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confidential, may be attorney-client privileged, may constitute inside information, and is intended only for the use of the addressee. It is the property of Jeffrey Epstein Unauthorized use, disclosure or copying of this communication or any part thereof is strictly prohibited and may be unlawful. If you have received this communication in error, please notify us immediately by return e-mail or by e-mail to jeevacation@gmail.com, and destroy this communication and all copies thereof, including all attachments. HOUSE OVERSIGHT 032010

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Susan, Jill and me to a restaurant around the corner. Gordon Gekko hosts a hen party talking about children, schools, country houses and vacations. Back on the set Oliver is shooting the actual dinner. Assistant directors ask for volunteers to dance to the live music. Prince Dimitri twirls and dips Jackie Weld. Kelly Klein, in her own Karl Lagerfeld sheer black organza, watches from a table with scattered champagne glasses half-filled with apple juice along with her 86-year-old father, Tulley Rector. Charlie Sheen leaves for LA and Shia is very annoyed he was not introduced to his hero. Carrie Mulligan, costumed like Audrey Hepburn, chats with us between takes. The final set up is a long tracking shot of Josh Brolin and his wife as they triumphantly enter the ball. It is close to 9 p.m. and Lord William Astor arrives to pick me up for Amalia Dayan and Adam Lindemann's dinner for artists uptown. Oliver is introduced to William and delights in calling him Lord as he immediately moves him into the top of the shot and instructs him to tell Eli Wallach, "We must do lunch". Ever the proper English gentleman, William advises Oliver that Lords do not use American slang and improvises his own lines. The tracking shot continues for numerous takes following Josh and NoeIle as every VIP extra gets another shot at instant stardom with one-line greetings. At last, "It's a wrap" is screamed after 10 p.m. Prince Dimitri tells The Wall Street Journal it was, "a day of electrifying glamour," and "the longest gala of my life. I was in black tie for thirteen hours." November 25, Tommy Gun Salon, Ludlow Street, last day of shooting Donald Trump is on set at 7 a.m. ready for his close up. He is trying to make a mid-day departure on his jet from Teterboro with wife Melania and son Baron for Thanksgiving weekend in Palm Beach. Back in September, Oliver had invited Donald Trump to dinner at "21" to meet his leading men Josh and Shia so they could observe New York's

most charismatic powerbroker in his natural environment. The scene is London so the grey skies are perfect. Gekko has moved abroad to make his financial comeback. The scene opens on the back of his head in a barber's chair as he watches the financial news on TV. The camera pulls back and Gordon Gekko is finally revealed as the powerful bull he once was in an exquisite suit and signature slicked-back hair. Donald Trump walks into the shop for a cut and the banter begins about the money market. From his chair, Donald leans into Michael and suggests a "comb over" like his famous do. Gekko, with a slight grin, says, "No thanks Donald, I am a gel man." The crew is yucking it up and Donald feels great. Paparazzi shoot the whole scene with long lenses from across the street. The unit publicist is helpless to keep this under wraps. Donald emerges, poses and gives interviews. Michael comes out, and the press think they have a scoop on the ending. Gekko is back in all his lovable titan splendor. Full-page photos of Michael and Donald run the next day in the tabloids. Never underestimate Oliver Stone's surprise endings. Twentieth Century Fox releases "Wall Street 2: The Money Never Sleeps" on April 23rd and it's got hit written all over it. -- *********************************************************** The information contained in this communication is HOUSE OVERSIGHT 032009

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Chuck Pfieffer plants a "Page Six" item and the next day socialites begin calling me to get into the film. Thursday, November 5, Shun Lee Restaurant, West 65th Street Oliver shoots a crowded tight interior scene with Michael, Carrie and Shia, who are having an intimate Chinese dinner. Spontaneously, Oliver decides this is the perfect scene for Graydon Carter. After a flurry of calls, Graydon arrives on set, and playing himself, sashays by the table. Gekko jumps up to say hello and Graydon brushes him off with a few dismissive lines. Monday, November 9, 25 Broadway One hundred swells show up at the former Canard Shipping building, a massive Italianate hall, at the crack of dawn for the Alzheimer's Ball, a grand charity event. Susan Hess and I are chauffeured downtown with our Vera Wang gowns and report to the VIP extra holding area where we join Prince Dimitri of Yugoslavia in a bespoke dinner jacket, journalist Christopher Mason, songstress Yanna Avis, photographer Kelly Klein, art dealer Larry Gagosian's girl friend Shala Monroque in see-through Rodarte, beauty executive Olivia Chantecaille, producer Lawrence Robins, author Jackie Weld Drake, Vogue film critic Joan Juliet Buck, fashion consultant Jill Fairchild, CNN's Felicia Taylor and Italian newsman Mario Calvo-Platero. Ellen Mirojnick and her costume department have assembled racks of the most expensive elaborate designer gowns and work at break neck speed styling while we wildly strip to our undies in a makeshift dressing area. Ellen pours me into a black tulle Marchesa with a enormous wired silver bow. Twenty hairdressers and make- up artists systematically work on 250 extras. A mile of tables are alternately filled with steaming coffee, fattening breakfast foods, hair sprays, mirrors, shoes and jewelry. It's a madhouse of excitement. We are led to the part of the set used for the cocktail reception and placed around Michael Douglas and Charlie Sheen stand-ins. Charlie has been flown in

from LA for half a day's work to reprise his original character. He is now the highest paid television actor commanding two million dollars an episode of "Two and a Half Men." Oliver arrives on the set greeting, examining, tweaking the shot and always pulling the prettiest girls closest to the camera. Michael and Charlie arrive from their trailers and run their lines as socials drift into their sight lines challenging their concentration on pages of dialogue. Oliver yells, "Action" as the extras aggressively jockey for face time. Charlie is not having an easy day and they do take after take. My corporate husband Chuck Pfieffer has gotten his real girlfriend Lisa Crosby in the film and my marriage has become a threesome. Sensing our concern of not making it onto the silver screen Oliver tells his first assistant director to seat a dinner table with Susan Hess, Jill Fairchild, Prince Dimitri, Chuck Pfieffer, Grace Meigher and Mario Calvo- Platero. He directs us to chat with each other turning left and right as the camera closely pans past our faces. Elsewhere on the set are John Buffalo Mailer, as Shia's character's best friend, Austin Pendleton, 94-year-old Eli Wallach and Natalie Morales. Also in this film are: the magnificent Frank Langella, as Shia's boss, who throws himself in front of a train early in the film, Susan Sarandon as Shia's real-estate broker mother, Sylvia Miles, who reprises her hilarious cameo as another real-estate agent and Jean Pigozzi as an international banker. Lunch is called at 4 p.m. and Michael Douglas takes seven heavily made-up and bejeweled women including HOUSE OVERSIGHT 032008

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I tell him I have been cast as an extra in two scenes and he laughs knowing I am desperate to hang around him and the production. 8:30 a.m. on Wednesday, October 21st, another warm, stunning fall day. I report to the wardrobe trailer on 65th Street and Madison Avenue. I carry four elaborate cocktail dresses and bags of matching accessories. My hair is in rollers. Statuesque Julia Koch walks over from her Park Avenue apartment carrying her white Valentino and long diamond earrings. Her real-life financial titan husband David is unaware where she is this morning. Vanity Fair's keeper of the Best Dressed List, Amy Fine Collins, arrives totally organized in turquoise vintage Geoffrey Beene, and Vogue's fashion editor Hamish Bowles wears a riot of plaids, patterns and a large yellow fake flower on his lapel. Costume Designer Ellen Mirojnick, who created Gordon Gekko's rich slick look in the first film, is ecstatic with the extras I invited. Oliver is shooting a scene with Josh Brolin (the star of Stone's "W"). His character Bretton (never Bret) James, a ruthless Wall Street kingpin, and his perfect wife Samantha (Noelle Beck) are hosting a benefit piano recital for a 13-year-old child prodigy in their huge, art-filled townhouse at 41 East 65th Street. The building actually belongs to Baby Jane Holzer, a wealthy art collector still famous for hanging with Andy Warhol in the '60s. The production designer had Jane's fabulous Warhols moved to storage and replaced with matching photographic copies. Very expensive contemporary art is again an important production element of Oliver's vision. At 10:30 a.m., all the extras are placed around the living room set. Oliver's French mother, Jacqueline Stone, and her friend Monique Van Vooren, both in their 80s, are seated in front of the fireplace chatting in French. Production assistants fuss over them. Debonair macho man Chuck Pfieffer, who appeared in the original film, and I immediately invent a back story—I

am his corporate wife—and we position ourselves on a couch next to the director's mother. Julia gets the best spot close to the piano and Amy, Hamish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing stops. Oliver appears on the set with eagle eyes and a sly grin and quickly re-positions everyone. He explains the scene, gives out lines to his favored extras, and on his way out to the monitors in the next room mentions that my earrings are too small. Wardrobe jumps. Josh rehearses and Oliver finally yells, "Action." The kid plays the piano, Josh explains why we are in his home, asks for money, the camera dollies as extras say their lines and Shia appears at the door uninvited for a confrontation with Josh. Three hours later a PA yells, "Lunch". In costume, Amy, Hamish and I run to The Monkey Bar. I am late to meet "The Harpies," including Liz Smith, Barbara Walters, Cynthia McFadden, Nora Ephron, Jennifer Isham, Maury Perl and Beth Kseniak. Graydon Carter is at the next table. I tell him Oliver Stone wants him in "Wall Street 2" as an extra. (I make this up.) Graydon jokes that he only works with lines. I say, "Not a problem." (This will be news to Oliver.) Back on the set I tell Oliver that Graydon is willing to be in the film with lines. Oliver finds that intriguing. Oliver shoots the piano recital scene over and over again from different angles all afternoon. Financial wizard Don Marron saunters on the set to visit and Oliver spontaneously puts him in a scene chatting with Josh. Carrie Mulligan hangs out watching boyfriend Shia work. At sundown Julia Koch has to race from reel to real life and explain to her husband where she has been all day. (He loves it.) HOUSE OVERSIGHT 032007

