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Durham MEMSA

@durhammemsa.bsky.social

MEMSA is made up of postgraduate students from all disciplines working on the Medieval or Early Modern period at Durham University. ALL welcome at our events.

557 Followers  |  95 Following  |  75 Posts  |  Joined: 14.11.2024  |  2.3558

Latest posts by durhammemsa.bsky.social on Bluesky

Devil in the Detail: Language and Laughter in the Passio Domini Homily Eugenia Vorobeva - University of Oxford This paper takes as its starting point a passage from the vernacular Passio domini homily preserved in the Icelandic Homily Book (c.1200). The passage in question describes the horrors from which Christ delivers his people; following other things, he finally delivers the human race ‘from the devices and laughter of the devil’ (fra velom oc hlatre diofolsens). The passage is artfully crafted: it is alliterative, it is rhythmical, the combination of its style and substance can be seen as forcing the audience into the into the drama of salvation and the significance of Christ’s sacrifice on the cross. The devil’s laughter, being the final item on the list, seems to be of a special significance; however, this topos is rather rare in the corpus of Old Norse religious literature. This paper considers the topos of the devil’s laughter within Old Norse religious texts by considering a number of instances of its use and tracing its origins to the Latin sources. While medieval theologians use a range of various words to indicate different types of laughter, Old Norse tends to translate all of them with the verb hlæja which, in its turn, has a number of connotation within the corpus. By further examining the link between the devil’s laughter, its vocabulary, and its stylistic devices in connection to broader the contemporary literary context, this paper addresses the intricate interplay between emotion, style, and theology in vernacular prose writings of medieval Iceland. 6pm Monday 8 December 7 Owengate on Palace Green Everyone Welcome!

Devil in the Detail: Language and Laughter in the Passio Domini Homily Eugenia Vorobeva - University of Oxford This paper takes as its starting point a passage from the vernacular Passio domini homily preserved in the Icelandic Homily Book (c.1200). The passage in question describes the horrors from which Christ delivers his people; following other things, he finally delivers the human race ‘from the devices and laughter of the devil’ (fra velom oc hlatre diofolsens). The passage is artfully crafted: it is alliterative, it is rhythmical, the combination of its style and substance can be seen as forcing the audience into the into the drama of salvation and the significance of Christ’s sacrifice on the cross. The devil’s laughter, being the final item on the list, seems to be of a special significance; however, this topos is rather rare in the corpus of Old Norse religious literature. This paper considers the topos of the devil’s laughter within Old Norse religious texts by considering a number of instances of its use and tracing its origins to the Latin sources. While medieval theologians use a range of various words to indicate different types of laughter, Old Norse tends to translate all of them with the verb hlæja which, in its turn, has a number of connotation within the corpus. By further examining the link between the devil’s laughter, its vocabulary, and its stylistic devices in connection to broader the contemporary literary context, this paper addresses the intricate interplay between emotion, style, and theology in vernacular prose writings of medieval Iceland. 6pm Monday 8 December 7 Owengate on Palace Green Everyone Welcome!

Our final talk of term will be next Monday, 8 December, featuring Eugenia Vorobeva from the University of Oxford! She will be presenting her paper, "Devil in the Detail: Language and Laughter in the Passio Domini Homily." Come along to 7 Owengate at 6pm to see her presentation! ✨

04.12.2025 14:05 — 👍 1    🔁 0    💬 0    📌 0
The Vision of Boso and Moral Soundscapes in Simeon of Durham’s Libellus de exordio Alastair Forbes - Independent Scholar 6pm Monday 24 November 7 Owengate on Palace Green Everyone Welcome! Among the sensory concerns within the medieval monastery, it was arguably sound with which monks were most concerned. The monastic day was governed by sounds such as the tolling of bells and communal prayer, as well as carefully regulated silences. When monastic writers commentated on the Christian otherworlds of heaven and hell, therefore, they did so with an understanding of the moral implications of silence and harmony versus noise and discord. This paper introduces moral soundscapes through one vision of these otherworlds recounted by Simeon of Durham (d.c.1128). The vision, attributed to a certain knight called Boso, differentiated between the solemn chanting of monks processing towards salvation and the clashing arms of warriors doomed to eternal death. Simeon utilized a sonic distinction to demonstrate the privileged place of the monastic vocation among their worldly contemporaries. For Simeon, Boso’s vision worked within a broader monastic understanding of the moral frameworks of Christian otherworlds to depict the “good” and the “bad” which would be easily recognisable to the lived experiences of his fellow monks, and confirmed their closeness to what Jeffrey Burton Russell called the ‘singing silence’ of heaven. This paper contributes to recent scholarship that seeks to decentre the importance of sight over the other senses in medieval thought. It demonstrates how unravelling experiences and presentations of sound can add an additional dimension to understanding contemporary conceptualisations. In particular, it highlights the ways in which sound could be presented and manipulated to influence monastic identities in the Central Middle Ages.

