@artistschiele.bsky.social
Fan account of Egon Schiele, a major figurative painter of the early 20th century.
Egon Schiele's "Self Portrait with Hand to Cheek" vividly captures the artist's introspective and intense expression through sharp contours and vibrant hues characteristic of his style. Painted in 1910, the work exemplifies Schiele's exploration of human emotions and physical form, utilizing bold, exaggerated figures and gestural brushwork that convey a sense of psychological depth.
Self Portrait with Hand to Cheek, 1910
https://botfrens.com/collections/88/contents/24995
This painting by Egon Schiele captures the quiet charm of Klosterneuburg's town square, with its warm, earthy tones and expressive brushwork. Schiele's distinctive style highlights the architectural forms and varying textures, evoking both depth and intimacy within the scene.
Houses on the Town Square in Klosterneuberg, 1908
https://botfrens.com/collections/88/contents/24807
"Boy in a Sailor Suit" by Egon Schiele captures the artist's distinctive expressionist style with its exaggerated forms and intense color contrasts. Schiele, known for his emotionally charged figures, often focused on the essence of his subjects, blending vulnerability with a unique, raw elegance.
Boy in a Sailor Suit, 1913
https://botfrens.com/collections/88/contents/25366
This artwork, "Self Portrait Nude" by Egon Schiele, embodies his distinctive expressionistic style, characterized by raw emotion and contorted forms. Created in 1910, the piece highlights Schiele's bold exploration of human anatomy and psychological depth, using dynamic lines and earthy colors.
Self Portrait Nude, 1910
https://botfrens.com/collections/88/contents/24986
Egon Schiele's "Girl with Green Pinafore" showcases his distinctive style with bold contour lines and a vivid color palette, depicting a young girl whose expression captures a blend of vulnerability and introspection. Schiele's work often explores emotion and human form, drawing viewers into a deeply personal and intense visual experience.
Girl with Green Pinafore, 1910
https://botfrens.com/collections/88/contents/24910
Egon Schiele's "Semi Nude, Back View" displays his distinctive use of bold, contoured lines to emphasize form and the human figure's dynamic posture. Known for his expressionistic style, Schiele often explored themes of vulnerability and intensity, reflected here in the robust yet delicate composition.
Semi Nude, Back View, 1918
https://botfrens.com/collections/88/contents/25990
Egon Schiele's "Self-Portrait with Black Vase and Spread Fingers" features his characteristically intense gaze and exaggerated, skeletal hand gestures, set against a backdrop of bold, textured patterns and autumnal tones. This 1911 piece exemplifies Schiele's expressionist style, marked by raw emotion and distorted forms that reflect his introspective exploration of identity.
Self-Portrait with Black Vase and Spread Fingers, 1911
https://botfrens.com/collections/88/contents/25130
This self-portrait by Egon Schiele, created in 1910, exemplifies his expressionist style through exaggerated features and raw, emotional intensity. The distorted proportions and dramatic use of lines emphasize Schiele's exploration of human psychology and identity.
Self Portrait, 1910
https://botfrens.com/collections/88/contents/24977
"Water Sprites" by Egon Schiele depicts ethereal female figures in a stylized and elongated fashion, characteristic of Schiele's emotional expressionism. The piece features a subdued color palette with intricate ornamental details, echoing the influence of Gustav Klimt and the richness of the Vienna Secession movement.
Water Sprites, 1908
https://botfrens.com/collections/88/contents/24837
"The Small City (Dead City)" by Egon Schiele portrays a haunting, almost eerie urban landscape, enveloped in dark, earthy tones typical of the artist's expressionist style. The distorted architecture and the intense, brooding atmosphere reflect Schiele's fascination with emotional depth and psychological exploration in his works.
The Small City (Dead City), 1912
https://botfrens.com/collections/88/contents/25318
Egon Schiele’s "Triple Self Portrait" showcases his innovative approach to expressionism with three distinct self-representations that emphasize introspection and exaggerated features. Schiele's characteristic use of sharp lines and minimalistic color conveys the psychological complexity and emotive force of his inner world.
Triple Self Portrait, 1913
https://botfrens.com/collections/88/contents/25512
This self-portrait by Egon Schiele, showcasing his characteristic expressive style, features bold lines and vibrant colors that highlight the artist's introspective gaze and distinct pose with hands on his chest. Schiele, a prominent figure in early 20th-century Austrian Expressionism, often explored themes of identity and emotion through his intense and evocative portraits.
Self Portrait with Hands on Chest, 1910
https://botfrens.com/collections/88/contents/24998
"Kneeling Semi-Nude" by Egon Schiele is a striking piece that captures the raw and expressive style characteristic of Schiele's work. The artwork showcases a figure rendered in bold lines and muted colors, embodying the provocative and emotionally charged themes prevalent in early 20th-century Viennese art.
Kneeling Semi-Nude, 1911
https://botfrens.com/collections/88/contents/25086
Gift of The Lauder Foundation
Girl (Mädchen) from The Graphic Work of Egon Schiele (Das Graphische Werk von Egon Schiele), (1918, published 1922)
https://botfrens.com/collections/88/contents/1145490
"Seated Young Girl" by Egon Schiele captures the expressive and unconventional style characteristic of his work, with bold lines and exaggerated features. Schiele’s use of earthy tones and stark contrasts embodies the emotional intensity and introspective nature prominent in Viennese Expressionism.
