honey dryan

A drawing of Alan Wake face down on the ground, with a note on his back that says, BRB in 5.

one more poor Alan for @christiecat.bsky.social haha
#alanwake #alanwake2

jessayyyy we gotta COOK!!

#controlremedy

The Hiss one... 😭

pleeeeaaassseuhh let her say fuck in the next game. let her kick darling's teeth in.
#controlremedy

I'M SCREAMING OVER THIS ART OMGGG!!!!

lilith, you siren...

#controlremedy

yeah the expedition went great. what, the bleeding? don't even worry about it, man. orange peel.

#controlremedy

“Beyond the shadow you settle for, there is a miracle illuminated.” — you guys often ask me for more Zane, so i made a thing xD had a blast with this one tbh, was trying out a different approach :') #alanwake2fanart #AlanWake2 #tomzane

painting fanart for an Aleksi Kesä feature film that doesn't exist but most definitely should #alanwake2fanart #AlanWake2

Remedy fans rejoice! I’ve made a new prompt list for Inktober this year, this time for Alan Wake and Control ☎️ Please use #awetober25 and feel free to tag me in your work, I’d love to see it!!! #alanwake2 #controlremedy #remedygames

this is a bit old but i still love this kiddo dylan with the ikea shark so much. and the cat fight in the background, too..
#controlremedy

YYYESSS. HEELL YES!!

OMG THEM!!!
NEVER THOUGHT I SEE THEM AGAIN AFTER SO MANY YEARS BUT THANK YOU VERY MUCH I WAS IN FACT NEEDING THIS!

!!!!!!!!!!

these guys still living in my head. don't even pay rent. ffs

#controlremedy

Panel 1: A limp hand is barely holding the frayed remains of a red charm bracelet. On the background, Casey and Kiran are running towards it. Panel 2: Close-up of Casey and Kiran. The framing obscure Casey’s eyes, yet tears can be seen running down his face. Kiran has a troubled expression. Captions: KIRAN: ...fuck. Panel 3: Casey has fallen to his knees, Kiran behind him. In front of them Tor and Odin are walking out of Cauldron Lake. Odin is holding Tor’s shoulder while Tor is carrying Saga’s body, his head resting on top of hers. Mirror Peak is looming over the tragedy. Panel 4: Outside a house. Tor and Odin are waiting as Kiran and Casey are at the door. Kiran is holding Casey by his shoulder with a worried expression on her face. Casey is snarling at her while knocking on the door. Captions: KIRAN: Alex, wait! You don't have to do this. Let me— CASEY: Fuck off, Kiran.

Panel 1: Inside the house. David has opened the door, he’s holding a phone on his hand. On the other side, Kiran is trying to step in front Casey while she’s speaking to David. Casey is frozen and looking directly at Logan who is on the foreground. Logan is holding her phone, on the screen can faintly be seen a contact called “Mom”. Captions: DAVID: Casey? Where the hell is— KIRAN: David Woods? I'm Kiran Estevez of the FBC. Can we come in? Panel 2: A memorial service held outdoors. All seats have been taken by attendants. In the center is a portrait picture of Saga. To the left, her casket covered in floral arrangements. In front of it Tor, Odin, and David hugging Logan can be seen. To the right Casey is walking toward a plinth to deliver an eulogy. He’s wearing a formal FBI outfit. Panel 3: A rainy scene. On the foreground Casey and Kiran are covered from the rain under a tree. Casey is sitting on the floor, his back to the trunk, with his elbows resting on his knees, holding his head between his hands. Kiran is standing next him, looking at the scene past them: David embracing Logan, they’re facing away. In front of them, Tor is looking up, eyes closed and soaking under the rain. Right in front of him Odin is placing down flowers in front of two tombstones, one for Freya, the other for Saga. Captions: ODIN: Hey kiddo…

Horror is to experience a universe devoid of your loved ones. To live long enough to tend to their graves.

-

1/4

For the @fbczine.bsky.social

Full read: www.valentinapaz.com/blog/the-sto...

#Art #Fanart #AlanWake #AlanWake2 #ControlRemedy

Panel 1: Parliament Tower entrance hallway. An FBC agent wearing a contamination suit closes a black body bag laid on a stretcher. Next to it, Sarah Breaker is talking on the phone, a troubled expression on her face. Another FBC agent in a contamination suit is walking away, carrying a containment box housing the Angel Lamp. Its lightbulb is broken. Captions: SARAH: Hey, Timmy. Yeah, it was Wake, so I'll need you with me at Wheeler's place. Panel 2: Outside Valhalla Nursing Home. The windows on the Writer’s Room are broken, water coming out of it and down the entire building, as if there was a sudden, explosive flood from within. In the foreground, to the right are two FBC agents. One is wearing a contamination suit and holding a black suitcase. The other is holding a clipboard on one hand and with the other is pointing at the bench in the center. On the left, sitting on a bench is Rose. She's wearing her nurse outfit and looks worse for wear, her pants and shoes are damp. She has a blanket drapped on her shoulders and is holding a coffee cup while staring down at the bench in the center. On the center bench, an analogue camera is resting on a white towel. Captions: FBC AGENT: That's the camera she found with Wake's body. Panel 3 Barry Wheeler has opened the door to his apartment, outside Sarah and Tim Breaker are waiting. Captions: BARRY: And who the hell are you supposed to— Sheriff Breaker? SARAH: Hi, Barry.