The Vision of Boso and Moral Soundscapes in Simeon of Durham’s Libellus de exordio Alastair Forbes - Independent Scholar 6pm Monday 24 November 7 Owengate on Palace Green Everyone Welcome! Among the sensory concerns within the medieval monastery, it was arguably sound with which monks were most concerned. The monastic day was governed by sounds such as the tolling of bells and communal prayer, as well as carefully regulated silences. When monastic writers commentated on the Christian otherworlds of heaven and hell, therefore, they did so with an understanding of the moral implications of silence and harmony versus noise and discord. This paper introduces moral soundscapes through one vision of these otherworlds recounted by Simeon of Durham (d.c.1128). The vision, attributed to a certain knight called Boso, differentiated between the solemn chanting of monks processing towards salvation and the clashing arms of warriors doomed to eternal death. Simeon utilized a sonic distinction to demonstrate the privileged place of the monastic vocation among their worldly contemporaries. For Simeon, Boso’s vision worked within a broader monastic understanding of the moral frameworks of Christian otherworlds to depict the “good” and the “bad” which would be easily recognisable to the lived experiences of his fellow monks, and confirmed their closeness to what Jeffrey Burton Russell called the ‘singing silence’ of heaven. This paper contributes to recent scholarship that seeks to decentre the importance of sight over the other senses in medieval thought. It demonstrates how unravelling experiences and presentations of sound can add an additional dimension to understanding contemporary conceptualisations. In particular, it highlights the ways in which sound could be presented and manipulated to influence monastic identities in the Central Middle Ages.

Our fourth talk of Michaelmas term will be on Monday 24 November, featuring a presentation by Alastair Forbes, Durham alumni+independent scholar! He will be discussing "The Vision of Boso and Moral Soundscapes in Simeon of Durham's Libellus de exordio." Come to 7 Owengate at 6pm to hear his paper! ✨

17.11.2025 16:44 — 👍 3    🔁 1    💬 0    📌 0
Manuscript Transmission and the Spread of Learning in Late Anglo-Saxon England, c.950-1066 Ido Kons - University of Cambridge 6pm Monday 10 November 7 Owengate on Palace Green Everyone Welcome! The late Anglo-Saxon period (c.950-1066) is renowned as a golden age of learning, in which manuscript production, art, and scholarship reached heights not seen since the age of Bede. It also witnessed the rise of an impressively ornate style of Latin composition, commonly known as the ‘hermeneutic style’. Traditionally, this intellectual revival was seen as a result of the Benedictine Reform movement, which saw the reestablishment of monasteries cross England; it is now generally recognised that these developments postdate the reform, having roots in the reigns of King Alfred the Great (871-899) and his grandson Æthelstan (924-39), and the court school they established and maintained. This intellectual circle produced masterful works of art, such as the illumination of Æthelstan presenting a book to St Cuthbert in Cambridge, Corpus Christi College 183, which was gifted to Durham. This paper will explore the late Anglo-Saxon intellectual revival by analysing the important underlying process making it possible—manuscript transmission. Important manuscripts were carried from Æthelstan’s intellectual circle to the productive scriptoria at Canterbury, through which their texts were propagated to the rest of England, as far north as Durham, as far east as the Fenlands and as far west as Worcester. I will demonstrate that these, among others, formed the core of the emerging late Anglo-Saxon monastic curriculum. By analysing manuscript transmission, I will argue, we can see the ways in which knowledge was formulated, exchanged and received across institutions in this formative period in the history of the British Isles.