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When Gekko delivers his speech, "Greed, for lack of a better word, is good. Greed is right. Greed works," cinematic history was made. "Wall Street" was set in 1985, a time before ten financial news networks broadcasting 24/7 existed. The entire financial services industry was largely unknown and Oliver Stone nailed it. Four years ago, Wall Street's producer Ed Pressman decided it was time for a sequel and met with Fox Film Entertainment co-chairmen Tom Rothman and Jim Gianopulos. Michael Douglas was immediately on-board pending script approval. Steven Schiff wrote the first script before the global economic crash of 2008 rendered it obsolete. Alan Loeb was brought in for a rewrite. Pressman asked me to meet Loeb at the Carlyle Hotel to explain the social rhythms of New York's financial high society. Whereas Gekko's character was modeled after '70s junk bond kings (Michael Milken) and '80s mergers and acquisitions killers (Henry Kravis), Loeb bases the new villain on hedge fund billionaires like John Paulson and Mike Novogratz, geniuses who have created stratospheric wealth beyond Gordon Gekko's wildest dreams. When Oliver Stone agreed to direct, he rewrote a portion of the script to focus on bankers as well as hedge funders, taking no screen credit. This past September, Oliver yelled, "action" as Gordon Gekko, with long grey hair, comes back to life as he emerges from a lengthy prison stint shot outside of Sing Sing in Ossining, New York. Gekko is desperate to redefine himself in a different era. The New York Post runs a full-page photo of Gekko and New Yorkers immediately become obsessed with the filming of Wall Street 2. A week into shooting, a glorious fall day. Ed Pressman invites me on the set at the Central Park Zoo. Oliver designs an elaborate tracking shot around the seal pool where Gekko, fresh from jail, walks and talks to Jake Moore, a young idealistic investment banker played by Shia LaBoeuf. They discuss Gekko's daughter Winnie,

Moore's fiancée, played by Carrie Mulligan, who is also having an off-screen romance with LaBoeuf. Oliver played Cupid. Moore invites Gekko to the Alzheimer's Ball at the Metropolitan Museum of Art. Gekko, who used to be a sponsor or honoree of such events, cannot even afford a ticket. The shot starts with a barking seal jumping for fish, then pans down to the actors. Extras weave in and out. In one take Michael makes a wrong turn and ends up at the monkey house. Everyone laughs. The atmosphere on the set is courteous but quick and tense. There is pressure when you are making a sequel to a hit. I watch the action on monitors while sitting on the producers' canvas chairs with Pressman, Eric Kopeloff ("Monsters Ball") and Celia Costas, who was a location manager on the first "Wall Street." They have asked me to be an extra in the Alzheimer's Ball scene and bring some friends to play rich Upper East Side socialites. Oliver wants over the top glam, go-to-the-vault jewels and couture gowns. "Give me the night before the Titanic goes down," were his exact words. Not a problem. I pay a quick visit to Michael in his trailer on Fifth Avenue where he is resting. We go way back. I was his personal publicist when he won the Golden Globe and Oscar for Best Actor for "Wall Street" and we have remained great friends. Gekko is just as challenging for him the second time because of endless pages of technical financial dialogue. We discuss Catherine Zeta-Jones' Broadway debut in a "Little Night Music." Michael has a stack of partially finished handwritten thank you notes next to him for gifts received for their shared birthday party on September 25th at the St. Regis. Her 40th and his 65th. HOUSE OVERSIGHT 032006

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From: Jeffrey Epstein [jeeyacation@gmail.com] Sent: 1/12/2010 12:28:25 AM To: Peggy Siegal Subject: Re: My Wall Street 2 Story terrific. i want to hear more about the trip On Mon, Jan 11, 2010 at 6:32 PM, Peggy Siegal wrote: Wrote this for the February issue of AVENUE Magazine. Thought it would amuse you. Tell me what you think of it. xoxo Peggy HD: Wall Street, Take Two DEK: In the upcoming sequel to Oliver Stone's groundbreaking film, Gordon Gekko gets out of jail and back to business. Peggy Siegal takes us behind the scenes where she got herself on camera along with a few of her famous friends. Nice work if you can get it. In 1987, right after director Oliver Stone won the Academy Award for "Platoon," he immediately turned to a domestic arena and began working on "Wall Street" in New York City where his father had been a stockbroker. Although the film was widely seen as a scathing critique of the culture of Wall Street, Stone has said that part of the film is a defense of capitalism, his father's vision of finance (as seen through the Hal Holbrook character) and an homage to his father. At the time Oliver was also fascinated with the connection between the psyche of Latino Miami drug dealers from his earlier "Scarface" script and the American-born 28- to 35-year-old, white collar stockbrokers. Both groups had an animalistic need to obtain big and fast money. They shared an obsession with corruption and greed. Oliver sent his actors to Bear Stearns for research, including then-newcomer Charlie Sheen, who played Bud Fox, a kid from nowhere. When he learns to cold call, and lands one big client, Gordon Gekko, Fox is thrust into the fast lane with a rock star financial mentor who teaches him corruption. Oliver needed an old-fashioned villain to create drama, and he cast Michael Douglas as Gekko against type. Michael was not known as a heavy at the time, but as a charming, handsome, sensitive leading man. Oliver also saw the anger,

confidence, salesmanship and style that Michael brought to the role. Michael's Gekko looked a bit like Laker's coach Pat Riley with his slicked back hair and well-cut suits, and it became Michael's most important role, winning him the Academy Award for the villain no one could ever forget. HOUSE OVERSIGHT 032005

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Jeffrey Epstein Unauthorized use, disclosure or copying of this communication or any part thereof is strictly prohibited and may be unlawful. If you have received this communication in error, please notify us immediately by return e-mail or by e-mail to jeevacation@gmail.com, and destroy this communication and all copies thereof, including all attachments. *********************************************************** The information contained in this communication is confidential, may be attorney-client privileged, may constitute inside information, and is intended only for the use of the addressee. It is the property of Jeffrey Epstein Unauthorized use, disclosure or copying of this communication or any part thereof is strictly prohibited and may be unlawful. If you have received this communication in error, please notify us immediately by return e-mail or by e-mail to jeevacation@gmail.com, and destroy this communication and all copies thereof, including all attachments. HOUSE OVERSIGHT 032004

HOUSE_OVERSIGHT_032004.jpg
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agent and Jean Pigozzi as an international banker. Lunch is called at 4 p.m. and Michael Douglas takes seven heavily made-up and bejeweled women including Susan, Jill and me to a restaurant around the corner. Gordon Gekko hosts a hen party talking about children, schools, country houses and vacations. Back on the set Oliver is shooting the actual dinner. Assistant directors ask for volunteers to dance to the live music. Prince Dimitri twirls and dips Jackie Weld. Kelly Klein, in her own Karl Lagerfeld sheer black organza, watches from a table with scattered champagne glasses half-filled with apple juice along with her 86-year-old father, Tulley Rector. Charlie Sheen leaves for LA and Shia is very annoyed he was not introduced to his hero. Carrie Mulligan, costumed like Audrey Hepburn, chats with us between takes. The final set up is a long tracking shot of Josh Brolin and his wife as they triumphantly enter the ball. It is close to 9 p.m. and Lord William Astor arrives to pick me up for Amalia Dayan and Adam Lindemann's dinner for artists uptown. Oliver is introduced to William and delights in calling him Lord as he immediately moves him into the top of the shot and instructs him to tell Eli Wallach, "We must do lunch". Ever the proper English gentleman, William advises Oliver that Lords do not use American slang and improvises his own lines. The tracking shot continues for numerous takes following Josh and Noelle as every VIP extra gets another shot at instant stardom with one-line greetings. At last, "It's a wrap" is screamed after 10 p.m. Prince Dimitri tells The Wall Street Journal it was, "a day of electrifying glamour," and "the longest gala of my life. I was in black tie for thirteen hours." November 25, Tommy Gun Salon, Ludlow Street, last day of shooting Donald Trump is on set at 7 a.m. ready for his close up. He is trying to make a mid-day departure on his jet from Teterboro with wife Melania and son Baron for Thanksgiving weekend in

