Joonas L

Tää on nyt kommentti.

I just can't get over how good this incarnation of King Crimson is. Like insane. They really ripped the playbook and burned it down. And their music sounds so menacing.

Very lo-fi aesthetics, squeaky editing and unbelievably 00's vibes. Yes, it is not perfect but it is very relatable and I am all for Bob Odenkirk doing his pet projects even if the results can be rough around the edges.

Hjallis Harkimo on kyllä viimeinen tyyppi vittuilemaan kenenkään kytköksistä Venäjälle.

Thou shalt impeach the motherfucker.

Finally this aesthetic is coming back.

If you have never made anyone angry, ever, you have done something wrong. Being your own authentic self without people pleasing is bound to lead to conflicts. That is good. Taking a stand for something is incredibly healthy.

Ja työpaikka saatu!!!

Menossa kesätyöhaastatteluun kivalta kuulostavaan paikkaan. :3

However, after the real threat is revealed midway through the film, a dark atmosphere takes over, and the impossibility of Volonté's character escaping his fate becomes painfully clear. The ending offers no hope for a better future. A cynical and grim film without a glimmer of light. I liked it.

The first part consists of measured dialogue exploring the clash between old and new Italian mentalities through the conversations between a judge and Gian Maria Volonté's policeman.

"I Am Afraid" is a film of contradictions: an intense yet restrained depiction of Italy during the so-called "Years of Lead," when anyone involved in politics risked their life. 1/

Essee | Euroopan ei pidä madella Putinin ja Trumpin edessä Autoritaariset johtajat uhkaavat taas jakaa maailman keskenään, kuten 1930-luvulla. Euroopan on astuttava puolustamaan demokratian arvoja, kirjoittaa entinen ulkoministeri Erkki Tuomioja.

www.hs.fi/mielipide/ar... Erkki ❤️❤️❤️

Improvement on La Vraie Jeune Fille in substance but it lacks the ferocious in-your-face-attitude (one of the few things I liked about in that movie) and at times feels almost like neutered.

This film is as revolting as Salo to my eyes due to my fluid phobia. But I did not get insight into the matter at hand, female sexuality and desire. I dislike how in French cinema metaphors and language are so physical, so concrete. And so painful, as in this movie.

melanka’s profile melanka uses Letterboxd to share film reviews and lists. 1,948 films watched. Favorites: Cure (1997), The Incident (1967), Taste of Cherry (1997), Caché (2005).

Going to start doing reviews of movies I see in here, as well as in Letterboxd (you can find me as My profile on Letterboxd boxd.it/MpOx).

Yes, so much effort... it takes a longer time than I thought. I'm waiting for Flashes to arrive so I can start advertising my music exclusively here.

Here starts my Meta-withdrawal. If you are

-leftist/anarchist
-musician
-film lover
-TTRPG-player or a GM
-artist
-non-neurotypical

Then please follow me! Ja sama suomeksi. :)