Georgia O'Keeffe

Poppy 2

Poppy 2 https://www.wikiart.org/en/georgia-o-keeffe/poppy-2

Canna Leaves

Canna Leaves https://www.wikiart.org/en/georgia-o-keeffe/canna-leaves

Nature Forms Gasp

Nature Forms Gasp https://www.wikiart.org/en/georgia-o-keeffe/nature-forms-gasp

Banana Flower

Banana Flower https://www.wikiart.org/en/georgia-o-keeffe/banana-flower

Blue Morning Glory

Blue Morning Glory https://www.wikiart.org/en/georgia-o-keeffe/blue-morning-glory

Only One

Only One https://www.wikiart.org/en/georgia-o-keeffe/only-one

Nude Series 2

Nude Series 2 https://www.wikiart.org/en/georgia-o-keeffe/nude-series-2

Black Lines 1

Black Lines 1 https://www.wikiart.org/en/georgia-o-keeffe/black-lines-1

The Black Place was Georgia O’Keeffe’s name for one of her favorite locations to paint, discovered as she toured New Mexico in her Model A Ford. Located in the Bisti Badlands about 150 miles from Ghost Ranch, the dude ranch north of Abiquiu where O’Keeffe lived in the summer, the Black Place featured a landscape of numerous black and gray hills. O’Keeffe later described the terrain as looking “like a mile of elephants—grey hills all about the same size with almost white sand at their feet.” In The Black Place, she emphasized the rolling continuity of the rounded hills. Alfred Stieglitz Collection, gift of Georgia O'Keeffe

The Black Place https://www.artic.edu/artworks/32630/

Dead Cottonwood Tree

Dead Cottonwood Tree https://www.wikiart.org/en/georgia-o-keeffe/not_detected_231744

From the Lake

From the Lake https://www.wikiart.org/en/georgia-o-keeffe/from-the-lake

Blue Morning Glories

Blue Morning Glories https://www.wikiart.org/en/georgia-o-keeffe/blue-morning-glories

Drawing XIII

Drawing XIII https://www.wikiart.org/en/georgia-o-keeffe/drawing-xiii-1915

Pink Sweet Peas

Pink Sweet Peas https://www.wikiart.org/en/georgia-o-keeffe/pink-sweet-peas

Shell and Old Shingle VI

Shell and Old Shingle VI https://www.wikiart.org/en/georgia-o-keeffe/shell-and-old-shingle-vi

Georgia O’Keeffe could see the dramatic geological formation known as the White Place, or Plaza Blanca, from a window in her home near Abiquiu, New Mexico. Composed of white stone that provides a stark contrast to the colors of the surrounding terrain, the White Place was whittled and smoothed by water and wind over centuries into a striking formation resembling columns, cliffs, and spires. O’Keeffe painted it a number of times, and in The White Place in Sun, she selected a view that emphasizes a deep cleft in the formation. The V-shaped composition enabled her to focus on the interplay between the brilliant blue sky, the eerie white color, and horizontal striations of the carved rock. Bequest of Paul and Gabriella Rosenbaum

The White Place in Sun https://www.artic.edu/artworks/158752/

Grey Blue and Black, Pink Circle

Grey Blue and Black, Pink Circle https://www.wikiart.org/en/georgia-o-keeffe/grey-blue-and-black-pink-circle

Shell No. I

Shell No. I https://www.wikiart.org/en/georgia-o-keeffe/shell-no-i

Landscape. Urban. Architecture. Georgia O‘Keeffe produced more than twenty scenes of New York City between 1925 and 1930. Here, the power and presence of the modern era are epitomized in the city’s thrusting architecture. During the first half of the 1900s, skyscrapers came to exemplify U.S. ingenuity. O’Keeffe reduced these immense buildings to simple geometric forms that converge in the upper reaches of the dark canvas, towering even above the moon. She places the viewer between these architectural giants. We might feel small in their midst, forced to crane our necks skyward to take it all in, or we might marvel at the staggering feats of engineering that soar above our heads. The brightly glowing moon offers a round contrast to the super-straight lines of the city.

City Night https://collections.artsmia.org/art/2725/

Cup Of Silver Ginger

Cup Of Silver Ginger https://www.wikiart.org/en/georgia-o-keeffe/cup-of-silver-ginger

In the 1920s, Georgia O’Keeffe began concentrating on representing enlarged still-life elements with carefully realistic handling. Although known more for her flower paintings, she frequently depicted leaves, inspired by the examples she found on her walks around Lake George in upstate New York, where she summered with her husband, Alfred Stieglitz, between 1918 and 1928. In Yellow Hickory Leaves with Daisy, O’Keeffe painted the leaves around the small white daisy at lower center so that they seem to be emanating from the flower. She hoped that the strangely magnified subjects would inspire viewers to, as she said, “be surprised into taking time to look at” them in a new way. Alfred Stieglitz Collection, gift of Georgia O'Keeffe

Yellow Hickory Leaves with Daisy https://www.artic.edu/artworks/24687/

Margaret Fisher Endowment

Mule Skull with Turkey Feather https://www.artic.edu/artworks/117310/

Spring Tree No. II

Spring Tree No. II https://www.wikiart.org/en/georgia-o-keeffe/spring-tree-no-ii

Acquired through the Richard D. Brixey Bequest

Farmhouse Window and Door http://www.moma.org/collection/works/78978

Autumn Leaves - Lake George, N.Y.

Autumn Leaves - Lake George, N.Y. https://www.wikiart.org/en/georgia-o-keeffe/autumn-leaves

From the Faraway, Nearby

From the Faraway, Nearby https://www.wikiart.org/en/georgia-o-keeffe/from-faraway-nearby

Dead Tree with Pink Hill

Dead Tree with Pink Hill https://www.wikiart.org/en/georgia-o-keeffe/dead-tree-with-pink-hill

Pink Daisy with Iris

Pink Daisy with Iris https://www.wikiart.org/en/georgia-o-keeffe/pink-daisy-with-iris

Bob Steer Head

Bob Steer Head https://www.wikiart.org/en/georgia-o-keeffe/bob-steer-head

Poppy 4

Poppy 4 https://www.wikiart.org/en/georgia-o-keeffe/poppy-4