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HimmyDraws

@himansu.bsky.social

He/Him Dealing with my emotional baggage through art. Digital Illustrator | Animator

5,329 Followers  |  558 Following  |  3,940 Posts  |  Joined: 29.10.2023  |  2.4575

Latest posts by himansu.bsky.social on Bluesky

Your walls could look epic in time for the new year!

22.11.2025 04:02 — 👍 4    🔁 0    💬 0    📌 0
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Here are some animals and creatures I've drawn lately!

22.11.2025 03:54 — 👍 9    🔁 4    💬 0    📌 0
Work in progress pen drawing of a figure in a chain mail hood covering their head holding an eye like orb with a second companion in the background among ruins and a third to the left

Work in progress pen drawing of a figure in a chain mail hood covering their head holding an eye like orb with a second companion in the background among ruins and a third to the left

Done for the night. Made more progress than I expected for a Friday night
11x17 pen and paper #wip
#surreal #macabre #PenAndPaper #TraditionalArt #DarkSurrealism #DarkArt #Art #InkSky #GrimDark

22.11.2025 03:09 — 👍 51    🔁 8    💬 0    📌 0

This will hurt my wrist a normal amount, I'm sure #WIP

21.11.2025 18:53 — 👍 74    🔁 5    💬 0    📌 0

Aaaand back to this campaign and OC, this time for a pivotal moment in the tale, as Four finds *a* god.

#art #vgencomm #digitalart #illustration

21.11.2025 17:43 — 👍 18    🔁 5    💬 2    📌 0
A peach fabric background with bird silhouettes overlayed with 12 starling outlines created with hand embroidery. On top of those are 6 starlings which are partially hand embroidered in detail.

A peach fabric background with bird silhouettes overlayed with 12 starling outlines created with hand embroidery. On top of those are 6 starlings which are partially hand embroidered in detail.

These Starlings are back with me having been on display in the USA for 6 months.
"Murmuration 2"
Hand embroidery thread painting artwork
www.emilytull.co.uk/store/p23/st...
#birds #FlyDay #WildlifeArt #FiberArt

21.11.2025 14:42 — 👍 79    🔁 16    💬 4    📌 0
A colorful, bluish illustration of a human torso getting rapidly deformed by alien tentacles beneath his skin

A colorful, bluish illustration of a human torso getting rapidly deformed by alien tentacles beneath his skin

Day 21 of #xenovember and leaning hard into Fifield. This is him getting consumed by freaky Giger meat nom nom nom #darkart #timelapse in the replies

21.11.2025 15:49 — 👍 235    🔁 49    💬 8    📌 0
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Germination🌱

Prints are on sale on INPRNT: www.inprnt.com/gallery/caro...

21.11.2025 15:23 — 👍 313    🔁 91    💬 3    📌 0
Artshare time!

Artshare time!

It's time for an #ARTSHARE! 🥀

♡ Share your fav artworks
♡ Repost/share this post
♡ Interact with others
♡ Follow me if you want ;)
♡ Label NSFW art, please!

❌️ No A*I or N*F*T ❌️

20.11.2025 10:09 — 👍 32    🔁 15    💬 23    📌 2
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🩸New Art on Patreon🩸
www.patreon.com/LittleEvil0n...

21.11.2025 14:45 — 👍 164    🔁 32    💬 5    📌 0

So cool!!

21.11.2025 14:55 — 👍 1    🔁 0    💬 1    📌 0
A black and white comic. Page 1 of 4:

The first panel depicts a garden in front of a brick house. There is a metal railing outside the house, possibly blocking off some stairs leading underground. A couple of basement windows further indicate that we are looking at the outdoor entrance to a basement. A round little woman with glasses and tiny feet – the landlady – is guiding a tall, lanky male-presenting teenager with a sports bag over their shoulder across the yard.

The landlady speaks: “I keep the lawn mowed, but you will shovel your own snow in winter. Bad back, you see. The stairs. Keep them clean, watch yourself.”

Along the bottom of the panel, the title “Unwanted Visitor” appears.

