Subtext is for cowards
08.11.2025 22:16 — 👍 62 🔁 15 💬 0 📌 0@nikgunn.bsky.social
Writer, translator and medievalist. Cultural & creative industries/education policy by day. Views mine. https://nikolasgunn.co.uk/
Subtext is for cowards
08.11.2025 22:16 — 👍 62 🔁 15 💬 0 📌 0My cozy fantasy novel inspired by my love (and fear…) of Scotland’s mountains, misadventures in academia, and time spent adventuring in Dungeons and Dragons, will be out next July!!
08.11.2025 18:07 — 👍 46 🔁 9 💬 12 📌 1... and Leicester... Languages, History...
It's so easy to destroy, so hard to create. So much talent. So many lives.
www.bbc.co.uk/news/article...
'Music and modern foreign languages degrees are among courses being suspended at the University of Nottingham, with the institution saying it “cannot rely on additional income” from the coming tuition fee rises.' 1/3
06.11.2025 12:59 — 👍 19 🔁 27 💬 3 📌 15A new interview blogpost from me! This time talking to @alexharvv.bsky.social about his book "Forgotten Vikings". We also touch on the importance of promoting academic history outside academia.
01.11.2025 10:31 — 👍 19 🔁 7 💬 0 📌 2The paperback of Medieval Twitter has landed omfg
Not quite a stocking stuffer price, but much much more affordable than before, thankfully
www.arc-humanities.org/978180270265...
#MedievalSky 🗃️ @archumanities.bsky.social
I haven't touched Old Norse materials in a while, but I *love* Hallfreðr saga.
04.11.2025 16:15 — 👍 5 🔁 1 💬 0 📌 0Thanks Laura!
04.11.2025 15:54 — 👍 0 🔁 0 💬 0 📌 0Attention @guildmedmak.bsky.social! Look forward to reading this, Nik!
04.11.2025 15:46 — 👍 5 🔁 3 💬 1 📌 0Thanks to everyone who’s shared. I originally published this way back in 2020 but I’m using it as a placeholder for now as I haven’t had much time to write recently. I’m hoping to return to Hallfreðr again with some new work in my next post.
04.11.2025 06:30 — 👍 3 🔁 0 💬 0 📌 0And even if they were written centuries after the fact, then they remain a fascinating account of how a Christian author imagined a pagan might respond to conversion.
03.11.2025 18:32 — 👍 5 🔁 0 💬 1 📌 0New post up: a translation of Hallfreðr "troublesome poet" Óttarson's conversion verses.
If genuine, they provide an amazing insight into a Viking Age pagan grappling with a change in religion.
nikolasgunn.co.uk/2025/11/03/p...
Night-Time in Mid-Fall It is a storm-strid night, winds footing swift Through the blind profound; I know the happenings from their sound; Leaves totter down still green, and spin and drift; The tree-trunks rock to their roots, which wrench and lift The loam where they run onward underground. The streams are muddy and swollen; eels migrate To a new abode; Even cross, 'tis said, the turnpike-road; (Men's feet have felt their crawl, home-coming late): The westward fronts of towers are saturate, Church-timbers crack, and witches ride abroad.
A Thomas Hardy poem for Halloween
31.10.2025 16:47 — 👍 27 🔁 6 💬 1 📌 1so the news is that i have done the unthinkable and... started a podcast.
"American Medieval" - because if we've never been fully modern, maybe it's because we've always been a little bit medieval.
the trailer has now dropped! please have a listen -->
patreon.com/americanmedieval
A screenshot of a product description that claims said product is not suitable for children under or over 36 months old.
I see.
29.10.2025 20:23 — 👍 5 🔁 0 💬 1 📌 0“Structuralism is back baby, it’s good again!”
This interview with Leif Weatherby on LLMs is one of the best theoretically-informed discussions I’ve heard on the topic. Well worth your time if you’re a literary theorist or linguist.
podcasts.apple.com/gb/podcast/d...
I agree that that reading of Frodo is the one that makes most sense. I just read LOTR again after about 20 years and I found the whole ending very moving in a way that took me by surprise.
29.10.2025 13:27 — 👍 1 🔁 0 💬 0 📌 0It was great to write this blog post for the @guildmedmak.bsky.social and to give readers a little glimpse into my creative-critical practice, as my 'ecocreative' translations turn from storms 🌧 and ice ❄ to heat and fire 🔥 via the OE poem on The Phoenix #medievalsky.
27.10.2025 12:24 — 👍 19 🔁 9 💬 1 📌 0Artist Harri Thorne’s new range of blown glass pieces “Diaphanous”. Five colourful blob-like pieces in a row, from left to right: pink, yellow, teal, purple, red.
My partner has just launched her new work “Diaphanous” at Wingates Gallery in Market Harborough.
I think they’re really fun and beautiful but unfortunately my suggestion of naming the range “blobs” didn’t win out.
www.instagram.com/p/DQV5KMigST...
The Society of Authors (SoA) has launched a campaign to "make a stand for a better recognition of the contribution and role of ghostwriters in celebrity-authored children’s fiction."
Read more 👇
A tiny starter pack of #runology: go.bsky.app/2GTwP8M
23.10.2025 19:42 — 👍 10 🔁 4 💬 1 📌 2Down the Deep Time rabbit hole pursuing Tethys after seeing this. Shudders. Earth as last place God made.
23.10.2025 08:41 — 👍 52 🔁 14 💬 2 📌 0I'm doing a full re-read for the first time in over 15 years, so we'll see if my opinion holds!
22.10.2025 09:05 — 👍 1 🔁 0 💬 1 📌 0I remember on the old ASOIAF board people complaining that Brienne’s arc in AFFC was boring but I absolutely loved it.
22.10.2025 05:52 — 👍 1 🔁 0 💬 1 📌 0I mean I don’t really think it’s unhinged either, but I’ve met a lot of people who think he’s a terrible writer.
21.10.2025 21:31 — 👍 2 🔁 0 💬 1 📌 0i really hope i live to see a time where it again feels like education for its own sake is seen as a social good
21.10.2025 18:18 — 👍 1435 🔁 248 💬 17 📌 2ELMET (the play!) will be opening in Bradford tomorrow. Catherine Love has written about the process of bringing it to the stage.
www.theguardian.com/stage/2025/o...
this is very very nice and I am still not sure I read the email accurately - big thanks to @leverhulme.ac.uk, without whom, incidentally, I could not have written A FLAT PLACE
21.10.2025 09:53 — 👍 395 🔁 23 💬 85 📌 2finally finished making a short and dirty guide to middle english, a language that i famously do not like. hopefully my students appreciate my tables!
21.10.2025 00:20 — 👍 17 🔁 5 💬 0 📌 0