Palm Beach. Back in September, Oliver had invited Donald Trump to dinner at "21" to meet his leading men Josh and Shia so they could observe New York's most charismatic powerbroker in his natural environment. The scene is London so the grey skies are perfect. Gekko has moved abroad to make his financial comeback. The scene opens on the back of his head in a barber's chair as he watches the financial news on TV. The camera pulls back and Gordon Gekko is finally revealed as the powerful bull he once was in an exquisite suit and signature slicked-back hair. Donald Trump walks into the shop for a cut and the banter begins about the money market. From his chair, Donald leans into Michael and suggests a "comb over" like his famous do. Gekko, with a slight grin, says, "No thanks Donald, I am a gel man." The crew is yucking it up and Donald feels great. Paparazzi shoot the whole scene with long lenses from across the street. The unit publicist is helpless to keep this under wraps. Donald emerges, poses and gives interviews. Michael comes out, and the press think they have a scoop on the ending. Gekko is back in all his lovable titan splendor. Full-page photos of Michael and Donald run the next day in the tabloids. Never underestimate Oliver Stone's surprise endings. Twentieth Century Fox releases "Wall Street 2: The Money Never Sleeps" on April 23rd and its got hit written all over it. *********************************************************** The information contained in this communication is confidential, may be attorney-client privileged, may constitute inside information, and is intended only for the use of the addressee. It is the property of HOUSE OVERSIGHT 032003

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Back on the set I tell Oliver that Graydon is willing to be in the film with lines. Oliver finds that intriguing. Oliver shoots the piano recital scene over and over again from different angles all afternoon. Financial wizard Don Marron saunters on the set to visit and Oliver spontaneously puts him in a scene chatting with Josh. Carrie Mulligan hangs out watching boyfriend Shia work. At sundown Julia Koch has to race from reel to real life and explain to her husband where she has been all day. (He loves it.) Chuck Pfieffer plants a "Page Six" item and the next day socialites begin calling me to get into the film. Thursday, November 5, Shun Lee Restaurant, West 65th Street Oliver shoots a crowded tight interior scene with Michael, Carrie and Shia, who are having an intimate Chinese dinner. Spontaneously, Oliver decides this is the perfect scene for Graydon Carter. After a flurry of calls, Graydon arrives on set, and playing himself, sashays by the table. Gekko jumps up to say hello and Graydon brushes him off with a few dismissive lines. Monday, November 9, 25 Broadway One hundred swells show up at the former Canard Shipping building, a massive Italianate hall, at the crack of dawn for the Alzheimer's Ball, a grand charity event. Susan Hess and I are chauffeured downtown with our Vera Wang gowns and report to the VIP extra holding area where we join Prince Dimitri of Yugoslavia in a bespoke dinner jacket, journalist Christopher Mason, songstress Yanna Avis, photographer Kelly Klein, art dealer Larry Gagosian's girl friend Shala Monroque in see-through Rodarte, beauty executive Olivia Chantecaille, producer Lawrence Robins, author Jackie Weld Drake, Vogue film critic Joan Juliet Buck, fashion consultant Jill Fairchild, CNN's Felicia Taylor and Italian newsman Mario Calvo-Platero. Ellen Mirojnick and her costume department have assembled racks of the most expensive elaborate designer gowns and work at break neck speed styling while we wildly strip

to our undies in a makeshift dressing area. Ellen pours me into a black tulle Marchesa with a enormous wired silver bow. Twenty hairdressers and make-up artists systematically work on 250 extras. A mile of tables are alternately filled with steaming coffee, fattening breakfast foods, hair sprays, mirrors, shoes and jewelry. It's a madhouse of excitement. We are led to the part of the set used for the cocktail reception and placed around Michael Douglas and Charlie Sheen stand-ins. Charlie has been flown in from LA for half a days work to reprise his original character. He is now the highest paid television actor commanding two million dollars an episode of "Two and a Half Men." Oliver arrives on the set greeting, examining, tweaking the shot and always pulling the prettiest girls closest to the camera. Michael and Charlie arrive from their trailers and run their lines as socials drift into their sight lines challenging their concentration on pages of dialogue. Oliver yells, "Action" as the extras aggressively jockey for face time. Charlie is not having an easy day and they do take after take. My corporate husband Chuck Pfieffer has gotten his real girlfriend Lisa Crosby in the film and my marriage has become a threesome. Sensing our concern of not making it onto the silver screen Oliver tells his first assistant director to seat a dinner table with Susan Hess, Jill Fairchild, Prince Dimitri, Chuck Pfieffer, Grace Meigher and Mario Calvo-Platero. He directs us to chat with each other turning left and right as the camera closely pans past our faces. Elsewhere on the set are John Buffalo Mailer, as Shia's character's best friend, Austin Pendleton, 94-year-old Eli Wallach and Natalie Morales. Also in this film are: the magnificent Frank Langella, as Shia's boss, who throws himself in front of a train early in the film, Susan Sarandon as Shia's real-estate broker mother, Sylvia Miles, who reprises her hilarious cameo as another real-estate HOUSE

OVERSIGHT 032002

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of Art. Gekko, who used to be a sponsor or honoree of such events, cannot even afford a ticket. The shot starts with a barking seal jumping for fish, then pans down to the actors. Extras weave in and out. In one take Michael makes a wrong turn and ends up at the monkey house. Everyone laughs. The atmosphere on the set is courteous but quick and tense. There is pressure when you are making a sequel to a hit. I watch the action on monitors while sitting on the producers canvas chairs with Pressman, Eric Kopeloff ("Monsters Ball") and Celia Costas, who was a location manager on the first "Wall Street." They have asked me to be an extra in the Alzheimer's Ball scene and bring some friends to play rich Upper East Side socialites. Oliver wants over the top glam, go-to-the-vault jewels and couture gowns. "Give me the night before the Titanic goes down," were his exact words. Not a problem. I pay a quick visit to Michael in his trailer on Fifth Avenue where he is resting. We go way back. I was his personal publicist when he won the Golden Globe and Oscar for Best Actor for "Wall Street" and we have remained great friends. Gekko is just as challenging for him the second time because of endless pages of technical financial dialogue. We discuss Catherine Zeta-Jones' Broadway debut in a "Little Night Music." Michael has a stack of partially finished handwritten thank you notes next to him for gifts received for their shared birthday party on September 25th at the St. Regis. Her 40th and his 65th. I tell him I have been cast as an extra in two scenes and he laughs knowing I am desperate to hang around him and the production. 8:30 a.m. on Wednesday, October 21st, another warm, stunning fall day. I report to the wardrobe trailer on 65th Street and Madison Avenue. I carry four elaborate cocktail dresses and bags of matching accessories. My hair is in rollers. Statuesque Julia Koch walks over from her Park Avenue apartment carrying her white Valentino and long

diamond earrings. Her real-life financial titan husband David is unaware where she is this morning. Vanity Fair's keeper of the Best Dressed List, Amy Fine Collins, arrives totally organized in turquoise vintage Geoffrey Beene, and Vogue's fashion editor Hamish Bowles wears a riot of plaids, patterns and a large yellow fake flower on his lapel. Costume Designer Ellen Mirojnick, who created Gordon Gekko's rich slick look in the first film, is ecstatic with the extras I invited. Oliver is shooting a scene with Josh Brolin (the star of Stone's "W"). His character Bretton (never Bret) James, a ruthless Wall Street kingpin, and his perfect wife Samantha (Noelle Beck) are hosting a benefit piano recital for a 13-year-old child prodigy in their huge, art-filled townhouse at 41 East 65th Street. The building actually belongs to Baby Jane Holzer, a wealthy art collector still famous for hanging with Andy Warhol in the '60s. The production designer had Jane's fabulous Warhols moved to storage and replaced with matching photographic copies. Very expensive contemporary art is again an important production element of Oliver's vision. At 10:30 a.m., all the extras are placed around the living room set. Oliver's French mother, Jacqueline Stone, and her friend Monique Van Vooren, both in their 80s, are seated in front of the fireplace chatting in French. Production assistants fuss over them. Debonair macho man Chuck Pfieffer, who appeared in the original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the director's mother. Julia gets the best spot close to the piano and Amy, Hamish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing stops. Oliver appears on the set with eagle eyes and a sly grin and quickly re-positions everyone. He explains the scene, gives out lines to his favored extras, and on his way out to the monitors in the next room mentions that my

earrings are too small. Wardrobe jumps. Josh rehearses and Oliver finally yells, "Action." The kid plays the piano, Josh explains why we are in his home, asks for money, the camera dollies as extras say their lines and Shia appears at the door uninvited for a confrontation with Josh. Three hours later a PA yells, "Lunch". In costume, Amy, Hamish and I run to The Monkey Bar. I am late to meet "The Harpies," including Liz Smith, Barbara Walters, Cynthia McFadden, Nora Ephron, Jennifer Isham, Maury Perl and Beth Kseniak. Graydon Carter is at the next table. I tell him Oliver Stone wants him in "Wall Street 2" as an extra. (I make this up.) Graydon jokes that he only works with lines. I say, "Not a problem." (This will be news to Oliver.) HOUSE OVERSIGHT 032001

