Laura Meseguer Studio

Elizabeth Goodspeed on why design studios are making fonts Custom type has become branding’s newest obsession, promising control, originality, and ownership – but its rapid rise is reshaping the culture and economy of type design itself.

Do you have a branding project in mind? Then, consider designing a custom type typeface with me ;)
I can do that for you!
Send me a DM
❤️👌

❤️

Our 10th birthday party continues with a subset of the “100 Tens”. This clip includes a wide range of fabulous 1s contributed by:⁠
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Antic-Ham and Francis Van Maele of Redfoxpress⁠
Laura Serra @laureola.bsky.social
Laura Meseguer @laurameseguer.bsky.social
Martin Venezky @martinvenezky.bsky.social

✨ Placa in Typography News No.17 ✨

It’s always great to see Placa in spaces that celebrate type design. This time, it has been featured in Typography News No.17, an online bulletin highlighting type news, published by Jectives
😊 You can catch it at minute 0:47:27 👉 www.youtube.com/live/rEoP4w4...

Karel Martens Unbound at the Stedelijk Museum, Amsterdam

One of the most intelligent and beautiful design/art exhibitions I've ever seen.

Until 26 October: inderdaad, onmisbaar!

KAREL MARTENS — UNBOUND 💥

A powerful reminder of the beauty that comes from decades of making and remaking. Martens’ work flows across time, media, and intention—always with a sense of play and precision. It’s not about reaching a final form, but staying in motion.
Unmissable!
www.stedelijk.nl

Hace muchos años sorprendí a un tipo que estaba cortando la cadena de mi bici con un trozo de hoja sierra, cuando le llamé la atención me dijo lo siguiente "un segundito, que ya casi lo tengo...".

Con lo de Gaza está pasando lo mismo.

Mi viñeta de hoy en El País.
elpais.com/opinion/2025...

typo.social Welcome to Typo.social! This is a Mastodon instance open to any typo and type enthusiastic. We are offering this service out of sheer courtesy without being held responsible for any disadvantages.

Bluesky is a good alternative to X for the general public and some specific topics, especially politics. But for many communities and fields, a critical mass remains exclusively on Mastodon. Type designers and fans, for instance, have their own server with 679 active users: typo.social/directory.

Laura Meseguer Laura Meseguer diseña tipografías y marcas a través de Laura Meseguer Studio.Durante más de 20 años, ha realizado lettering y tipografía a medida para marcas...

En la cocina con @laurameseguer.bsky.social:

Durante más de 20 años, Laura ha realizado lettering y tipografía a medida para marcas, instituciones culturales y editoriales a través de su estudio www.laurameseguer.com

albertoromero.com/la-cocina/s0...

Thanks a lot! I’m happy to see that I managed to trànsfer what I felt ;)

Placa is my display typeface, born from the question: What typeface could represent Barcelona? Inspired by street signs, it now has 5 styles + a Variable Font. I'm adding an expressive lowercase & Latin Plus.
#PlacaTypeface is #wip — more soon!
🔗 laurameseguer.com/case/placa
#typedesign #typography

Types and Letters #2 is out, if you want to receive my newsletter, join us here
shorturl.at/rGOlC
Mentioning my new typeface family Brise, samples of my typefaces in use, some design delights, a typographic tour and a song :)
#typedesign #typography #laurameseguer

Welcome Brise! My new typeface family :=)
type-o-tones.com/fonts/brise
#laurameseguer #typeotones #typography #StencilType #typedesign

Brise is a stencil type family inspired by the interplay between air and structure. Like a breeze drifting through space, its forms are shaped by both presence and absence. The family goes from Text Light to Display Extreme. Available also as a Variable Font (on demand).
type-o-tones.com/fonts/brise

Questrial, designed by Joe Prince and Laura Meseguer
Many African languages lack proper typographic support. To address the lack of open source fonts for African languages, Google Fonts gave me the task of expanding Questrial typeface for that purpose.
fonts.google.com/specimen/Que...
#typography

Photo from the Fontstand conference 2025, from left to right: Indra Kupferschmid, Andrej Krátky, Peter Biľak, Christine Bateup, and Christopher Slye.