In the next couple of panels, the landlady shows the teenager into a basement apartment, with a black and white chequered floor and sparse furniture. The teenager looks unimpressed as the landlady goes on:

“Kitchenette, bathroom. Keep the window open while you cook. Grease is a terrible thing. There’s a scraper in the shower – use it. Mold is also a terrible thing. No parties, no guests, no girlfriends, no noise.”

The teenager begins to speak: “What about…”

The landlady interrupts: “Do not use the phone jack. My sick old mother must be able to reach me when I’m at work.”

In the next panel, the teenager points to the far wall of the room, where a door can be seen behind a curtain.

“What’s with the door?” the teenager asks.

The landlady responds from off-panel: “That leads to my part of the house. It will be kept locked. From my side, of course.”

Next, landlady holds up the curtain, gesturing toward it as the teenager looks annoyed.

“Doesn’t feel very private,” says the teenager.

“Sure it does,” says the landlady. “There’s a curtain. I need emergency access. Fires are a terrible thing.”

“What about the front door?” says the teenager.

“Right,” says the landlady, handing over a set of keys, shown in closeup. “You will make no copies of this. Enjoy your studies.”

A black and white comic. Page 1 of 4: The first panel depicts a garden in front of a brick house. There is a metal railing outside the house, possibly blocking off some stairs leading underground. A couple of basement windows further indicate that we are looking at the outdoor entrance to a basement. A round little woman with glasses and tiny feet – the landlady – is guiding a tall, lanky male-presenting teenager with a sports bag over their shoulder across the yard. The landlady speaks: “I keep the lawn mowed, but you will shovel your own snow in winter. Bad back, you see. The stairs. Keep them clean, watch yourself.” Along the bottom of the panel, the title “Unwanted Visitor” appears. In the next couple of panels, the landlady shows the teenager into a basement apartment, with a black and white chequered floor and sparse furniture. The teenager looks unimpressed as the landlady goes on: “Kitchenette, bathroom. Keep the window open while you cook. Grease is a terrible thing. There’s a scraper in the shower – use it. Mold is also a terrible thing. No parties, no guests, no girlfriends, no noise.” The teenager begins to speak: “What about…” The landlady interrupts: “Do not use the phone jack. My sick old mother must be able to reach me when I’m at work.” In the next panel, the teenager points to the far wall of the room, where a door can be seen behind a curtain. “What’s with the door?” the teenager asks. The landlady responds from off-panel: “That leads to my part of the house. It will be kept locked. From my side, of course.” Next, landlady holds up the curtain, gesturing toward it as the teenager looks annoyed. “Doesn’t feel very private,” says the teenager. “Sure it does,” says the landlady. “There’s a curtain. I need emergency access. Fires are a terrible thing.” “What about the front door?” says the teenager. “Right,” says the landlady, handing over a set of keys, shown in closeup. “You will make no copies of this. Enjoy your studies.”

Page 2 of 4:

There are four similar panels in a 2x2 grid, depicting the teenager from before in closeup, apparently seen through a bathroom mirror. In the first panel, the teenager is applying mascara to their eyelashes. A hissing sound effect, represented by a slithering trail of the letter “H”, emerges from the background and carries through the next two panels.

The teenager thinks: “Two months and I still can’t get used to that smell. Must be the plumbing. And that hissing sound… the pipes? Or is an animal dying in the wall?”

The teenager, now wearing lipstick, roughs up their hair, making a pouty face at the mirror and looking fabulous. They wipe the lipstick off on their arm, glancing over their shoulder.

The teenager thinks: “Maybe there really is a mold p…” but is interrupted by a slamming sound from off-panel. “Who’s there?” the teenager asks.

In the next panel, the teenager looks out from the bathroom, appearing as a dark silhouette with the whites of their eyes showing. The next panel reveals the main room, where the curtain in front of the door is sustained on the air, as if the door had just slammed shut. The final panel depicts a keyhole, seen up close, and through it we see the foot-end of a bed, where two large, wiry feet are resting.