Manuscript Transmission and the Spread of Learning in Late Anglo-Saxon England, c.950-1066 Ido Kons - University of Cambridge 6pm Monday 10 November 7 Owengate on Palace Green Everyone Welcome! The late Anglo-Saxon period (c.950-1066) is renowned as a golden age of learning, in which manuscript production, art, and scholarship reached heights not seen since the age of Bede. It also witnessed the rise of an impressively ornate style of Latin composition, commonly known as the ‘hermeneutic style’. Traditionally, this intellectual revival was seen as a result of the Benedictine Reform movement, which saw the reestablishment of monasteries cross England; it is now generally recognised that these developments postdate the reform, having roots in the reigns of King Alfred the Great (871-899) and his grandson Æthelstan (924-39), and the court school they established and maintained. This intellectual circle produced masterful works of art, such as the illumination of Æthelstan presenting a book to St Cuthbert in Cambridge, Corpus Christi College 183, which was gifted to Durham. This paper will explore the late Anglo-Saxon intellectual revival by analysing the important underlying process making it possible—manuscript transmission. Important manuscripts were carried from Æthelstan’s intellectual circle to the productive scriptoria at Canterbury, through which their texts were propagated to the rest of England, as far north as Durham, as far east as the Fenlands and as far west as Worcester. I will demonstrate that these, among others, formed the core of the emerging late Anglo-Saxon monastic curriculum. By analysing manuscript transmission, I will argue, we can see the ways in which knowledge was formulated, exchanged and received across institutions in this formative period in the history of the British Isles.

Our next talk of term will be on Monday 10 November, featuring a presentation by Ido Kons from the University of Cambridge! He will be discussing "Manuscript Transmission and the Spread of Learning in Late Anglo-Saxon England, c. 950-1066." Come along to 7 Owengate at 6pm to hear his paper! ✨

31.10.2025 17:39 — 👍 5    🔁 2    💬 0    📌 0
Mondays 6pm at 7 Owengate Monday 13 October Isaiah Silvers (Durham University) Auxilios: "Reform" and "Aid" in the Hospital Institutions of New Spain, c. 1730-1770 Monday 27 October Lottie Thompson (Durham University) Medieval Durham and the Ancient World: Lawrence of Durham’s Dialogi and Virgil’s Eclogues and Georgics. Monday 24 November Alastair Forbes (Independent Scholar) The Vision of Boso and Moral Soundscapes in Simeon of Durham's Libellus de exordio Monday 10 November Ido Kons (University of Cambridge) Manuscript Transmission and the Spread of Learning in Late Anglo-Saxon England, c.950-1066 Monday 8 December Eugenia Vorobeva (University of Oxford) Devil in the Detail: Language and Laughter in the Passio Domini Homily

Mondays 6pm at 7 Owengate Monday 13 October Isaiah Silvers (Durham University) Auxilios: "Reform" and "Aid" in the Hospital Institutions of New Spain, c. 1730-1770 Monday 27 October Lottie Thompson (Durham University) Medieval Durham and the Ancient World: Lawrence of Durham’s Dialogi and Virgil’s Eclogues and Georgics. Monday 24 November Alastair Forbes (Independent Scholar) The Vision of Boso and Moral Soundscapes in Simeon of Durham's Libellus de exordio Monday 10 November Ido Kons (University of Cambridge) Manuscript Transmission and the Spread of Learning in Late Anglo-Saxon England, c.950-1066 Monday 8 December Eugenia Vorobeva (University of Oxford) Devil in the Detail: Language and Laughter in the Passio Domini Homily

🎺 HEAR YE, HEAR YE! 🎺
We are proud to announce the official MEMSA seminar series term card for this autumn!

Make sure to put the dates in your calendar so you don't miss our amazing speakers! We can't wait to see you there!