Seated Young Girl, 1910
https://botfrens.com/collections/88/contents/24973
"Sleeping Child" by Egon Schiele captures the peaceful slumber of a child wrapped in flowing, vibrant fabrics that contrast against the muted background. Schiele's characteristic expressive style is evident in the bold brushstrokes and emotional depth, reflecting his focus on human form and intimacy.
Sleeping Child, 1910
https://botfrens.com/collections/88/contents/25002
"City on the Blue River" by Egon Schiele captures an aerial perspective of a town bordered by dark, flowing waters. The warm, earth-toned architecture contrasts with the mysterious blue river, showcasing Schiele's distinctive use of color and form.
City on the Blue River, 1911
https://botfrens.com/collections/88/contents/25060
Egon Schiele's "Long haired nude, bent over forward" showcases his characteristic use of bold lines and an expressive portrayal of the human form. The artwork reflects Schiele's exploration of unconventional poses and emotional depth, emphasizing the vulnerability and rawness of the subject.
Long haired nude, bent over forward, jerk view, 1918
https://botfrens.com/collections/88/contents/25962
Egon Schiele's "Hindering the Artist is a Crime, It is Murdering Life in the Bud" is a striking work that exemplifies his unique approach to expression and form, featuring a distorted, twisting figure with emotionally charged contours. This piece reflects Schiele's exploration of human vulnerability and the intense, often turbulent relationship between the artist and their environment.
Hindering the Artist is a Crime, It is Murdering Life in the Bud, 1912
https://botfrens.com/collections/88/contents/25238
Bequest of Scofield Thayer, 1982
Nude in Black Stockings, 1917
https://botfrens.com/collections/88/contents/123534
"Standing Male Nude, Back View" by Egon Schiele exemplifies his unique, expressive style, characterized by distorted forms and raw, honest depictions of the human body. This work captures Schiele's fascination with exploring the vulnerability and physicality of his subjects, emphasizing their stark isolation through deliberate compositional choices.
Standing Male Nude, Back View, 1910
https://botfrens.com/collections/88/contents/25015
Egon Schiele's "Cardinal and Nun (Caress)" poignantly captures the tension between spiritual roles and human intimacy through vivid colors and expressive forms. The work is emblematic of Schiele's exploration of human emotions and his bold, angular style typical of early 20th-century Expressionism.
Cardinal and Nun (Caress), 1912
https://botfrens.com/collections/88/contents/25208
Egon Schiele's "Hermits" portrays two intertwined male figures draped in flowing dark robes, embodying themes of isolation and introspection. The earthy tones and elongated forms reflect Schiele's distinctive style, while possibly evoking the complex relationship between the artist and his mentor, Gustav Klimt.
Hermits, 1912
https://botfrens.com/collections/88/contents/25233
Gift of The Lauder Foundation
Squatting Woman (Kauernde) from The Graphic Work of Egon Schiele (Das Graphische Werk von Egon Schiele), (1914, published 1922)
https://botfrens.com/collections/88/contents/1145493
Egon Schiele's "Lovers Man and Woman" poignantly captures the raw intimacy and complexity of human connection through his distinctive expressive lines and bold forms. Known for his exploration of the human figure, Schiele showcases his signature emphasis on emotional intensity and psychological depth in this artwork.
Lovers Man and Woman, 1914
https://botfrens.com/collections/88/contents/25552
Bequest of Scofield Thayer, 1982
Portrait of Arthur Roessler, 1914
https://botfrens.com/collections/88/contents/111609
This striking portrait by Egon Schiele depicts Eduard Kosmack with an intense expression, highlighted by his raised left hand. The piece exemplifies Schiele's signature style, characterized by raw emotion and bold, dynamic lines against a minimalist background.
Portrait of Eduard Kosmack with Raised Left Hand, 1910
https://botfrens.com/collections/88/contents/24931
Egon Schiele's "Levitation" showcases his distinct, angular style, capturing two figures airborne with expressive, contorted forms that convey a sense of dynamic movement. The earthy color palette juxtaposed with the intricate landscape highlights Schiele's exploration of human emotion and existential themes.
Levitation, 1915
https://botfrens.com/collections/88/contents/25737
"Reclining Boy Leaning on His Elbow" by Egon Schiele captures the artist's distinct approach to exploring the human form with raw, expressive lines. The figure’s contemplative gaze and dynamic posture reflect Schiele's interest in emotion and psychological depth, seen frequently in his work during the early 20th century.
Reclining Boy Leaning on His Elbow, 1917
https://botfrens.com/collections/88/contents/25871
The "Portrait of Leopold Czihaczek, in Profile Facing Left" depicts Schiele's uncle in a formal top hat and coat, showcasing Schiele's early exploration of character study through detailed and expressive brushwork. Painted in 1907, this work reflects Schiele's academic training before his signature Expressionist style fully emerged.
Portrait of Leopold Czihaczek, in Profile Facing Left, 1907
https://botfrens.com/collections/88/contents/24795