Fontstand is becoming a co-op! At the Fontstand Conference in The Hague, we announced that we’re becoming a cooperatively owned and managed font distributor — with expanded licensing and services. Stay tuned as we create a more equitable, transparent and democratic model for font designers.

We are ready for our Experimental type & typography workshop at ISIA Urbino. 17-20 April

This might be a good time to mention that I’m currently looking for interesting projects or companies to collaborate with. I’m an experienced Product Designer who can code, illustrate, and build the silliest side projects.

Almost a year ago, at Type-Ø-Tones we teamed up with Luis Mendo to craft a typeface family from his handwriting. Clear, readable, and natural, Mendo Sans includes Mendo Titles Light, Mendo Titles Bold, Mendo Sans Uppercase, and Mendo Sans Lowercase. Follow Luis at @luismendo.com
#typography

An update for LTR Very Bauble! The OG characterset was a bit sparse, so I added about 2500 more! All animated with lines, thorns and pips. One axis, five masters. These were already having a party and now they are having a ball. #ad #update #tuscan #variablefont ‪letterror.com/verybauble/index…‬

Laura Meseguer Studio favs :) Join the conversation

I’m starting to get more active here and I created a starter pack with some of my favorites here.
Who do you think I’m missing from this list?
I’d love to connect with other type designers, typographers, instititutions and creatives on this platform.🤩

go.bsky.app/2tZdTWW

My typefaces are available at Type-Ø-Tones, and here you have the ones available at Adobe. With the Adobe Suite license, the use is unrestricted for desktop and web use, but if you want to use it in apps, broadcasting, products or servers… contact me (info@type-o-tones.com)
#typedesign #typography

Filip Blažek and Linda Kudrnovská’s seven-part documentary series on Czech design is now online with English subtitles: identitaproject.com#content_plan...

#CzechDesign #CzechRepublic #Czechia #Typography

After a long pause, my latest newsletter is out, featuring: Toormix, LLOS&, Khatt Books, Worlds of Type, Stedelijk Museum, Karel Martens; and introducing my website and latest typeface.
If you’d like to see it and receive the new ones via email, just click to subscribe!
mailchi.mp/152150bcf052...

The Toormix studio designed the identity of Restaurant Volta. Inspired by the Porxos d’en Xifré vaults. The visual identity features my PLACA typeface, inspired by Barcelona’s street name plaques.
www.laurameseguer.com/case/placa/
toormix.com/proyecto/vol...
#Branding #Typedesign #Placatypeface

So incredible and georgeous ❤️

Last week, the exhibition Matter Matters opened at the Museu del Disseny—DHUB in Barcelona. Within the "Digital Matter" section, you’ll find the capsule "The Dematerialization of Typography", where my type family ELLA is on display alongside some typographic treasures.
#MatterMatters #TypeDesign

Font Reviews 2024: Tegner | Alphabettes Font review of Tegner, a typeface designed by Linda Hintz and released by Future Fonts

My Font review of Tegner, a typeface designed by Linda Hintz and released by Future Fonts is online at @alphabettes.bsky.social
www.alphabettes.org/font-reviews...
#typography #typedesign

MR. BOHO Custom Typeface

What can I tell about this project that I haven’t already said? :) I think it’s a great example of how a custom typeface elevates a brand’s perception.
Creative Direction: Buenaventura Estudio
www.laurameseguer.com/case/mroboho...
#customtypeface #Typedesign #Typography

The origins of my type family Qandus Latin, date back to 2005, as part of the TMMM project by the KHATT Foundation, consisting on the design of typefaces covering 3 writing systems: Maghrebi-style Arabic, Latin, and Tifinagh.
—
👀 www.laurameseguer.com/case/qandus-...
#typedesign #typography