24.10.2025 22:05 — 👍 9    🔁 4    💬 0    📌 0
Medieval Durham and the Ancient World: Lawrence of Durham’s Dialogi and Virgil’s Eclogues and Georgics. ‘If it is the rocks, if it is the beasts, if it is the other things of this vast grove that you wish to know, what Virgil could sing of so much?’ Lawrence of Durham (d. 1154) was an Anglo-Latin poet and monk living in Durham in the first half of the twelfth century. In his day Lawrence’s writing was widely circulated, but unfortunately this popularity did not stand the test of time and today he is very little known. This paper will introduce you to the works and world of this major regional author more generally, before focusing on one of Lawrence’s poems, the Dialogi – a verse dialogue written around 1143. This paper will explore how Lawrence’s knowledge of both Virgil’s Eclogues and Georgics expressly shaped his writing on medieval Durham in this poem, particularly concerning his exploration of the topography of the city and the ongoing socio-political conflicts of the day. 6p Monday 27 October 7 Owengate on Palace Green Everyone Welcome!

Medieval Durham and the Ancient World: Lawrence of Durham’s Dialogi and Virgil’s Eclogues and Georgics. ‘If it is the rocks, if it is the beasts, if it is the other things of this vast grove that you wish to know, what Virgil could sing of so much?’ Lawrence of Durham (d. 1154) was an Anglo-Latin poet and monk living in Durham in the first half of the twelfth century. In his day Lawrence’s writing was widely circulated, but unfortunately this popularity did not stand the test of time and today he is very little known. This paper will introduce you to the works and world of this major regional author more generally, before focusing on one of Lawrence’s poems, the Dialogi – a verse dialogue written around 1143. This paper will explore how Lawrence’s knowledge of both Virgil’s Eclogues and Georgics expressly shaped his writing on medieval Durham in this poem, particularly concerning his exploration of the topography of the city and the ongoing socio-political conflicts of the day. 6p Monday 27 October 7 Owengate on Palace Green Everyone Welcome!

Our next talk of term will be from our other co-chair from last year, the amazing Lottie Thompson! She will be presenting on "Medieval Durham and the Ancient World: Lawrence of Durham’s Dialogi and Virgil’s Eclogues and Georgics."

See her talk on Monday, 27 October at 6p, 7 Owengate! See you there!

20.10.2025 19:12 — 👍 6    🔁 3    💬 0    📌 0
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Do you want to stay up to date on all things medieval and early modern at Durham? Join the weekly MEMSA email list! ✨

The manual URL is forms.office.com/e/KPARhd0Cmf

(Also I'm an AI anti but the ✨ emoji was mine first, sue me—)

16.10.2025 16:06 — 👍 3    🔁 2    💬 0    📌 0
Durham University’s Medieval and Early Modern Student Association (MEMSA) is an interdisciplinary student-run association attended by postgraduate students in the faculties of English, History, Archaeology, MLAC, Art History, and more. We are currently looking for expressions of interest from all postgraduate students who may wish to join the MEMSA Committee for the current 2025/26 academic year. The MEMSA Community Course: Taking place during the spring/Easter term, the MEMSA Community Course involves eight evening sessions and brings together researchers and the local community. Courses tend to run for two hours, with each session run by a different tutor. While usually the class will take a lecture/seminar format, this is flexible; creativity and collaboration are encouraged, and a call for tutors will be sent out later in the academic year. Community Course Convenors: The community course convenors are responsible for organising the above course, including choosing the theme, applying for funding, advertising for speakers, and compiling the final programme. This position is usually shared between two people, so you can apply individually or as a pair. If you are interested in applying, or if you have any questions, please email memsa.committee@durham.ac.uk with a brief statement about your interest and how you think you could contribute to the role. No CV is required, and we welcome applications from all Durham medieval and early modern enthusiasts, regardless of previous experience. Any new committee member will be supported in the transition to their new role by the outgoing and continuing committee members. DEADLINE: Friday 24th October

