Eyal Hareuveni's Avatar

Eyal Hareuveni

@eyalh.bsky.social

Freelance journalist and music reviewer for the Free Jazz Collective blog, Salt Peanuts and Percorsci Musicali

481 Followers  |  399 Following  |  850 Posts  |  Joined: 03.12.2023  |  1.8833

Latest posts by eyalh.bsky.social on Bluesky

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New York-based sax player Caroline Davis & guitarist Dustin Carlson offer a series of playful, eccentric, psychedelic avant-folk songs that extend Sun Ra’s intergalactic trips and induce visions of β€œzombie elephants”. My review for Percorsi Musicali: www.percorsimusicali.eu/2025/10/06/c...

07.10.2025 18:03 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
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MOJNA is a Swedish-Norwegian trio playing newly composed, Nordic folk music featuring guitarist-composer Thomas Eriksson, clarinetist Anna Malmstrâm & Hardanger fiddler Tuva Færden. My - and Jan Granlie's - review for Salt Peanuts: salt-peanuts.eu/record/mojna...

07.10.2025 14:13 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
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Believe is an Australian, potent, free jazz quartet featuring the experienced double bass player Clayton Thomas, & drummer-percussionist Laurence Pike with younger alto sax player Peter Farrar & pianist Novak Manojlovic. My review for Salt Peanuts: salt-peanuts.eu/record/belie...

07.10.2025 06:14 β€” πŸ‘ 4    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
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After the Wildfire documents an edited, expanded version of an orchestral commissioned work of Norwegian live sampling and electronics player Jan Bang and trumpeter and vocalist Arve Henriksen for the Skopje Jazz Festival. My review for Salt Peanuts: salt-peanuts.eu/record/jan-b...

06.10.2025 14:11 β€” πŸ‘ 2    πŸ” 1    πŸ’¬ 0    πŸ“Œ 0
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Richard Barrett's intriguing and disorienting electronic composition first light is a musical contemplation of sixteen evocative texts by late English poet Simon Howard. My review for Percorsi Musicali: www.percorsimusicali.eu/2025/10/05/r...

06.10.2025 05:10 β€” πŸ‘ 5    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
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The Sleep of Reason Produces Monsters - sax player Mette Rasmussen, turntablist Mariam Rezaei, piccolo trumpeter Gabriele Mitelli & drummer Lukas Koenig - redefines free music in the 21st century. My review for Percorsi Musicali: www.percorsimusicali.eu/2025/10/05/t...

05.10.2025 17:03 β€” πŸ‘ 2    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
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The Slovenian free jazz TiTiTi of reed player Jure Borőič, double bass player & drummer Vid Draőler became a quartet with Serbian pianist Marina Džukljev, and is more complex, restless, and searching for its own cosmic freedom. My review for Salt Peanuts: salt-peanuts.eu/record/titit...

03.10.2025 14:17 β€” πŸ‘ 4    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
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The Lisbon-based electroacoustic I/O trio - cellist Ulrich Mitzlaff, synth and sampler player Carlos Santos & clarinetist Ana Maria Santos - moves between chamber music to reductionist, almost static soundscapes. My review for Percorsi Musicali: www.percorsimusicali.eu/2025/10/03/i...

03.10.2025 11:35 β€” πŸ‘ 3    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
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Do yourselves a favor and listen to the great album of Norwegian drummer Gard Nilssen and his Acoustic Unity (reed player AndrΓ© Roligheten & bassist Petter Eldh) augmented by sax players Signe Emmeluth & Kjetil MΓΈster. My review for Salt Peanuts: salt-peanuts.eu/record/gard-...

02.10.2025 14:09 β€” πŸ‘ 4    πŸ” 2    πŸ’¬ 0    πŸ“Œ 0
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Field recordist Peter Cusack & hyper-pianist and sound artist AnaΓ―s Tuerlinckx offer a poetic, seductive but elusive soundscape that keeps reminding us that all phenomena - and sounds - are transient. My review for Percorsi Musicali: www.percorsimusicali.eu/2025/10/02/p...

02.10.2025 10:51 β€” πŸ‘ 4    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
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The free improvising trio of Lithuanian reed hero Liudas MockΕ«nas, fellow Lithuanian pianist-drummer Arnas Mikalkenas & Ukrainian bassist Mark Tokar has an immediate synergy that makes this trio larger than its parts. My review for the @Freejazzblog: www.freejazzblog.org/2025/10/liud...

02.10.2025 06:29 β€” πŸ‘ 2    πŸ” 0    πŸ’¬ 0    πŸ“Œ 1
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Master free music guitarist Joe Morris has a new string trio with cellist Brad Barrett and double bass player Beth Ann Jones, which its deep listening, inventive dynamics feel β€œlike a new arrival point” for him. My review for Percorsi Musicali: www.percorsimusicali.eu/2025/10/01/j...

02.10.2025 04:12 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
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Electroacoustic composer Brunhild Ferrari's Errant Ear is an intimate and illuminating meditation on the act of listening, allowing her β€œto enjoy surprises, to rediscover my memories, to give them new life”. My review for Percorsi Musicali: www.percorsimusicali.eu/2025/10/01/b...

01.10.2025 15:48 β€” πŸ‘ 2    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
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Norwegian ambient composer and sound artist Kjetil HusebΓΈ turned 20 years old in May 2025 and celebrates 20 years as a recording artist of his own music with a new solo, experimental-ambient trilogy, Interiors. My review for Salt Peanuts: salt-peanuts.eu/record/kjeti...