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DEK: In the upcoming sequel to Oliver Stone's groundbreaking film, Gordon Gekko gets out of jail and back to business. Peggy Siegal takes us behind the scenes where she got herself on camera along with a few of her famous friends. Nice work if you can get it. In 1987, right after director Oliver Stone won the Academy Award for "Platoon," he immediately turned to a domestic arena and began working on "Wall Street" in New York City where his father had been a stockbroker. Although the film was widely seen as a scathing critique of the culture of Wall Street, Stone has said that part of the film is a defense of capitalism, his father's vision of finance (as seen through the Hal Holbrook character) and an homage to his father. At the time Oliver was also fascinated with the connection between the psyche of Latino Miami drug dealers from his earlier "Scarface" script and the American-born 28- to 35-year-old, white collar stockbrokers. Both groups had an animalistic need to obtain big and fast money. They shared an obsession with corruption and greed. Oliver sent his actors to Bear Stearns for research, including then-newcomer Charlie Sheen, who played Bud Fox, a kid from nowhere. When he learns to cold call, and lands one big client, Gordon Gekko, Fox is thrust into the fast lane with a rock star financial mentor who teaches him corruption. Oliver needed an old-fashioned villain to create drama, and he cast Michael Douglas as Gekko against type. Michael was not known as a heavy at the time, but as a charming, handsome, sensitive leading man. Oliver also saw the anger, confidence, salesmanship and style that Michael brought to the role. Michael's Gekko looked a bit like Laker's coach Pat Riley with his slicked back hair and well-cut suits, and it became Michael's most important role, winning him the Academy Award for the villain no one could ever forget. When Gekko delivers his speech, "Greed, for lack of a better word, is good. Greed is right. Greed

works," cinematic history was made. "Wall Street" was set in 1985, a time before ten financial news networks broadcasting 24/7 existed. The entire financial services industry was largely unknown and Oliver Stone nailed it. Four years ago, Wall Street's producer Ed Pressman decided it was time for a sequel and met with Fox Film Entertainment co- chairmen Tom Rothman and Jim Gianopulos. Michael Douglas was immediately on-board pending script approval. Steven Schiff wrote the first script before the global economic crash of 2008 rendered it obsolete. Alan Loeb was brought in for a rewrite. Pressman asked me to meet Loeb at the Carlyle Hotel to explain the social rhythms of New York's financial high society. Whereas Gekko 's character was modeled after '70s junk bond kings (Michael Milken) and '80s mergers and acquisitions killers (Henry Kravis), Loeb bases the new villain on hedge fund billionaires like John Paulson and Mike Novogratz, geniuses who have created stratospheric wealth beyond Gordon Gekko 's wildest dreams. When Oliver Stone agreed to direct, he rewrote a portion of the script to focus on bankers as well as hedge funders, taking no screen credit. This past September, Oliver yelled, "action" as Gordon Gekko, with long grey hair, comes back to life as he emerges from a lengthy prison stint shot outside of Sing Sing in Ossining, New York. Gekko is desperate to redefine himself in a different era. The New York Post runs a full-page photo of Gekko and New Yorkers immediately become obsessed with the filming of Wall Street 2. A week into shooting, a glorious fall day. Ed Pressman invites me on the set at the Central Park Zoo. Oliver designs an elaborate tracking shot around the seal pool where Gekko, fresh from jail, walks and talks to Jake Moore, a young idealistic investment banker played by Shia LaBoeuf. They discuss Gekko's daughter Winnie, Moore's fiancee, played by Carrie Mulligan, who is also having an off-screen romance with LaBoeuf.

Oliver played Cupid. Moore invites Gekko to the Alzheimer's Ball at the Metropolitan Museum HOUSE OVERSIGHT 032000

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From: Jeffrey Epstein [jeeyacation@gmail.com] Sent: 1/12/2010 11:18:58 AM To: Peggy Siegal Subject: Re: My Wall Street 2 Story sorry you are sick, go slow., no cleaning, stay in bed.. sorry.. On Tue, Jan 12, 2010 at 6:17 AM, Peggy Siegal -________________________________wrote: Will call you later. I am sick as a dog with a cold. I am supposed to go to Dr. Magnani this morning for a cleaning. If you get a cleaning with a cold does it make it worse of just infect the dental hygenist? Had a great lunch for Woody Harrelson and Ben Foster for "The Messenger" at Monkey Bar yesterday and hung with Clooney at the New York Film Critics Awards last night. Tonight is the National Board of Review and I am thinking of staying in bed till show time. Have a party for Clooney Wednesday nigh Graydon is hosting at Monkey Bar that we are working on. I have to fly to LA Jan. 14 and I am worried.. .1 have emailed three doctors this morning! Will call later...Mattie keeps saying she is going to show me how to email photos- will try to do today and call. I think I got sick in economy class from Lamu, Nairobi, Amsterdan, Newark from all those wanna be terrorists breathing on me in the planes. Did you see "Avator". I do not have a dvd because its 3D. The white American marines are wiped out by black people painted blue... its going to be highest grossing film in the world is an few weeks beating out "Titanic" and will win the Oscar for "Best Picture." xoxo Peg -----Original Message----- From: Jeffrey Epstein <jeevacation@gmail.com> To: Peggy Siegal Sent: Mon Jan 11 19:28:25 2010 Subject: Re: My Wall Street 2 Story terrific. i want to hear more about the trip On Mon, Jan 11, 2010 at 6:32 PM, Peggy Siegal wrote: Wrote this for the February issue of AVENUE Magazine. Thought it would amuse you. Tell me what you think of it. xoxo Peggy HD: Wall Street, Take Two HOUSE OVERSIGHT 031999

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<div vlink=3D"purple" link=3D"blue" lang=3D"EN-US"› <div> <p class=3D"MsoNormal">Dear Jeff,<u></u><u></u></p> <p class=3D"MsoNormal"><u></u>=C2=A0<u></u></p> <p class=3D"MsoNormal">Your name popped up again in the Press and I thought= it was time to congratulate you on your wonderful financial successes sinc= e your days as my Physics prof at Dalton!! The young, bright options trader= , who understood Black Sholes and how to use it, at Bear, made good!!<u></u><u></u></p> <p class=3D"MsoNormal"><u></u>=C2=A0<u></u></p> <p class=3D"MsoNormal">Unless your PR advisor is Donald Trump, I am not sur= e that current press provides you with much benefit. Perhaps I am wrong? No= t the first time!!<u></u><u></u></p> <p class=3D"MsoNormal"><u></u>=C2=A0<u></u></p> <p class=3D"MsoNormal">Anyway, middle age has brought its own unique set of= challenges. Aging certainly ain=E2=80=99t for sissy=E2=80=99s. <u></u><u></u></p> <p class=3D"MsoNormal"><u></u>=C2=A0<u></u></p> <p class=3D"MsoNormal">Regards,<span><font color=3D"#888888"><u></u><u></u>= </font></span></p><span><font color=3D"#888888"> <p class=3D"MsoNormal"><u></u>=C2=A0<u></u></p> <p class=3D"MsoNormal">Jamie Rosenwald<u></u><u></u></p> </font></span><p class=3D"MsoNormal"><u></u>=C2=A0<u></u></p> <p class=3D"MsoNormal">Ps. David Asch and I toasted to you during our Thank= sgiving weekend in Amagansett in November. =C2=A0<span class=3D"HOEnZb"><fo= nt color=3D"#888888"><u></u><u></u></font></span></p><span class=3D"HOEnZb"= ><font color=3D"#888888"> </font></span></div><span class=3D"HOEnZb"><font color=3D"#888888"> </font></span></div><span class=3D"HOEnZb"><font color=3D"#888888"> </font></span></div><span class=3D"HOEnZb"><font color=3D"#888888"><br><br = clear=3D"all"><br>-- <br><div><div dir=3D"ltr"><div><font face=3D"arial nar= row,sans-serif" color=3D"#0b5394">Christina Galbraith</font></div><div><fon= t face=3D"arial narrow,sans-serif" color=3D"#0b5394">MEDIA/PR</font></div><=