Durham University’s Medieval and Early Modern Student Association (MEMSA) is an interdisciplinary student-run association attended by postgraduate students in the faculties of English, History, Archaeology, MLAC, Art History, and more. We are currently looking for expressions of interest from all postgraduate students who may wish to join the MEMSA Committee for the current 2025/26 academic year. The MEMSA Community Course: Taking place during the spring/Easter term, the MEMSA Community Course involves eight evening sessions and brings together researchers and the local community. Courses tend to run for two hours, with each session run by a different tutor. While usually the class will take a lecture/seminar format, this is flexible; creativity and collaboration are encouraged, and a call for tutors will be sent out later in the academic year. Community Course Convenors: The community course convenors are responsible for organising the above course, including choosing the theme, applying for funding, advertising for speakers, and compiling the final programme. This position is usually shared between two people, so you can apply individually or as a pair. If you are interested in applying, or if you have any questions, please email memsa.committee@durham.ac.uk with a brief statement about your interest and how you think you could contribute to the role. No CV is required, and we welcome applications from all Durham medieval and early modern enthusiasts, regardless of previous experience. Any new committee member will be supported in the transition to their new role by the outgoing and continuing committee members. DEADLINE: Friday 24th October

Do YOU want to be on the MEMSA exec? ✨ We're looking for two community course convenors this year! If you're interested in getting involved, send an email to memsa.committe@durham.ac.uk by Friday, 24th October! We look forward to having you join us! 💕

14.10.2025 23:56 — 👍 4    🔁 2    💬 0    📌 0
Auxilios: ‘Reform’ and ‘Aid’ in the Hospital Institutions of New Spain, c. 1730-1770 Isaiah Silvers - Durham University 6p Monday 13 October 7 Owengate on Palace Green Everyone Welcome! In the midst of the reformist atmosphere of the mid-eighteenth-century Spanish Empire a significant part of the administration of the vast viceroyalty of New Spain involved the management of an extensive system of hospital institutions. These included foundling homes, lazarettos, almshouses, and multi-purpose casas de misericordia. This paper investigates how metropolitan ideologies of reform were transmitted and transformed by colonial officials and hospital administrators in New Spain. Through this inquiry, I will propose some alternative models to the received narrative of church-crown competition. Principally, I will suggest that new poor relief practices of this period in New Spain, proceeding through ad-hoc coalitions, contributed the growth of associational cultures among propertied criollos, who in turn deployed the voguish notions of ‘reform’ and ‘aid’ to promote mercantile liberalisation, defend chattel slavery, and enforce racial exclusions in the civic sphere.

Auxilios: ‘Reform’ and ‘Aid’ in the Hospital Institutions of New Spain, c. 1730-1770 Isaiah Silvers - Durham University 6p Monday 13 October 7 Owengate on Palace Green Everyone Welcome! In the midst of the reformist atmosphere of the mid-eighteenth-century Spanish Empire a significant part of the administration of the vast viceroyalty of New Spain involved the management of an extensive system of hospital institutions. These included foundling homes, lazarettos, almshouses, and multi-purpose casas de misericordia. This paper investigates how metropolitan ideologies of reform were transmitted and transformed by colonial officials and hospital administrators in New Spain. Through this inquiry, I will propose some alternative models to the received narrative of church-crown competition. Principally, I will suggest that new poor relief practices of this period in New Spain, proceeding through ad-hoc coalitions, contributed the growth of associational cultures among propertied criollos, who in turn deployed the voguish notions of ‘reform’ and ‘aid’ to promote mercantile liberalisation, defend chattel slavery, and enforce racial exclusions in the civic sphere.

Our first talk of this year's Michaelmas term will be delivered by one of the MEMSA chairs from last year, Isaiah Silvers! He will be discussing 'Auxilios: "Reform" and "Aid" in the Hospital Institutions of New Spain, c. 1730-1770'.

Hope to see you all on Monday 13th October at 6pm!

06.10.2025 00:49 — 👍 2    🔁 1    💬 0    📌 0
We are excited to announce the first MEMSA social of the year will take place on Tuesday, 7th October at 7pm at the Dun Cow (Snug Bar), the oldest pub in Durham. If you're new to MEMSA, we are Durham University's Medieval and Early Modern Student Association. MEMSA is an interdisciplinary association attended by postgraduate students in the departments of English, History, Archaeology, MLAC, Art History, and more. Everyone is welcome at the social! Whether you are studying the medieval or early modern period yourself or are just interested in it, it’s a great chance to meet some other postgrads with similar interests at Durham! See you there!

