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Laura Beloff

@laurabeloff.bsky.social

Artist and academic. University: Aalto ARTS. Professor. Vice-Dean for Artistic and Creative Practices. Art & Science & Technology in focus and practice. The field of experimental arts.

291 Followers  |  280 Following  |  11 Posts  |  Joined: 15.01.2025  |  1.4951

Latest posts by laurabeloff.bsky.social on Bluesky

AeRaTe — AREA

In case you are in Helsinki on the coming Monday 5th of May. Aalto University's artistic research symposium and exhibition!!
www.area.aalto.fi/aerate

30.04.2025 05:12 — 👍 8    🔁 1    💬 0    📌 0
Preview
POM Perth 2025 - Synthetic Sentience The University Of Western Australia - July 16-18, 2025

www.pomconference.org/pom-perth-20...

Few more days extended - new Deadline 3rd April 2025 (AWST midnight) - also online presentations are possible under certain conditions

30.03.2025 21:20 — 👍 5    🔁 1    💬 0    📌 0
Preview
POM Perth 2025 - Synthetic Sentience The University Of Western Australia - July 16-18, 2025

The 5th Politics of the Machines Conference : Synthetic Sentience
Call for Abstract
Extended Deadline 29th March 2025

The POM-conference will explore the evolving politics of sentience across a wide array of fields.

www.pomconference.org/pom-perth-20...

15.03.2025 07:01 — 👍 9    🔁 3    💬 0    📌 0
Preview
POM Perth 2025 - Synthetic Sentience The University Of Western Australia - July 16-18, 2025

www.pomconference.org/pom-perth-20...

Fantastic conference in July! Submit a short abstract - extended deadline until 29th March.
Hope to see you in Perth with @oroncatts.bsky.social and get updates on Symbiotica, see Alvin Lucier (or part of him) performing, discuss bio-computers,....

20.03.2025 07:40 — 👍 6    🔁 1    💬 0    📌 0
Preview
POM Perth 2025 - Synthetic Sentience The University Of Western Australia - July 16-18, 2025

The 5th Politics of the Machines Conference : Synthetic Sentience
Call for Abstract
Extended Deadline 29th March 2025

The POM-conference will explore the evolving politics of sentience across a wide array of fields.

www.pomconference.org/pom-perth-20...

15.03.2025 07:01 — 👍 9    🔁 3    💬 0    📌 0
Preview
POM Perth 2025 - Synthetic Sentience The University Of Western Australia - July 16-18, 2025

One great conference has the call open for abstract submissions!! (Short abstract now, conference presentation next, publication at the end).
Check the intriguing track topics.

Please share further!!

Deadline 15th march for abstracts.

www.pomconference.org/pom-perth-20...

08.03.2025 06:29 — 👍 4    🔁 0    💬 0    📌 0
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Helsinki. Bioart society kirppis today. We are selling strange tools. This is the place to come if you are looking for a peculiar present or tool. 11-16pm

15.02.2025 09:15 — 👍 9    🔁 0    💬 0    📌 0
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Helsinki people - Bioart society kirppis today. We are selling strange tools. This is the place to come if you are looking for a peculiar present or tool. Strange tools 11-16pm.

15.02.2025 08:29 — 👍 7    🔁 0    💬 0    📌 0
Redirecting...

Laser talks Brussels

www.facebook.com/share/p/18j6...

06.02.2025 17:52 — 👍 3    🔁 0    💬 0    📌 0
A multidisciplinary installation that mummifies a damaged microscope using SCOBY leather, symbolizing the fragility of preservation practices and the interplay between microorganisms and archival objects. A ghostly hologram enhances this meditation on microbial life and time-space dynamics.

A multidisciplinary installation that mummifies a damaged microscope using SCOBY leather, symbolizing the fragility of preservation practices and the interplay between microorganisms and archival objects. A ghostly hologram enhances this meditation on microbial life and time-space dynamics.

Revisiting Brion Gysin’s 1959 "Dreamachine," this piece experiments with altered states of consciousness through a rotating light and shadow device. Observed through a monocular microscope, the light patterns induce the user to enter a hypnagogic state.