Page 2 of 4: There are four similar panels in a 2x2 grid, depicting the teenager from before in closeup, apparently seen through a bathroom mirror. In the first panel, the teenager is applying mascara to their eyelashes. A hissing sound effect, represented by a slithering trail of the letter “H”, emerges from the background and carries through the next two panels. The teenager thinks: “Two months and I still can’t get used to that smell. Must be the plumbing. And that hissing sound… the pipes? Or is an animal dying in the wall?” The teenager, now wearing lipstick, roughs up their hair, making a pouty face at the mirror and looking fabulous. They wipe the lipstick off on their arm, glancing over their shoulder. The teenager thinks: “Maybe there really is a mold p…” but is interrupted by a slamming sound from off-panel. “Who’s there?” the teenager asks. In the next panel, the teenager looks out from the bathroom, appearing as a dark silhouette with the whites of their eyes showing. The next panel reveals the main room, where the curtain in front of the door is sustained on the air, as if the door had just slammed shut. The final panel depicts a keyhole, seen up close, and through it we see the foot-end of a bed, where two large, wiry feet are resting.

Page 3 of 4:

The teenager is standing close to the viewer, their back turned. We are outside in the garden. A  garden wall separates the lawn from the street, where an old car is parked. The landlady, now wearing a coat, is making her way toward the car, away from the teenager. 

“Ridiculous,” she says, “I’ve told you, that door is locked.”

The teenager replies: “From your side, yes. But…”

The landlady interrupts: “Are you suggesting, that my poor old mother, who can barely go to the toilet by herself, is sneaking into your room?”

We see a closeup of the landlady’s face, as she rolls her eyes. In the background, the teenager throws out their hands.

“Well somebody is!” says the teenager.

“Preposterous,” replies the landlady.

The teenager goes on: “And that’s not all.”

Next, we see three panels in sequence with rounded corners, suggesting a memory or flashback. In the first panel, the teenager is rummaging through a bag of toiletries. Their dialogue continues over the scene: “Some of my toiletries have gone missing.”

Next, the teenager is in bed, clasping their face in apparent fear, one eye showing between the fingers. The background is a pattern of concentric circles. The dialogue continues: “I hear creaking and hissing at night.”

Next, the teenager’s frowning face is seen in profile as they survey the contents of a pot of butter. The dialogue continues: “And the other day, I found traces in my butter. Like from fingers.”

Back in the garden, the landlady raises a warning finger at the teenager.

“I’ve heard just about all I can take,” says the landlady. The teenager tries to protest: “But…” and the landlady continues: “I’m late for my night shift. This discussion is over.”

The landlady looks over her shoulder with a strangely smug expression.

“There have been no unwanted visitors in that apartment,” she says. “Unless you invited them yourself. Have you been doing something you shouldn’t?”

The teenager scratches their head as the car drives away.

Page 3 of 4: The teenager is standing close to the viewer, their back turned. We are outside in the garden. A garden wall separates the lawn from the street, where an old car is parked. The landlady, now wearing a coat, is making her way toward the car, away from the teenager. “Ridiculous,” she says, “I’ve told you, that door is locked.” The teenager replies: “From your side, yes. But…” The landlady interrupts: “Are you suggesting, that my poor old mother, who can barely go to the toilet by herself, is sneaking into your room?” We see a closeup of the landlady’s face, as she rolls her eyes. In the background, the teenager throws out their hands. “Well somebody is!” says the teenager. “Preposterous,” replies the landlady. The teenager goes on: “And that’s not all.” Next, we see three panels in sequence with rounded corners, suggesting a memory or flashback. In the first panel, the teenager is rummaging through a bag of toiletries. Their dialogue continues over the scene: “Some of my toiletries have gone missing.” Next, the teenager is in bed, clasping their face in apparent fear, one eye showing between the fingers. The background is a pattern of concentric circles. The dialogue continues: “I hear creaking and hissing at night.” Next, the teenager’s frowning face is seen in profile as they survey the contents of a pot of butter. The dialogue continues: “And the other day, I found traces in my butter. Like from fingers.” Back in the garden, the landlady raises a warning finger at the teenager. “I’ve heard just about all I can take,” says the landlady. The teenager tries to protest: “But…” and the landlady continues: “I’m late for my night shift. This discussion is over.” The landlady looks over her shoulder with a strangely smug expression. “There have been no unwanted visitors in that apartment,” she says. “Unless you invited them yourself. Have you been doing something you shouldn’t?” The teenager scratches their head as the car drives away.

