked by a luminous halo against a rich blue background, symbolizing his sanctity and divine inspiration. Giotto, a pivotal figure in the transition from medieval to Renaissance art, is renowned for his advancements in naturalism and spatial representation in religious frescoes.

St. Paul https://www.wikiart.org/en/giotto/st-peter

This fresco, "Marriage at Cana" by Giotto di Bondone, vividly captures the biblical scene where Jesus performs his first miracle of turning water into wine. Painted in the Scrovegni Chapel, it showcases Giotto's innovative use of perspective and emotional expression, marking a significant moment in early Renaissance art.

Marriage at Cana https://www.wikiart.org/en/giotto/marriage-at-cana

The artwork "Ecstasy of St. Francis," attributed to Giotto di Bondone, depicts St. Francis in a moment of divine rapture, ascended on a cloud, surrounded by fellow friars. Known for pioneering a more naturalistic approach to medieval painting, Giotto introduces a sense of depth and emotion that enhances the spiritual narrative of the saint in communion with God.

Ecstasy of St. Francis https://www.wikiart.org/en/giotto/ecstasy-of-st-francis-1300

"St. Jerome Checking the Stigmata on the Body of St. Francis," attributed to Giotto di Bondone, depicts a somber scene where St. Jerome examines the stigmata of St. Francis, reflecting Giotto's innovative approach to spatial composition and human emotion in art. The fresco captures the religious reverence and spiritual significance of the moment, embodying the Gothic tradition transitioning towards Renaissance sensibilities.

St. Jerome Checking the Stigmata on the Body of St. Francis https://www.wikiart.org/en/giotto/st-jerome-checking-the-stigmata-on-the-body-of-st-francis-1300

Giotto di Bondone's "The Arrest of Christ (Kiss of Judas)" is a fresco from the Scrovegni Chapel in Padua, depicting the dramatic moment when Judas betrays Jesus with a kiss. The scene is characterized by vivid expressions and dynamic figures, demonstrating Giotto's revolutionary approach to creating depth and emotion in painting during the early Italian Renaissance.

The Arrest of Christ (Kiss of Judas) https://www.wikiart.org/en/giotto/the-arrest-of-christ-kiss-of-judas-1306-1

In "Annunciation to St Anne," part of Giotto di Bondone's frescoes in the Scrovegni Chapel, the angelic messenger appears to St. Anne in an intimate domestic space, symbolizing the divine intervention in everyday life. Giotto's pioneering use of perspective and expressive figures marks a significant shift towards realism in Gothic art.

Annunciation to St Anne https://www.wikiart.org/en/giotto/annunciation-to-st-anne