We are excited to announce the first MEMSA social of the year will take place on Tuesday, 7th October at 7pm at the Dun Cow (Snug Bar), the oldest pub in Durham. If you're new to MEMSA, we are Durham University's Medieval and Early Modern Student Association. MEMSA is an interdisciplinary association attended by postgraduate students in the departments of English, History, Archaeology, MLAC, Art History, and more. Everyone is welcome at the social! Whether you are studying the medieval or early modern period yourself or are just interested in it, it’s a great chance to meet some other postgrads with similar interests at Durham! See you there!

We will be holding our first social of the year at the oldest pub in Durham on Tuesday 7th October at 7pm.

Everyone is welcome, whether you are studying the medieval or early modern period or just interested in it! Come along to meet some fellow postgrads and celebrate the new academic year!

26.09.2025 12:21 — 👍 2    🔁 2    💬 0    📌 0
MEMSA Seminar Series Call for Papers: Durham University's Medieval and Early Modern Student Association (MEMSA) is an interdisciplinary student-run association attended by postgraduate students in the faculties of English, History, Archaeology, MLAC, Art History, and more. We are excited to announce we are now accepting applications for speakers to present in the biweekly MEMSA Seminar Series for the 2025 to 2026 academic year. Our seminars take place in person at 6pm on alternating Monday evenings of term at the IMEMS department headquarters in 7 Owengate. We welcome submissions of 20-30 minute papers from postgraduate students and early career professionals on any topic in any discipline involved in the study of the medieval and early modern periods. Papers should be accessible for a non-specialist academic audience, and the presentation will be followed by approximately 10 minutes for questions and responses. We also happily provide tea and biscuits before the paper begins. If you are interested in presenting, please send a proposal or abstract of no more than 250 words to the MEMSA team at memsa.committee@durham.ac.uk Please also include a brief biographical statement of up to 100 words with your application. DEADLINE: Sunday 5th October X/Twitter @durhamMEMSA Facebook facebook.com/durhammemsa/ bluesky @durhammemsa.bsky.social instagram @durhammemsa website durhammemsa.wordpress.com

MEMSA Seminar Series Call for Papers: Durham University's Medieval and Early Modern Student Association (MEMSA) is an interdisciplinary student-run association attended by postgraduate students in the faculties of English, History, Archaeology, MLAC, Art History, and more. We are excited to announce we are now accepting applications for speakers to present in the biweekly MEMSA Seminar Series for the 2025 to 2026 academic year. Our seminars take place in person at 6pm on alternating Monday evenings of term at the IMEMS department headquarters in 7 Owengate. We welcome submissions of 20-30 minute papers from postgraduate students and early career professionals on any topic in any discipline involved in the study of the medieval and early modern periods. Papers should be accessible for a non-specialist academic audience, and the presentation will be followed by approximately 10 minutes for questions and responses. We also happily provide tea and biscuits before the paper begins. If you are interested in presenting, please send a proposal or abstract of no more than 250 words to the MEMSA team at memsa.committee@durham.ac.uk Please also include a brief biographical statement of up to 100 words with your application. DEADLINE: Sunday 5th October X/Twitter @durhamMEMSA Facebook facebook.com/durhammemsa/ bluesky @durhammemsa.bsky.social instagram @durhammemsa website durhammemsa.wordpress.com

We are pleased to announce submissions are OPEN for this year's MEMSA seminar series!

Submit your abstract of <250 words to our email by Sunday 5th October. Please check the post for further details.

We look forward to reading all applications, and we can't wait to see you there!

12.09.2025 20:56 — 👍 2    🔁 1    💬 0    📌 0
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Medieval and Early Modern Student Association Visit the post for more.

Keep an eye out on social media to keep up to date with all things MEMSA, including our Seminar Series, Blog, Community Course, and of course next year's conference!

You can find us on X (@DurhamMEMSA), Instagram (@Durhammemsa) and our website: durhammemsa.wordpress.com

24.07.2025 10:11 — 👍 3    🔁 0    💬 0    📌 0

At the beginning of this week we hosted the 19th Annual MEMSA Conference.

