LUANOTX

Carlos Silva (Argentina 01930-1987)
Olot (1971)

bridging computational thinking and Hindu philosophy's approach to consciousness and reality.

Mirrored Mind.
A profound memoir where Chandra reveals code as spiritual practice. Through meditative contemplation, the coder dissolves into the code itself. Programming emerges as poetry,a recursive grammar generating infinite possibilities from finite rules, 👇
#visualpoetry #code #consciousness

I agree that intention matters. But I think the issue isn't just individual artists it's the system that decides which intentions get amplified and which get buried.

I understand that argument, but I question whether spectacle actually achieves effective social action. A world of constant alarm and critique without beauty becomes exhausting. The real question is whether the current system allows space for both, or if spectacle just consumes everything. :/

Yes, they are, but unfortunately that 1% is what makes the noise and shapes the world's perception of contemporary art. :/

Consequently, art either screams about the horror or laughs darkly at the absurdity of it all, but rarely offers respite or transcendence.

When art became primarily about critique and disruption, it lost other vocabularies: reverence, beauty, patience, silence. These virtues can seem naive or apolitical in a world on fire...👇

#artcritic #curation #artmarket

Special Edition !!!
MIRADAS TANGENTES - 155' Divergencia | 25' Convergencia + Immersive Audio-Visual Performance. Individual visions orbit independently for 155min, then converge into unified experience for 25min
Contact without intersection.
#NFTmadrid #digitalart #madrid
luma.com/vkryv7gw

Umbrales Digitales concluded past January the 15th. Despite awful weather, people came and engaged with the art and performances. Deeply honored by the artists who trusted me to carry their work into Madrid's digital landscape. Thank you to all who came. This means everything.🖤
#DigitalArt #nftArt

digital threads
Woven #5 @objkt.com
objkt.com/tokens/KT1Np...

#visualpoetry #digitavector #Threads

Umbrales Digitales · Luma English follow. Umbrales Digitales Te invitamos a una noche de arte computacional con artistas internacionales provenientes de Austria, Argentina, Canadá,…

You're invited!!

DIGITAL THRESHOLDS
January 15 · 9:00 PM · Madrid

Computational Art
7 countries · 7 artists · 12 screens
Free admission

Siroco ArtLab
luma.com/w5fz9wht
#digitalart #madrid #nftmadrid

José Cláudio, Livro de Carimbos nº 3 (1968).
#visualpoetry #brazil #print

www.fxhash.xyz/art-coin/lua

Genes!s•Reverb - Launches Dec 20 at 18:00 CET
250 editions | 2 $LUANOTX | @processing.org

Hello Everyone!🔆 ! My first drop on @fxhash.bsky.social 🎉

Genes!s•Reverb

From my forest walks documenting lichen to computational patterns. Multi-center radial fields generating semi-organic formations, cells dividing molecules mirroring life under microscope.

Details 🧵 👇
#nft #art #ai #code

When art gives us permission to care... but only inside the frame. The other day, while scrolling through my FB feed, I came across an image of Ron Mueck’s sculpture.

When art gives us permission to care... but only inside the frame.
substack.com/@luanotx/not...

#art #contemporary #sculpture

This is what happens when you ask a machine to "think" like lichen and it hears something else entirely.

The dot density gradient evokes water ripples and fungal growth, revealing the space between organic and machine learning interpretation. Concentric circles expand, overlap, fade, the algorithm doesn't distinguish between pond surface and mycelium, between ripple and growth ring.

This glitch of language between human and machine is itself a kind of symbiosis, like lichen, where two different organisms create something neither could alone, the miscommunication between human intention and machine logic generates forms that wouldn't exist through perfect translation.

In the dialogue with the #machine misunderstandings arise and the code outputs are unexpected. These new iterations I call 'ripple lichen'.
Instead of correcting the glitch, the error, the misunderstanding, I'm taking the results and playing with them.

Ripple Lichen.
Since I started exploring lichen as a source of inspiration and organism to investigate, I've been using AI as an assistant to create code templates and map my morning walks and #lichen photographs.

🧵⤵️
#processing code + #AI
Some minted on #rodeo.club
#nftart #generativeart #aiart

Happy Sunday everyone 🌞
Pls visit the Line of work listed for auction at the pink&red open call curated by @mamarelic and place your bid.
A set of 3 different "🦩Flamingo Drift" pieces, one edition each 6 days to go!!! 👇
@tezos.com @objkt.com
#nft #opart

objkt.com/tokens/KT1JK...

So many of us (myself included) have a Bsky profile, but barely use it. Can someone remind me why we’re all still hanging out on X, while most of us keep complaining about TheAlgo and everything that’s wrong with this place?
What do we collectively need to finally make the move?

Dmitri Prigov , Wherever the Motherland May Send Us (1978)
Ink on paper, hand-typed text
Prigov called these visual poems “Poetrygrams” (Stikhogrammi in Russian)
#visualpoetry

Exercise using dots and tildes.
#visualpoetry
#typewriter
#concreteart

Wave_Matrix-06

Between the sterile world of code, there's warmth in the imaginary sheets.
This collection is an attempt to recreate the physical sensation of fabrics translated into ASCII code, where symbols replace threads & brightness becomes texture.

#visualpoetry

objkt.com/tokens/KT1PF...

Henri Chopin, (France 1922-2008) a pioneer of sound poetry and a leading figure in the French avant-garde."Concreto for 2240 (c) C minor" illustrates his innovative approach, fusing poetry, sound, and technology to challenge literary and musical conventions.

In the book title El corazón sin Sentido (the Heart of Nonsense), by Mexican writer, researcher, and visual poet Alfredo Espinosa (Chihuahua, 1958): a poem-book whose pages sparkle with visual poems inspired by and in open dialogue with the works of Escher.

LOUISE BOURGEOIS (FRENCH 1911-2010)
I Have Been to Hell and Back (Pink Edition)
2007
#visualpoetry

Tulio Restrepo (Colombia 1958).
Visual artist.
El verbo $er
$0$
#visualpoetry