slavo cech

Thank you my friend.

This is a cool piece, even by Slavo's standards.

Here is “Pirouette” in the round, it is still available.

I’m so glad it found a great home.

Picture of a metal object d‘art. It’s colour is the same red as the Canadian flag. ‘Reaching’ brings me joy.

By @slavocech.bsky.social my new piece ‘Reaching’ brings me joy. Thank you good sir.

❤️ I hope you are well.

Friday night light at the Casa.

A red abstract sculpture situated in front of bright patchwork panel.

A lovely update from the collector. Here is “Reaching” in situ.

A polished steel sculpture inspired by dance and movement.

My Gallery in Montreal is closing as the owners are retiring. One of the pieces I’m getting back is a polished steel sculpture titled “Pirouette”. It was part of dance inspired series when my eldest was a student at Canada’s National Ballet School. It will be available.

Thank you my friend you captured the flame and the sparks brilliantly. These photos have a mood.

The photograph captures a man engaged in a welding or metalworking activity inside what appears to be a workshop. He is dressed in protective gear, including overalls, gloves, and ear protection, topped with a cap. The man is focused on his task, holding a torch that emits a bright orange flame, directed towards a metal apparatus resting on a stand. Smoke rises from the point of contact, creating a hazy atmosphere around the working area. The lighting is a mix of artificial sources, with a bright overhead lamp illuminating the scene and accentuating the contrast between light and shadow. The walls of the workshop are dimly lit, revealing a cluttered space with various tools, equipment, and metal scraps. In the background, there's a hint of artwork or graffiti on the walls, adding a touch of character to the industrial setting. The overall color palette is dominated by dark tones, with the bright orange flame and the protective gear providing pops of color. The textures range from the rough surfaces of the metal objects to the soft fabric of the man's clothing. The man's posture suggests concentration and precision, as he manipulates the torch to join or cut the metal. The atmosphere of the workshop feels both industrious and a bit gritty, with the smoke and dim lighting contributing to a sense of intense activity.

In a dimly lit industrial setting, a middle-aged man sits facing forward, his gaze directed towards the viewer. The man wears dark overalls over a gray sweater and a dark baseball cap with light lettering. Work gloves cover his hands, suggesting a hands-on profession. His face is weathered, hinting at a life spent outdoors or in manual labor. The lighting casts strong shadows, emphasizing the textures of his clothing and skin. Behind him, a jumbled array of metal bars and construction materials creates a backdrop of organized chaos. The cool tones of the metal contrast with the warmer hues of his skin and the earth-toned gloves. The image evokes a sense of resilience and the dignity of labor. The man's expression is neutral, but his presence fills the frame, commanding attention. The scene suggests a workshop or storage area, perhaps a steel mill or fabrication shop. The composition emphasizes the man's connection to his work and the environment he inhabits. The interplay of light and shadow adds depth and drama to the portrait. There are several metal bars and steel scraps in the background. The Carhartt logo is visible on the bib of the overalls. The man's posture is relaxed, but alert, as if he is taking a moment's rest from a demanding task. The overall atmosphere is one of quiet strength and determination.

The photograph captures a solitary figure, an older man, seated in what appears to be a dimly lit industrial setting. He is turned in profile, facing toward the right side of the frame, with a contemplative expression suggested by his posture and gaze. The man wears a dark-colored cap, a long-sleeved shirt or sweater, and overalls, suggesting a working-class background. He also sports work gloves, reinforcing the impression of manual labor. The lighting is dramatic, with strong contrasts between light and shadow, emphasizing the textures of his clothing and the ruggedness of his face. In the background, stacks of metal bars and structures are visible, adding to the industrial atmosphere. A doorway or opening in the background provides a glimpse of a brightly lit area, creating a sense of depth and contrast. The overall mood is one of quiet introspection and weariness, perhaps after a long day of work. The dark tones and shadows contribute to a sense of solitude and the gritty realism of the scene. The image evokes feelings of respect for the dignity of labor and the resilience of the human spirit. The composition of the photograph, with the man's figure positioned against the backdrop of industrial elements, creates a visually compelling narrative.

This is a striking, low-key, high-contrast image of a person welding in a dark environment. The subject, presumably male, is positioned in the center, partially obscured by a shower of bright sparks emanating from the welding point. The individual is clad in protective gear, including a cap, ear protection, and what appears to be safety glasses or goggles, which are partially hidden by the cap's brim. The attire suggests a work setting, possibly a metal shop or construction site. A light source, possibly attached to the person's head or nearby, casts a bright glow on the subject, contrasting sharply with the surrounding darkness. The sparks create a dynamic, almost ethereal effect, adding drama and visual interest to the scene. The sparks are of varying sizes and intensities, some appearing as bright dots and others as streaks of light, indicating movement and energy. The background is largely indistinct, with only vague shapes and forms discernible, which emphasizes the person and the welding activity. The atmosphere of the image is industrial and intense, conveying the heat and energy of the welding process. The image appears to be captured with a shallow depth of field, with the focus primarily on the sparks and the immediate area around the welding point, while the background remains softly blurred, further isolates the subject and draws the viewer's attention to the central action.

Sharing some portraits today of my beautiful, talented, BAMF friend @slavocech.bsky.social that I took in his studio.

We had Julia and the boys over for dinner. Of course I had to sneak a video of Aiden, Darren would be happy.
Also my poor piano is so out of tune.

Update: this piece is now sold.🔴

❤️🇨🇦

A bright red abstract sculpture displayed on a piano.

Every once in a while I make a piece available from my personal collection. This one is titled “Reaching” and it is painted in Canada flag red🇨🇦. It is 26” tall and a perfect way to commemorate these Olympics.

Dude, I’m not on here enough I’m sorry. If you need to talk, please reach out.

With the proliferation of AI, at what point do we demand “proof of reality”?

A few more stills from the movie “Second Guessing Fate”.

Thank you.🙏🏻

I can finally show the photos from the movie “Second Guessing Fate”. It was filmed partly at the Art Gallery of Alberta.

Thank you Cam.

Thank you Theresa.

❤️❤️

Thank you Maryanne, I am super excited. It kind of came out of left field but an international brand like that doesn’t make these decisions lightly. They must have vetted me behind the scenes.

Thank you Karen.

Thank you Chris, I’m chuffed.

Exciting news, I’ve been asked to partner with the luxury appliance brand Gaggenau to launch their new line inspired by Bauhaus design. I will have five sculptures on display for their official launch in mid March in Montreal.

That’s pretty cool, safe journeys.

Thank you to @slavocech.bsky.social for making a donation of small Grasses in gold to the @heavyhockey.bsky.social Showdown’s Silent Auction in support of @sacetalks.bsky.social

The auction starts Feb. 13.

I could totally see you and Dolly asleep on there.