Revisiting Brion Gysin’s 1959 "Dreamachine," this piece experiments with altered states of consciousness through a rotating light and shadow device. Observed through a monocular microscope, the light patterns induce the user to enter a hypnagogic state.

Blurring the boundaries between cinema and microscopy, this work transforms a microscope into a projector, revealing the subjective and ambiguous nature of scientific representation. By projecting inverted high-resolution images on the retina, it highlights the complexities of objectivity and that it may be inherently ambiguous.

Blurring the boundaries between cinema and microscopy, this work transforms a microscope into a projector, revealing the subjective and ambiguous nature of scientific representation. By projecting inverted high-resolution images on the retina, it highlights the complexities of objectivity and that it may be inherently ambiguous.

The Microscope Thing (2025) Aalto University.
They have readapted old and partly non-functional microscopes in different ways for alternative and experimental purposes. Katri Naukkarinen (FI), Claudio Filho (BR), Takumi Saeki (JP), Laura Beloff (FI), Muge Yildiz (FI/TR), Aurora Del Rio (FI/IT)

24.01.2025 10:49 — 👍 14    🔁 2    💬 1    📌 0
Inspired by the gynecological fern test, this participatory artwork invites audiences to observe estrogen at work through crystallizing samples. Offering a delicate lens into hormonal functions of the body, it transforms moments of potential worry into observations of beauty through a scientific visual exploration.

Inspired by the gynecological fern test, this participatory artwork invites audiences to observe estrogen at work through crystallizing samples. Offering a delicate lens into hormonal functions of the body, it transforms moments of potential worry into observations of beauty through a scientific visual exploration.

This oversized reimagining of a microscope slides turns the microscope into its own subject of analysis. By deconstructing and encasing its components in resin, the work critiques the western scientific tendency toward categorization and systematization.

This oversized reimagining of a microscope slides turns the microscope into its own subject of analysis. By deconstructing and encasing its components in resin, the work critiques the western scientific tendency toward categorization and systematization.

Combining a microscope, real-time solar data, and a broiler chicken model, this work critiques industrial farming and the Anthropocene. By inviting viewers to observe cosmic data through the lens of industrialized life, it questions scientific perspectives and their implications for humanity and nature.

Combining a microscope, real-time solar data, and a broiler chicken model, this work critiques industrial farming and the Anthropocene. By inviting viewers to observe cosmic data through the lens of industrialized life, it questions scientific perspectives and their implications for humanity and nature.

This exhibition brings together a group of researchers and microscope enthusiasts from the School of Art, Design, and Architecture at Aalto University. They have readapted old and partly non-functional microscopes in different ways for alternative and experimental purposes. These works and experiments reimagine and deconstruct the microscope as both a scientific tool and a cultural artifact. Each piece offers a unique perspective on the intersections of science, art, and society, reflecting on the histories, materialities, and philosophical implications of this iconic instrument. The repurposed ‘scopes’ address the borders of what the microscope is thought to be, or how it is thought to function.

This exhibition brings together a group of researchers and microscope enthusiasts from the School of Art, Design, and Architecture at Aalto University. They have readapted old and partly non-functional microscopes in different ways for alternative and experimental purposes. These works and experiments reimagine and deconstruct the microscope as both a scientific tool and a cultural artifact. Each piece offers a unique perspective on the intersections of science, art, and society, reflecting on the histories, materialities, and philosophical implications of this iconic instrument. The repurposed ‘scopes’ address the borders of what the microscope is thought to be, or how it is thought to function.

The Microscope Thing (2025) Aalto University.
They have readapted old and partly non-functional microscopes in different ways for alternative and experimental purposes. Katri Naukkarinen (FI), Claudio Filho (BR), Takumi Saeki (JP), Laura Beloff (FI), Muge Yildiz (FI/TR), Aurora Del Rio (FI/IT)

24.01.2025 10:48 — 👍 11    🔁 0    💬 0    📌 0
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This series of works is being exhibited in Aalto Uni, Helsinki.

16.01.2025 09:46 — 👍 20    🔁 1    💬 0    📌 0

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