We would like to thank our supporters: @sshmedicine.bsky.social, Durham's Faculty of Arts and Humanities, @durhamhistory.bsky.social, Durham Castle and of course @imems.bsky.social

24.07.2025 10:08 — 👍 6    🔁 2    💬 1    📌 0
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MEMSA Conference 2025

Final photo of the conference, thank you to everyone who came over the two days - whether for the whole conference or popped in for part of it.

Safe journey home

22.07.2025 16:10 — 👍 10    🔁 3    💬 0    📌 2
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And that's a wrap, thank you to everyone who has been involved in the conference this year!

22.07.2025 16:07 — 👍 4    🔁 0    💬 0    📌 0

Finally, we have closing remarks from this years MEMSA co-chairs Lottie Thompson and Isaiah Silvers!

22.07.2025 14:48 — 👍 0    🔁 0    💬 1    📌 0
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‘Creatures of Power: Animals, Ecology and Humanity in the Medieval World’

22.07.2025 14:33 — 👍 4    🔁 1    💬 0    📌 0
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While at the same time delegates are also hearing from Dr Victoria Burns-Price, Dr Daniella Zaidman-Mauer and Dr Grace Catherine Greiner on ‘More than Meets the Eye: Imagining and Imagined Connections between Magic and the Natural World;

22.07.2025 13:15 — 👍 0    🔁 0    💬 1    📌 0
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It is now time for the final session of the conference. Our first panel is titled ‘Creatures of Power: Animals, Ecology and Humanity in the Medieval World’ with Rosalind Philips-Solomon, Jennifer Coulton and Amanda Boeing.

22.07.2025 13:13 — 👍 1    🔁 0    💬 1    📌 1
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‘The Green Arcana: Herbs as Tools of Transformation in Magic and Ritual’

22.07.2025 11:58 — 👍 1    🔁 0    💬 0    📌 0
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In the castle, we are also hosting a session on ‘Publishing Your Research For Postgraduate and Early Career Professionals’ in association with Boydell and Brewer.

22.07.2025 10:59 — 👍 1    🔁 0    💬 1    📌 0
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After a busy morning, are are now at the fifth panel of the conference with ‘The Green Arcana: Herbs as Tools of Transformation in Magic and Ritual’ with Aphrodite Skarpa, Gretchin Kepplinger and Heather Taylor

22.07.2025 10:58 — 👍 1    🔁 0    💬 1    📌 0
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Our keynote from Dr Yarí Pérez-Marín

22.07.2025 10:00 — 👍 0    🔁 0    💬 1    📌 0

We are now about to listen to the second keynote speaker of the conference from Dr Yarí Pérez-Marín who is delivering a talk on “The Hidden Nature: Observation and Vulnerability in Early Modern Surgical Writing”

22.07.2025 09:28 — 👍 0    🔁 0    💬 1    📌 0
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MEMSA Conference ‘Poetry as Natural Philosophy: Reimagining Life and Death in Verse’

22.07.2025 09:12 — 👍 0    🔁 0    💬 0    📌 0
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Simultaneously in the Castle, there are papers from Emily Whittingham, Maria Del Mar Yunis and Kenzie Scott in the panel ‘Poetry as Natural Philosophy: Reimagining Life and Death in Verse’

22.07.2025 08:02 — 👍 1    🔁 0    💬 1    📌 1
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Alongside hosting the conference in Durham Castle, our other panel is held in 7 Owengate, the home for the Institute of Medieval and Early Modern Studies. Here are some of our talks taking place there yesterday

22.07.2025 07:59 — 👍 3    🔁 0    💬 1    📌 1
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Kicking off proceedings bright and early on day 2 of our conference we have the first panel on: ‘Myths and Legends: Exploring the Boundaries of Folklore and Science’ with papers from Valentina Majolo, Thomas Banbury and Charles Marshall.

22.07.2025 07:48 — 👍 5    🔁 1    💬 1    📌 1
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We are rounding up our panels for the day. Here are some more pictures from our speakers from sessions held in the Bishop's Dining Room in Durham Castle

21.07.2025 16:19 — 👍 1    🔁 0    💬 0    📌 0

@durhammemsa is following 20 prominent accounts