DSType

New Work: GRADINE, a typeface that combines serenity and foolishness. Because it's on the Next Fonts section, it can be yours for half the price of the future official release. www.dstype.com/next-fonts/g...

This is AI proofing that AI cannot redesign itself, they need a couple of human to do so. Maybe the worst mkt ever for AI.

I'm not sure if I disagree but I think that what stoped scripts (other than Latin), races, genders and everything you mentioned, wasn't the type industry, but the fact that people couldn't find in type a reliable source of income.

Honest question: What do you mean by inclusive?

It's been 30 years since I started designing typefaces. This is one of my first works with one of my '90s fonts, for the Icograda '95 exhibition in Porto, Portugal. I'm getting old as f**k!

New Release: Pulso & Pulso Pro — Durability and consistency for editorial purposes.

Developed to provide durability and consistency. With its 3 weights, 3 grades and 2 sets of italics, Pulso ensures flawless performance, thanks to its generous x-height and open shapes.

Já faltou mais para o famoso "Sempre que ouço falar em cultura, pego no meu revólver"

Somente um pouco de ironia. Por oposição à CN a CS fica sempre nos antípodas aos olhos ocidentais, quando a verdade é bem mais complexa do que parece. Este acto é demonstrativo da facilidade que se caracterizam certos países.

Coreia do Norte, certo?

In the 90’s when I was a graphic designer one of my favorite pairings was FF Meta and Matrix Script.

Nice for a Brand named Kitten.

TypeParis Summer 25 is an intensive type design programme in English in Paris Our summer programme is in English and covers typeface design and calligraphy techniques, type history, and software practices. Every kind of design professional can learn about type design in a relat...

typeparis.com/summer25

Core team: @jf.porchez.com, Mathieu Réguer, Marc Rouault, Rainer Erich Scheichelbauer, Georg Seifert, Gina Serret, Julie Soudanne, Malou Verlomme.

International type critics: @retypefoundry.bsky.social, Cecilia del Castillo, Diana Ovezea, Albert-Jan Pool.
#typeparis25

2-2

The point position, stroke width, x-height when the values are like 191, 483, or similar. If it doesn’t end with 5 or 0, it always look wrong.

Typefaces indeed smell different, yet those three smell exactly the same: Mold.

Definitely the version with vertical cut in the tail. It makes much more sense in Inter.

Commodore 64

@jf.porchez.com suggested me to register here early in the morning. I did and already find this place much more breathable than X.

Ladislas Mandel?