div><font face=3D"arial narrow,sans-serif" color=3D"#0b5394">Jeffrey Epstei= n VI Foundation</font></div><div><font face=3D"arial narrow sans-serif" col= or=3D"#0b5394"><allairal = tar et=3D"_blank" " /Tont></alv><alv><a nrer=3D" malits4MOMMEMMEM ' target=3D"_blank"><font face=3D"arial narrow,san= s-serif"co or= D '> /font></a></div><di= v><br></div><div><br></div></div></div> </font></span></div> </blockquote></div><br><br clear=3D"all"><br>-- <br><div class=3D"gmail_sig= nature"><div dir=3D"ltr">—C2—AO—C2—A0—C2—A0—C2—A0—C2—A0—C2—A0—C2—A0 please = note<br><div>The information contained in this communication is<br>confiden= tial, may be attorney-client privileged, may<br>constitute inside informati= on, and is intended only for<br>the use of the addressee. It is the propert= y of<br>JEE<br>Unauthorized use, disclosure or copying of this<br>communica= tion or any part thereof is strictly prohibited<br>and may be unlawful. If = you have received this<br>communication in error, please notify us immediat= ely by<br>return e-mail or by e-mail to <a href=3D"mailto:jeevacation@gmail= .com" target=3D"_blank">jeevacation@gmail.com</a>, and<br>destroy this comm= unication and all copies thereof,<br>including all attachments. copyright -= all rights reserved<br></div></div></div> </div> --047d7bfcef3a53c24d050bfl8a12-- HOUSE OVERSIGHT 031998

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> congratulate you on your wonderful financial successes since your days as > my Physics prof at Dalton!! The young, bright options trader, who > understood Black Sholes and how to use it, at Bear, made good!! > • Unless your PR advisor is Donald Trump, I am not sure that current press > provides you with much benefit. Perhaps I am wrong? Not the first time!! > • Anyway, middle age has brought its own unique set of challenges. Aging > certainly ain=E2=80=99t for sissy=E2=80=99s. > • Regards, > • Jamie Rosenwald > • Ps. David Asch and I toasted to you during our Thanksgiving weekend in > Amagansett in November. > • Christina Galbraith > MEDIA/PR > VI Foundation • 1111.1.11 --=20 please note The information contained in this communication is confidential, may be attorney-client privileged, may constitute inside information, and is intended only for the use of the addressee. It is the property of JEE Unauthorized use, disclosure or copying of this communication or any part thereof is strictly prohibited and may be unlawful. If you have received this communication in error, please notify us immediately by return e-mail or by e-mail to jeevacation@gmail.com, and destroy this communication and all copies thereof, including all attachments. copyright -all rights reserved --047d7bfcef3a53c24d050bfl8a12 Content-Type: text/html; charset=UTF-8 Content-Transfer-Encoding: quoted-printable <div dir=3D"ltr">thanks,=C2=A0 what is david doing?<br></div><div class=3D"= gmail_extra"><br><div class=3D"gmail_quote">On Mon, Jan 5, 2015 at 6:12 PM .= Christina Galbraith <span dir=3D"ltr">&lt;<a href=3D"mailto: MEN target=3D"_blank"› </a>&gt;</spa= n> wrote:<br><blockquote class=3D"gmall_quote style=3D margin:0 0 0 .8ex;b= order-left:lpx #ccc solid;padding-left:lex"><div dir=3D"ltr"><br><div class= =3D"gmail_quote"›---------- Forwarded message ----------<br>From: <b class= =3D"gm mailto > <span dir=3D"ltr">&lt;<a href=3D"= target=3D"_blank" <

a>&gt;< span>< r>Date: Mon, Jan 5, 2015 > l a-.11.<r..a= ' High &quot;<a href=3D"mailto:Jeffrey@jeffreyepstein.or= g" target=3D"_blank">Jeffrey@jeffreyepstein.org</a>&quot; &lt;<a href=3D"ma= ilto:Jeffrey@jeffreyepstein.org" target=3D"_blank">Jeffrey@jeffreyepstein.o= rg</a>&gt;<br><br><br> HOUSE OVERSIGHT 031997

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From: mailer-daemon@p3pIsmtp05-03.prod.phx3.secureserver.net [mailer-daemon@p3pIsmtp05- 03.prod.phx3.secureserver.net] Sent: 1/6/2015 1:15:20 AM To: jeevacation@gmail.com Subject: failure notice Your mail message to the following address(es) could not be delivered. This is a permanent error. Please verify the address(es) and try again. child status 100...The e-mail message could not be delivered because the user's mailfolder is full. --- Below this line is a copy of the message. Return-Path: <jeevacation@gmail.com> Received: (qmail 19093 invoked by uid 30297); 6 Jan 2015 01:15:20 -0000 Received: from unknown (HELO p3plibsmtp03-01.prod.phx3.secureserver.net) ([68.178.213.113]) (envelope-sender <jeevacation@gmail.com>) by p3p1smtp05-03.prod.phx3.secureserver.net (qmail-1.03) with SMTP for <; 6 Jan 2015 01:15:20 -0000 Received: from mail-wi0-f180.google.com ([209.85.212.180]) by p3plibsmtp03-01.prod.phx3.secureserver.net with bizsmtp id cRFK1p0133u5SEhOlRFLFp; Mon, 05 Jan 2015 18:15:20 -0700 Received: by mail-wi0-f180.google.com with SMTP id n3so4433763wiv.1 for Mon, 05 Jan 2015 17:15:19 -0800 (PST) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20120113; h=mi me-version : in-reply-to : references : date: message-id: subject: from: to :content-type; bh=buIihKI+751WU15BWGwKtOK2/0JcqYe/gvCCO4ClgIRY=; b=z6YCyAQzipV5nA4ezYelUuzMbCO2F5qd7OFMrCxFpy6N8FXVytfaIAhOhzMOhVinWj MZgeAmWYVA0zFrgvod6tJ9yUjyyHaqWYpTLBcNsxy6L0ZrMHHiiG8gyRPORH87Lelg5k Po5bpIP9FKGuRK7eldlUnfgZ72zdfiEncYZ1BjTTBKez1vIukQq06shBJV+3FHqymtdX Bf8of0N0PdI3dRligCloVSzNJ9XDi3kOgg+ipLnugD1DLX5A2dDgFLzfD6zYanOg6WHwH EAsCVZxDOVb3SRhbd9W5dVjN082p/uKfq1qTsL/HmZKLlyewni:16GxSE02JRyIfjp9r6s hObA== MIME-Version: 1.0 X-Received: by 10.195.12.15 with SMTP id eml5mr166563452wjd.80.1420506919320; Mon, 05 Jan 2015 17:15:19 -0800 (PST) Received: by 10.194.47.1 with HTTP; Mon, 5 Jan 2015 17:15:19 -0800 (PST) In-Reply-To:

<CAE-V2w=outijAfJGNP4772M08wn9HWTfq4=_quBh3_k=CIDNnlw@mail.gmail.com> References: <844D16BDCC83F5419485EEB1B49DCEE356FF9997@mbx027-wl-ca-2.exch027.domain.local> <CAE-V2w=outijAfJGNP4772M08wn9HWTfq4=_quBh3_k=CIDNnlw@mail.gmail.com> Date: Mon, 5 Jan 2015 21:15:19 -0400 Message-ID: <CA+t=u-ZBculmegS3ECP4+K9mcZHVw6UBFryJ8gFn98=Ju4TlyA@mail.gmail.com> Subject: Re: High Profile From: "jeffrey E." <jeevacation@gmail.com> To: Christina Galbraith ____________________________________________ Content-Type: multipart/alternative; boundary=047d7bfcef3a53c24d050bfl8a12 --047d7bfcef3a53c24d050bfl8a12 Content-Type: text/plain; charset=UTF-8 Content-Transfer-Encoding: quoted-printable thanks, what is david doing? On Mon, Jan 5, 2015 at 6:12 PM, Christina Galbraith < > • From: Jamie Rosenwald > > Date: Mon, Jan 5, 2015___________________________________________________at 5:07 PM > Subject: High Profile > To: "Jeffrey@jeffreyepstein.org" <Jeffrey@jeffreyepstein.org> > • Dear Jeff, > • Your name popped up again in the Press and I thought it was time to wrote: Forwarded message HOUSE OVERSIGHT 031996

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Thank You, Patricia Gonzalez The National Enquirer Office# E-mail: HOUSE OVERSIGHT 031995

