@joydivisor.bsky.social
π π’π΅ Letterboxd: https://boxd.it/a5xF
#horrorsky
31.10.2025 11:09 β π 1 π 0 π¬ 0 π 0
Silent Hill 2 soundtrack on colored vinyl.
@lacedrecords.com @discogsofficial.bsky.social
@konamina.bsky.social
@adsk4.bsky.social
#horrorsky ππ
#gamesky
#vinyl
#soundtrack
Unknown Pleasures (1979)
#MusicSky
π«‘
01.10.2025 09:32 β π 1 π 0 π¬ 1 π 0
#LastFourWatched #LetterboxdFriday #Filmsky #Moviesky
Let the Right One In
Lake Mungo
Mississippi Burning
Cyborg
Congratulations, your new book is fantastic. π
10.09.2025 10:25 β π 3 π 1 π¬ 1 π 0@umbrellaent.bsky.social
31.08.2025 16:31 β π 2 π 0 π¬ 0 π 0
Letterboxd: letterboxd.com/film/aftersun/
@letterboxd.social
#filmsky #moviesky
www.youtube.com/watch?v=S3cL...
This wasnβt just an indie budget necessity; itβs what makes the filmβs intimacy believable.
Who are our parents? What was their motivation when they were the age we are now? What did they fear? How will we remember them? What will we remember?
#filmsky #moviesky
a stray cat weaving between chairs, a karaoke barβs flickering sign - was found rather than staged. Wells embraced these real-world intrusions, letting the camera absorb them as if they were part of Sophieβs memory itself.
#filmsky #moviesky
the film folds grainy MiniDV footage into luminous 35mm images, blurring the gap between Sophieβs childhood perception and her adult recollection. Most of what feels accidental - the way sunlight bounces off the pool tiles,
#filmsky #moviesky
Aftersun (2022)
Charlotte Wellsβ debut plays like a half-remembered home video, but every frame is deliberate. Shot on location in a modest Turkish resort town,
#filmsky #moviesky
www.youtube.com/watch?v=cEIG...
#filmsky #moviesky
#filmsky #moviesky
12.08.2025 19:03 β π 3 π 1 π¬ 1 π 0
youtu.be/VZtQH_cwTOw?...
#filmsky #moviesky
Singh called it βA world tour disguised as a fairy tale.β but its truth is even better: itβs a fairy tale that never left the real world.
#filmsky #moviesky
Letterboxd: letterboxd.com/film/the-fall/
@letterboxd.social
it anchored the dreamlike story in tangible reality, making the little girlβs imagination feel vast yet believable.
#filmsky #moviesky
Every palace, desert, and sweeping landscape existed exactly as you see it - from Rajasthanβs Amber Fort to Boliviaβs salt flats. This decision wasnβt just aesthetic vanity;
#filmsky #moviesky
The Fall (2006) by Tarsem Singh
Tarsem Singh shot it over four years, across more than 20 countries, without a single set built for the fantasy sequences and almost no CGI.
#filmsky #moviesky
Wings of Desire (1987) by Wim Wenders
youtu.be/uzFGEx9SkDg?...
boxd.it/2b26
@letterboxd.social
#filmsky #moviesky π½οΈ πΊ #peterfalk #columbo #brunoganz
The black-and-white cinematography was achieved with Henri Alekanβs custom-made silk stocking filter (literally stretched over the lens) to soften the image and give it an ethereal, dreamlike glow.
#filmsky #moviesky π½οΈ πΊ
Wings of Desire
Wim Wenders deliberately shot the angelsβ perspective in black-and-white to reflect their timeless, detached existence - inspired by old photographs and the silent film era - while the human perspective bursts into color to show the vibrancy of mortal life.
#filmsky #moviesky π½οΈ πΊ
Final scene from the movie 'The Third Man' (1949) This is a black-and-white film still showing a wide, perfectly symmetrical tree-lined avenue stretching far into the distance. The trees are tall but bare, with only thin branches reaching up, suggesting late autumn or winter. The ground is scattered with fallen leaves. On the left side of the frame, in the foreground, stands a man in a suit and overcoat, wearing a hat. He leans casually against a cart piled with what looks like firewood or bundles. His head is slightly tilted downward, and he appears to be waiting. In the far distance, at the center of the avenue, a woman walks toward the camera. She is wearing a long coat and hat, and her figure is small due to the depth of the shot. Rows of gravestones or monuments flank both sides of the path, hinting that this is a cemetery. The composition is completely still, as if frozen in time. The vanishing point draws the eye straight down the center of the frame toward the approaching figure, creating a sense of inevitability and quiet tension. The absence of camera movement and the bare, skeletal trees give the moment a stark, almost melancholy beauty. Have a great day! π
The Third Man (1949) by Carol Reed
#filmsky #moviesky πΊ π½οΈ
#letterboxd @letterboxd.social
boxd.it/294E
#filmsky #moviesky πΊ π½οΈ
youtu.be/OysfWAHSQp8?...
#filmsky #moviesky πΊ π½οΈ
youtu.be/claegtMofWE?...
The final shot of The Third Man (1949) is one of the boldest endings in cinema - a locked-off camera as Anna walks past Holly without a word, all to Karasβs bittersweet zither theme. It defied Hollywoodβs βhappy endingβ rule and became a masterclass in restraint. #filmsky π½οΈπΊ
youtu.be/l64JIcG-O-k?...
The last four films I watched were all entries in The Toxic Avenger series. I rated parts 1 and 4 three stars, part 2 two and a half stars, and part 3 two stars. The picture shows all the movie posters and each rating below them.
Well,β¦.
#Filmsky π½οΈ #LetterboxdFriday #LastFourWatched #moviesky πΊ
boxd.it/a5xF
Vielleicht kΓΆnnte dir Stasis gefallen. Detention und Pathologic hast du auch noch nicht auf deiner Liste.
27.07.2025 09:42 β π 3 π 0 π¬ 1 π 0
