Ryethkaul

Hybrid canine character with horns, abstract oil spill looking background

@doomershark over on the Hellsite. Good commentary.

I actually think Vista is better than Windows 11 at this point

Busy pic of my kitchen, focused on a small picture of Kenji Lopez Alt on the side of the fridge looking over the stove. He looks very happy and calm. Exactly what you want to see while cooking. The night's light is soft and warm, with colors scintillating off the many glass bottles of alcohol and cooking supplies.

what would kenji do......

What are you looking at? Me?

Suit: AndromedaLatex
📷: @nudecarbon-studios.bsky.social

My hamster wanted to say hi

questioning

Art of Rezz the fluffdragon sitting on the floor in a pinup sort of pose. They are wearing a shiny black latex catsuit

Rezz is all shined up for #ShinySunday! ✨🖤 #LatexFur

Arts by @th3geo.bsky.social

somewhat-messy digital illustration of my oc grimm (they/it), a human wearing a robotic coyote suit of armor. the piece show's grimm's back from a slightly top-down angle and is rendered in bright red and ultramarine blue tones. there are multiple red linework overlays in the background of pieces of shrapnel and a diagram of a deconstructed gun. in white linework on top of everything else are two molecular structures: rdx and estradiol

all shrapnel and scar tissue
#ocs

A shot from behind someone affixing an avon fm12 gas mask onto another. One of their arms helps hold the thick rubber mask in place, while the other hand secures the many lockable straps around the head. The other person holds the front of the mask and looks downward as they are worked over. The lighting is an intense, de-saturated ice-blue and washed red.The colors gently highlight the masks curves, and shines on the hair of the person putting the mask on in the foreground.

Our masked subject is now fully in the mask, with long corrugated rubber, 40mm tubes connected to both intake and exhale ports. The handler reaches forward, grasping the mask as the subject looks down and concentrates on their breathing. A bubbler can be seen just on the edge of the frame, showing where the tubes snake towards. The lighting is the same de-saturated ice blue and red, though from this angle the colors mix towards a more uniform purple. In the mask's eyes, a soft yellow glow sparkles.

"Breathe for me. Good. Steady... Good~"

Mask: @ponedrone.bsky.social
Handler: @koboldorion.itch.io

Pretty in Pink~ 💗13

so uhhhhhh i may have been heavily inspired by this and commissioned art form the masterfully skilled @poiuytrew.bsky.social 👀💙✨

#SqueakySaturday #rubberfur #latexfur #rubber #latex

A character from my comic in progress named “Luchsia Springs”— a gray, purple and magenta lynx in latex garments, smoking a cigarette while looking slyly at the viewer

Signature Character Portraits!

Portrait 1: Luchsia Springs

I have made a character who I adore way too much

J9 be asking “You got games on your phone?”

Lovely latex sounds 🤤

#latex #asmr #rubber #trans #toesocks

Valentine's Day Sketches~
🖤❤️🧡💛💚💙💜🤍

[ #sketch #furryart #furrycouple #valentines #commission #comm ]

“How’s my hair?”

I really love the detail that’s gone into his hair.

Art by: @flochiie.bsky.social

#sfw #furryart

in-streams from earlier this week! 🐰🎨
1. @tanzureir.bsky.social
2. @gzifoyd.bsky.social
3. PinkDrinkServal 🐦️

Thank you @cafurccino.bsky.social for the art comm!
Your style is so amazing I love how you drew my dragon 💙

🤭

There's bread plushies? omg!

a pic of me in full fursuit and my rubber bandana, making a silly pose at the camera while having a bread slice fursuit prop with a hole in the middle put around my head. @miloproponyl.bsky.social is seen in the back to the left

ack! what happened? where did yote's slice of bread go??? 😵

📷: @a-xenomorph.bsky.social
yeen cameo (left): @miloproponyl.bsky.social
🍞: @gzifoyd.bsky.social

#FursuitFriday #furry #fursuit

Pretty blue!

Don't have a lot of pics of myself for #fursuitfriday yet so here's a fit pic instead

Head complete for Thorphax the dragon! He will be finished as a fullsuit! 🐉🔥

#fursuitfriday #fursuitmaker #fursuit

t.me/MidnightMkrs

My character Naomi, a dhole space engineer, in her underwear and a tank top holding a wrench

Fixes your spaceship lesbianlly

This sculpture was definitely just built for furries to take pics in #FursuitFriday

🔵🦈 @supercellshark.bsky.social
🟣🦈 @raditas.bsky.social
🟠🐺 @novapheonix22.bsky.social
🦎 @gadzooks.bsky.social
🐦 @noisybird.bsky.social

📷 @scarly.bsky.social

Eager puppy 🐶 (2022)
#Korrasami

✌️😼🐲

From very early on in the history of the epidemic, Aids has been mobilised to a prior agenda of issues concerning the kind of society we wish to inhabit. [...] Aids is effectively being used as a pretext throughout the West to "justify" calls for increasing legislation and regulation of those who are considered to be socially unacceptable. — Simon Watney, Policing Desire: Pornography, AIDS, and the Media (1987) the thing about acceptable targets is that they reflect the hegemony of the ruling class, and nowhere is this so apparent as applied to the queer community. the queer, writes the Mary Nardini Gang, "[has] always been the other, the alien, the criminal. The story of queers in this civilization has always been the narrative of the sexual deviant, the constitutional psychopathic inferior, the traitor, the freak, the moral imbecile." that being the acceptable target in this manner engenders immense suffering and resentment is obvious; nobody, i presume, takes unconditional joy in being a part of the “resistance to regimes of the normal,” as Michael Warner once put it. there is, within all of us queers, some essence that against our own desire begs to assimilate. to become one with the ruling class. to finally exercise for ourselves the “mechanism of social control” that is inherent to labeling deviancy. [see: Mary McIntosh, “The Homosexual Role” (1968), reprinted in Forms of Desire: Sexual Orientation and the Social Constructionist Controversy, ed. Edward Stein (New York: Routledge, 1992), p. 27.] to—in one punch downward upon another group, particularly one that is ‘immoral’—externalize every second of our suffering and resentment in such a way that someone else can finally understand and feel.

but the assimilationist desire; the attempt to make one's self ‘normal’ and ‘respectable’ in contrast to others; the yearning to use the master's tools ‘for good’—these must always meet the reality of a heteronormative world. deviancy is degeneracy, and degeneracy must be destroyed. we are the subjects, to use a turn of phrase from Simon Watney, of “an imaginary national family unit which is both white and heterosexual” and to whom anything unfamiliar is indecent. [see: Simon Watney, Policing Desire: Pornography, AIDS, and the Media (1987), p. 43] to this imaginary family—always of the nuclear variety, always the one who holds both discursive and ideological power—nothing besides total renunciation of queer identity, and nothing besides its placing back in the closet, will ever good enough. the only move that can buy them off is collaboration. your polyamorous relationship, your furry identity, your therianthropy, your most deeply stigmatized fetish—these will never be made ‘respectable’ to anybody in any position of power through sacrificing the most “undesirable” faggot to the wolves. to believe otherwise is how heteronormative society co-opts those who want to liberate into those who actually collaborate. when you accept that we must throw away certain “undesirables,” must label them “deviants,” what you are accepting is the very ideological and moral foundation upon which heteronormativity is built: only what does not transgress, what does not challenge the sensibilities of straightness, is permissible.

on the matter of the acceptable target (or, the theoretical basis of a politicized, pluralistic expression of furry sexuality)

alyaza.neocities.org/essays/Furry...