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From: Tonja Haddad Coleman Sent: 1/29/2015 8:33:35 PM To: Darren Indyke jeeyacation@gmail.com; Jack Goldberger Subject: FW: National Enquirer Comment Request Re: Jeffrey Epstein Importance: High Tonja Haddad Coleman, Esq. TONJA HADDAD, P.A. Advocate Building 315 SE 7th Street Fort Lauderdale, FL 33301 This e-mail contains PRIVILEGED AND CONFIDENTIAL information intended only for use of the addressee(s) named above. If you are not the intended recipient of this e-mail, or an authorized employee or agent responsible for delivering it to the intended recipient, you are hereby notified that any dissemination or copying of this e- mail is strictly prohibited. If you have received this e-mail in error, please notify us by reply e-mail and delete this e-mail from your records. Thank you for your cooperation. From: Gonzalez, Patricia [mailto Sent: Thursday, January 29, 2015 3:29 PM To: Tonja Haddad Coleman Cc: Cartwright, Lachlan Subject: National Enquirer Comment Request Re: Jeffrey Epstein Importance: High Tonja-- The National ENQUIRER is preparing to publish a story that Bill Clinton used a private "orgy" jet to travel to Brunei for an extraordinary dinner with a royal accused of duping American women into "white slavery." The ENQUIRER will report that Bill was accompanied by the 727's owner, billionaire pedophile Jeffrey Epstein, when he landed in the tiny South-East Asian country on May 25, 2002. His entourage also included two women who allegedly worked as "madams" for Epstein, luring teenaged girls into sex trysts with the tycoon and his powerful and famous friends. According to The ENQUIRER's investigation, Bill spent the day playing golf at a seven-star hotel -- and then was invited to dine with Brunei's sultan, Hassanal Bolkiah .....who was charged with holding a deeply-religious Christian beauty queen as a "human chattel." Far from being embarrassed by the ruler's tawdry reputation, moreover, records for Bill's nonprofit foundation

reveal that Brunei made a donation towards his Clinton Presidential Library that year of between $1. million and $5 million. Please kindly attempt to provide any comment by 4 pm ET tomorrow, Friday January 30th to Lachlan Cartwright, Executive Editor, at [Office] or HOUSE OVERSIGHT 031994

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» » » » » Confidentiality Notice: The information contained in this electronic » message is PRIVILEGED and confidential information intended only for the » use » of the individual entity or entities named as recipient or recipients. If » the reader is not the intended recipient, be hereby notified that any » dissemination, distribution or copy of this communication is strictly » prohibited. If you have received this communication in error, please » notify » me immediately by electronic mail or by telephone and permanently delete » this message from your computer system. Thank you. > > > > > > > *********************************************************** > The information contained in this communication is > confidential, may be attorney-client privileged, may > constitute inside information, and is intended only for > the use of the addressee. It is the property of > Jeffrey Epstein > Unauthorized use, disclosure or copying of this > communication or any part thereof is strictly prohibited > and may be unlawful. If you have received this > communication in error, please notify us immediately by > return e-mail or by e-mail to jeevacation@gmail.com, and > destroy this communication and all copies thereof, > including all attachments. > - - - - -- Confidentiality Notice: The information contained in this electronic message is PRIVILEGED and confidential information intended only for the use of the individual entity or entities named as recipient or recipients. If the reader is not the intended recipient, be hereby notified that any dissemination, distribution or copy of this communication is strictly prohibited. If you have received this communication in error, please notify me immediately by electronic mail or by telephone and permanently delete this message from your computer system. Thank you. HOUSE OVERSIGHT 031993

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From: Daniel Siad Sent: 7/24/2010 5:10:54 PM To: Jeffrey Epstein [jeeyacation@gmail.com] Subject: hello from ibiza can you come to Ibiza or you can send us the ticket to come with Tigrane and five girls to Paris because they have there return ticket from Barcelona if they are living from here it will be great if you can arrenge for us tickets for Paris please let me know so we can get orgnized On 7/24/10, Jeffrey Epstein <jeevacation@gmail.com> wrote: > i will be in paris tom000rw night > • On Sat Jul 24 2010 at 9:32 AM, Daniel Siad wrote: »• the other girl name is » On Sat, Jul 24, 2010 at 2:28 PM, Daniel Siad < wrote: >» Can you call me >» I am with tigrane he would like to meet you he is here with me in Ibiza >» with 8 top girls he said he would like to build some thing with you >» can you come to Ibiza we have a huge house or how can we orgnise this >» meeting even Jean Luc could doo a great biz also >» he has the most amizing top models on stand by I told him not to do any >» deals with anybody before he meet with you . >» he stoped working with IMG and Trump wi here please call me and let me >» know what is your plans >» >» warmest regards >» Daniel >» >» >» On Fri, Jul 23, 2010 at 2:38 PM, Jeffrey Epstein >» <jeevacation@gmail.com>wrote: >» »» what is your schedule? >>>> >>>> >>>> *********************************************************** »» The information contained in this communication is »» confidential, may be attorney-client privileged, may »» constitute inside information, and is intended only for »» the use of the addressee. It is the property of »» Jeffrey Epstein »» Unauthorized use, disclosure or copying of this »» communication or any part thereof is strictly prohibited »» and may be unlawful. If you have received this »» communication in error, please notify us immediately by »» return e-mail or by e-mail to jeevacation@gmail.com, and »» destroy this communication and all copies thereof, »»

including all attachments. >>>> >>> >>> >>> >» -- >» Confidentiality Notice: The information contained in this electronic >» message is PRIVILEGED and confidential information intended only for the >» use >» of the individual entity or entities named as recipient or recipients. If >» the reader is not the intended recipient, be hereby notified that any >» dissemination, distribution or copy of this communication is strictly >» prohibited. If you have received this communication in error, please >» notify >» me immediately by electronic mail or by telephone and permanently delete >» this message from your computer system. Thank you. > > > HOUSE OVERSIGHT 031992

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4152 West Blue Heron Blvd., Ste. 1114 Riviera Beach, FL 33404 USA 1042908 B5CC-1 HOUSE OVERSIGHT 031991

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From: Sent: 12/27/2010 9:04:41 PM To: jeff epstein [jeevacation@gmail.com] Subject: Fw: Ken Starr Aiming High as Head of Baylor Sent via BlackBerry by AT&T From: "Newsmax. corn" <newsmaxgreply.newsmax.corn> Date: Mon, 27 Dec 2010 21:03:04 GMT To: ReplyTo: newsmaxgreply.newsmax.corn Subject: Ken Starr Aiming High as Head of Baylor Breaking from Newsmax.com Ken Starr Aiming High as Head of Baylor Bill Clinton's one-time legal nemesis is earning high marks for his new role as president of Texas' Baylor University. Whitewater prosecutor Ken Starr is helping to heal divisions at the nation's largest Baptist school as he seeks to raise its academic stature. To Read the Full Story — Go Here Now More Links: The Healing Powers of Vinegar on Your Heart, Weight, More Blood Pressure Can Be Cured Without Drugs Terror Chatter High, Protect Your Family With Emergency Radio Author Warns of End of 'American Empire', U.S. Stocks to Suffer This e-mail is never sent unsolicited. You have received this Newsmax e-mail because you subscribed to it or someone forwarded it to you. To opt out, see the links below. TO ADVERTISE For information on advertising, please contact Newsmax Advertising Sales via e-mail. TO SUBSCRIBE If this e-mail has been forwarded to you and you would like to sign up, please click here. Remove your e-mail address from our list or modify your profile. We respect your right to privacy. View our policy. This e-mail was sent by: Newsmax.com HOUSE OVERSIGHT 031990

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How did this happen? Mr. Ferguson is no conspiracy theorist; nor is he inclined toward structural or systemic explanations. Markets are not like tectonic plates, shifting on their own. Visible hands write laws and make deals, and in this case a combination of warped values and groupthink seems to have driven very intelligent men (and they were mostly men) toward folly. In addition to business and government, Mr. Ferguson aims his critique at academia, suggesting that the discipline of economics and more than a few prominent economists were corrupted by consulting fees, seats on boards of directors and membership in the masters of the universe club. when he challenges some of these professors, in particular those who held positions of responsibility in the white House or in the Federal Reserve, they are reduced to stammering obfuscation — markets are complicatedl Who could have predicted? I don't see any conflict of interest — and occasionally provoked to testiness. Mr. Ferguson, for his part, cannot always contain his incredulity or rein in his sarcasm. occasionally his voice pipes up from off camera, saying things like, "You can't be serious!" But it is hard to imagine a movie more serious, and more urgent, than "Inside Job." There are a few avenues that might have been explored more thoroughly, in particular the effects of the crisis on ordinary, non-wall-street-connected workers and homeowners. The end of the film raises a disturbing question, as Mr. Damon exhorts viewers to demand changes in the status quo so that the trends associated with unchecked speculation of the kind that caused the last crisis — rising inequality, neglect of productive capacity, endless cycles of boom and bust — might be reversed. This call to arms makes you wonder why anger of the kind so eloquently expressed in "Inside Job" has been so inchoate. And through no fault of its own, the film may leave you dispirited as well as enraged. Its fate is likely to be that of

other documentaries: praised in some quarters, nitpicked in others and shrugged off by those who need its message most. Which is a shame. "Inside Job" is rated PG-13 (Parents strongly cautioned). Some drug and sex references and pervasive obscenity, though not the verbal kind. HOUSE OVERSIGHT 031989

