cat but on 🦋☁️

A female android with six arms, she's resting one pair of arms on her hips, stretching another pair above her head and using the main pair of hands to make a heart gesture. She's wearing a crop top and puffy shorts.

Commission

Feet

Its been a thing for months, ive moved on to being in a mexican time in my life, but currently im in andromeda

happy holiday!

Ate a quesadilla today

Im having a hard time understanding what the diagram is communicating…

Yeah but its not as simple as just keeping one shape darker than the shape behind it. Just as a micro example here you can see the way I intentionally shift which value is light and which is dark within the same shape. I try to find and capitalize on every opportunity I can for this sorta thing.

Rj i a ate a lot of food and now im out of breath. How do you keep consistent structure when drawing symmetrical creatures or figures? Whats your approach to structure that allows you to keep consistent vision on overall form and proportion of the character? Thanks in advance! PS. Find my pages

Volumemaxxing….twitter has recently turned into that one time i made everyone say -maxxing in your chat it is very funny

Are you cultivating your Qi to achieve dragon cultivation state

Yea

Ive also recently interacted with the idea of using thematic storytelling elements to enhance a drawings intrigue. Like the use of symbols in classical art. May it be doves, flowers, etc, stuff that gives character some enigma and story to the painting. Writing about the piece’s meaning helps

Furthering into my personal standpoint, i have a Similar approach. Because i am well trained in pencil-work. i create mental parallels to it for relatability. I start with pencils, then either grayscale or paint over. 2 toning is super helpful for style bc of the detail that you can get from it.

Big message

I dont want to be too diagnostic so i think a solid opening question to respond to this would be, what is your intent with the approach that you’re using and how do you think it affects your thought process regarding the ideation of the vision you are trying to go for? Like, cause and effect n stuff

Paldean clodsire EX

Can i share my process regardless of my skill level i have some really funny tricks up my sleeve including but not limited to pulling a rabbit out of my hat and being able to tell what card you are thinking of

Best

i hate drawing perspective shot and dynamic poses because its too hard but every artists i like does that so good i have to try every miserable attempt
same with lineart i hate linearts

Oh my peak

A woman dressed like a generic viking holding an axe and smiling at the viewer

COLLECT MY PAGES RJ

Shinigami oc guy

A disfigured creature holding a bone cleaver, it wears its own skin as a hood and instead of a face it has a huge mouth with no lips. It has defined muscles and long limbs and its flesh appears to be turned inside out.

A woman with large boobs holding a giant book

photo of a sketchbook page featuring monster head design ideas

photo of a sketchbook page featuring monster hand design ideas

photo of a sketchbook page featuring monster head design ideas. I really like the bottom left two especially.

Been making an effort to doodle more on paper lately. Fun to crank out some little guys free of any Big Art™ pressure

BIG ART IS WATCHING RJ PLEASE

Tytytyyy

I think the fucked up heads in the corners are crucial to the composition