Panel 1: Inside the apartment at a table, Barry snarls and throws a coffee mug at Tim who barely protected himself from it, while Sarah is trying to stop him. Caption: BARRY: GO TO HELL! YOU COULD'VE DRAGGED AL OUT WITH YOU! SARAH: Barry, please! Panel 2: A memorial service held indoors. Barry is on the front row, looking at Rose who just walked in. Two caskets and portrait pictures for Alice and Alan can be seen, and on the floor below them are floral arrangements. Panel 3: On the left, in the front row, Barry is holding is head between his hands. On the right, Rose has her hands folded on her lap, her eyes closed, holding tears. The rest of the room is full of empty chairs. Captions: BARRY: You said you'd be back, Al.

2/4

Panel 1: Inside the Oldest House. Arish is struggling, holding Emily from the waist. She’s yelling and about to hurl an HRA to a group of researchers. Underhill is behind her trying to take the HRA from her. Emily’s face and fingers are covered in scars, her hands are bandaged. Her wedding band looks particularly bright. No one is wearing an HRA. On the wall behind them can be seen design plans for a cubical structure, on one of them it can be barely read “SARCOPHAGUS”. On the desk below there are a myriad of documents, folders and instruments, and a small framed picture of a couple wearing white suits. Captions: EMILY: FUCK OFF! No one is separating them until— UNDERHILL: Doctor, be careful with your hands. Panel 2: On the left, the group of researchers are standing still. On the center, Arish is angrily pointing at them, he’s wearing a full protective black armor. Underhill standing in front of him is holding the HRA she took from Emily. Emily is walking away towards Langston who’s manning a console. The room is in disarray, full of computers, whiteboards, documents and folders, and consoles. Caption: ARISH: We gave you an order: Shut the fuck up and wait. LANGSTON: He's ready for the check-up, Doctor. Panel 3: Langston is standing in front of a control console. Behind him, screens show what appears to be a camera feed of a containment cage. He’s holding both his hands in front of him. His suit and tie look well put together, unlike his saddened expression. Behind him, Emily is walking past an opening containment gate into a blinding white light. Arish pats Langston on the shoulder on his way following Emily. A few warning signs can be read on the shelter gate: CONTAIN CHAMBE INTERDIMENSIO HAZARD NO HRAs ALLOWED Captions: EMILY: Thank you, Frederick. LANGSTON: Sure.

Panel 1: An enormous chamber houses a disturbing, shifting, disintegrating pyramid-like structure which looms over the small figures of Emily and Arish as they walk toward a containment cage in the center. Panel 2: Emily and Arish are in front of the door of the cage. Inside, Dylan is sitting on the floor, holding on to someone. Strings of energy coming out of the person. Outside the cage, a shifting, spiraling chaos can be seen. Captions: EMILY: Dylan... I finally found— we can— ARISH: Hey man. There's something we can do now. Panel 3: Strings of energy are cutting Dylan’s face. His tears are floating up from his eyes. Jesse’s red hair can be seen distorted and disintegrating into the air. Captions: EMILY: So when you're ready... DYLAN: She... She stopped breathing three days ago. Panel 4: Dylan is lovingly and carefully holding on to Jesse’s distorted corpse, gently touching her face, while both Arish and Emily are helping him to stand up. Strings of energy emanating from Jesse’s remains are cutting into Dylan’s and Emily’s faces.

Jesse's corpse lies on the floor. A sickening, twitching, multidimensional fractured body. A shifting chaos of five different versions of her, superimposed and barely spread apart from each other. Director Faden holding a disintegrating Service Weapon. P7 holding her head between her hands as she cries out in despair. Civilian Jesse arching her head to look up, esseJ’s hand grasping at her heart. A crying bride reaching up to her spouse. All five versions wearing a wedding band. This is the interdimensional hazard. And it needs to be contained.