Page 4 of 4:

The teenager is brushing their teeth, glancing anxiously over their shoulder at the dark room behind them. The teenager thinks: “I am not spending another school year in this place. Hopefully I can get something new after summer.”

The hissing sound effect from earlier returns, slithering out of the darkness and carrying across the next several panels, as we see the teenager lying in bed, eyes pinched shut, trying to sleep, a wedge of light falling across their head and shoulders.

“There’s that noise again,” the teenager thinks. “Like a hissing pipe. And that smell. What is that?”

The teenager, in closeup, opens one eye, peeking to the side.

In the next panel, they sit up, seen from behind, looking toward the curtain and the door behind it. The hissing sound effects slithers toward the curtain, pointing our direction there. Two long, nasty-looking feet are standing behind the curtain on the chequered floor.

The teenager’s terrified eye appears in closeup, menaced by wriggling bolts on all sides.

We get a closer look at the big, nasty feet behind the curtain, toes long with long, broken toenails. The comic ends here.

Page 4 of 4: The teenager is brushing their teeth, glancing anxiously over their shoulder at the dark room behind them. The teenager thinks: “I am not spending another school year in this place. Hopefully I can get something new after summer.” The hissing sound effect from earlier returns, slithering out of the darkness and carrying across the next several panels, as we see the teenager lying in bed, eyes pinched shut, trying to sleep, a wedge of light falling across their head and shoulders. “There’s that noise again,” the teenager thinks. “Like a hissing pipe. And that smell. What is that?” The teenager, in closeup, opens one eye, peeking to the side. In the next panel, they sit up, seen from behind, looking toward the curtain and the door behind it. The hissing sound effects slithers toward the curtain, pointing our direction there. Two long, nasty-looking feet are standing behind the curtain on the chequered floor. The teenager’s terrified eye appears in closeup, menaced by wriggling bolts on all sides. We get a closer look at the big, nasty feet behind the curtain, toes long with long, broken toenails. The comic ends here.

Unwanted Visitor, the second instalment in my series of four-page horror comics.

Enjoy! 👻

#comics, #art, #horror, #DarkArt

21.11.2025 07:21 — 👍 75    🔁 24    💬 10    📌 0
Digital sketch by me, light grey on near-black navy. A unicorn skull, facing left, has a horn that curls backwards, in through the back of the skull and out of the eye socket. It's grinning nonetheless.

Digital sketch by me, light grey on near-black navy. A unicorn skull, facing left, has a horn that curls backwards, in through the back of the skull and out of the eye socket. It's grinning nonetheless.

steed of narcissus ✧

21.11.2025 01:47 — 👍 235    🔁 65    💬 4    📌 0
alien covenant xenomorph illustration mafe with brush, neon acrylic inks on yellow oaper with printed out screentones. I enjoyed this experiment a lot!

alien covenant xenomorph illustration mafe with brush, neon acrylic inks on yellow oaper with printed out screentones. I enjoyed this experiment a lot!

