@dlp.

Taccio quando ho paura di sentirmi dire ciò che non vorrei sentire, taccio quando ogni parola sarebbe superflua, taccio per non essere ferita, taccio sempre … e non va bene.

"Man with a Feather" (1943) by Lucian Freud

🖼️ Lucian Freud, Man With a Feather (Self-Portrait), 1943

“I have to remind myself to breathe -- almost to remind my heart to beat!”

― Emily Brontë, Wuthering Heights

Marc Zetterblom

A #SundaySentence fragment:

. . . so that at first sight of her you felt a kind of shock of gratitude just for being alive and being male at the same instant with her in space and time, and then in the next second and forever after a kind of despair

Faulkner / The Town

Gasthof zur Muldentalsperre | Peter Doig

Auf einem Tisch in einem Café liegt ein Pfannkuchen und steht ein Glas mit Kaffee. Auf einer Bank am Fenster liegen Kissen. Im Hintergrund eine Dönnerbude und die UBahngleise an der Schönhauser Allee auf denen gerade eine UBahn vorbei fährt.

Juten Morjen jesacht.
Mit freundlichen Sonntagsgrüßen aus Berlin.
Habt einen wunderschönen Tag ihr Lieben.

Ghostly doll in nighttime garden. By Tirzah Garwood.

It was a great exhibition.

Twilight of the temporal gods.

Lori Williams, Haji and Tura Satana in Faster, Pussycat! Kill! Kill! (1965)

YouTube video by Tots Sants Cucurrucucú Paloma | Sílvia Pérez Cruz i Raül Fernández

youtu.be/_iYLbGtPOto?...

#woerden vanmiddag.

#Stunday

📍Pennsylvania

Oona Ode

#StreetArt by #BearPolar in #France #Rochefort

The true alchemists do not change lead into gold; they change the world into words.

William H. Gass, A Temple of Texts

Jason M. Peterson

1955 Traction Avant in burgundy parked in front of Arc de Triomph.

Various matcha baked goods and coffees for two.

Sacre Coeur from a from right profile.

Antipasti with cheese and meats.

Took my little sister to Paris for the first time for her birthday. Was a true blessing, she is such a sweet, kind and empathetic person. Was a gift to even be able to share it with her. Sharing some of my faves

World War II and its aftermath were at the underpinnings of the movement that became known as Abstract Expressionism. Arriving in New York in 1930, Pollock began working with figuration of both human and imaginary beings. Most of this imagery was connected to that of American Indian sand painting and Mexican. His first fully mature works, between 1942-47, use an idiosyncratic iconography he developed in part as a response to Surrealism, popular in New York with its numerous European exiles from World War II. Employing mythical subject matter, calligraphic markings, and a vibrant and distinctive color palette, Pollock produced emotionally charged works that retain figurative subject matter yet emphasize abstract qualities. The year 1943 proved to be a watershed year for Pollock, principally due to his introduction to Peggy Guggenheim, who had opened her New York gallery Art of This Century the year before. Encouraged by Marcel Duchamp and Matta, among others, Guggenheim offered Pollock a monthly stipend, which allowed him to devote all his time to painting. In this same year he had his first solo show at the gallery. Among the works from this period, "Two" (1943–45), depicts a figurative subject in emblematic, abstract terms derived from various sources, among them tribal painting and Pablo Picasso’s Cubist works. Rapidly applied strokes of thick black paint harshly delimit the two totemic figures. A columnar figure on the left, probably male, faces the center. Black contours only partially delineate the white and flesh colored areas that signify his body, as Pollock separates and liberates line from a descriptive function. The figure on the right, possibly female, bends and thrusts as it approaches the static figure on the left, a sexual union of the two is implied at the juncture of their bodies in the center of the canvas. Brought together in agitated union, the two figures suggest the primacy of the male and the female in the genesis of human life.

Jackson Pollock : Two, 1943-45

Oil on canvas
76 x 43.25 in | 193 x 110 cm

Peggy Guggenheim Collection
The Solomon R. Guggenheim Foundation

Further info & description in the alt text 👇

Le jardin rose (Pink Garden), 1907 by Alice Bailly

More pictures & videos from the attacks on Tehran today.

Leather, rope & mudd, black hearted Valentine 🖤

Postal art therapied, velvet maroon patch matte green stamped, toy figures bent towards each other sharing flowers & exchanging unsaid thoughtages, lined toy tire love noteded

🌟

David Bowie and Geoff MacCormack travelling the Transsiberian railroad, USSR, 1973

#GiordanoBruno
Filosofo
Viene arso vivo a Campo de' Fiori a Roma dalla Chiesa Cattolica per eresia

#17Febbraio 1600

"Ho lottato, è molto; ho creduto nella mia vittoria. È già qualcosa essere arrivati fin qui. Non aver temuto di morire, aver preferito coraggiosa morte a vita imbelle."

Ed il primo live, tra quelli che abbiamo programmato, in questo 2026... è andato in maniera soddisfacente!
#ForgottenTomb

#BlackMetal #DoomMetal

#TwinPeaksDay
#TwinPeaks

#DavidLynch

#StreetArt by #Phlegm, Tottenham Hale 2026
@phlegm_art

Reaper - 1885
https://botfrens.com/collections/46/contents/13783

Portrait de Jean-Louis Barrault (Portrait of Jean-Louis Barrault), 1947 by Félix Labisse