Panel 1: A room full of screens displaying feeds of a giant cubical chamber. Emily is standing in front of a control console while speaking into a walkie-talkie. Her left hand rests near a big red button. Underhill is looking at her, worried. Captions: EMILY: Arish, take your team and retreat half a mile past the firebreak and wait for countdown. Panel 2: Underhill holds Emily’s arm so she turns around and look at Dylan behind her. He’s sitting in front of a table, holding his face between his hands. On the wall behind Emily and Underhill, a huge screen shows the cubical structure sitting in an infinite black void. The other screens show a bridge leading to the structure, and red lights blinking across it. Captions: UNDERHILL: Emily, please. Allow me. Panel 3: Emily places a hand on Dylan’s shoulder, he looks up at her. She’s here to keep him company. Their hands are still bandaged and their faces still scarred. Behind them, on the console, Underhill moved to take Emily’s place. Captions: ARISH: We're at the safe zone now and waiting. UNDERHILL: Beginning countdown now. 10, 9, 8... Panel 4: Underhill has pushed the button. The screens show the bridge to the structure covered in smoke from explosions. The room is flooded with a blinding white light. On the foreground, Dylan is desperately hugging on to Emily, she embraces him back. Tears can be seen running down her scarred face. None of them are looking at the screens.

3/4

Panel 1: An enormous cubical structure, distorted and disintegrating into the air, sits on an infinite body of still water. On the foreground there are remains of a bridge that in a distant past led to the structure, a boat waits on the edge. Captions (the black box containing the captions has a distortion on the right edge): NARRATOR: Some doors are better left closed. Panel 2: A figure holding a mop stands in front of the boat, wearing torn pants and worn shoes. The boat is full of cleaning products. Panel 3: Warlin Door is rowing on the boat towards the distorted structure. A myriad of objects can be seen on its base. Panel 4: Warlin holds a piece of a painting depicting a young Freya holding baby Saga. On the background can be seen a desk with a picture of Door and Ahti, and on the floor, a framed poster of Ahti and the Janitors. Captions (The caption box has distortions on both edges now): NARRATOR: Because this…

The front of the structure, Jesse’s Sarcophagus, engulfs the entire view. The distortion has progressed and is taking everything with it. On the gate, there are pictures, a memorial to heroes gone. To the left there are pictures of Alan and Alice, and below a table with a typewriter and an analogue camera. On the right, framed pictures of Saga and the painting depicting the Anderson brothers, Freya and baby Saga. Below, a table with a picture of Logan. On the center, at the top, the distorted painting of Director Jesse Faden, and right below it is the painting of Ahti mopping. On the floor below, the Janitor’s cleaning cart and a pot with dead plants. In front of the memorial, Warlin Door with his back to the viewer, is mopping the floor while the distortion is reaching him and the water below. The caption box sits near the center of the image, it’s now fully distorted, the words inside read: NARRATOR: THIS IS NOT HOW THE STORY GOES

4/4

people that are just a bit too passionate about geometry.
#controlremedy

Ого, а я и потеряла, что подписана на тебя здесь!
Привет от Роуз со Старкона ;)

A dark ocean summoning...

My first proper attempt at animation. Very simple and full of mistakes I'm sure, but I'm excited to practice more :)

#AlanWake2 @remedygames.com #fanart

Jesse and Dylan Faden.

a lilttle something from last year I never finished bit still think about :')
#ControlRemedy

Did a Rose Marigold cosplay FINALLY for a convention!!
I don't have a lot of photos for now, since the con just ended a day ago BUT STILL really proud of finishing it!! 💖🤲
#alanwake #alanwake2 #rosemarigold #remedy #cosplay

Going mad over the fact that i cannot buy Alan Wake book.
Not because i am broke, but because i just don't have access to pay money. Crying. Sobbing.

'Reunion'

If we don't eventually get to see them back together I will riot

#AlanWake #AliceWake #Fanart

Promotion/demotion. Trench and Jesse are having a normal one. #controlremedy

Jesse Faden sitting on a black rock throne. She's covered in blood, holding a melee weapon.

Brawler/Melee Jesse anyone? 👀

#Art #FanArt #ControlRemedy

Ilkka Villi as Thomas Zane in Room 665. He's dressed in a romantic white shirt with a lot of the buttons undone, and long leather trousers. His feet are bare. The room behind him is in a state of creative disarray.

Happy birthday to Ilkka Villi, our Thomas Zane, Mr Scratch, and Alan Wake! Many happy returns 🕺

📸 by Anssi Määttä

#alanwake2

Three panel comic. First panel is a featureless cartoon person sitting it a desk with a drawing tablet, happily saying "time to draw". Second panel is of the same person leaning close into the tablet screen, with a clock behind them, the pen laying on their desk, and three dots next to their head. The third panel shows the person and tablet from behind, with a screenshot of an empty digital art canvas. He asks "time to draw?" and in parenthesis at the bottom it says it has been 6 hours. Comic by Breadsticc Art.

it's one of those days I suppose