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From: Sent: 2/6/2011 8:26:59 AM To: jeeproject@yahoo.com Subject: You should see this movie/documentary Inside Job (2010) NYT Critics' PickThis movie has been designated a Critic's Pick by the film reviewers of The New York Times. Sony Pictures Classics Henry Paulson, Ben Bernanke and Timothy Geithner in the documentary "Inside Job." Who Maimed the Economy, and How By A. 0. SCOTT "Inside Job," a sleek, briskly paced film whose title suggests a heist movie, is the story of a crime without punishment, of an outrage that has so far largely escaped legal sanction and societal stigma. The betrayal of public trust and collective values that Mr. Ferguson chronicles was far more brazen and damaging than the adultery in Nathaniel Hawthorne's novel, which treated Hester more as scapegoat than villain. The gist of this movie, which begins in a mood of calm reflection and grows angrier and more incredulous as it goes on, is unmistakably punitive. The density of information and the complexity of the subject matter make "Inside Job" feel like a classroom lecture at times, but by the end Mr. Ferguson has summoned the scourging moral force of a pulpit-shaking sermon. That he delivers it with rigor, restraint and good humor makes his case all the more devastating. He is hardly alone in making it. Numerous journalists have published books and articles retracing the paths that led the world economy to the precipice two years ago. The deregulation of the financial services industry in the 1980s and '90s; the growing popularity of complex and risky derivatives; the real estate bubble and the explosion of subprime lending — none of these developments were exactly secret. On the contrary, they were celebrated as vindications of the power and wisdom of markets. Accordingly, Mr. Ferguson recycles choice moments of triumphalism, courtesy of Lawrence H. Summers, George W. Bush, Alan Greenspan and various cable television ranters and squawkers. Even as stock

indexes soared and profits swelled, there were always at least a few investors, economists and government officials who warned that the frenzied speculation was leading to the abyss. Some of these prophets without honor show up in front of Mr. Ferguson's camera, less to gloat than to present, once again, the analyses that were dismissed and ignored by their peers for so long. Dozens of interviews — along with news clips and arresting aerial shots of New York, Iceland and other disaster areas — are folded into a clear and absorbing history, narrated by Matt Damon. The music (an opening song, "Big Time," by Peter Gabriel, and a score by Alex Heffes) and the clean wide-screen cinematography provide an aesthetic polish that is welcome for its own sake and also important to the movie's themes. The handsomely lighted and appointed interiors convey a sense of the rarefied, privileged worlds in which the Wall Street operators and their political enablers flourished, and the elegance of the presentation also subliminally bolsters the film's authority. This is not a piece of ragged muckraking or breathless advocacy. It rests its outrage on reason, research and careful argument. The same was true of Mr. Ferguson's previous documentary, "No End in Sight," which focused on catastrophic policies carried out in Iraq by President George W. Bush's administration just after the overthrow of Saddam Hussein. But whereas that film concentrated on a narrow view of a complex subject — the conduct of the war rather than the at least equally controversial rationale for fighting it — "Inside Job" offers a sweeping synthesis, going as far back as the Reagan administration and as far afield as Iceland in its anatomy of the financial crisis. Perhaps unsurprisingly, many of the highest-profile players declined to be interviewed. Mr. Summers appears only in news footage, and none of his predecessors or successors as Treasury secretary — not Robert E. Rubin or Henry M. Paulson

Jr. or Timothy F. Geithner — submit to Mr. Ferguson's questions. Nor do any of the top executives at Goldman Sachs or the other big banks. Most of the interviewees are, at least from the perspective of the filmmaker, friendly witnesses, adding fuel to the director's comprehensive critique of the way business has been done in the United States and the other advanced capitalist countries for the past two decades. Both American political parties are indicted; "Inside Job" is not simply another belated settling of accounts with Mr. Bush and his advisers, though they are hardly ignored. The scaling back of government oversight and the weakening of checks on speculative activity by banks began under Reagan and continued during the Clinton administration. And with each administration the market in derivatives expanded, and alarms about the dangers of this type of investment were ignored. Raghuram Rajan, chief economist at the International Monetary Fund, presented a paper in 2005 warning of a "catastrophic meltdown" and was mocked as a "Luddite" by Mr. Summers. Meanwhile, some investment bankers — at Goldman Sachs in particular — were betting against the positions they were pushing on their customers. An elaborate house of cards had been constructed in which bad consumer loans were bundled into securities, which, were certified as sound by rating agencies paid by the banks and then insured via credit-default swaps. One risky bet was stacked on top of another, and in retrospect the collapse of the whole edifice, along with the loss of jobs, homes, pensions and political confidence, seems inevitable. HOUSE OVERSIGHT 031988

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Job" offers a sweeping synthesis, going as far back as the Reagan administration and as far afield as Iceland in its anatomy of the financial crisis. Perhaps unsurprisingly, many of the highest-profile players declined to be interviewed. Mr. Summers appears only in news footage, and none of his predecessors or successors as Treasury secretary — not Robert E. Rubin or Henry M. Paulson Jr. or Timothy F. Geithner — submit to Mr. Ferguson's questions. Nor do any of the top executives at Goldman Sachs or the other big banks. Most of the interviewees are, at least from the perspective of the filmmaker, friendly witnesses, adding fuel to the director's comprehensive critique of the way business has been done in the United States and the other advanced capitalist countries for the past two decades. Both American political parties are indicted; "Inside Job" is not simply another belated settling of accounts with Mr. Bush and his advisers, though they are hardly ignored. The scaling back of government oversight and the weakening of checks on speculative activity by banks began under Reagan and continued during the Clinton administration. And with each administration the market in derivatives expanded, and alarms about the dangers of this type of investment were ignored. Raghuram Rajan, chief economist at the International Monetary Fund, presented a paper in 2005 warning of a "catastrophic meltdown" and was mocked as a "Luddite" by Mr. Summers. Meanwhile, some investment bankers — at Goldman Sachs in particular — were betting against the positions they were pushing on their customers. An elaborate house of cards had been constructed in which bad consumer loans were bundled into securities, which, were certified as sound by rating agencies paid by the banks and then insured via credit-default swaps. One risky bet was stacked on top of another, and in retrospect the collapse of the whole edifice, along with the loss of jobs, homes, pensions and political

confidence, seems inevitable. How did this happen? Mr. Ferguson is no conspiracy theorist; nor is he inclined toward structural or systemic explanations. Markets are not like tectonic plates, shifting on their own. Visible hands write laws and make deals, and in this case a combination of warped values and groupthink seems to have driven very intelligent men (and they were mostly men) toward folly. In addition to business and government, Mr. Ferguson aims his critique at academia, suggesting that the discipline of economics and more than a few prominent economists were corrupted by consulting fees, seats on boards of directors and membership in the masters of the universe club. When he challenges some of these professors, in particular those who held positions of responsibility in the White House or in the Federal Reserve, they are reduced to stammering obfuscation — Markets are complicated! Who could have predicted? I don't see any conflict of interest — and occasionally provoked to testiness. Mr. Ferguson, for his part, cannot always contain his incredulity or rein in his sarcasm. Occasionally his voice pipes up from off camera, saying things like, "You can't be serious!" But it is hard to imagine a movie more serious, and more urgent, than "Inside Job." There are a few avenues that might have been explored more thoroughly, in particular the effects of the crisis on ordinary, non-Wall-Street-connected workers and homeowners. The end of the film raises a disturbing question, as Mr. Damon exhorts viewers to demand changes in the status quo so that the trends associated with unchecked speculation of the kind that caused the last crisis — rising inequality, neglect of productive capacity, endless cycles of boom and bust — might be reversed. This call to arms makes you wonder why anger of the kind so eloquently expressed in "Inside Job" has been so inchoate. And through no fault of its own, the film may leave you dispirited as well as enraged. Its

fate is likely to be that of other documentaries: praised in some quarters, nitpicked in others and shrugged off by those who need its message most. Which is a shame. "Inside Job" is rated PG-13 (Parents strongly cautioned). Some drug and sex references and pervasive obscenity, though not the verbal kind. *********************************************************** The information contained in this communication is confidential, may be attorney-client privileged, may constitute inside information, and is intended only for the use of the addressee. It is the property of Jeffrey Epstein Unauthorized use, disclosure or copying of this communication or any part thereof is strictly prohibited and may be unlawful. If you have received this communication in error, please notify us immediately by return e-mail or by e-mail to jeevacation@gmail.com, and destroy this communication and all copies thereof, including all attachments. copyright -all rights reserved HOUSE OVERSIGHT 031987