01.10.2025 03:57 β€” πŸ‘ 4    πŸ” 1    πŸ’¬ 0    πŸ“Œ 1
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Burnt Pages brings together, remotely, Slovenian guitarist Samo Salamon on acoustic guitar, with American guitarist and educator Kevin Miller, on electric guitar, and tenor and soprano sax player Daniel Blake. My review for Salt Peanuts: salt-peanuts.eu/record/samo-...

30.09.2025 14:21 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
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Swedish reed player-composer Anna HΓΆgberg returns with a new, double sextet Attack and a masterful, compassionate, and life-affirming suite dedicated to her late father. My review for Percorsi Musicali: www.percorsimusicali.eu/2025/09/29/a...

29.09.2025 06:23 β€” πŸ‘ 2    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
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NarrSteidle is the duo of guitarist and electronics player Steffi Narr and drummer Oli Steidle, offering powerful, nervous, dense, stubborn, and fast-shifting free improvised conversations – or electronics-laden collisions. My review for Salt Peanuts: salt-peanuts.eu/record/narrs...

29.09.2025 04:23 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
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Tomas Fujiwara’s Percussion Quartet's Dream Up is an engaging celebration of storytelling, freedom, interaction, and rituals through the transformative power of rhythm, inspired by Max Roach’s iconic percussion ensemble M’Boom. My review for Salt Peanuts: salt-peanuts.eu/record/tomas...

28.09.2025 14:37 β€” πŸ‘ 2    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
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Greek sound artist Spyros Polychronopoulos & percussionist-electronics player Yorgos Dimitriadis focus on the organic manner in which sound manifests itself and has its own inner logic and its own rhythmic flow. My review for Percorsi Musicali: www.percorsimusicali.eu/2025/09/28/s...

28.09.2025 06:39 β€” πŸ‘ 2    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
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Trio AtlΓ’ntica connects Portuguese alto sax hero JosΓ© Lencastre and Brazilian drummer and electronics player Wagner Ramos & and guitarist Luiz Eduardo GalvΓ£o for a powerful and intense session. My review for Salt peanuts: salt-peanuts.eu/record/trio-...

27.09.2025 05:41 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
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Three American veteran masters – soprano sax player Dave Liebman, drummer Billy Hart & percussionist Adam Rudolph in two live free improvised performances at the small club The Stone in New York. My review for Salt Peanuts: salt-peanuts.eu/record/dave-...

26.09.2025 15:54 β€” πŸ‘ 2    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
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French experimental sax player Michel Doneda & hyper-pianist Frederic Blondy offer a cycle of rituals, made of unorthodox sonic architectures, exploring and molding sound at Γ‰glise Saint-Merry in Paris. My review for Percorsi Musicali: www.percorsimusicali.eu/2025/09/26/m...

26.09.2025 10:35 β€” πŸ‘ 2    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
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Christof Kurzmann's El Infierno Musical masterful and inspiring (second) tribute project for the poems of the late Argentinian poetess Alejandra Pizarnik. My review for the Free Jazz Blog: www.freejazzblog.org/2025/09/el-i...

26.09.2025 10:31 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
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Incoming documents an intense, free-improvised meeting of American guitarist Jeff Platz with the Cologne-based Colombian tenor sax player Pacho DΓ‘vila, and Portuguese drummer Vasco Furtado. My review for Salt Peanuts: salt-peanuts.eu/record/jeff-...

25.09.2025 05:35 β€” πŸ‘ 4    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
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The quartet of double bass player Fridolin Blumer, trombonist Robert Morgenthaler, drummer Heinz Geisser & vibes player Christopher Dell offers elaborate, liquid-like architectures, with fascinating, ever-evolving lines. My review for Percorsi Musicali: www.percorsimusicali.eu/2025/09/25/b...

25.09.2025 04:44 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
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YODOK III - drummer Tomas JΓ€rmyr, (amplified) tuba player Kristoffer Lo & guitarist Dirk Serries, augmented by organist Petra BjΓΈrkhaug - perfects its ritualistic and cathartic, massive post-rock meets ambient drones. My review for Salt Peanuts: salt-peanuts.eu/record/yodok...

24.09.2025 14:07 β€” πŸ‘ 2    πŸ” 1    πŸ’¬ 0    πŸ“Œ 0
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Amsterdam-based pianist Marta Warelis & sax player Ada Rave go for a free improvised, often surprising journey through the surprising forking paths of that magical, capricious garden. My review for Percorsi Musicali: www.percorsimusicali.eu/2025/09/23/m...

23.09.2025 14:31 β€” πŸ‘ 3    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
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American pianist-vocalist-composer Robin Holcomb and Canadian cellist Peggy Lee offer a set of beautiful. intimate pieces and songs in an organic, introspective, and conversational interplay. My review for Salt Peanuts: salt-peanuts.eu/record/robin...

23.09.2025 06:41 β€” πŸ‘ 3    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
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Lovers is the duo of vocalist Linda OlΓ‘h and guitarist Giani Caserotto, offering genre-defying songs that borrow the format of pop, inspired by the poetry of Baudelaire, and flirt with the centuries-old tradition of serenade. My review for Salt Peanuts: salt-peanuts.eu/record/lovers/

21.09.2025 05:12 β€” πŸ‘ 2    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
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German concept, visual and sonic artist, turntablist (and saxophonist), and composer Ignaz Schick's arresting and ambitious attempt to sonify the Indian city of Kolkata suggests a memory of a city listening to itself. My review for Salt peanus
salt-peanuts.eu/record/ignaz...

20.09.2025 14:09 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0

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