DAY 20 / XENOVEMBER update:
ok, I'm happy now

#xenovember
#alien #horror #scifiart #darkart #art #xenomorph #artpost #xenovember2025 #bskyart #ink #colors

20.11.2025 16:02 — 👍 133    🔁 23    💬 7    📌 0
Dessin dans un petit carnet d'un profil de corbeau portant une couronne.  Une bulle de dialogue contenant un cœur pointe vers son bec

Dessin dans un petit carnet d'un profil de corbeau portant une couronne. Une bulle de dialogue contenant un cœur pointe vers son bec

Piaf - encre sur papier
circa 2025

21.11.2025 11:45 — 👍 208    🔁 39    💬 2    📌 0
Study of a bird with chill hair

Study of a bird with chill hair

The still image, just trying to put the video first

21.11.2025 13:51 — 👍 112    🔁 19    💬 2    📌 1
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Drink&Draw Session

21.11.2025 07:23 — 👍 64    🔁 5    💬 0    📌 0
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#dailyart 78 : study

#birds

21.11.2025 13:50 — 👍 506    🔁 54    💬 6    📌 1
A digitally painted portrait of a Triton man with bluegreen skin. His dark hair which stops growing 2 inches above his finned ears is pulled back in braids and a bun. A blue gem earring dangles from right ear and he wears scaled armor. He smiles at the viewer.

A digitally painted portrait of a Triton man with bluegreen skin. His dark hair which stops growing 2 inches above his finned ears is pulled back in braids and a bun. A blue gem earring dangles from right ear and he wears scaled armor. He smiles at the viewer.

Completed Painted Sketch #Commission for FlintAndFuss of their Triton Cleric, Demikos.

---
vgen.co/CoveofMadness
---

#commissionsopen #ttrpgart #ttrpg-ocs #dndcharacter #artsky #vgen

20.11.2025 20:59 — 👍 39    🔁 18    💬 2    📌 1

Aww thank you! I appreciate that! The shading makes things look better than they really are though.

21.11.2025 00:30 — 👍 0    🔁 0    💬 0    📌 0
Two graphite on paper figure study of the feminine form. One crawling and the other arching their back

Two graphite on paper figure study of the feminine form. One crawling and the other arching their back

Figure studies cont. Going to do less shading and more linework. Less places to hide mistakes that way.

21.11.2025 00:21 — 👍 29    🔁 6    💬 1    📌 0

🎉🎂🥳!!

21.11.2025 00:00 — 👍 2    🔁 0    💬 1    📌 0
New xeno growing out of standing xeno body horror.

New xeno growing out of standing xeno body horror.

Zombie skull mech with many connections.

Zombie skull mech with many connections.

Zombieskullmech connected to makeshift bot.

Zombieskullmech connected to makeshift bot.

Xenomorphs crowded together, merging into one body horror monster.

Xenomorphs crowded together, merging into one body horror monster.

Doing a silent #ARTSHARE for 10K followers (thank you!!) and for my birthday!! 🎂🎉

Post your art, repost other’s art, spread art far and wide - have fun!🎨
#darkart #penandink #digitalart #sketch #procreate

Absolutely NO Ay-Eye

I will kick it off 🎉

20.11.2025 17:46 — 👍 143    🔁 46    💬 36    📌 2

Go get some free stuff on your birthday!!

20.11.2025 20:35 — 👍 3    🔁 0    💬 0    📌 0
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Late Patreon B-day shout out!
Happy late B-day Carrie M!

I hope your birthday was a great one and that you like this portrait of Cayde-6 from Destiny 2.

Thank you again for your patience!
#artist #destiny2 #fanart

20.11.2025 19:21 — 👍 93    🔁 30    💬 1    📌 0
Preview
a man is peeking out from behind a door and saying `` i got you ! '' ALT: a man is peeking out from behind a door and saying `` i got you ! ''
20.11.2025 16:40 — 👍 1    🔁 0    💬 0    📌 0

Beautiful :

20.11.2025 14:30 — 👍 12    🔁 0    💬 1    📌 0
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She moves slowly

20.11.2025 00:44 — 👍 1959    🔁 423    💬 9    📌 1

I feel that. Big hug dude!

20.11.2025 03:22 — 👍 1    🔁 0    💬 1    📌 0

I’m glad you took a break. Healthiest thing I did was drop a bunch of social media sites and it helped me a ton. So long as I have a way of seeing your work I’m happy!

20.11.2025 03:06 — 👍 1    🔁 0    💬 1    📌 0

@himansu is following 20 prominent accounts