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From: Sent: 2/6/2011 9:35:06 PM To: jeevacation@gmail.com Subject: Re: You should see this movie/documentary seems very one-sided and as if the makers didn't quite see the bigger picture i'm not sure the finance industry really had too much of a choice -----Original Message----- From: Jeffrey Epstein <jeevacation@gmail.com> To: Sent: Sun, Feb 6, 2011 5:27 am Subject: Re: You should see this movie/documentary it is very unfair, and misrepresents tons of inf On Sun, Feb 6, 2011 at 3:26 AM, wrote: Inside Job (2010) NYT Critics' PickThis movie has been designated a Critic's Pick by the film reviewers of The New York Times. Sony Pictures Classics Henry Paulson, Ben Bernanke and Timothy Geithner in the documentary "Inside Job." Who Maimed the Economy, and How By A. 0. SCOTT "Inside Job," a sleek, briskly paced film whose title suggests a heist movie, is the story of a crime without punishment, of an outrage that has so far largely escaped legal sanction and societal stigma. The betrayal of public trust and collective values that Mr. Ferguson chronicles was far more brazen and damaging than the adultery in Nathaniel Hawthorne's novel, which treated Hester more as scapegoat than villain. The gist of this movie, which begins in a mood of calm reflection and grows angrier and more incredulous as it goes on, is unmistakably punitive. The density of information and the complexity of the subject matter make "Inside Job" feel like a classroom lecture at times, but by the end Mr. Ferguson has summoned the scourging moral force of a pulpit-shaking sermon. That he delivers it with rigor, restraint and good humor makes his case all the more devastating. He is hardly alone in making it. Numerous journalists have published books and articles retracing the paths that led the world economy to the precipice two years ago. The deregulation of the financial services industry in the 1980s and '90s; the growing popularity of complex and risky derivatives; the

real estate bubble and the explosion of subprime lending — none of these developments were exactly secret. On the contrary, they were celebrated as vindications of the power and wisdom of markets. Accordingly, Mr. Ferguson recycles choice moments of triumphalism, courtesy of Lawrence H. Summers, George W. Bush, Alan Greenspan and various cable television ranters and squawkers. Even as stock indexes soared and profits swelled, there were always at least a few investors, economists and government officials who warned that the frenzied speculation was leading to the abyss. Some of these prophets without honor show up in front of Mr. Ferguson's camera, less to gloat than to present, once again, the analyses that were dismissed and ignored by their peers for so long. Dozens of interviews — along with news clips and arresting aerial shots of New York, Iceland and other disaster areas — are folded into a clear and absorbing history, narrated by Matt Damon. The music (an opening song, "Big Time," by Peter Gabriel, and a score by Alex Heffes) and the clean wide-screen cinematography provide an aesthetic polish that is welcome for its own sake and also important to the movie's themes. The handsomely lighted and appointed interiors convey a sense of the rarefied, privileged worlds in which the Wall Street operators and their political enablers flourished, and the elegance of the presentation also subliminally bolsters the film's authority. This is not a piece of ragged muckraking or breathless advocacy. It rests its outrage on reason, research and careful argument. The same was true of Mr. Ferguson's previous documentary, "No End in Sight," which focused on catastrophic policies carried out in Iraq by President George W. Bush's administration just after the overthrow of Saddam Hussein. But whereas that film concentrated on a narrow view of a complex subject — the conduct of the war rather than the at least equally controversial rationale for fighting it —

"Inside HOUSE OVERSIGHT 031986

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including all attachments. *********************************************************** -- *********************************************************** The information contained in this communication is confidential, may be attorney-client privileged, may constitute inside information, and is intended only for the use of the addressee. It is the property of Jeffrey Epstein Unauthorized use, disclosure or copying of this communication or any part thereof is strictly prohibited and may be unlawful. If you have received this communication in error, please notify us immediately by return e-mail or by e-mail to jeevacation@gmail.com, and destroy this communication and all copies thereof, including all attachments. copyright -all rights reserved HOUSE OVERSIGHT 031985

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I understand you have some questions about my client, Jeffrey Epstein. Given that much of the press coverage surrounding Mr. Epstein has been inaccurate and in some instances, defamatory, I would like to suggest that you send me any facutal questions so that I can provide you with accurate responses. I am also available to speak with you. My number is Thank you, Jay *********************************************************** The information contained in this communication is confidential, may be attorney-client privileged, may constitute inside information, and is intended only for the use of the addressee. It is the property of Kirkland & Ellis LLP or Kirkland & Ellis International LLP. Unauthorized use, disclosure or copying of this communication or any part thereof is strictly prohibited and may be unlawful. If you have received this communication in error, please notify us immediately by return e-mail or by e-mail to postmastergkirkland.com, and destroy this communication and all copies thereof, including all attachments. *********************************************************** This e-mail, including attachments, is intended for the person(s) or company named and may contain confidential and/or legally privileged information. Unauthorized disclosure, copying or use of this information may be unlawful and is prohibited. If you are not the intended recipient, please delete this message and notify the sender. *********************************************************** The information contained in this communication is confidential, may be attorney-client privileged, may constitute inside information, and is intended only for the use of the addressee. It is the property of Kirkland & Ellis LLP or Kirkland & Ellis International LLP. Unauthorized use, disclosure or copying of this communication or any part thereof is strictly prohibited and may be unlawful. If you have received this communication in error, please notify us

immediately by return e-mail or by e-mail to postmaster@kirkland.com, and destroy this communication and all copies thereof, HOUSE OVERSIGHT 031984

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From: Jeffrey Epstein [jeeyacation@gmail.com] Sent: 3/7/2011 7:12:54 PM To: Jay Lefkowitz Subject: Re: Fw: Privileged - Redacted On Mon, Mar 7, 2011 at 11:11 AM, Jay Lefkowitz < wrote: -----Original Message----- From: "Wolfe, Alexandra" Sent: 03/07/2011 02:04 PM EST To: Jay Lefkowitz Subject: RE: Dear Mr. Lefkowitz, Here are the questions I'd like to ask Jeffrey Epstein. Would he be available to answer any of these on the phone or by email? People have told me some of his thoughts on background but I wanted to see if he could tell me or email me anything directly I could use on the record. Also I'd like to run the information I already have by you or him. Thank you, Alexandra -What is he chiefly focusing on now? Is he spending more time on The Jeffrey Epstein Science Foundation? Could he talk about his interest in science and the 2011 grants/conference? -How has his business been affected? Is there any new direction he's taking it? Does he still have the same clients or new ones? Is it still at $15 billion? -Did he still work while in prison? How was that arranged? With whom was he working/advising? -Where is he spending his time now? How has his social life changed from three years ago? -Is he still close with Ghislaine Maxwell? -What were friends/colleagues/acquaintances reactions to his conviction? -What does he think about the sentence he got- was it too lenient or too harsh and why? -What is his side of the story and have people been supportive? -Is he continuing the charity initiatives he started with Bill Clinton, etc? -----Original Message----- From: Jay Lefkowitz [mailto:__ Sent: Mon 3/7/2011 12:18 PM To: Wolfe, Alexandra Subject: Dear Ms. Wolfe, HOUSE OVERSIGHT 031983

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communication in error, please notify us immediately by return e-mail or by e-mail to postmasterairkland.com, and destroy this communication and all copies thereof, including all attachments. *********************************************************** HOUSE OVERSIGHT 031982

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-What is his side of the story and have people been supportive? -Is he continuing the charity initiatives he started with Bill Clinton, etc? -----Original Message From: Jay Lefkowitz Sent: Mon 3/7/2011 12:18 PM To: Wolfe, Alexandra Subject: I Dear Ms. Wolfe, I understand you have some questions about my client, Jeffrey Epstein. Given that much of the press coverage surrounding Mr. Epstein has been inaccurate and in some instances, defamatory, I would like to suggest that you send me any facutal questions so that I can provide you with accurate responses. I am also available to speak with you. My number is Thank you, Jay *********************************************************** The information contained in this communication is confidential, may be attorney-client privileged, may constitute inside information, and is intended only for the use of the addressee. It is the property of Kirkland & Ellis LLP or Kirkland & Ellis International LLP. Unauthorized use, disclosure or copying of this communication or any part thereof is strictly prohibited and may be unlawful. If you have received this communication in error, please notify us immediately by return e-mail or by e-mail to postmaster@kirkland.com, and destroy this communication and all copies thereof, including all attachments. *********************************************************** This e-mail, including attachments, is intended for the person (s) or company named and may contain confidential and/or legally privileged information. Unauthorized disclosure, copying or use of this information may be unlawful and is prohibited. If you are not the intended recipient, please delete this message and notify the sender. *********************************************************** The information contained in this communication is confidential, may be attorney-client privileged, may constitute inside information, and is intended only for the use of the addressee. It

is the property of Kirkland & Ellis LLP or Kirkland & Ellis International LLP. Unauthorized use, disclosure or copying of this communication or any part thereof is strictly prohibited and may be unlawful. If you have received this HOUSE OVERSIGHT 031981

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