Dr KindBox

Photo de Mark Twain avec sa belle moustache !

#Élections
" Un mensonge peut faire le tour de la terre le temps que la vérité mette ses chaussures. "
Mark Twain - 1835-1910 - Pensées

Tu migres de où vers où?
Le 2e oú est compatible Mac Apple? iPhone ?

Art idées pouvoir

« L’art parvient à faire ressentir les idées, et pas seulement à les penser. C est pour ça que les puissants cherchent toujours à le contrôler."

84% of the time, “ChatGPT Health” killed a customer using their paid service as advertised

Passez tous a Wero

Un médecin peut-il critiquer publiquement l’homéopathie et les médecines alternatives sans trahir ses confrères ? Le Conseil d’État s’interroge… Par une décision rendue le 20 février 2026, le Conseil d’État a ordonné le sursis à l’exécution d’une sanction disciplinaire visant un médecin ayant critiqué les fondements scientifiques des médecines...

www.lofficieldesmetiers.fr/un-medecin-p...

Dehumanised medicine: Austria’s doctors during the Third Reich Yes, I have published another book! It is about the Third Reich; more specifically, it is about Austria's medical profession during that period. As the book is in German, allow me to translate the con...

Dehumanised medicine: Austria's doctors during the Third Reich edzardernst.com/2026/02/dehu...

Les faits, les réactions, les suites : tout comprendre à l'affaire Prestianni-Vinicius et aux accusations de racisme lors de Benfica-Real Madrid Le match Benfica-Real Madrid (0-1), mardi en play-off aller de Ligue des champions, a été momentanément interrompu à la suite de possibles propos racistes de Gianluca Prestianni envers Vinicius Junior...

Ah, un autre article, de bien meilleure tenue.
Dans lequel on lit : "D'après A. Tchouaméni, Prestianni s'est défendu auprès des joueurs madrilènes en affirmant qu'il avait « traité Vinicius de p*dé », établissant une curieuse hiérarchie de ce qui est acceptable, entre l'homophobie et le racisme."

Messiah, c’est le gars d’extrême droite qui, s’il rejoint une manif de neonazi, sera tabassé par ses « potes » par méprise physique?
Lui non plus, il a pas tout bien compris.

#StreetArt in #Paris 9th by #CosmicGirl

Post a ship that's not Star Wars or Star Trek

For sure

YouTube video by StackGuide On a testé LaSuite de l'état : C'est vraiment top ! (Review)

😃 On a testé LaSuite de l'état : des outils, modernes, complets et simples d'usage. Il y a même un gestionnaire de mots de passe (Bitwarden). lasuite.numerique.gouv.fr

Cerise : ce sont des logiciels libres que chacun peut utiliser dans son entreprise. 🇫🇷 Souveraineté des données et des outils.

One on left is a black dog and above it the words “Reality”. Below it is “I chased a squirrel” One the right is a black dog and above it says “LinkedIn”. Below it says, Proud to announce that I effectively executed a rapid-response squirrel displacement strategy to mitigate potential yard intrusions. Humbled by the unwavering support of my family and local stakeholders. This experience reinforced the importance of vigilance, ownership, and continuous improvement. Looking forward to scaling this impact in future engagements.

😂

OK donc 100 handmaiden's Tale.
😮

a white cat with a mustache is sitting on a couch with the words huh huh written on it . ALT: a white cat with a mustache is sitting on a couch with the words huh huh written on it .

Le gorafi?

Painting "Seated Harlequin" (1923), by Pablo Picasso. A young man in profile, seated in a wooden chair, looks to the left with a serene expression. He wears a harlequin costume made of patchwork in shades of dusty rose, yellow, and blue, with thick visible stitching and a dark gray pointed hat. His hands are clasped in his lap. The background is plain, in shades of beige and gray, highlighting the central figure.

Pablo Picasso, Seated Harlequin, 1923.

Drawing of a woman in a chair with a cat

Saturday
#artsky

Color film study of Nic Cage in front of liquor store in the brilliant Raising Arizona

Raising Arizona by Justin Parpan.
#comics #art #film

This full-length portrait by American artist Ayana Ross depicts a young Black girl standing against an off white background that becomes a multi-shade green checkerboard band, like a tiled floor. She has deep brown skin and a soft, rounded face, her natural hair forming a short, airy halo. She wears a crisp white, short-sleeved dress that flares gently at the hem, with white socks and black shoes. Her posture is steady and self-possessed with shoulders relaxed and steady gaze direct but calm. At her side she holds a bright red book with saturated color. Ross renders skin, fabric, and light with careful realism, letting the pared-down setting keep attention on the girl’s presence, dignity, and quiet authority. The palette stays restrained with creamy whites, muted greens, and a gentle shadow so that every decision reads intentional including the clean edge of the dress and the careful modeling of her legs. The simplicity also amplifies the ethical stakes of portraiture so we are asked to slow down, notice the child’s agency, and question any urge to project a story onto her. Based in Atlanta and recipient of the 2021 Bennett Prize, Ross uses realism as a platform for examining race, gender, identity, economics, and the value systems that decide who is believed. The title, “She Who Knows,” likely turns the portrait into a statement about authority because knowledge here is carried, guarded, and chosen. The red book, as the sharpest, most insistent color in the painting, probably signals learning as something precious and hard-won, not passively received. It invokes histories of restricted access to education, but the book also insists on the sitter’s agency. Her calm, unwavering gaze completes the message: she isn’t staged as “innocent” for our comfort. She stands as someone already aware, already informed, and already centered.

“She Who Knows” by Ayana Ross (American) - Oil on canvas / 2022 - Muskegon Museum of Art (Muskegon, Michigan) #WomenInArt #WomensArt #WomanArtist #WomenArtists #AyanaRoss #MuskegonMuseumofArt #BlackArt #art #artText #BlackArtist #AfricanAmericanArtist #AfricanAmericanArt #BlueskyArt #PortraitofaGirl

Barkley L. Hendricks (American, 1945-2017)
Steve, 1976
Magna, acrylic, and oil on linen
72 × 48 in. (182.9 × 121.9 cm)
Whitney Museum of American Art

#art #painting #artist #BlueSkyArt

Leonard Koscianski, American, 1952

Isolation, 2022

Oil on canvas | 42″ x 26″

#art #painting #artist #BlueSkyArt

Egon Schiele (Austrian, 1890–1918)
"The Port of Trieste", 1907.
Oil and Pencil on Cardboard, 25 × 18 cm.
Private Collection.
#art #painting #artist #BlueSkyArt

#StreetArt in #Paris 20th #LesMursOntDesOreilles

Pre Raphaelites meet Mucha meets Mercurial Muse. Work in progress

#art #painting #artnouveau #artsky #bskyart

Elizabeth Catlett (U.S., 1915–2012). Sharecropper (1952, printed 1970). #BlackHistoryMonth

Art by • Jean Giraud (Moebius)

Beau gosse!

crypto wouldn't be falling like this if trump was president

Enfin Godzilla!